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Field bur, Tribulus sylvestris, and safflower. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Field bur, Tribulus sylvestris, and safflower. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669064: Field bur, Tribulus sylvestris, and safflower. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4669064

Field bur, Tribulus sylvestris, and safflower. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669105: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669105

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669160: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669160

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.
The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.

TEC4669176: The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669176

The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.

Niemeyer, Oscar (1907-2012)

The Speaker of the House of Commons reprimanding a person at the bar. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The Speaker of the House of Commons reprimanding a person at the bar. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669262: The Speaker of the House of Commons reprimanding a person at the bar. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669262

The Speaker of the House of Commons reprimanding a person at the bar. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669439: Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4669439

Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Rowlandson, Thomas (1756-1827)

Court of the Governor and Company, in the Parlour, Bank of England. Steel engraving by Henry Melville after an illustration by F. Mackenzie from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Court of the Governor and Company, in the Parlour, Bank of England. Steel engraving by Henry Melville after an illustration by F. Mackenzie from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669448: Court of the Governor and Company, in the Parlour, Bank of England. Steel engraving by Henry Melville after an illustration by F. Mackenzie from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669448

Court of the Governor and Company, in the Parlour, Bank of England. Steel engraving by Henry Melville after an illustration by F. Mackenzie from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Queen Victoria giving audience to an ambassador in the Royal Closet, St. James' Palace. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Queen Victoria giving audience to an ambassador in the Royal Closet, St. James' Palace. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669451: Queen Victoria giving audience to an ambassador in the Royal Closet, St. James' Palace. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669451

Queen Victoria giving audience to an ambassador in the Royal Closet, St. James' Palace. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4670840: Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4670840

Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4670868: Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4670868

Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Discovery of America: Detail of Christopher Columbus's crew. Fresco by Daniel Vazquez Diaz (1882-1969), 1927-1930. Palos de la Frontera. Rabida Monastery
Discovery of America: Detail of Christopher Columbus's crew. Fresco by Daniel Vazquez Diaz (1882-1969), 1927-1930. Palos de la Frontera. Rabida Monastery

LRI4669778: Discovery of America: Detail of Christopher Columbus's crew. Fresco by Daniel Vazquez Diaz (1882-1969), 1927-1930. Palos de la Frontera. Rabida Monastery, Vazquez Diaz, Daniel (1881-1969) / Bridgeman Images

ID: LRI4669778

Discovery of America: Detail of Christopher Columbus's crew. Fresco by Daniel Vazquez Diaz (1882-1969), 1927-1930. Palos de la Frontera. Rabida Monastery

Vazquez Diaz, Daniel (1881-1969)

Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671324: Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671324

Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Netted-leaved oxylobium, Oxylobium retusum, broad-leaved brachysema, Brachysema latifolium, heart-leaved euchilus, Euchilus obcordatus, small-leaved dillwynia, Dillwynia parvifolia, sharp-leaved eutaxia, Eutaxia pungens, and prickly hovea, Hovea pungens. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.
Netted-leaved oxylobium, Oxylobium retusum, broad-leaved brachysema, Brachysema latifolium, heart-leaved euchilus, Euchilus obcordatus, small-leaved dillwynia, Dillwynia parvifolia, sharp-leaved eutaxia, Eutaxia pungens, and prickly hovea, Hovea pungens. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.

FLO4669993: Netted-leaved oxylobium, Oxylobium retusum, broad-leaved brachysema, Brachysema latifolium, heart-leaved euchilus, Euchilus obcordatus, small-leaved dillwynia, Dillwynia parvifolia, sharp-leaved eutaxia, Eutaxia pungens, and prickly hovea, Hovea pungens. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849. / Bridgeman Images

ID: FLO4669993

Netted-leaved oxylobium, Oxylobium retusum, broad-leaved brachysema, Brachysema latifolium, heart-leaved euchilus, Euchilus obcordatus, small-leaved dillwynia, Dillwynia parvifolia, sharp-leaved eutaxia, Eutaxia pungens, and prickly hovea, Hovea pungens. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.

Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671389: Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671389

Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671407: Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671407

Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Small-spiked callistemon, Callistemon microstachyum, heart-leaved angophora, Angophora cordifolia, and showy metrosideros, Metrosideros speciosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.
Small-spiked callistemon, Callistemon microstachyum, heart-leaved angophora, Angophora cordifolia, and showy metrosideros, Metrosideros speciosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

FLO4670057: Small-spiked callistemon, Callistemon microstachyum, heart-leaved angophora, Angophora cordifolia, and showy metrosideros, Metrosideros speciosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants. / Bridgeman Images

ID: FLO4670057

Small-spiked callistemon, Callistemon microstachyum, heart-leaved angophora, Angophora cordifolia, and showy metrosideros, Metrosideros speciosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4670904: Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4670904

Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671537: Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671537

Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678472: Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678472

Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678481: King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678481

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678763: Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678763

Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833
Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4678946: Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678946

Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4679110: Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4679110

Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679250: Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

ID: FLO4679250

Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

Cyathelia axillaris coral (Axillary madrepore, Madrepora axillaris). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Cyathelia axillaris coral (Axillary madrepore, Madrepora axillaris). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681693: Cyathelia axillaris coral (Axillary madrepore, Madrepora axillaris). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681693

Cyathelia axillaris coral (Axillary madrepore, Madrepora axillaris). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Common brimstone butterfly, Gonepteryx rhamni, caterpillar and pupa (Buckthorn butterfly, Papilio rhamni). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Common brimstone butterfly, Gonepteryx rhamni, caterpillar and pupa (Buckthorn butterfly, Papilio rhamni). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681744: Common brimstone butterfly, Gonepteryx rhamni, caterpillar and pupa (Buckthorn butterfly, Papilio rhamni). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681744

Common brimstone butterfly, Gonepteryx rhamni, caterpillar and pupa (Buckthorn butterfly, Papilio rhamni). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Roman mythology: Ceres, goddess of agriculture, harvests and fertility, holding a sickle and a bushel of wheat - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Ceres, Roman goddess of the harvest and agriculture, in toga and laurel crown, with scythe and bushel of wheat - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Ceres, goddess of agriculture, harvests and fertility, holding a sickle and a bushel of wheat - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Ceres, Roman goddess of the harvest and agriculture, in toga and laurel crown, with scythe and bushel of wheat - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4679713: Roman mythology: Ceres, goddess of agriculture, harvests and fertility, holding a sickle and a bushel of wheat - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Ceres, Roman goddess of the harvest and agriculture, in toga and laurel crown, with scythe and bushel of wheat - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4679713

Roman mythology: Ceres, goddess of agriculture, harvests and fertility, holding a sickle and a bushel of wheat - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Ceres, Roman goddess of the harvest and agriculture, in toga and laurel crown, with scythe and bushel of wheat - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Indian volute or bailer shell, Melo melo (Voluta indica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Indian volute or bailer shell, Melo melo (Voluta indica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681767: Indian volute or bailer shell, Melo melo (Voluta indica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681767

Indian volute or bailer shell, Melo melo (Voluta indica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Azure-winged magpie, Cyanopica cyanus (Cyanean crow, Corvus cyaneus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Azure-winged magpie, Cyanopica cyanus (Cyanean crow, Corvus cyaneus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681780: Azure-winged magpie, Cyanopica cyanus (Cyanean crow, Corvus cyaneus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681780

Azure-winged magpie, Cyanopica cyanus (Cyanean crow, Corvus cyaneus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Pseudoscorpion. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw.
Pseudoscorpion. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw.

FLO4681916: Pseudoscorpion. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw. / Bridgeman Images

ID: FLO4681916

Pseudoscorpion. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw.

Freshwater cat fish. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by Frederick Noder for the naturalist collection, published in 1790 by George Shaw.
Freshwater cat fish. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by Frederick Noder for the naturalist collection, published in 1790 by George Shaw.

FLO4682161: Freshwater cat fish. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by Frederick Noder for the naturalist collection, published in 1790 by George Shaw. / Bridgeman Images

ID: FLO4682161

Freshwater cat fish. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by Frederick Noder for the naturalist collection, published in 1790 by George Shaw.

Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4680069: Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4680069

Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.
Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

FLO4680207: Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images

ID: FLO4680207

Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.
Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

FLO4680227: Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images

ID: FLO4680227

Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680295: Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680295

Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680343: Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680343

Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.


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