1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2533476 Search Results

Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c)
Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044134: Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044134

Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)
Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)

HLK5044135: Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash), Italian School, (17th century) / Bridgeman Images

ID: HLK5044135

Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)

Italian School, (17th century)

Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)
Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044140: Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044140

Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c)
River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044146: River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044146

River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)
Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044149: Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044149

Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)
Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)

HLK5044154: Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash), Testa, Pietro (Il Lucchesino) (1611-50) / Bridgeman Images

ID: HLK5044154

Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)

Testa, Pietro (Il Lucchesino) (1611-50)

Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)
Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)

HLK5044174: Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk), Italian School, (18th century) / Bridgeman Images

ID: HLK5044174

Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)

Italian School, (18th century)

Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)
Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044189: Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044189

Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Mars, 1700-1750 (red chalk)
Mars, 1700-1750 (red chalk)

HLK5044194: Mars, 1700-1750 (red chalk), Italian School, (18th century) / Bridgeman Images

ID: HLK5044194

Mars, 1700-1750 (red chalk)

Italian School, (18th century)

Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)
Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)

HLK5044205: Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash), Italian School, (18th century) / Bridgeman Images

ID: HLK5044205

Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)

Italian School, (18th century)

Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)
Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044214: Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044214

Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

View of the Interior of the Gesu, Rome, 1716 (watercolour)
View of the Interior of the Gesu, Rome, 1716 (watercolour)

HLK5044218: View of the Interior of the Gesu, Rome, 1716 (watercolour), Bartoli, Francesco (1675-1730) / Bridgeman Images

ID: HLK5044218

View of the Interior of the Gesu, Rome, 1716 (watercolour)

Bartoli, Francesco (1675-1730)

A Vase (black chalk, some with pen and brown ink. coloured with w/c)
A Vase (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044228: A Vase (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044228

A Vase (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)
Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)

HLK5044229: Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk), Garzi, Luigi (1638-1721) / Bridgeman Images

ID: HLK5044229

Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)

Garzi, Luigi (1638-1721)

Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)
Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044248: Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044248

Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

The sea of Okinawa 2, 2016 (painting)
The sea of Okinawa 2, 2016 (painting)

AKK5054170: The sea of Okinawa 2, 2016 (painting), Izutsu, Hiroyuki / Bridgeman Images

ID: AKK5054170

The sea of Okinawa 2, 2016 (painting)

Izutsu, Hiroyuki

Entrance of park,2016,
Entrance of park,2016,

AKK5054171: Entrance of park,2016,, Izutsu, Hiroyuki / Bridgeman Images

ID: AKK5054171

Entrance of park,2016,

Izutsu, Hiroyuki

Cafe in Cambodia,2016 (painting)
Cafe in Cambodia,2016 (painting)

AKK5054175: Cafe in Cambodia,2016 (painting), Izutsu, Hiroyuki / Bridgeman Images

ID: AKK5054175

Cafe in Cambodia,2016 (painting)

Izutsu, Hiroyuki

Coastal Landscape with Houses, 1924 (oil on canvas)
Coastal Landscape with Houses, 1924 (oil on canvas)

OVR5054386: Coastal Landscape with Houses, 1924 (oil on canvas), Diriks, Carl-Edvard (1855-1930) / Bridgeman Images

ID: OVR5054386

Coastal Landscape with Houses, 1924 (oil on canvas)

Diriks, Carl-Edvard (1855-1930)

Interior with Child (oil on canvas)
Interior with Child (oil on canvas)

OVR5054387: Interior with Child (oil on canvas), Ender, Axel Hjalmar (1853-1920) / Bridgeman Images

ID: OVR5054387

Interior with Child (oil on canvas)

Ender, Axel Hjalmar (1853-1920)

Sending for the Doctor, 1880 (oil on canvas)
Sending for the Doctor, 1880 (oil on canvas)

OVR5054391: Sending for the Doctor, 1880 (oil on canvas), Krohg, Christian (1852-1925) / Bridgeman Images

ID: OVR5054391

Sending for the Doctor, 1880 (oil on canvas)

Krohg, Christian (1852-1925)

Concentration (baby elephant), 2018 (conté and pastel on paper)
Concentration (baby elephant), 2018 (conté and pastel on paper)

MAD5054614: Concentration (baby elephant), 2018 (conté and pastel on paper), Adlington, Mark / Bridgeman Images

ID: MAD5054614

Concentration (baby elephant), 2018 (conté and pastel on paper)

Adlington, Mark

Hermitage, France, Rhone River, Bike on Bridge,2011 (color photograph)
Hermitage, France, Rhone River, Bike on Bridge,2011 (color photograph)

BTA5054628: Hermitage, France, Rhone River, Bike on Bridge,2011 (color photograph), Butera, Anthony (1940-2021) / Bridgeman Images

ID: BTA5054628

Hermitage, France, Rhone River, Bike on Bridge,2011 (color photograph)

Butera, Anthony (1940-2021)

Under the Highline at Night, From the Whitney Museum, 2018, (watercolor)
Under the Highline at Night, From the Whitney Museum, 2018, (watercolor)

BTA5054629: Under the Highline at Night, From the Whitney Museum, 2018, (watercolor), Butera, Anthony (1940-2021) / Bridgeman Images

ID: BTA5054629

Under the Highline at Night, From the Whitney Museum, 2018, (watercolor)

Butera, Anthony (1940-2021)

The Improvement of the South Down Breed of Sheep at Holkham in Norfolk, 1793-1807 (oil on canvas)
The Improvement of the South Down Breed of Sheep at Holkham in Norfolk, 1793-1807 (oil on canvas)

HLK5054851: The Improvement of the South Down Breed of Sheep at Holkham in Norfolk, 1793-1807 (oil on canvas), Garrard, George (1760-1826) / Bridgeman Images

ID: HLK5054851

The Improvement of the South Down Breed of Sheep at Holkham in Norfolk, 1793-1807 (oil on canvas)

Garrard, George (1760-1826)

Lady Margaret Tufton (oil on canvas)
Lady Margaret Tufton (oil on canvas)

HLK5054859: Lady Margaret Tufton (oil on canvas), English School, (18th century) / Bridgeman Images

ID: HLK5054859

Lady Margaret Tufton (oil on canvas)

English School, (18th century)

Doh, 2018 (oil on canvas)
Doh, 2018 (oil on canvas)

AEC5055282: Doh, 2018 (oil on canvas), Frean, Holly / Bridgeman Images

ID: AEC5055282

Doh, 2018 (oil on canvas)

Frean, Holly

Dog Crowd, 2018 (oil on canvas)
Dog Crowd, 2018 (oil on canvas)

AEC5055283: Dog Crowd, 2018 (oil on canvas), Frean, Holly / Bridgeman Images

ID: AEC5055283

Dog Crowd, 2018 (oil on canvas)

Frean, Holly

Small Colour Dog Pack No.4, 2018 (gouache on paper)
Small Colour Dog Pack No.4, 2018 (gouache on paper)

AEC5055288: Small Colour Dog Pack No.4, 2018 (gouache on paper), Frean, Holly / Bridgeman Images

ID: AEC5055288

Small Colour Dog Pack No.4, 2018 (gouache on paper)

Frean, Holly

Small Colour Dog Pack No.1, 2018 (gouache on paper)
Small Colour Dog Pack No.1, 2018 (gouache on paper)

AEC5055289: Small Colour Dog Pack No.1, 2018 (gouache on paper), Frean, Holly / Bridgeman Images

ID: AEC5055289

Small Colour Dog Pack No.1, 2018 (gouache on paper)

Frean, Holly

Prometheus Wound (oil on canvas)
Prometheus Wound (oil on canvas)

AID5043777: Prometheus Wound (oil on canvas), Pontes, Guilherme / Bridgeman Images

ID: AID5043777

Prometheus Wound (oil on canvas)

Pontes, Guilherme

“So, although I confess to you, between us, that I was the one who stole the toquante from Father Jerome, you do not abandon me for that!... - Hey! My dear thief... you hardly know my heart... ; if there were no more filers there would be no lawyers... my
“So, although I confess to you, between us, that I was the one who stole the toquante from Father Jerome, you do not abandon me for that!... - Hey! My dear thief... you hardly know my heart... ; if there were no more filers there would be no lawyers... my

LSE4403419: “So, although I confess to you, between us, that I was the one who stole the toquante from Father Jerome, you do not abandon me for that!... - Hey! My dear thief... you hardly know my heart... ; if there were no more filers there would be no lawyers... my, Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403419

“So, although I confess to you, between us, that I was the one who stole the toquante from Father Jerome, you do not abandon me for that!... - Hey! My dear thief... you hardly know my heart... ; if there were no more filers there would be no lawyers... my

Daumier, Honore (1808-79)

The business agent. Devil! I'm late... we may have called the case of the grocer Flachonneau to whom Mademoiselle Coquillard my client owes for six pounds ten cups of bread to seal a young person who has very long relationships!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1846.
The business agent. Devil! I'm late... we may have called the case of the grocer Flachonneau to whom Mademoiselle Coquillard my client owes for six pounds ten cups of bread to seal a young person who has very long relationships!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1846.

LSE4403424: The business agent. Devil! I'm late... we may have called the case of the grocer Flachonneau to whom Mademoiselle Coquillard my client owes for six pounds ten cups of bread to seal a young person who has very long relationships!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1846., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403424

The business agent. Devil! I'm late... we may have called the case of the grocer Flachonneau to whom Mademoiselle Coquillard my client owes for six pounds ten cups of bread to seal a young person who has very long relationships!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1846.

Daumier, Honore (1808-79)

You were hungry... you were hungry... that's not a reason... but almost every day I'm hungry and I don't fly for it!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845.
You were hungry... you were hungry... that's not a reason... but almost every day I'm hungry and I don't fly for it!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845.

LSE4403431: You were hungry... you were hungry... that's not a reason... but almost every day I'm hungry and I don't fly for it!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403431

You were hungry... you were hungry... that's not a reason... but almost every day I'm hungry and I don't fly for it!... , from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1845.

Daumier, Honore (1808-79)

Political shelter. Yes, ma'am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. , taken from “” Tenants et Owners”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1842.
Political shelter. Yes, ma'am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. , taken from “” Tenants et Owners”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1842.

LSE4403434: Political shelter. Yes, ma'am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. , taken from “” Tenants et Owners”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1842., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403434

Political shelter. Yes, ma'am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. , taken from “” Tenants et Owners”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1842.

Daumier, Honore (1808-79)

Unconvenient to visit, without caution, an entresol whose ceiling is a little too low, taken from “” Tenants et Owners””, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1847.
Unconvenient to visit, without caution, an entresol whose ceiling is a little too low, taken from “” Tenants et Owners””, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1847.

LSE4403442: Unconvenient to visit, without caution, an entresol whose ceiling is a little too low, taken from “” Tenants et Owners””, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1847., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403442

Unconvenient to visit, without caution, an entresol whose ceiling is a little too low, taken from “” Tenants et Owners””, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1847.

Daumier, Honore (1808-79)


Back to top