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Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707477: Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707477

Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707494: Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707494

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.
Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

TEC4707538: Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986., Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707538

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

Picasso, Pablo (1881-1973)

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707733: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707733

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707756: Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707756

Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707909: Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707909

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

FLO4708048: Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. / Bridgeman Images

ID: FLO4708048

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.
Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

MME4708222: Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708222

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

Mencarini, Marcello

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708229: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708229

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Portrait of the French actress Carole Bouquet around 1987
Portrait of the French actress Carole Bouquet around 1987

MME4707641: Portrait of the French actress Carole Bouquet around 1987, Mencarini, Marcello / Bridgeman Images

ID: MME4707641

Portrait of the French actress Carole Bouquet around 1987

Mencarini, Marcello

The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo)
The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo)

TEC4707681: The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo), Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707681

The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo)

Picasso, Pablo (1881-1973)

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707705: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707705

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Portrait of the French maker Robert Bresson with his wife in 1980
Portrait of the French maker Robert Bresson with his wife in 1980

MME4707845: Portrait of the French maker Robert Bresson with his wife in 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707845

Portrait of the French maker Robert Bresson with his wife in 1980

Mencarini, Marcello

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707988: Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707988

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.
Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

MME4708086: Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708086

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

Mencarini, Marcello

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708149: The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708149

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708169: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708169

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708365: Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708365

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view
Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view

MME4708502: Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view, Mencarini, Marcello / Bridgeman Images

ID: MME4708502

Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view

Mencarini, Marcello

Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.
Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.

FLO4708583: Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta. / Bridgeman Images

ID: FLO4708583

Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708412: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708412

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.
Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.

MME4708647: Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995., Cesar (Cesar Baldaccini) (1921-98) / Bridgeman Images

ID: MME4708647

Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.

Cesar (Cesar Baldaccini) (1921-98)

Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980
Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980

MME4702868: Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4702868

Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980

Mencarini, Marcello

Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980
Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980

MME4702882: Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4702882

Portrait of Jamaican reggae singer and guitarist Bob Marley. 1980

Mencarini, Marcello

Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.
Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

FLO4702432: Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810. / Bridgeman Images

ID: FLO4702432

Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703127: Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703127

Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702514: Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702514

Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Italian comedians Giulietta Masina and Marcello Mastroianni at a press conference for Federico Fellini's film “Ginger and Fred”, Rome, March 1985
Italian comedians Giulietta Masina and Marcello Mastroianni at a press conference for Federico Fellini's film “Ginger and Fred”, Rome, March 1985

MME4703407: Italian comedians Giulietta Masina and Marcello Mastroianni at a press conference for Federico Fellini's film “Ginger and Fred”, Rome, March 1985, Mencarini, Marcello / Bridgeman Images

ID: MME4703407

Italian comedians Giulietta Masina and Marcello Mastroianni at a press conference for Federico Fellini's film “Ginger and Fred”, Rome, March 1985

Mencarini, Marcello

Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703430: Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4703430

Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Italian comedian Marcello Mastroianni in 1993.
Italian comedian Marcello Mastroianni in 1993.

MME4703488: Italian comedian Marcello Mastroianni in 1993., Mencarini, Marcello / Bridgeman Images

ID: MME4703488

Italian comedian Marcello Mastroianni in 1993.

Mencarini, Marcello

The keep of the Norman castle at Hedingham, Essex 252, and the church at St. Botolph's Priory, in Colchester, Essex 253. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
The keep of the Norman castle at Hedingham, Essex 252, and the church at St. Botolph's Priory, in Colchester, Essex 253. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702826: The keep of the Norman castle at Hedingham, Essex 252, and the church at St. Botolph's Priory, in Colchester, Essex 253. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702826

The keep of the Norman castle at Hedingham, Essex 252, and the church at St. Botolph's Priory, in Colchester, Essex 253. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702921: The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702921

The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702936: Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702936

Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703285: A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703285

A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703288: A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703288

A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Blues musician John Mayall on stage in 1988.
Blues musician John Mayall on stage in 1988.

MME4703535: Blues musician John Mayall on stage in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4703535

Blues musician John Mayall on stage in 1988.

Mencarini, Marcello


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