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Portrait of Jean Sully Mounet dit Mounet-Sully (Mounet Sully) (1841-1916), French comedian, member of the Comedie Francaise. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879.
Portrait of Jean Sully Mounet dit Mounet-Sully (Mounet Sully) (1841-1916), French comedian, member of the Comedie Francaise. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879.

XEE4167068: Portrait of Jean Sully Mounet dit Mounet-Sully (Mounet Sully) (1841-1916), French comedian, member of the Comedie Francaise. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4167068

Portrait of Jean Sully Mounet dit Mounet-Sully (Mounet Sully) (1841-1916), French comedian, member of the Comedie Francaise. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879.

Unknown Artist, (19th century)

Marriage of Prince Arthur of Connaught and Strathearn (1850-1942) and Princess Margaret of Prussia (1860-1917), 1879: Bridal blessing given by the Archeveque of Cantorbery. Engraving in “” Le Monde Illustré”” n°1147 of 22 March 1879.
Marriage of Prince Arthur of Connaught and Strathearn (1850-1942) and Princess Margaret of Prussia (1860-1917), 1879: Bridal blessing given by the Archeveque of Cantorbery. Engraving in “” Le Monde Illustré”” n°1147 of 22 March 1879.

XEE4167071: Marriage of Prince Arthur of Connaught and Strathearn (1850-1942) and Princess Margaret of Prussia (1860-1917), 1879: Bridal blessing given by the Archeveque of Cantorbery. Engraving in “” Le Monde Illustré”” n°1147 of 22 March 1879., French School, (19th century) / Bridgeman Images

ID: XEE4167071

Marriage of Prince Arthur of Connaught and Strathearn (1850-1942) and Princess Margaret of Prussia (1860-1917), 1879: Bridal blessing given by the Archeveque of Cantorbery. Engraving in “” Le Monde Illustré”” n°1147 of 22 March 1879.

French School, (19th century)

Portrait of Sophie Croizette, French comedian, member of the Comedie Francaise from 1868 to 1882. Engraving in “” Le Monde Illustré”” n°1168 of August 16, 1879.
Portrait of Sophie Croizette, French comedian, member of the Comedie Francaise from 1868 to 1882. Engraving in “” Le Monde Illustré”” n°1168 of August 16, 1879.

XEE4167075: Portrait of Sophie Croizette, French comedian, member of the Comedie Francaise from 1868 to 1882. Engraving in “” Le Monde Illustré”” n°1168 of August 16, 1879., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4167075

Portrait of Sophie Croizette, French comedian, member of the Comedie Francaise from 1868 to 1882. Engraving in “” Le Monde Illustré”” n°1168 of August 16, 1879.

Unknown Artist, (19th century)

Portrait of Jules Laroche, French comedian, member of the Comedie Francaise from 1870 to 1893. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879.
Portrait of Jules Laroche, French comedian, member of the Comedie Francaise from 1870 to 1893. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879.

XEE4167085: Portrait of Jules Laroche, French comedian, member of the Comedie Francaise from 1870 to 1893. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4167085

Portrait of Jules Laroche, French comedian, member of the Comedie Francaise from 1870 to 1893. Engraving in “” Le Monde Illustré”” n¡1168 of 16 August 1879.

Unknown Artist, (19th century)

View of Boadway in New York. Engraving from 1862-1863.
View of Boadway in New York. Engraving from 1862-1863.

XEE4167793: View of Boadway in New York. Engraving from 1862-1863., French School, (19th century) / Bridgeman Images

ID: XEE4167793

View of Boadway in New York. Engraving from 1862-1863.

French School, (19th century)

Internal view of the Triat Gymnasium in Paris.
Internal view of the Triat Gymnasium in Paris.

XEE4167841: Internal view of the Triat Gymnasium in Paris., French School, (19th century) / Bridgeman Images

ID: XEE4167841

Internal view of the Triat Gymnasium in Paris.

French School, (19th century)

Portrait of Philippe VI of France, known as Philippe de Valois (1294-1350) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Philippe VI of France, known as Philippe de Valois (1294-1350) (dynasty of the Capetians). Illustration late 19th century.

XEE4167862: Portrait of Philippe VI of France, known as Philippe de Valois (1294-1350) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167862

Portrait of Philippe VI of France, known as Philippe de Valois (1294-1350) (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Jeanne de Bourbon (1337-1378), wife of Charles V of France. (Capetian dynasty). Illustration late 19th century.
Portrait of Jeanne de Bourbon (1337-1378), wife of Charles V of France. (Capetian dynasty). Illustration late 19th century.

XEE4167869: Portrait of Jeanne de Bourbon (1337-1378), wife of Charles V of France. (Capetian dynasty). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167869

Portrait of Jeanne de Bourbon (1337-1378), wife of Charles V of France. (Capetian dynasty). Illustration late 19th century.

French School, (19th century)

Portrait of Charles V of France, known as Charles the Sage (1338-1380) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Charles V of France, known as Charles the Sage (1338-1380) (dynasty of the Capetians). Illustration late 19th century.

XEE4167887: Portrait of Charles V of France, known as Charles the Sage (1338-1380) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167887

Portrait of Charles V of France, known as Charles the Sage (1338-1380) (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Charles VI of France, known as Charles the Good Aime (1368-1422) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Charles VI of France, known as Charles the Good Aime (1368-1422) (dynasty of the Capetians). Illustration late 19th century.

XEE4167888: Portrait of Charles VI of France, known as Charles the Good Aime (1368-1422) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167888

Portrait of Charles VI of France, known as Charles the Good Aime (1368-1422) (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Adele de Savoie (Alix or Adelaide de Maurienne) (ca. 1100-1154), wife of Louis VI of France. (Capetian dynasty). Illustration late 19th century.
Portrait of Adele de Savoie (Alix or Adelaide de Maurienne) (ca. 1100-1154), wife of Louis VI of France. (Capetian dynasty). Illustration late 19th century.

XEE4167895: Portrait of Adele de Savoie (Alix or Adelaide de Maurienne) (ca. 1100-1154), wife of Louis VI of France. (Capetian dynasty). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167895

Portrait of Adele de Savoie (Alix or Adelaide de Maurienne) (ca. 1100-1154), wife of Louis VI of France. (Capetian dynasty). Illustration late 19th century.

French School, (19th century)

French sailors in Iceland attacked by a walrus, tragic fishing incident.
French sailors in Iceland attacked by a walrus, tragic fishing incident.

XEE4167922: French sailors in Iceland attacked by a walrus, tragic fishing incident., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4167922

French sailors in Iceland attacked by a walrus, tragic fishing incident.

Unknown Artist, (20th century)

First World War (1914-1918): Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884) on the front to visit the French soldier in the presence of Georges Clemenceau.
First World War (1914-1918): Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884) on the front to visit the French soldier in the presence of Georges Clemenceau.

XEE4167937: First World War (1914-1918): Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884) on the front to visit the French soldier in the presence of Georges Clemenceau., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4167937

First World War (1914-1918): Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884) on the front to visit the French soldier in the presence of Georges Clemenceau.

Unknown photographer, (20th century)

Portrait of the Marquise de La Rochejaquelein (La Rochejaquelein) (nee Marie Louise Victoire de Donnissan or Donissan) (1772-1857), French writer. Engraving from 1858.
Portrait of the Marquise de La Rochejaquelein (La Rochejaquelein) (nee Marie Louise Victoire de Donnissan or Donissan) (1772-1857), French writer. Engraving from 1858.

XEE4167951: Portrait of the Marquise de La Rochejaquelein (La Rochejaquelein) (nee Marie Louise Victoire de Donnissan or Donissan) (1772-1857), French writer. Engraving from 1858., French School, (19th century) / Bridgeman Images

ID: XEE4167951

Portrait of the Marquise de La Rochejaquelein (La Rochejaquelein) (nee Marie Louise Victoire de Donnissan or Donissan) (1772-1857), French writer. Engraving from 1858.

French School, (19th century)

First World War (1914-1918): The first Italian soldiers mobilized at the border. Cover of “” The Mirror”” from May 1915.
First World War (1914-1918): The first Italian soldiers mobilized at the border. Cover of “” The Mirror”” from May 1915.

XEE4167991: First World War (1914-1918): The first Italian soldiers mobilized at the border. Cover of “” The Mirror”” from May 1915., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4167991

First World War (1914-1918): The first Italian soldiers mobilized at the border. Cover of “” The Mirror”” from May 1915.

Unknown photographer, (20th century)

First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915.
First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915.

XEE4168031: First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915., Unknown photographer, (19th-20th century) / Bridgeman Images

ID: XEE4168031

First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915.

Unknown photographer, (19th-20th century)

Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860.
Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860.

XEE4168062: Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860., French School, (19th century) / Bridgeman Images

ID: XEE4168062

Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860.

French School, (19th century)

View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.
View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.

XEE4168071: View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860., Thorigny, Felix (1824-70) / Bridgeman Images

ID: XEE4168071

View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.

Thorigny, Felix (1824-70)

First World War (1914-1918): Moroccan spahis in their trench in 1915.
First World War (1914-1918): Moroccan spahis in their trench in 1915.

XEE4168073: First World War (1914-1918): Moroccan spahis in their trench in 1915., Unknown photographer, (19th-20th century) / Bridgeman Images

ID: XEE4168073

First World War (1914-1918): Moroccan spahis in their trench in 1915.

Unknown photographer, (19th-20th century)

First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915.
First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915.

XEE4168080: First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915., Unknown photographer, (19th-20th century) / Bridgeman Images

ID: XEE4168080

First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915.

Unknown photographer, (19th-20th century)

First World War (1914-1918): General Ferdinand Foch haranged officers placed under his command in Artois in 1915. Cover of “” The Mirror”” from October 1915.
First World War (1914-1918): General Ferdinand Foch haranged officers placed under his command in Artois in 1915. Cover of “” The Mirror”” from October 1915.

XEE4168083: First World War (1914-1918): General Ferdinand Foch haranged officers placed under his command in Artois in 1915. Cover of “” The Mirror”” from October 1915., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4168083

First World War (1914-1918): General Ferdinand Foch haranged officers placed under his command in Artois in 1915. Cover of “” The Mirror”” from October 1915.

Unknown photographer, (20th century)

First World War (1914-1918): Charles Mangin (1866-1925), French general in 1916.
First World War (1914-1918): Charles Mangin (1866-1925), French general in 1916.

XEE4168092: First World War (1914-1918): Charles Mangin (1866-1925), French general in 1916., French Photographer, (20th century) / Bridgeman Images

ID: XEE4168092

First World War (1914-1918): Charles Mangin (1866-1925), French general in 1916.

French Photographer, (20th century)

Portrait of Carol Crown Prince of Romania, future Charles II (Carol II) (1893-1953), King of Romania. Photgraphy around 1916.
Portrait of Carol Crown Prince of Romania, future Charles II (Carol II) (1893-1953), King of Romania. Photgraphy around 1916.

XEE4168124: Portrait of Carol Crown Prince of Romania, future Charles II (Carol II) (1893-1953), King of Romania. Photgraphy around 1916., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4168124

Portrait of Carol Crown Prince of Romania, future Charles II (Carol II) (1893-1953), King of Romania. Photgraphy around 1916.

Unknown photographer, (20th century)

Portrait of Queen Mary of Romania (former Princess Mary of Saxony-Coburg-Gotha (Saxony Cobourg Gotha) (Mary Alexandra Victoria) (1875-1938), wife of King Ferdinand I. Photography around 1916.
Portrait of Queen Mary of Romania (former Princess Mary of Saxony-Coburg-Gotha (Saxony Cobourg Gotha) (Mary Alexandra Victoria) (1875-1938), wife of King Ferdinand I. Photography around 1916.

XEE4168129: Portrait of Queen Mary of Romania (former Princess Mary of Saxony-Coburg-Gotha (Saxony Cobourg Gotha) (Mary Alexandra Victoria) (1875-1938), wife of King Ferdinand I. Photography around 1916., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4168129

Portrait of Queen Mary of Romania (former Princess Mary of Saxony-Coburg-Gotha (Saxony Cobourg Gotha) (Mary Alexandra Victoria) (1875-1938), wife of King Ferdinand I. Photography around 1916.

Unknown photographer, (20th century)

Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.
Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.

XEE4168549: Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168549

Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.

Marie, Adrien Emmanuel (1848-91)

Paris under the snow, winter 1879-1880: the ice plow (snow hunt) of Boulevard Montparnasse. Engraving in “” Le Monde Illustré”” n°1188 of January 3, 1880.
Paris under the snow, winter 1879-1880: the ice plow (snow hunt) of Boulevard Montparnasse. Engraving in “” Le Monde Illustré”” n°1188 of January 3, 1880.

XEE4168552: Paris under the snow, winter 1879-1880: the ice plow (snow hunt) of Boulevard Montparnasse. Engraving in “” Le Monde Illustré”” n°1188 of January 3, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168552

Paris under the snow, winter 1879-1880: the ice plow (snow hunt) of Boulevard Montparnasse. Engraving in “” Le Monde Illustré”” n°1188 of January 3, 1880.

French School, (19th century)

Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880.
Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880.

XEE4168579: Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880., Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

ID: XEE4168579

Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880.

Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888)

Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880.
Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880.

XEE4168597: Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168597

Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880.

French School, (19th century)

Portrait of Alejo Julio Argentino Roca Paz (1843-1914), President of Argentina. Engraving in “” Le Monde Illustré”” n°1230 of October 24, 1880.
Portrait of Alejo Julio Argentino Roca Paz (1843-1914), President of Argentina. Engraving in “” Le Monde Illustré”” n°1230 of October 24, 1880.

XEE4168603: Portrait of Alejo Julio Argentino Roca Paz (1843-1914), President of Argentina. Engraving in “” Le Monde Illustré”” n°1230 of October 24, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168603

Portrait of Alejo Julio Argentino Roca Paz (1843-1914), President of Argentina. Engraving in “” Le Monde Illustré”” n°1230 of October 24, 1880.

French School, (19th century)

Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.
Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.

XEE4168604: Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168604

Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.

Marie, Adrien Emmanuel (1848-91)

Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.
Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

XEE4168625: Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168625

Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

French School, (19th century)

Expulsion of Dominicans from Rue de Jean de Beauvais in Paris following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: reading the act of notification of decrees to R.P. Mercie, Jouin and Bernard. 5 November 1880. Engraving by De Haenen in “” The Illustrous World”” n°1233 of November 13, 1880.
Expulsion of Dominicans from Rue de Jean de Beauvais in Paris following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: reading the act of notification of decrees to R.P. Mercie, Jouin and Bernard. 5 November 1880. Engraving by De Haenen in “” The Illustrous World”” n°1233 of November 13, 1880.

XEE4168640: Expulsion of Dominicans from Rue de Jean de Beauvais in Paris following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: reading the act of notification of decrees to R.P. Mercie, Jouin and Bernard. 5 November 1880. Engraving by De Haenen in “” The Illustrous World”” n°1233 of November 13, 1880., Haenen, Frederic de (1853-1928) / Bridgeman Images

ID: XEE4168640

Expulsion of Dominicans from Rue de Jean de Beauvais in Paris following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: reading the act of notification of decrees to R.P. Mercie, Jouin and Bernard. 5 November 1880. Engraving by De Haenen in “” The Illustrous World”” n°1233 of November 13, 1880.

Haenen, Frederic de (1853-1928)

The accident (1879): a doctor heals the injury of a young peasant. Engraving after the painting by Pascal Dagnan-Bouveret (Dagnan Bouveret) (1852-1929). In “” The Illustrous World”” n°1208 of May 22, 1880.
The accident (1879): a doctor heals the injury of a young peasant. Engraving after the painting by Pascal Dagnan-Bouveret (Dagnan Bouveret) (1852-1929). In “” The Illustrous World”” n°1208 of May 22, 1880.

XEE4168648: The accident (1879): a doctor heals the injury of a young peasant. Engraving after the painting by Pascal Dagnan-Bouveret (Dagnan Bouveret) (1852-1929). In “” The Illustrous World”” n°1208 of May 22, 1880., Dagnan-Bouveret, Pascal Adolphe Jean (1852-1929) / Bridgeman Images

ID: XEE4168648

The accident (1879): a doctor heals the injury of a young peasant. Engraving after the painting by Pascal Dagnan-Bouveret (Dagnan Bouveret) (1852-1929). In “” The Illustrous World”” n°1208 of May 22, 1880.

Dagnan-Bouveret, Pascal Adolphe Jean (1852-1929)

Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880.
Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880.

XEE4168675: Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880., Garnier, Jules Arsene (1847-89) / Bridgeman Images

ID: XEE4168675

Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880.

Garnier, Jules Arsene (1847-89)

Paris under the snow, winter 1879-1880: view of one of the fountains of Place de la Concorde during the frost. Engraving by Scott in “” The Illustrous World”” n°1188 of January 3, 1880.
Paris under the snow, winter 1879-1880: view of one of the fountains of Place de la Concorde during the frost. Engraving by Scott in “” The Illustrous World”” n°1188 of January 3, 1880.

XEE4168694: Paris under the snow, winter 1879-1880: view of one of the fountains of Place de la Concorde during the frost. Engraving by Scott in “” The Illustrous World”” n°1188 of January 3, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168694

Paris under the snow, winter 1879-1880: view of one of the fountains of Place de la Concorde during the frost. Engraving by Scott in “” The Illustrous World”” n°1188 of January 3, 1880.

French School, (19th century)

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.
Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

XEE4168705: Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168705

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

Marie, Adrien Emmanuel (1848-91)


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