1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491064 Search Results

Leyli and Majnoun, 19th century (textile)
Leyli and Majnoun, 19th century (textile)

PCT4296210: Leyli and Majnoun, 19th century (textile), Persian School, (19th century) / Bridgeman Images

ID: PCT4296210

Leyli and Majnoun, 19th century (textile)

Persian School, (19th century)

Cervo, Liguria, Italy.
Cervo, Liguria, Italy.

CUB4493926: Cervo, Liguria, Italy. / Bridgeman Images

ID: CUB4493926

Cervo, Liguria, Italy.

Ponte Vecchio, Florence, Tuscany, Italy.
Ponte Vecchio, Florence, Tuscany, Italy.

CUB4493935: Ponte Vecchio, Florence, Tuscany, Italy. / Bridgeman Images

ID: CUB4493935

Ponte Vecchio, Florence, Tuscany, Italy.

Sabato del villaggio square, Recanati, Marche, Italy.
Sabato del villaggio square, Recanati, Marche, Italy.

CUB4493965: Sabato del villaggio square, Recanati, Marche, Italy. / Bridgeman Images

ID: CUB4493965

Sabato del villaggio square, Recanati, Marche, Italy.

Easter, Bormio, Lombardy, Italy
Easter, Bormio, Lombardy, Italy

CUB4494022: Easter, Bormio, Lombardy, Italy / Bridgeman Images

ID: CUB4494022

Easter, Bormio, Lombardy, Italy

Menhirs lineup from the Menec to Carnac (Morbihan, Brittany) in 2017.
Menhirs lineup from the Menec to Carnac (Morbihan, Brittany) in 2017.

PCT4296376: Menhirs lineup from the Menec to Carnac (Morbihan, Brittany) in 2017., Cartier, Patrice / Bridgeman Images

ID: PCT4296376

Menhirs lineup from the Menec to Carnac (Morbihan, Brittany) in 2017.

Cartier, Patrice

Gothic architecture: Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11, Languedoc, Occitanie). The planets (planets, roofs, roofs) - Photo Patrice Cartier - Gusman/Leemage
Gothic architecture: Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11, Languedoc, Occitanie). The planets (planets, roofs, roofs) - Photo Patrice Cartier - Gusman/Leemage

PCT4296427: Gothic architecture: Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11, Languedoc, Occitanie). The planets (planets, roofs, roofs) - Photo Patrice Cartier - Gusman/Leemage, Cartier, Patrice / Bridgeman Images

ID: PCT4296427

Gothic architecture: Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11, Languedoc, Occitanie). The planets (planets, roofs, roofs) - Photo Patrice Cartier - Gusman/Leemage

Cartier, Patrice

Annone lake, Brianza, Lombardy, Italy
Annone lake, Brianza, Lombardy, Italy

CUB4494148: Annone lake, Brianza, Lombardy, Italy / Bridgeman Images

ID: CUB4494148

Annone lake, Brianza, Lombardy, Italy

Annone lake, Brianza, Lombardy, Italy
Annone lake, Brianza, Lombardy, Italy

CUB4494154: Annone lake, Brianza, Lombardy, Italy / Bridgeman Images

ID: CUB4494154

Annone lake, Brianza, Lombardy, Italy

Wharf, Mandello del Lario, Lombardy, Italy
Wharf, Mandello del Lario, Lombardy, Italy

CUB4494162: Wharf, Mandello del Lario, Lombardy, Italy / Bridgeman Images

ID: CUB4494162

Wharf, Mandello del Lario, Lombardy, Italy

Harbour, Mandello del Lario, Lombardy, Italy
Harbour, Mandello del Lario, Lombardy, Italy

CUB4494174: Harbour, Mandello del Lario, Lombardy, Italy / Bridgeman Images

ID: CUB4494174

Harbour, Mandello del Lario, Lombardy, Italy

Music shop in Piazza Della Scala, Milan, Lombardy, Italy
Music shop in Piazza Della Scala, Milan, Lombardy, Italy

CUB4494663: Music shop in Piazza Della Scala, Milan, Lombardy, Italy / Bridgeman Images

ID: CUB4494663

Music shop in Piazza Della Scala, Milan, Lombardy, Italy

Ostend (Belgium) the beach and the hotels of the west seaside - postcard beginning 20th century -
Ostend (Belgium) the beach and the hotels of the west seaside - postcard beginning 20th century -

PCT4296618: Ostend (Belgium) the beach and the hotels of the west seaside - postcard beginning 20th century -, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4296618

Ostend (Belgium) the beach and the hotels of the west seaside - postcard beginning 20th century -

Unknown photographer, (20th century)

Gladiator fight in the arena in Rome, circus games: a retreat with trident and net confronts a samnite with helmet and shield - Illustration by Minnard for “Quo vadis” (a history of the time of Nero), historical novel by Polish writer Henryk Sienkiewicz, beginning 20th century -
Gladiator fight in the arena in Rome, circus games: a retreat with trident and net confronts a samnite with helmet and shield - Illustration by Minnard for “Quo vadis” (a history of the time of Nero), historical novel by Polish writer Henryk Sienkiewicz, beginning 20th century -

PCT4296651: Gladiator fight in the arena in Rome, circus games: a retreat with trident and net confronts a samnite with helmet and shield - Illustration by Minnard for “Quo vadis” (a history of the time of Nero), historical novel by Polish writer Henryk Sienkiewicz, beginning 20th century - / Bridgeman Images

ID: PCT4296651

Gladiator fight in the arena in Rome, circus games: a retreat with trident and net confronts a samnite with helmet and shield - Illustration by Minnard for “Quo vadis” (a history of the time of Nero), historical novel by Polish writer Henryk Sienkiewicz, beginning 20th century -

WWI: a meal menu given to Verdun on 27 April 1918 (print)
WWI: a meal menu given to Verdun on 27 April 1918 (print)

PCT4296832: WWI: a meal menu given to Verdun on 27 April 1918 (print), French School, (20th century) / Bridgeman Images

ID: PCT4296832

WWI: a meal menu given to Verdun on 27 April 1918 (print)

French School, (20th century)

Illustration for the theatre play Faust written by Goethe, 1873 (engraving)
Illustration for the theatre play Faust written by Goethe, 1873 (engraving)

PCT4297045: Illustration for the theatre play Faust written by Goethe, 1873 (engraving), Kreling, August von (1819-76) / Bridgeman Images

ID: PCT4297045

Illustration for the theatre play Faust written by Goethe, 1873 (engraving)

Kreling, August von (1819-76)

Ruins after a hurricane in Martiniqu, 19th century (engraving)
Ruins after a hurricane in Martiniqu, 19th century (engraving)

PCT4297220: Ruins after a hurricane in Martiniqu, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: PCT4297220

Ruins after a hurricane in Martiniqu, 19th century (engraving)

Unknown Artist, (19th century)

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier -

PCT4297287: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4297287

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier -

Cartier, Patrice

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier -

PCT4297385: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4297385

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier -

Cartier, Patrice

Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed.
Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed.

PCT4297449: Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed., Cartier, Patrice / Bridgeman Images

ID: PCT4297449

Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed.

Cartier, Patrice

First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 -
First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 -

PCT4297536: First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 -, Cartier, Patrice / Bridgeman Images

ID: PCT4297536

First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 -

Cartier, Patrice

Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop -
Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop -

PCT4297620: Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop - / Bridgeman Images

ID: PCT4297620

Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop -

The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness -
The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness -

PCT4297646: The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness - / Bridgeman Images

ID: PCT4297646

The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness -

Oil tanker “La Charente”” photograph at sea in 1950 - Seized by the Germans in June 1940 while it was under construction, this building was completed by the Kriegsmarine and launched under the name OSTFRIESLAND. Caught by the English in Germany in 1945, it was returned to France the same year and took the name La Charente. He left Cherbourg for Toulon and left for Saigon. For three years, he will fly from Singapore to Saigon to refuel. From 1950, he was assigned to Marine Indochine in 1955 and returned to Toulon in 1959 to be disarmed.
Oil tanker “La Charente”” photograph at sea in 1950 - Seized by the Germans in June 1940 while it was under construction, this building was completed by the Kriegsmarine and launched under the name OSTFRIESLAND. Caught by the English in Germany in 1945, it was returned to France the same year and took the name La Charente. He left Cherbourg for Toulon and left for Saigon. For three years, he will fly from Singapore to Saigon to refuel. From 1950, he was assigned to Marine Indochine in 1955 and returned to Toulon in 1959 to be disarmed.

PCT4297682: Oil tanker “La Charente”” photograph at sea in 1950 - Seized by the Germans in June 1940 while it was under construction, this building was completed by the Kriegsmarine and launched under the name OSTFRIESLAND. Caught by the English in Germany in 1945, it was returned to France the same year and took the name La Charente. He left Cherbourg for Toulon and left for Saigon. For three years, he will fly from Singapore to Saigon to refuel. From 1950, he was assigned to Marine Indochine in 1955 and returned to Toulon in 1959 to be disarmed., Cartier, Patrice / Bridgeman Images

ID: PCT4297682

Oil tanker “La Charente”” photograph at sea in 1950 - Seized by the Germans in June 1940 while it was under construction, this building was completed by the Kriegsmarine and launched under the name OSTFRIESLAND. Caught by the English in Germany in 1945, it was returned to France the same year and took the name La Charente. He left Cherbourg for Toulon and left for Saigon. For three years, he will fly from Singapore to Saigon to refuel. From 1950, he was assigned to Marine Indochine in 1955 and returned to Toulon in 1959 to be disarmed.

Cartier, Patrice

First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate -
First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate -

PCT4297718: First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate -, Cartier, Patrice / Bridgeman Images

ID: PCT4297718

First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate -

Cartier, Patrice

The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -
The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -

PCT4297748: The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore - / Bridgeman Images

ID: PCT4297748

The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he

Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) -
Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) -

PCT4297915: Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) -, Cartier, Patrice / Bridgeman Images

ID: PCT4297915

Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) -

Cartier, Patrice

Market, Turin, Piemonte, Italy
Market, Turin, Piemonte, Italy

CUB4494928: Market, Turin, Piemonte, Italy / Bridgeman Images

ID: CUB4494928

Market, Turin, Piemonte, Italy

Youth hostel view from the canal, Giudecca, Venice, Veneto, Italy
Youth hostel view from the canal, Giudecca, Venice, Veneto, Italy

CUB4495142: Youth hostel view from the canal, Giudecca, Venice, Veneto, Italy / Bridgeman Images

ID: CUB4495142

Youth hostel view from the canal, Giudecca, Venice, Veneto, Italy

Portrait of the Italian painter Andrea Mantegna (1431 - 1506), engraving of the 19th century.
Portrait of the Italian painter Andrea Mantegna (1431 - 1506), engraving of the 19th century.

FAT4299872: Portrait of the Italian painter Andrea Mantegna (1431 - 1506), engraving of the 19th century. / Bridgeman Images

ID: FAT4299872

Portrait of the Italian painter Andrea Mantegna (1431 - 1506), engraving of the 19th century.

Guitar, Northern Italy, early 18th century, view from the back.
Guitar, Northern Italy, early 18th century, view from the back.

FAT4299896: Guitar, Northern Italy, early 18th century, view from the back. / Bridgeman Images

ID: FAT4299896

Guitar, Northern Italy, early 18th century, view from the back.

Guitar (Charles Barbara), Orleans 1821.
Guitar (Charles Barbara), Orleans 1821.

FAT4300001: Guitar (Charles Barbara), Orleans 1821. / Bridgeman Images

ID: FAT4300001

Guitar (Charles Barbara), Orleans 1821.

Four-string Renaissance guitar, series of “Ladies Musiciennes” by Thobias Stimmer, about 1560.
Four-string Renaissance guitar, series of “Ladies Musiciennes” by Thobias Stimmer, about 1560.

FAT4300013: Four-string Renaissance guitar, series of “Ladies Musiciennes” by Thobias Stimmer, about 1560. / Bridgeman Images

ID: FAT4300013

Four-string Renaissance guitar, series of “Ladies Musiciennes” by Thobias Stimmer, about 1560.

Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622.
Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622.

FAT4300069: Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622. / Bridgeman Images

ID: FAT4300069

Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622.

Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622.
Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622.

FAT4300077: Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622. / Bridgeman Images

ID: FAT4300077

Plate drawn from “” Armonia Astronomica et Geometrica, quattro trattati ne 'quali s'insegna la ragione, e formatione di tutti gli Horologi stabilii, e mobili ad ogni clima, et uso del Mondo, per nuovi, et brevi computi Astronomici; per via Geometrica; et anco per Pratica, con instromenti eccellentissimi”” by Theofilo (Theophile, Theophilus) Bruni, geometric monk and astronomer (1569-1638), Venice, imp. Giovanni and Varisco Varischi, 1622.

Frontispice of the libretto (libretto) of the Italian opera “Madame Butterfly” by Giacomo Puccini, created in 1904. Ricordi Editions.
Frontispice of the libretto (libretto) of the Italian opera “Madame Butterfly” by Giacomo Puccini, created in 1904. Ricordi Editions.

FAT4300092: Frontispice of the libretto (libretto) of the Italian opera “Madame Butterfly” by Giacomo Puccini, created in 1904. Ricordi Editions. / Bridgeman Images

ID: FAT4300092

Frontispice of the libretto (libretto) of the Italian opera “Madame Butterfly” by Giacomo Puccini, created in 1904. Ricordi Editions.


Back to top