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Victorian scrap: King Henry IV, King Henry V, King Henry VI
Victorian scrap: King Henry IV, King Henry V, King Henry VI

LLM462557: Victorian scrap: King Henry IV, King Henry V, King Henry VI, English School, (19th century) / Bridgeman Images

Romeo and Juliet
Romeo and Juliet

LLM462567: Romeo and Juliet, Smith, John Moyr (1839-1912) / Bridgeman Images

Othello
Othello

LLM462570: Othello, Smith, John Moyr (1839-1912) / Bridgeman Images

Georgy Porgy the First going out for a ride in his State Coachy Poachy
Georgy Porgy the First going out for a ride in his State Coachy Poachy

LLM462756: Georgy Porgy the First going out for a ride in his State Coachy Poachy, Leech, John (1817-64) / Bridgeman Images

Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia, printed by H.J. Toudy & Co., c.1875 (litho)
Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia, printed by H.J. Toudy & Co., c.1875 (litho)

LCP463127: Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia, printed by H.J. Toudy & Co., c.1875 (litho), American School, (19th century) (after) / Bridgeman Images

Philadelphia Fashions Fall and Winter 1847 by Samuel A. Ward and Asahel F. Ward, printed by Thomas S. Sinclair, 1847 (litho)
Philadelphia Fashions Fall and Winter 1847 by Samuel A. Ward and Asahel F. Ward, printed by Thomas S. Sinclair, 1847 (litho)

LCP463134: Philadelphia Fashions Fall and Winter 1847 by Samuel A. Ward and Asahel F. Ward, printed by Thomas S. Sinclair, 1847 (litho), French, John Taylor (1822-52) (after) / Bridgeman Images

Sacred Heart Convent,
Sacred Heart Convent,

LCP463157: Sacred Heart Convent, "Eden Hall." Torresdale, Pennsylvania, c.1885 (litho), American School, (19th century) / Bridgeman Images

Monument to J.S. Lewis, Esq., 1844 (litho)
Monument to J.S. Lewis, Esq., 1844 (litho)

LCP463174: Monument to J.S. Lewis, Esq., 1844 (litho), Notman, John (1810-65) / Bridgeman Images

Advertisement for 'Geo. S. Harris & Sons, printers, engravers, lithographers', c.1885 (chromolitho)
Advertisement for 'Geo. S. Harris & Sons, printers, engravers, lithographers', c.1885 (chromolitho)

LCP463191: Advertisement for 'Geo. S. Harris & Sons, printers, engravers, lithographers', c.1885 (chromolitho), American School, (19th century) / Bridgeman Images

The Witcombe Cabinet, c.1697 (japanned and silvered wood)
The Witcombe Cabinet, c.1697 (japanned and silvered wood)

HOL449886: The Witcombe Cabinet, c.1697 (japanned and silvered wood) , English School, (17th century) / Bridgeman Images

The Mastbaum Album, c.1860-80 (graphite, ink & wash on paper)
The Mastbaum Album, c.1860-80 (graphite, ink & wash on paper)

PHL450489: The Mastbaum Album, c.1860-80 (graphite, ink & wash on paper), Rodin, Auguste (1840-1917) / Bridgeman Images

Portrait of a Young Man, c.1795 (oil on canvas)
Portrait of a Young Man, c.1795 (oil on canvas)

HOL450138: Portrait of a Young Man, c.1795 (oil on canvas), Mosnier, Jean Laurent (1743/4-1808) / Bridgeman Images

Crimson Horned Pheasant (Satyr Tragapan), c.1775-1800 (w/c on paper)
Crimson Horned Pheasant (Satyr Tragapan), c.1775-1800 (w/c on paper)

PHL450519: Crimson Horned Pheasant (Satyr Tragapan), c.1775-1800 (w/c on paper), Indian School, (18th century) / Bridgeman Images

Lady Emily Kerr as a Bacchante, c.1770 (oil on canvas)
Lady Emily Kerr as a Bacchante, c.1770 (oil on canvas)

HOL450287: Lady Emily Kerr as a Bacchante, c.1770 (oil on canvas), Hoare, William, of Bath (1707-92) / Bridgeman Images

Male Students Posing at the Art Students' League of Philadelphia, c.1890 (gelatin dry-plate negative)
Male Students Posing at the Art Students' League of Philadelphia, c.1890 (gelatin dry-plate negative)

PHL450478: Male Students Posing at the Art Students' League of Philadelphia, c.1890 (gelatin dry-plate negative), Eakins, Thomas Cowperthwait (1844-1916) (circle of) / Bridgeman Images

Incense Table, 15th century (negoro lacquer on wood with engraved metal fittings)
Incense Table, 15th century (negoro lacquer on wood with engraved metal fittings)

PHL450497: Incense Table, 15th century (negoro lacquer on wood with engraved metal fittings), Japanese School, (15th century) / Bridgeman Images

Imaginary View of a Vineyard along the Way to the Cave of Polyphemus, 1790s (etching)
Imaginary View of a Vineyard along the Way to the Cave of Polyphemus, 1790s (etching)

PHL450546: Imaginary View of a Vineyard along the Way to the Cave of Polyphemus, 1790s (etching), Tischbein, Johann Heinrich Wilhelm (1751-1829) / Bridgeman Images

Dancing Couple (Study for
Dancing Couple (Study for

PHL450575: Dancing Couple (Study for "Le Bal a Bougival"), 1883 (pen & ink on white wove paper), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

Duchess of Bedford's Hut, Glenfeshie, mid-19th century (oil on panel)
Duchess of Bedford's Hut, Glenfeshie, mid-19th century (oil on panel)

PHL450592: Duchess of Bedford's Hut, Glenfeshie, mid-19th century (oil on panel), Landseer, Edwin (1802-73) / Bridgeman Images

Wall Hanging (Puthia) depicting the Feet of a Jain Monk, 1667 (Samvat 1724) (silk plain weave with silk, silver, & silver gilt thread embroidery in couching, chain, darning, & satin stitches)
Wall Hanging (Puthia) depicting the Feet of a Jain Monk, 1667 (Samvat 1724) (silk plain weave with silk, silver, & silver gilt thread embroidery in couching, chain, darning, & satin stitches)

PHL450991: Wall Hanging (Puthia) depicting the Feet of a Jain Monk, 1667 (Samvat 1724) (silk plain weave with silk, silver, & silver gilt thread embroidery in couching, chain, darning, & satin stitches) , Indian School, (17th century) / Bridgeman Images

Bodhisattva Vajrapani, late 12th-early 13th century (copper alloy with silver & gold inlay & traces of pigment) (see also 451003 & 451005)
Bodhisattva Vajrapani, late 12th-early 13th century (copper alloy with silver & gold inlay & traces of pigment) (see also 451003 & 451005)

PHL451004: Bodhisattva Vajrapani, late 12th-early 13th century (copper alloy with silver & gold inlay & traces of pigment) (see also 451003 & 451005), Tibetan School / Bridgeman Images

Design for a Mass Card Stand, c.1760 (pen & ink with brush & washes, heightened with touches of opaque w/c, on laid paper)
Design for a Mass Card Stand, c.1760 (pen & ink with brush & washes, heightened with touches of opaque w/c, on laid paper)

PHL451066: Design for a Mass Card Stand, c.1760 (pen & ink with brush & washes, heightened with touches of opaque w/c, on laid paper) , Valadier, Luigi (1726-85) (workshop of) / Bridgeman Images

Figure of a Dog, 1739-77 (glass)
Figure of a Dog, 1739-77 (glass)

PHL451078: Figure of a Dog, 1739-77 (glass) , American School, (18th century) / Bridgeman Images

Mahabalipooram, 1881 (oil on canvas)
Mahabalipooram, 1881 (oil on canvas)

PHL450593: Mahabalipooram, 1881 (oil on canvas), Lear, Edward (1812-88) / Bridgeman Images

Left Foot, 1877-80, cast 1930 (bronze)
Left Foot, 1877-80, cast 1930 (bronze)

PHL450609: Left Foot, 1877-80, cast 1930 (bronze), Eakins, Thomas Cowperthwait (1844-1916) / Bridgeman Images

Garden of Armida Wallpaper, 1854 (block-printed paper)
Garden of Armida Wallpaper, 1854 (block-printed paper)

PHL450628: Garden of Armida Wallpaper, 1854 (block-printed paper), Muller, Eduard (1823-76) / Bridgeman Images

Portrait of Lieutenant General James Cuninghame, c.1775 (oil on canvas)
Portrait of Lieutenant General James Cuninghame, c.1775 (oil on canvas)

PHL450894: Portrait of Lieutenant General James Cuninghame, c.1775 (oil on canvas) , Kauffman, Angelica (1741-1807) / Bridgeman Images

Reclining Hunter, 1783-84 (oil on canvas)
Reclining Hunter, 1783-84 (oil on canvas)

PHL450944: Reclining Hunter, 1783-84 (oil on canvas) , Earl, Ralph (1751-1801) / Bridgeman Images

Mount Fuji, 1892 (ink on silk; mounted as a hanging scroll)
Mount Fuji, 1892 (ink on silk; mounted as a hanging scroll)

PHL451071: Mount Fuji, 1892 (ink on silk; mounted as a hanging scroll) , Hirano Gogaku (1811-1893) / Bridgeman Images

Temple Hanging (Phan), 18th-19th century (appliqué silk brocade with embroidery)  (detail of 451085)
Temple Hanging (Phan), 18th-19th century (appliqué silk brocade with embroidery)  (detail of 451085)

PHL451087: Temple Hanging (Phan), 18th-19th century (appliqué silk brocade with embroidery) (detail of 451085), Tibetan School / Bridgeman Images

Jardiniere, 1885 (stoneware (dull glaze line))
Jardiniere, 1885 (stoneware (dull glaze line))

PHL451099: Jardiniere, 1885 (stoneware (dull glaze line)) , American School, (19th century) / Bridgeman Images

Marriage a la Mode, Plate II, The Tete a Tete, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Marriage a la Mode, Plate II, The Tete a Tete, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451152: Marriage a la Mode, Plate II, The Tete a Tete, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Hudibras and Ralpho in the Stocks, from 'Hudibras' by Samuel Butler (1612-80, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Hudibras and Ralpho in the Stocks, from 'Hudibras' by Samuel Butler (1612-80, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451229: Hudibras and Ralpho in the Stocks, from 'Hudibras' by Samuel Butler (1612-80, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Annunciation (tempera on wood)
The Annunciation (tempera on wood)

BAT451256: The Annunciation (tempera on wood), Ciampanti, Michele (fl.1463-d.1521) / Bridgeman Images

Pieta (fresco)
Pieta (fresco)

BAT451264: Pieta (fresco), Maestro del Carmine di Firenze (15th century) / Bridgeman Images

South East view of Geriah Fort, the Landing Place and Entrance from' A Voyage to India' by Edward Ives, version published in 1773 (engraving)
South East view of Geriah Fort, the Landing Place and Entrance from' A Voyage to India' by Edward Ives, version published in 1773 (engraving)

XJF451348: South East view of Geriah Fort, the Landing Place and Entrance from' A Voyage to India' by Edward Ives, version published in 1773 (engraving), English School, (18th century) (after) / Bridgeman Images


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