1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

5778270 Search Results

Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111242: Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT111242

Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

Blake, William (1757-1827)

Folding 'Applied Faces' Cabriolet fan, side A showing Chinese People with Foreign Shipping in the lower leaf, Chinese, c.1840 (painted paper, ivory, silks, gilt and enamel) (see: 111252 for side B)
Folding 'Applied Faces' Cabriolet fan, side A showing Chinese People with Foreign Shipping in the lower leaf, Chinese, c.1840 (painted paper, ivory, silks, gilt and enamel) (see: 111252 for side B)

FIT111253: Folding 'Applied Faces' Cabriolet fan, side A showing Chinese People with Foreign Shipping in the lower leaf, Chinese, c.1840 (painted paper, ivory, silks, gilt and enamel) (see: 111252 for side B) / Bridgeman Images

ID: FIT111253

Folding 'Applied Faces' Cabriolet fan, side A showing Chinese People with Foreign Shipping in the lower leaf, Chinese, c.1840 (painted paper, ivory, silks, gilt and enamel) (see: 111252 for side B)

Arms and shield of the state of Imperial Russia, from a collection of watercolours published in Germany, c.1830-33 (colour litho)
Arms and shield of the state of Imperial Russia, from a collection of watercolours published in Germany, c.1830-33 (colour litho)

STC111321: Arms and shield of the state of Imperial Russia, from a collection of watercolours published in Germany, c.1830-33 (colour litho), Hildebrandt, C. (fl.1830-33) / Bridgeman Images

ID: STC111321

Arms and shield of the state of Imperial Russia, from a collection of watercolours published in Germany, c.1830-33 (colour litho)

Hildebrandt, C. (fl.1830-33)

The Record Race Across the Atlantic - The Hamburg Liner 'Deutschland's Victory against the 'Kaiser Wilhelm der Grosse', page 313 from 'The Sphere', 15th September 1900 (engraving) (b/w photo)
The Record Race Across the Atlantic - The Hamburg Liner 'Deutschland's Victory against the 'Kaiser Wilhelm der Grosse', page 313 from 'The Sphere', 15th September 1900 (engraving) (b/w photo)

ILN111344: The Record Race Across the Atlantic - The Hamburg Liner 'Deutschland's Victory against the 'Kaiser Wilhelm der Grosse', page 313 from 'The Sphere', 15th September 1900 (engraving) (b/w photo) / Bridgeman Images

ID: ILN111344

The Record Race Across the Atlantic - The Hamburg Liner 'Deutschland's Victory against the 'Kaiser Wilhelm der Grosse', page 313 from 'The Sphere', 15th September 1900 (engraving) (b/w photo)

The Type of Locomotive Employed on the Trans-Siberian Railway, from 'The Sphere', 15th August 1903 (b/w photo)
The Type of Locomotive Employed on the Trans-Siberian Railway, from 'The Sphere', 15th August 1903 (b/w photo)

ILN111346: The Type of Locomotive Employed on the Trans-Siberian Railway, from 'The Sphere', 15th August 1903 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: ILN111346

The Type of Locomotive Employed on the Trans-Siberian Railway, from 'The Sphere', 15th August 1903 (b/w photo)

English Photographer, (20th century)

Mrs Elizabeth Birch and Her Daughter, 1741 (oil on canvas)
Mrs Elizabeth Birch and Her Daughter, 1741 (oil on canvas)

FIT111412: Mrs Elizabeth Birch and Her Daughter, 1741 (oil on canvas), Highmore, Joseph (1692-1780) / Bridgeman Images

ID: FIT111412

Mrs Elizabeth Birch and Her Daughter, 1741 (oil on canvas)

Highmore, Joseph (1692-1780)

Somenosuke of Matsubaya, from the series 'Array of Supreme Beauties of the Present Day', c.1794 (woodblock print)
Somenosuke of Matsubaya, from the series 'Array of Supreme Beauties of the Present Day', c.1794 (woodblock print)

FIT111453: Somenosuke of Matsubaya, from the series 'Array of Supreme Beauties of the Present Day', c.1794 (woodblock print), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

ID: FIT111453

Somenosuke of Matsubaya, from the series 'Array of Supreme Beauties of the Present Day', c.1794 (woodblock print)

Utamaro, Kitagawa (1753-1806)

Mummified cats and ibis
Mummified cats and ibis

AMO111575: Mummified cats and ibis, Egyptian / Bridgeman Images

ID: AMO111575

Mummified cats and ibis

Egyptian

Relief of Food Preparation, Amarna, 14th century BC (limestone)
Relief of Food Preparation, Amarna, 14th century BC (limestone)

AMO111579: Relief of Food Preparation, Amarna, 14th century BC (limestone), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: AMO111579

Relief of Food Preparation, Amarna, 14th century BC (limestone)

Egyptian 18th Dynasty (c.1567-1320 BC)

Moll Pitcher at the Battle of Monmouth, 28th June 1778, engraved by J. Rogers (engraving) (b&w photo)
Moll Pitcher at the Battle of Monmouth, 28th June 1778, engraved by J. Rogers (engraving) (b&w photo)

BAL111629: Moll Pitcher at the Battle of Monmouth, 28th June 1778, engraved by J. Rogers (engraving) (b&w photo), Carter, Dennis Malone (1827-81) (after) / Bridgeman Images

ID: BAL111629

Moll Pitcher at the Battle of Monmouth, 28th June 1778, engraved by J. Rogers (engraving) (b&w photo)

Carter, Dennis Malone (1827-81) (after)

The Birth of the Virgin, detail of a seated maid servant, from the fresco cycle of the Lives of the Virgin and St. Stephen from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)
The Birth of the Virgin, detail of a seated maid servant, from the fresco cycle of the Lives of the Virgin and St. Stephen from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

BEN120255: The Birth of the Virgin, detail of a seated maid servant, from the fresco cycle of the Lives of the Virgin and St. Stephen from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco), Uccello, Paolo (1397-1475) / Bridgeman Images

ID: BEN120255

The Birth of the Virgin, detail of a seated maid servant, from the fresco cycle of the Lives of the Virgin and St. Stephen from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

Uccello, Paolo (1397-1475)

Cross-section of Villa Caprarola, Bagnaia (engraving)
Cross-section of Villa Caprarola, Bagnaia (engraving)

STC120273: Cross-section of Villa Caprarola, Bagnaia (engraving), Falda, Giovanni Battista (c.1648-78) / Bridgeman Images

ID: STC120273

Cross-section of Villa Caprarola, Bagnaia (engraving)

Falda, Giovanni Battista (c.1648-78)

Jacob's Ladder (stained glass) (see also 120161 for detail)
Jacob's Ladder (stained glass) (see also 120161 for detail)

MOK120160: Jacob's Ladder (stained glass) (see also 120161 for detail), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: MOK120160

Jacob's Ladder (stained glass) (see also 120161 for detail)

Burne-Jones, Edward Coley (1833-98)

Detail of St. Cecilia, 1870s (stained glass) (detail of 120182)
Detail of St. Cecilia, 1870s (stained glass) (detail of 120182)

MOK120183: Detail of St. Cecilia, 1870s (stained glass) (detail of 120182), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: MOK120183

Detail of St. Cecilia, 1870s (stained glass) (detail of 120182)

Burne-Jones, Edward Coley (1833-98)

Palazzo Verospi, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving)
Palazzo Verospi, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving)

STC120286: Palazzo Verospi, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120286

Palazzo Verospi, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

Palazzo Giustiniani, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving)
Palazzo Giustiniani, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving)

STC120287: Palazzo Giustiniani, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120287

Palazzo Giustiniani, Rome, from 'Palazzi di Roma', part II, published 1670s (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

Palazzo of Cardinal Alesandrino, Piazza SS Apostoli, Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)
Palazzo of Cardinal Alesandrino, Piazza SS Apostoli, Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)

STC120294: Palazzo of Cardinal Alesandrino, Piazza SS Apostoli, Rome, from 'Palazzi di Roma', part I, published 1655 (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120294

Palazzo of Cardinal Alesandrino, Piazza SS Apostoli, Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)
Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)

STC120296: Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120296

Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

The Puy Barion at Crozant, Brittany (oil on canvas)
The Puy Barion at Crozant, Brittany (oil on canvas)

NUM120337: The Puy Barion at Crozant, Brittany (oil on canvas), Guillaumin, Jean Baptiste Armand (1841-1927) / Bridgeman Images

ID: NUM120337

The Puy Barion at Crozant, Brittany (oil on canvas)

Guillaumin, Jean Baptiste Armand (1841-1927)

Coast of the Val Andre, c.1907 (oil on canvas)
Coast of the Val Andre, c.1907 (oil on canvas)

NUM120343: Coast of the Val Andre, c.1907 (oil on canvas), Guillaumin, Jean Baptiste Armand (1841-1927) / Bridgeman Images

ID: NUM120343

Coast of the Val Andre, c.1907 (oil on canvas)

Guillaumin, Jean Baptiste Armand (1841-1927)

View of the facade of Palazzo Marchese, Rome, designed by Giacomo della Porta (1538-1602) and Girolamo Rainaldi (1570-1655) (engraving)
View of the facade of Palazzo Marchese, Rome, designed by Giacomo della Porta (1538-1602) and Girolamo Rainaldi (1570-1655) (engraving)

STC120500: View of the facade of Palazzo Marchese, Rome, designed by Giacomo della Porta (1538-1602) and Girolamo Rainaldi (1570-1655) (engraving), Falda, Giovanni Battista (c.1648-78) / Bridgeman Images

ID: STC120500

View of the facade of Palazzo Marchese, Rome, designed by Giacomo della Porta (1538-1602) and Girolamo Rainaldi (1570-1655) (engraving)

Falda, Giovanni Battista (c.1648-78)

PFA113162: "An Irish Hero!", recruitment poster, 1915 (litho) / Bridgeman Images

ID: PFA113162

"An Irish Hero!", recruitment poster, 1915 (litho)

The Countie of Westmorland, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
The Countie of Westmorland, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF113471: The Countie of Westmorland, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

ID: XCF113471

The Countie of Westmorland, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

Speed, John (1552-1629)

Gloucestershire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
Gloucestershire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF113477: Gloucestershire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

ID: XCF113477

Gloucestershire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

Speed, John (1552-1629)

Shoki, the Demon Queller, c.1745 (woodblock print)
Shoki, the Demon Queller, c.1745 (woodblock print)

FIT113918: Shoki, the Demon Queller, c.1745 (woodblock print), Masanobu, Okumura (1686-1764) / Bridgeman Images

ID: FIT113918

Shoki, the Demon Queller, c.1745 (woodblock print)

Masanobu, Okumura (1686-1764)

Statuette of a Lion seated on a plinth, from the temple precinct at Hierakonpolis, Egyptian, late Protodynastic, end of the Old Kingdom, c.2700-2200 BC (pottery)
Statuette of a Lion seated on a plinth, from the temple precinct at Hierakonpolis, Egyptian, late Protodynastic, end of the Old Kingdom, c.2700-2200 BC (pottery)

AMO114263: Statuette of a Lion seated on a plinth, from the temple precinct at Hierakonpolis, Egyptian, late Protodynastic, end of the Old Kingdom, c.2700-2200 BC (pottery), Egyptian / Bridgeman Images

ID: AMO114263

Statuette of a Lion seated on a plinth, from the temple precinct at Hierakonpolis, Egyptian, late Protodynastic, end of the Old Kingdom, c.2700-2200 BC (pottery)

Egyptian

Male mummy portrait, probably 2nd-3rd century AD (encaustic on wood)
Male mummy portrait, probably 2nd-3rd century AD (encaustic on wood)

AMO114265: Male mummy portrait, probably 2nd-3rd century AD (encaustic on wood), Egyptian / Bridgeman Images

ID: AMO114265

Male mummy portrait, probably 2nd-3rd century AD (encaustic on wood)

Egyptian

Lead Mining at Leadmills, the washing and sieving of the lead (oil on canvas)
Lead Mining at Leadmills, the washing and sieving of the lead (oil on canvas)

JHB114308: Lead Mining at Leadmills, the washing and sieving of the lead (oil on canvas), Allan, David (1744-96) / Bridgeman Images

ID: JHB114308

Lead Mining at Leadmills, the washing and sieving of the lead (oil on canvas)

Allan, David (1744-96)

Lead Mining at Leadhills, the weighing and valuing of the lead (oil on canvas)
Lead Mining at Leadhills, the weighing and valuing of the lead (oil on canvas)

JHB114310: Lead Mining at Leadhills, the weighing and valuing of the lead (oil on canvas), Allan, David (1744-96) / Bridgeman Images

ID: JHB114310

Lead Mining at Leadhills, the weighing and valuing of the lead (oil on canvas)

Allan, David (1744-96)

Gothic Chapel in the Ducal Park near Weimar, 1798 (colour engraving)
Gothic Chapel in the Ducal Park near Weimar, 1798 (colour engraving)

JHB114333: Gothic Chapel in the Ducal Park near Weimar, 1798 (colour engraving), Kraus, Georg Melchior (1737-1806) / Bridgeman Images

ID: JHB114333

Gothic Chapel in the Ducal Park near Weimar, 1798 (colour engraving)

Kraus, Georg Melchior (1737-1806)

Portrait of Henry Fox, 1st Baron Holland (1705-74), engraved by Henry Robinson (fl.1833-51) (engraving)
Portrait of Henry Fox, 1st Baron Holland (1705-74), engraved by Henry Robinson (fl.1833-51) (engraving)

PML114376: Portrait of Henry Fox, 1st Baron Holland (1705-74), engraved by Henry Robinson (fl.1833-51) (engraving), Reynolds, Joshua (1723-92) (after) / Bridgeman Images

ID: PML114376

Portrait of Henry Fox, 1st Baron Holland (1705-74), engraved by Henry Robinson (fl.1833-51) (engraving)

Reynolds, Joshua (1723-92) (after)

Portrait of Florence Nightingale (1820-1910) 1868 (oil on canvas)
Portrait of Florence Nightingale (1820-1910) 1868 (oil on canvas)

TWG114717: Portrait of Florence Nightingale (1820-1910) 1868 (oil on canvas), Watts, George Frederic (1817-1904) / Bridgeman Images

ID: TWG114717

Portrait of Florence Nightingale (1820-1910) 1868 (oil on canvas)

Watts, George Frederic (1817-1904)

Hunting Polar Bears in the 18th century (engraving)
Hunting Polar Bears in the 18th century (engraving)

KWE114901: Hunting Polar Bears in the 18th century (engraving), French School, (19th century) / Bridgeman Images

ID: KWE114901

Hunting Polar Bears in the 18th century (engraving)

French School, (19th century)

Henry VIII (1491-1547) (engraving)
Henry VIII (1491-1547) (engraving)

KWE115005: Henry VIII (1491-1547) (engraving), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: KWE115005

Henry VIII (1491-1547) (engraving)

Holbein the Younger, Hans (1497/8-1543) (after)

Christian and Apollyon, from the 13th edition of 'Pilgrim's Progress' by John Bunyan, 1692 (engraving)
Christian and Apollyon, from the 13th edition of 'Pilgrim's Progress' by John Bunyan, 1692 (engraving)

KWE115031: Christian and Apollyon, from the 13th edition of 'Pilgrim's Progress' by John Bunyan, 1692 (engraving), English School, (17th century) / Bridgeman Images

ID: KWE115031

Christian and Apollyon, from the 13th edition of 'Pilgrim's Progress' by John Bunyan, 1692 (engraving)

English School, (17th century)

Gerona, Spain, in the 17th century (engraving)
Gerona, Spain, in the 17th century (engraving)

KWE115054: Gerona, Spain, in the 17th century (engraving), Spanish School, (19th century) / Bridgeman Images

ID: KWE115054

Gerona, Spain, in the 17th century (engraving)

Spanish School, (19th century)


Back to top