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Maclean's swallowtail moth, Lyssa macleayi (underside) 1, dark umber, Philereme transversata 2, and grey chain-dotted geometer, Cingilia catenaria 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Maclean's swallowtail moth, Lyssa macleayi (underside) 1, dark umber, Philereme transversata 2, and grey chain-dotted geometer, Cingilia catenaria 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615910: Maclean's swallowtail moth, Lyssa macleayi (underside) 1, dark umber, Philereme transversata 2, and grey chain-dotted geometer, Cingilia catenaria 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4615910

Maclean's swallowtail moth, Lyssa macleayi (underside) 1, dark umber, Philereme transversata 2, and grey chain-dotted geometer, Cingilia catenaria 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4616010: Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4616010

Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

Fungus Description: Red Russule (venenous) and Russule Fetide (suspect). Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist.
Fungus Description: Red Russule (venenous) and Russule Fetide (suspect). Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist.

FLO4616067: Fungus Description: Red Russule (venenous) and Russule Fetide (suspect). Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist. / Bridgeman Images

ID: FLO4616067

Fungus Description: Red Russule (venenous) and Russule Fetide (suspect). Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist.

Painting 526 (oil on canvas, 1915)
Painting 526 (oil on canvas, 1915)

LRI4616214: Painting 526 (oil on canvas, 1915), Magnelli, Alberto (1888-1971) / Bridgeman Images

ID: LRI4616214

Painting 526 (oil on canvas, 1915)

Magnelli, Alberto (1888-1971)

The future of monuments Sculpture in plaster painted face. Painting by Rene Magritte (1898-1967), 1932. London, E.L.T. Menses.
The future of monuments Sculpture in plaster painted face. Painting by Rene Magritte (1898-1967), 1932. London, E.L.T. Menses.

LRI4616290: The future of monuments Sculpture in plaster painted face. Painting by Rene Magritte (1898-1967), 1932. London, E.L.T. Menses., Magritte, Rene (1898-1967) / Bridgeman Images

ID: LRI4616290

The future of monuments Sculpture in plaster painted face. Painting by Rene Magritte (1898-1967), 1932. London, E.L.T. Menses.

Magritte, Rene (1898-1967)

Common box, European box or boxwood, Buxus sempervirens (gigantea, heterophylla and leptophylla). Handcoloured stipple engraving after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819.
Common box, European box or boxwood, Buxus sempervirens (gigantea, heterophylla and leptophylla). Handcoloured stipple engraving after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819.

FLO4616319: Common box, European box or boxwood, Buxus sempervirens (gigantea, heterophylla and leptophylla). Handcoloured stipple engraving after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4616319

Common box, European box or boxwood, Buxus sempervirens (gigantea, heterophylla and leptophylla). Handcoloured stipple engraving after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819.

Redouté, Pierre Joseph (1759-1840)

Myrtle holly or myrtle dahoon, Ilex myrtifolia. Handcoloured stipple engraving by Delaneaux after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.
Myrtle holly or myrtle dahoon, Ilex myrtifolia. Handcoloured stipple engraving by Delaneaux after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

FLO4616421: Myrtle holly or myrtle dahoon, Ilex myrtifolia. Handcoloured stipple engraving by Delaneaux after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4616421

Myrtle holly or myrtle dahoon, Ilex myrtifolia. Handcoloured stipple engraving by Delaneaux after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

Redouté, Pierre Joseph (1759-1840)

Officer of the Netherlands, 17th century, based on a painting by David Teniers the young (1610-1690), at the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Officer of the Netherlands, 17th century, based on a painting by David Teniers the young (1610-1690), at the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616719: Officer of the Netherlands, 17th century, based on a painting by David Teniers the young (1610-1690), at the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616719

Officer of the Netherlands, 17th century, based on a painting by David Teniers the young (1610-1690), at the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616794: Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616794

Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Surface de Mars - Artist's View
Surface de Mars - Artist's View

PIX4616945: Surface de Mars - Artist's View, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4616945

Surface de Mars - Artist's View

Dixon, Don (b.1951)

Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617303: Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617303

Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Door stendard of a company of arquebusiers, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Door stendard of a company of arquebusiers, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616802: Door stendard of a company of arquebusiers, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616802

Door stendard of a company of arquebusiers, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867
Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867

FLO4616852: Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616852

Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Great water plantain, Alisma plantago-aquatica (Alisma plantago). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Great water plantain, Alisma plantago-aquatica (Alisma plantago). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617419: Great water plantain, Alisma plantago-aquatica (Alisma plantago). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617419

Great water plantain, Alisma plantago-aquatica (Alisma plantago). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Woody nightshade, Solanum dulcamara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Woody nightshade, Solanum dulcamara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617270: Woody nightshade, Solanum dulcamara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617270

Woody nightshade, Solanum dulcamara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Wayfaring tree, Viburnum lantana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Wayfaring tree, Viburnum lantana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617314: Wayfaring tree, Viburnum lantana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617314

Wayfaring tree, Viburnum lantana. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Dwarf elder, Sambucus ebulus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Dwarf elder, Sambucus ebulus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617317: Dwarf elder, Sambucus ebulus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617317

Dwarf elder, Sambucus ebulus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Thrift, Armeria maritima (Statice armeria). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Thrift, Armeria maritima (Statice armeria). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617341: Thrift, Armeria maritima (Statice armeria). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617341

Thrift, Armeria maritima (Statice armeria). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

MultiMotorplikation - Serigraphy, 1963
MultiMotorplikation - Serigraphy, 1963

LRI4617372: MultiMotorplikation - Serigraphy, 1963, Phillips, Peter (b.1939) / Bridgeman Images

ID: LRI4617372

MultiMotorplikation - Serigraphy, 1963

Phillips, Peter (b.1939)

Coronation throne of the ancient Abyssinian kings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Coronation throne of the ancient Abyssinian kings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619811: Coronation throne of the ancient Abyssinian kings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619811

Coronation throne of the ancient Abyssinian kings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4619841: Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4619841

Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619865: Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619865

Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Summer Pleasures Landscape with concert. Painting by Giovanni Francesco Barbieri Guerchin dit Il Guercino (1591-1666) 17th century Sun. 0,35x0,47 m Florence, Uffizi gallery
Summer Pleasures Landscape with concert. Painting by Giovanni Francesco Barbieri Guerchin dit Il Guercino (1591-1666) 17th century Sun. 0,35x0,47 m Florence, Uffizi gallery

LRI4620122: Summer Pleasures Landscape with concert. Painting by Giovanni Francesco Barbieri Guerchin dit Il Guercino (1591-1666) 17th century Sun. 0,35x0,47 m Florence, Uffizi gallery, Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

ID: LRI4620122

Summer Pleasures Landscape with concert. Painting by Giovanni Francesco Barbieri Guerchin dit Il Guercino (1591-1666) 17th century Sun. 0,35x0,47 m Florence, Uffizi gallery

Guercino (Giovanni Francesco Barbieri) (1591-1666)

African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619914: African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619914

African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Natives of the Kingdom of Kongo (Congo) playing various musical instruments and dancing. A gourd-resonated xylophone marimba, a drum ngamba, double bell longa, and two percussion scrapers, kasuto and kilondo. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Natives of the Kingdom of Kongo (Congo) playing various musical instruments and dancing. A gourd-resonated xylophone marimba, a drum ngamba, double bell longa, and two percussion scrapers, kasuto and kilondo. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620137: Natives of the Kingdom of Kongo (Congo) playing various musical instruments and dancing. A gourd-resonated xylophone marimba, a drum ngamba, double bell longa, and two percussion scrapers, kasuto and kilondo. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620137

Natives of the Kingdom of Kongo (Congo) playing various musical instruments and dancing. A gourd-resonated xylophone marimba, a drum ngamba, double bell longa, and two percussion scrapers, kasuto and kilondo. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620031: Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620031

Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Natives of the Ivory Coast, Africa. Men in loinclothes with hair dyed red and dressed with palm oil, and a noble in cloak. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Natives of the Ivory Coast, Africa. Men in loinclothes with hair dyed red and dressed with palm oil, and a noble in cloak. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620051: Natives of the Ivory Coast, Africa. Men in loinclothes with hair dyed red and dressed with palm oil, and a noble in cloak. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620051

Natives of the Ivory Coast, Africa. Men in loinclothes with hair dyed red and dressed with palm oil, and a noble in cloak. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620082: Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620082

Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620382: House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620382

House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620326: Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620326

Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Bedouin arabs of Egypt, 1820s, with basket, stick, and mother carrying a baby on her back. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Bedouin arabs of Egypt, 1820s, with basket, stick, and mother carrying a baby on her back. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620700: Bedouin arabs of Egypt, 1820s, with basket, stick, and mother carrying a baby on her back. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620700

Bedouin arabs of Egypt, 1820s, with basket, stick, and mother carrying a baby on her back. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620704: Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620704

Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620742: Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620742

Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Virgin and Child, 1517-1518 (oil on canvas)
Virgin and Child, 1517-1518 (oil on canvas)

LRI4620741: Virgin and Child, 1517-1518 (oil on canvas), Correggio, (Antonio Allegri) (c.1489-1534) / Bridgeman Images

ID: LRI4620741

Virgin and Child, 1517-1518 (oil on canvas)

Correggio, (Antonio Allegri) (c.1489-1534)

Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621076: Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621076

Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621247: Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621247

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.


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