Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497570 Search Results

Blue volubilis, Indian ipomee - Blue morning glory, Ipomoea indica (Will's gaybine, Pharbitis learii). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Blue volubilis, Indian ipomee - Blue morning glory, Ipomoea indica (Will's gaybine, Pharbitis learii). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711562: Blue volubilis, Indian ipomee - Blue morning glory, Ipomoea indica (Will's gaybine, Pharbitis learii). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

The lyrical singer Luciano Pavarotti holding his platinum record, Milan 1988.
The lyrical singer Luciano Pavarotti holding his platinum record, Milan 1988.

MME4711565: The lyrical singer Luciano Pavarotti holding his platinum record, Milan 1988., Mencarini, Marcello / Bridgeman Images

Himalayan balsam, Glandulifera (large-lipped balsam, Impatiens macrochila). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Himalayan balsam, Glandulifera (large-lipped balsam, Impatiens macrochila). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711736: Himalayan balsam, Glandulifera (large-lipped balsam, Impatiens macrochila). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Himalayan balsam, Glandulifera (Dr. Royle's balsam, Impatiens roylei). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Himalayan balsam, Glandulifera (Dr. Royle's balsam, Impatiens roylei). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711772: Himalayan balsam, Glandulifera (Dr. Royle's balsam, Impatiens roylei). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Portrait of the French conductor Georges Pretre at a concert. Approximately 1990
Portrait of the French conductor Georges Pretre at a concert. Approximately 1990

MME4711791: Portrait of the French conductor Georges Pretre at a concert. Approximately 1990, Mencarini, Marcello / Bridgeman Images

Portrait of the French conductor Georges Pretre at a concert. Approximately 1990
Portrait of the French conductor Georges Pretre at a concert. Approximately 1990

MME4711799: Portrait of the French conductor Georges Pretre at a concert. Approximately 1990, Mencarini, Marcello / Bridgeman Images

Poet's daffodil, Narcissus poeticus (Drooping-leaved poet's narcissus, Narcissus recurvus). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Poet's daffodil, Narcissus poeticus (Drooping-leaved poet's narcissus, Narcissus recurvus). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711615: Poet's daffodil, Narcissus poeticus (Drooping-leaved poet's narcissus, Narcissus recurvus). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Poet narcissus - Poet's daffodil, Narcissus poeticus subsp. radiiflorus (Starry poet's narcissus, Narcissus stellaris). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Poet narcissus - Poet's daffodil, Narcissus poeticus subsp. radiiflorus (Starry poet's narcissus, Narcissus stellaris). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711644: Poet narcissus - Poet's daffodil, Narcissus poeticus subsp. radiiflorus (Starry poet's narcissus, Narcissus stellaris). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Portrait of the French conductor Georges Pretre at a concert. Approximately 1990
Portrait of the French conductor Georges Pretre at a concert. Approximately 1990

MME4711754: Portrait of the French conductor Georges Pretre at a concert. Approximately 1990, Mencarini, Marcello / Bridgeman Images

Conanthere - Conanthera campanulata (Bell-flowered cummingia, Cummingia campanulata). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Conanthere - Conanthera campanulata (Bell-flowered cummingia, Cummingia campanulata). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711977: Conanthere - Conanthera campanulata (Bell-flowered cummingia, Cummingia campanulata). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Glory tree, Clerodendrum splendens (Splendid clerodendron, Clerodendron splendens). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Glory tree, Clerodendrum splendens (Splendid clerodendron, Clerodendron splendens). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4711962: Glory tree, Clerodendrum splendens (Splendid clerodendron, Clerodendron splendens). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Giroselle de Virginie - Shooting star, Dodecatheon meadia (Elegant American cowslip, Dodecatheon meadia var. elegans). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Giroselle de Virginie - Shooting star, Dodecatheon meadia (Elegant American cowslip, Dodecatheon meadia var. elegans). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712047: Giroselle de Virginie - Shooting star, Dodecatheon meadia (Elegant American cowslip, Dodecatheon meadia var. elegans). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

INGMAR BERGMAN, director, with the cast of the movie “” Fanny and Alexander”” (Fanny and Alexandre), Venice Film Festival 1983
INGMAR BERGMAN, director, with the cast of the movie “” Fanny and Alexander”” (Fanny and Alexandre), Venice Film Festival 1983

MME4712181: INGMAR BERGMAN, director, with the cast of the movie “” Fanny and Alexander”” (Fanny and Alexandre), Venice Film Festival 1983, Mencarini, Marcello / Bridgeman Images

Tulip des jardins - Didier's tulip or garden tulip, Tulipa gesneriana (Bonorata tulip, Tulipa bonarotiana). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Tulip des jardins - Didier's tulip or garden tulip, Tulipa gesneriana (Bonorata tulip, Tulipa bonarotiana). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712260: Tulip des jardins - Didier's tulip or garden tulip, Tulipa gesneriana (Bonorata tulip, Tulipa bonarotiana). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Portrait of writer Herta Muller in June 2010.
Portrait of writer Herta Muller in June 2010.

MME4712107: Portrait of writer Herta Muller in June 2010., Mencarini, Marcello / Bridgeman Images

Erythrone dog tooth or red satyrion - Dogtooth violet, Erythronium dense-canis (Long-leaved dogs'-tooth violet, Erythronium longifolium). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Erythrone dog tooth or red satyrion - Dogtooth violet, Erythronium dense-canis (Long-leaved dogs'-tooth violet, Erythronium longifolium). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712151: Erythrone dog tooth or red satyrion - Dogtooth violet, Erythronium dense-canis (Long-leaved dogs'-tooth violet, Erythronium longifolium). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Iridacee - Hesperantha vaginata (Sheathed tile root, Geissorhiza vaginata). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Iridacee - Hesperantha vaginata (Sheathed tile root, Geissorhiza vaginata). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712165: Iridacee - Hesperantha vaginata (Sheathed tile root, Geissorhiza vaginata). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Tulip has a flower - Single-flowered tulip, Tulipa uniflora (Single-flowered orithyia, Orithyia uniflora). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Tulip has a flower - Single-flowered tulip, Tulipa uniflora (Single-flowered orithyia, Orithyia uniflora). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712296: Tulip has a flower - Single-flowered tulip, Tulipa uniflora (Single-flowered orithyia, Orithyia uniflora). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Erythrone dog tooth or red satyrion - Dogtooth violet or Oval-leaved dogs'-tooth violet, Erythronium dense-canis. Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Erythrone dog tooth or red satyrion - Dogtooth violet or Oval-leaved dogs'-tooth violet, Erythronium dense-canis. Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712117: Erythrone dog tooth or red satyrion - Dogtooth violet or Oval-leaved dogs'-tooth violet, Erythronium dense-canis. Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Romulee - Romulea monadelpha (Beautiful ribbon flower, Spatalanthus speciosus). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Romulee - Romulea monadelpha (Beautiful ribbon flower, Spatalanthus speciosus). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712161: Romulee - Romulea monadelpha (Beautiful ribbon flower, Spatalanthus speciosus). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Sparaxis elegant, Harlequin flower - Harlequin flower, Sparaxis elegans (Elegant streptanthera, Streptanthera elegans). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Sparaxis elegant, Harlequin flower - Harlequin flower, Sparaxis elegans (Elegant streptanthera, Streptanthera elegans). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712224: Sparaxis elegant, Harlequin flower - Harlequin flower, Sparaxis elegans (Elegant streptanthera, Streptanthera elegans). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Incas lily, Perou lily - Sims Peruvian lily, Alstroemeria ligtu subsp. simsii (Sims' crimson alstroemeria, Alstroemeria haemantha var. simsiana). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Incas lily, Perou lily - Sims Peruvian lily, Alstroemeria ligtu subsp. simsii (Sims' crimson alstroemeria, Alstroemeria haemantha var. simsiana). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4712377: Incas lily, Perou lily - Sims Peruvian lily, Alstroemeria ligtu subsp. simsii (Sims' crimson alstroemeria, Alstroemeria haemantha var. simsiana). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

Soul singer James Brown, Apollo Theatre. Harlem, New York / Il cantante James Brown al Teatro Apollo di New York
Soul singer James Brown, Apollo Theatre. Harlem, New York / Il cantante James Brown al Teatro Apollo di New York

MME4712395: Soul singer James Brown, Apollo Theatre. Harlem, New York / Il cantante James Brown al Teatro Apollo di New York, Mencarini, Marcello / Bridgeman Images

Soul singer James Brown, Apollo Theatre. Harlem, New York / Il cantante James Brown al Teatro Apollo di New York
Soul singer James Brown, Apollo Theatre. Harlem, New York / Il cantante James Brown al Teatro Apollo di New York

MME4712384: Soul singer James Brown, Apollo Theatre. Harlem, New York / Il cantante James Brown al Teatro Apollo di New York, Mencarini, Marcello / Bridgeman Images

Classic guitarist ANDRES SEGOVIA performing in La Fenice Theater, Venice 1980/ANDRES SEGOVIA, chitarrista, al teatro La Fenice, Venezia 1980
Classic guitarist ANDRES SEGOVIA performing in La Fenice Theater, Venice 1980/ANDRES SEGOVIA, chitarrista, al teatro La Fenice, Venezia 1980

MME4712546: Classic guitarist ANDRES SEGOVIA performing in La Fenice Theater, Venice 1980/ANDRES SEGOVIA, chitarrista, al teatro La Fenice, Venezia 1980, Mencarini, Marcello / Bridgeman Images

Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706902: Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Portrait of French comedian Sandrine Bonnaire in 1985.
Portrait of French comedian Sandrine Bonnaire in 1985.

MME4706978: Portrait of French comedian Sandrine Bonnaire in 1985., Mencarini, Marcello / Bridgeman Images

Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707088: Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707097: Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Three knight mounted teams for different types of tests: the race of the arm guard with the helm, the race with round wheels and small targets and the game. In the races, the knights aimed at their spear at a specific point in their opponent's chest pto blow a metal plate, their spear ended with a sharp metal tip, the players' spear had a crown of spikes at its end.
Three knight mounted teams for different types of tests: the race of the arm guard with the helm, the race with round wheels and small targets and the game. In the races, the knights aimed at their spear at a specific point in their opponent's chest pto blow a metal plate, their spear ended with a sharp metal tip, the players' spear had a crown of spikes at its end.

FLO4707171: Three knight mounted teams for different types of tests: the race of the arm guard with the helm, the race with round wheels and small targets and the game. In the races, the knights aimed at their spear at a specific point in their opponent's chest pto blow a metal plate, their spear ended with a sharp metal tip, the players' spear had a crown of spikes at its end. / Bridgeman Images

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707386: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707517: Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707670: King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707724: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images


Back to top