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Study for Hay Carts, Cumberland Market, c.1915 (crayon on paper)
Study for Hay Carts, Cumberland Market, c.1915 (crayon on paper)

XYC306542: Study for Hay Carts, Cumberland Market, c.1915 (crayon on paper), Bevan, Robert Polhill (1865-1925) / Bridgeman Images

The Meet (crayon & grey wash heightened with white on paper)
The Meet (crayon & grey wash heightened with white on paper)

XYC306545: The Meet (crayon & grey wash heightened with white on paper), Bevan, Robert Polhill (1865-1925) / Bridgeman Images

James J. Corbett training with Jim Kennedy, 1900 (b/w photo)
James J. Corbett training with Jim Kennedy, 1900 (b/w photo)

STC306639: James J. Corbett training with Jim Kennedy, 1900 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Agricola receives an Irish King, illustration from 'The History of the Nation' (litho)
Agricola receives an Irish King, illustration from 'The History of the Nation' (litho)

STC306655: Agricola receives an Irish King, illustration from 'The History of the Nation' (litho), Brock, Richard Henry (1871-1943) / Bridgeman Images

Plate 5 from 'Cries of London', 1799 (hand-coloured etching)
Plate 5 from 'Cries of London', 1799 (hand-coloured etching)

XYC308304: Plate 5 from 'Cries of London', 1799 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sketch to Illustrate the Passions: Pride, c.1853-55 (w/c, pen and graphite on paper)
Sketch to Illustrate the Passions: Pride, c.1853-55 (w/c, pen and graphite on paper)

XYC291018: Sketch to Illustrate the Passions: Pride, c.1853-55 (w/c, pen and graphite on paper), Dadd, Richard (1817-86) / Bridgeman Images

A Landscape with a Horseman, c.1850 (oil on canvas)
A Landscape with a Horseman, c.1850 (oil on canvas)

XYC308401: A Landscape with a Horseman, c.1850 (oil on canvas), Middleton, John (1828-56) / Bridgeman Images

Karl Alexander of Bismarck (oil on canvas)
Karl Alexander of Bismarck (oil on canvas)

XPH308497: Karl Alexander of Bismarck (oil on canvas), German School, (18th century) / Bridgeman Images

The owner of the Castle was Giant Despair, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)
The owner of the Castle was Giant Despair, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)

STC308573: The owner of the Castle was Giant Despair, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

They saw one man called Fool, and another called Want-Wit, washing a man who came from a country where all men were black, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)
They saw one man called Fool, and another called Want-Wit, washing a man who came from a country where all men were black, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)

STC308576: They saw one man called Fool, and another called Want-Wit, washing a man who came from a country where all men were black, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

The Fox without a Tail, illustration from 'Baby's Own Aesop', engraved and printed by Edmund Evans, London, published c.1920 (colour litho)
The Fox without a Tail, illustration from 'Baby's Own Aesop', engraved and printed by Edmund Evans, London, published c.1920 (colour litho)

KWE308689: The Fox without a Tail, illustration from 'Baby's Own Aesop', engraved and printed by Edmund Evans, London, published c.1920 (colour litho), Crane, Walter (1845-1915) (after) / Bridgeman Images

'The Enemy crashed to the Earth in a column of Flame and Smoke', illustration from 'Told in the Huts: The YMCA Gift Book', published 1916 (colour litho)
'The Enemy crashed to the Earth in a column of Flame and Smoke', illustration from 'Told in the Huts: The YMCA Gift Book', published 1916 (colour litho)

STC308703: 'The Enemy crashed to the Earth in a column of Flame and Smoke', illustration from 'Told in the Huts: The YMCA Gift Book', published 1916 (colour litho), Cuneo, Cyrus (1879-1916) / Bridgeman Images

Fol. 46v, from the Codex Forster III, 1480s-1494 (pen & ink on paper)
Fol. 46v, from the Codex Forster III, 1480s-1494 (pen & ink on paper)

XJF308781: Fol. 46v, from the Codex Forster III, 1480s-1494 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Child Victims of the War, from 'The Year 1915: a Record of Notable Achievements and Events', 1915 (b/w photo)
Child Victims of the War, from 'The Year 1915: a Record of Notable Achievements and Events', 1915 (b/w photo)

STC306856: Child Victims of the War, from 'The Year 1915: a Record of Notable Achievements and Events', 1915 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Helsingfors, Finland (photo)
Helsingfors, Finland (photo)

XCF306871: Helsingfors, Finland (photo), French Photographer / Bridgeman Images

Bailiffs Outwitted (hand-coloured engraving)
Bailiffs Outwitted (hand-coloured engraving)

XCF306880: Bailiffs Outwitted (hand-coloured engraving), English School / Bridgeman Images

Flint Weapon, 1797 (w/c on paper)
Flint Weapon, 1797 (w/c on paper)

XCF307309: Flint Weapon, 1797 (w/c on paper), Underwood, Thomas Richard (1772-1836) / Bridgeman Images

'Vue du Pont de Westminster', looking westward, from an original Picture in the Cabinet of Monsr T.M. Drouhin, 1799 (colour litho)
'Vue du Pont de Westminster', looking westward, from an original Picture in the Cabinet of Monsr T.M. Drouhin, 1799 (colour litho)

XCF307328: 'Vue du Pont de Westminster', looking westward, from an original Picture in the Cabinet of Monsr T.M. Drouhin, 1799 (colour litho), French School, (18th century) / Bridgeman Images

Illustration from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum)
Illustration from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum)

XCF307368: Illustration from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum), Spanish School, (16th century) / Bridgeman Images

Lekythos representing a quadriga (ceramic)
Lekythos representing a quadriga (ceramic)

IBE291824: Lekythos representing a quadriga (ceramic), Greek school, (7th century BC) / Bridgeman Images

Landscape (oil on canvas)
Landscape (oil on canvas)

IBE291852: Landscape (oil on canvas), Lemaire, Jean (1597-1659) / Bridgeman Images

A Madman Lays Down his Cape for the Infant Saint Francis to Walk Upon (oil on canvas)
A Madman Lays Down his Cape for the Infant Saint Francis to Walk Upon (oil on canvas)

IBE291934: A Madman Lays Down his Cape for the Infant Saint Francis to Walk Upon (oil on canvas), Viladomat, Antonio (1678-1755) / Bridgeman Images

Cybele's Fountain, 1782 (marble) (photo)
Cybele's Fountain, 1782 (marble) (photo)

IBE291995: Cybele's Fountain, 1782 (marble) (photo), Rodriguez, Ventura (1717-1785) / Bridgeman Images

The Blind and the Daughter, early 20th century (watercolour)
The Blind and the Daughter, early 20th century (watercolour)

IBE292059: The Blind and the Daughter, early 20th century (watercolour), Castelao, Alfonso Daniel Rodriguez (1886-1950) / Bridgeman Images

Emperor Domitian, from 'Crabb's Historical Dictionary', published 1825 (litho)
Emperor Domitian, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE309134: Emperor Domitian, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

Memorial to Robert Pinke, West Wall, Ante-Chapel, 1648 (marble) (for detail see 309361)
Memorial to Robert Pinke, West Wall, Ante-Chapel, 1648 (marble) (for detail see 309361)

NCO309360: Memorial to Robert Pinke, West Wall, Ante-Chapel, 1648 (marble) (for detail see 309361), English School, (17th century) / Bridgeman Images

William Rufus at the Tower of London (colour litho)
William Rufus at the Tower of London (colour litho)

STC309815: William Rufus at the Tower of London (colour litho), Anderson, Charles Goldsborough (1865-1936) (after) / Bridgeman Images

Heroic Middy carrying ammunition to the hard-pressed British fighters (colour litho)
Heroic Middy carrying ammunition to the hard-pressed British fighters (colour litho)

STC309823: Heroic Middy carrying ammunition to the hard-pressed British fighters (colour litho), Cuneo, Cyrus (1879-1916) / Bridgeman Images

The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)

XYC309859: The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)
'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309862: 'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Travelling on the Liverpool and Manchester Railway: A Train of the First Class of Carriages with the Mail, and A Train of the Second Class for Outside Passengers, engraved by S.G. Hughes, 1831 (aquatint)
Travelling on the Liverpool and Manchester Railway: A Train of the First Class of Carriages with the Mail, and A Train of the Second Class for Outside Passengers, engraved by S.G. Hughes, 1831 (aquatint)

XYC309895: Travelling on the Liverpool and Manchester Railway: A Train of the First Class of Carriages with the Mail, and A Train of the Second Class for Outside Passengers, engraved by S.G. Hughes, 1831 (aquatint), Shaw, Isaac (fl.1833) (after) / Bridgeman Images

The Kingdom of Fish, illustration from 'Hortus Sanitatis', 1491 (coloured woodcut)
The Kingdom of Fish, illustration from 'Hortus Sanitatis', 1491 (coloured woodcut)

CHT307453: The Kingdom of Fish, illustration from 'Hortus Sanitatis', 1491 (coloured woodcut), German School, (15th century) / Bridgeman Images

A Cafe in Morocco, c.1900 (colour litho)
A Cafe in Morocco, c.1900 (colour litho)

CHT307481: A Cafe in Morocco, c.1900 (colour litho), Scott, Georges Bertin (1873-1943) / Bridgeman Images

Babbacombe Beach, Devon, 1823 (oil on canvas)
Babbacombe Beach, Devon, 1823 (oil on canvas)

CLV307523: Babbacombe Beach, Devon, 1823 (oil on canvas), Luny, Thomas (1759-1837) / Bridgeman Images

Leaf XV and Leaf XVI,  from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing)
Leaf XV and Leaf XVI,  from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing)

FZA307571: Leaf XV and Leaf XVI, from Goulou feng bei (Tablet of Goulou peak), or Yubei (Tablet of Yu), Kangxi reign (1662-1723) of the Qing Dynasty (ink rubbing), Chinese School / Bridgeman Images

Stage machinery for the operas at the San Salvatore theatre in Venice, 1675 (pen & ink wash on paper)
Stage machinery for the operas at the San Salvatore theatre in Venice, 1675 (pen & ink wash on paper)

CHT307849: Stage machinery for the operas at the San Salvatore theatre in Venice, 1675 (pen & ink wash on paper), Italian School, (17th century) / Bridgeman Images


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