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Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690844: Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690844

Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.
Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.

FLO4690869: Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827. / Bridgeman Images

ID: FLO4690869

Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.

Plains zebra, Equus quagga, and mountain zebra, Equus zebra, vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Plains zebra, Equus quagga, and mountain zebra, Equus zebra, vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691182: Plains zebra, Equus quagga, and mountain zebra, Equus zebra, vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691182

Plains zebra, Equus quagga, and mountain zebra, Equus zebra, vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691390: Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691390

Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690774: Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690774

Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691629: Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691629

Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691708: White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691708

White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691183: Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691183

Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm. She thinks, Although I only read a few pages. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.
Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm. She thinks, Although I only read a few pages. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.

FLO4691368: Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm. She thinks, Although I only read a few pages. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691368

Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm. She thinks, Although I only read a few pages. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.

Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691378: Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691378

Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691710: Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691710

Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691752: Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691752

Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688688: Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688688

Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy
Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy

LRI4688840: Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy, Etruscan, (8th century BC) / Bridgeman Images

ID: LRI4688840

Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy

Etruscan, (8th century BC)

Vase in the shape of a boat of the Villanovian type II B. From the necropolis Monterozzi. (clay)
Vase in the shape of a boat of the Villanovian type II B. From the necropolis Monterozzi. (clay)

LRI4688872: Vase in the shape of a boat of the Villanovian type II B. From the necropolis Monterozzi. (clay), Etruscan / Bridgeman Images

ID: LRI4688872

Vase in the shape of a boat of the Villanovian type II B. From the necropolis Monterozzi. (clay)

Etruscan

Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688891: Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688891

Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688994: Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688994

Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Bronze biconical vase with double handles and lid, 680-670 BC
Bronze biconical vase with double handles and lid, 680-670 BC

LRI4689013: Bronze biconical vase with double handles and lid, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689013

Bronze biconical vase with double handles and lid, 680-670 BC

Etruscan, (7th century BC)

Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765
Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765

LRI4689017: Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689017

Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765

Etruscan, (4th century BC)

Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802
Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802

LRI4689037: Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689037

Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802

Etruscan, (5th century BC)

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689079: Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689079

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Terracotta crater, 5th century BC
Terracotta crater, 5th century BC

LRI4689087: Terracotta crater, 5th century BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689087

Terracotta crater, 5th century BC

Etruscan, (5th century BC)

Funerary bed made with three tuff blocks, 6th century BC
Funerary bed made with three tuff blocks, 6th century BC

LRI4689123: Funerary bed made with three tuff blocks, 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689123

Funerary bed made with three tuff blocks, 6th century BC

Etruscan, (6th century BC)

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689241: Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689241

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy
Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy

LRI4689267: Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689267

Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy

Etruscan, (5th century BC)

Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817
Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817

FLO4689398: Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4689398

Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817

Redouté, Pierre Joseph (1759-1840)

Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate
Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate

LRI4689403: Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689403

Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate

Etruscan, (5th century BC)

Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561
Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561

LRI4689433: Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689433

Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561

Etruscan, (6th century BC)

The Green Parrot and Mascarin of the Reunion. Engraving by Madame Thorel after a drawing by Edouard Travies, published in Les Oeuvres completes de Buffon, by Richard, published in Paris, by Pourrat Freres, 1839.
The Green Parrot and Mascarin of the Reunion. Engraving by Madame Thorel after a drawing by Edouard Travies, published in Les Oeuvres completes de Buffon, by Richard, published in Paris, by Pourrat Freres, 1839.

FLO4689442: The Green Parrot and Mascarin of the Reunion. Engraving by Madame Thorel after a drawing by Edouard Travies, published in Les Oeuvres completes de Buffon, by Richard, published in Paris, by Pourrat Freres, 1839. / Bridgeman Images

ID: FLO4689442

The Green Parrot and Mascarin of the Reunion. Engraving by Madame Thorel after a drawing by Edouard Travies, published in Les Oeuvres completes de Buffon, by Richard, published in Paris, by Pourrat Freres, 1839.

L'odorat, femme smelling a flower in a decor of roses, lilies and tulips, 1870 (chromolithograph)
L'odorat, femme smelling a flower in a decor of roses, lilies and tulips, 1870 (chromolithograph)

FLO4689527: L'odorat, femme smelling a flower in a decor of roses, lilies and tulips, 1870 (chromolithograph), Cheret, Jules (1836-1932) (after) / Bridgeman Images

ID: FLO4689527

L'odorat, femme smelling a flower in a decor of roses, lilies and tulips, 1870 (chromolithograph)

Cheret, Jules (1836-1932) (after)

Fluted bird's nest, Cyathus striatus, spiny puffball, Lycoperdon echinatum (Lycoperdon gemmatum), Lycoperdon piriforme, giant pasture puffball, Mycenastrum corium, and paltry puffball, Bovista plumbea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Fluted bird's nest, Cyathus striatus, spiny puffball, Lycoperdon echinatum (Lycoperdon gemmatum), Lycoperdon piriforme, giant pasture puffball, Mycenastrum corium, and paltry puffball, Bovista plumbea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689628: Fluted bird's nest, Cyathus striatus, spiny puffball, Lycoperdon echinatum (Lycoperdon gemmatum), Lycoperdon piriforme, giant pasture puffball, Mycenastrum corium, and paltry puffball, Bovista plumbea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689628

Fluted bird's nest, Cyathus striatus, spiny puffball, Lycoperdon echinatum (Lycoperdon gemmatum), Lycoperdon piriforme, giant pasture puffball, Mycenastrum corium, and paltry puffball, Bovista plumbea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852
Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852

LRI4689155: Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689155

Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852

Etruscan, (7th century BC)

Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652
Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652

LRI4689161: Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652, Etruscan, (8th century BC) / Bridgeman Images

ID: LRI4689161

Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652

Etruscan, (8th century BC)

Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze)
Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze)

LRI4689251: Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze), Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689251

Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze)

Etruscan, (5th century BC)

Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689288: Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689288

Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817
Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817

FLO4689326: Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4689326

Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817

Redouté, Pierre Joseph (1759-1840)


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