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Looking for a Friend, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)
Looking for a Friend, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)

BAL122911: Looking for a Friend, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving), Taber, J.W. (fl.1850-1928) (after) / Bridgeman Images

ID: BAL122911

Looking for a Friend, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)

Taber, J.W. (fl.1850-1928) (after)

Railway destruction as a military art, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)
Railway destruction as a military art, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)

BAL122919: Railway destruction as a military art, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving) , Taber, J.W. (fl.1850-1928) (after) / Bridgeman Images

ID: BAL122919

Railway destruction as a military art, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)

Taber, J.W. (fl.1850-1928) (after)

Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122931: Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: ABC122931

Captain Bath making Posset, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

Cruikshank, George (1792-1878)

Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving)
Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving)

ABC122937: Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving), English School, (19th century) / Bridgeman Images

ID: ABC122937

Sancho Stuffing himself in the Pantry, Act III, scene XI from 'Don Quixote in England. A Comedy', engraved by Sears, pub. 1733 (engraving)

English School, (19th century)

Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122945: Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122945

Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122956: Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122956

Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

Keokuk or 'Watchful Fox', Chief of the Sauks and Foxes, and his Son, Musewont or 'Long-haired Fox', c.1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Keokuk or 'Watchful Fox', Chief of the Sauks and Foxes, and his Son, Musewont or 'Long-haired Fox', c.1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122971: Keokuk or 'Watchful Fox', Chief of the Sauks and Foxes, and his Son, Musewont or 'Long-haired Fox', c.1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122971

Keokuk or 'Watchful Fox', Chief of the Sauks and Foxes, and his Son, Musewont or 'Long-haired Fox', c.1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

Wakechai or 'Crouching Eagle', a Sauk Chief, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Wakechai or 'Crouching Eagle', a Sauk Chief, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122974: Wakechai or 'Crouching Eagle', a Sauk Chief, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122974

Wakechai or 'Crouching Eagle', a Sauk Chief, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

In the Barn, 1902 (oil on canvas)
In the Barn, 1902 (oil on canvas)

LMG123009: In the Barn, 1902 (oil on canvas), Clausen, George (1852-1944) / Bridgeman Images

ID: LMG123009

In the Barn, 1902 (oil on canvas)

Clausen, George (1852-1944)

The Pond, 1908 (oil on canvas)
The Pond, 1908 (oil on canvas)

LMG123028: The Pond, 1908 (oil on canvas), Lambert, George Washington (1873-1930) / Bridgeman Images

ID: LMG123028

The Pond, 1908 (oil on canvas)

Lambert, George Washington (1873-1930)

Faithful Servants (Marine) c.1928 (tempera on board)
Faithful Servants (Marine) c.1928 (tempera on board)

LMG123046: Faithful Servants (Marine) c.1928 (tempera on board), Wadsworth, Edward Alexander (1889-1949) / Bridgeman Images

ID: LMG123046

Faithful Servants (Marine) c.1928 (tempera on board)

Wadsworth, Edward Alexander (1889-1949)

Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper)
Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper)

LMG123076: Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper), Wadsworth, Edward Alexander (1889-1949) / Bridgeman Images

ID: LMG123076

Slag Heaps, a design for the Leeds Town Hall Mural, 1920 (pen & ink and w/c on paper)

Wadsworth, Edward Alexander (1889-1949)

Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas)
Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas)

LMG123082: Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas), Ibbetson, Julius Caesar (1759-1817) / Bridgeman Images

ID: LMG123082

Portrait of the Artist's Son, J.C. Ibbetson Jnr., 1801 (oil on canvas)

Ibbetson, Julius Caesar (1759-1817)

The Coast Near Scheveningen with Fishing Pinks on the Shore (oil on canvas)
The Coast Near Scheveningen with Fishing Pinks on the Shore (oil on canvas)

XYC123105: The Coast Near Scheveningen with Fishing Pinks on the Shore (oil on canvas), Brooking, Charles (1723-59) / Bridgeman Images

ID: XYC123105

The Coast Near Scheveningen with Fishing Pinks on the Shore (oil on canvas)

Brooking, Charles (1723-59)

White House, 1906 (oil on canvas)
White House, 1906 (oil on canvas)

BAL110616: White House, 1906 (oil on canvas), Zukovskij, Stanislav Julianovic (1873-1944) / Bridgeman Images

ID: BAL110616

White House, 1906 (oil on canvas)

Zukovskij, Stanislav Julianovic (1873-1944)

Flamingo and Avosetta, from A History of the Earth and Animated Nature, London 1816 (copper plate engraving)
Flamingo and Avosetta, from A History of the Earth and Animated Nature, London 1816 (copper plate engraving)

KWE110658: Flamingo and Avosetta, from A History of the Earth and Animated Nature, London 1816 (copper plate engraving), Spanish School, (19th century) / Bridgeman Images

ID: KWE110658

Flamingo and Avosetta, from A History of the Earth and Animated Nature, London 1816 (copper plate engraving)

Spanish School, (19th century)

Gypsy Marriage Dance, from The Zincali by George Barrow (1803-81), published in London, 1923 (pencil drawing on paper)
Gypsy Marriage Dance, from The Zincali by George Barrow (1803-81), published in London, 1923 (pencil drawing on paper)

KWE110664: Gypsy Marriage Dance, from The Zincali by George Barrow (1803-81), published in London, 1923 (pencil drawing on paper), Mills, Arthur Wallis (1878-1940) / Bridgeman Images

ID: KWE110664

Gypsy Marriage Dance, from The Zincali by George Barrow (1803-81), published in London, 1923 (pencil drawing on paper)

Mills, Arthur Wallis (1878-1940)

Kiwis and Moa (engraving)
Kiwis and Moa (engraving)

KWE110690: Kiwis and Moa (engraving) / Bridgeman Images

ID: KWE110690

Kiwis and Moa (engraving)

Coachman standing, turned somewhat to the right, 19th century (w/c on paper)
Coachman standing, turned somewhat to the right, 19th century (w/c on paper)

AMO110708: Coachman standing, turned somewhat to the right, 19th century (w/c on paper), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: AMO110708

Coachman standing, turned somewhat to the right, 19th century (w/c on paper)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Ely Cathedral, 18th century (w/c on paper)
Ely Cathedral, 18th century (w/c on paper)

AMO110739: Ely Cathedral, 18th century (w/c on paper), Girtin, Thomas (1775-1802) / Bridgeman Images

ID: AMO110739

Ely Cathedral, 18th century (w/c on paper)

Girtin, Thomas (1775-1802)

Havana Cathedral, Cuba, 1880s (engraving)
Havana Cathedral, Cuba, 1880s (engraving)

KWE110806: Havana Cathedral, Cuba, 1880s (engraving), English School, (19th century) / Bridgeman Images

ID: KWE110806

Havana Cathedral, Cuba, 1880s (engraving)

English School, (19th century)

Portrait of Sebastian Brant (c.1458-1521) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut)
Portrait of Sebastian Brant (c.1458-1521) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut)

BAL111011: Portrait of Sebastian Brant (c.1458-1521) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut), English School, (19th century) / Bridgeman Images

ID: BAL111011

Portrait of Sebastian Brant (c.1458-1521) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut)

English School, (19th century)

View of Havana, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
View of Havana, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111018: View of Havana, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL111018

View of Havana, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

English School, (19th century)

Portrait of Montezuma II (1466-1520) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
Portrait of Montezuma II (1466-1520) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111025: Portrait of Montezuma II (1466-1520) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL111025

Portrait of Montezuma II (1466-1520) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

English School, (19th century)

Mexico Before the Conquest, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut)
Mexico Before the Conquest, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut)

BAL111026: Mexico Before the Conquest, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut), English School, (19th century) / Bridgeman Images

ID: BAL111026

Mexico Before the Conquest, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (woodcut)

English School, (19th century)

Portrait of Gabriel de Rojas, General of the Artillery, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
Portrait of Gabriel de Rojas, General of the Artillery, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111033: Portrait of Gabriel de Rojas, General of the Artillery, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), Spanish School, (19th century) / Bridgeman Images

ID: BAL111033

Portrait of Gabriel de Rojas, General of the Artillery, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

Spanish School, (19th century)

Map of North America, showing the boundaries of the United States, Canada and the Spanish Possessions, according to the proposals of the Court of France in 1782, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (colour litho)
Map of North America, showing the boundaries of the United States, Canada and the Spanish Possessions, according to the proposals of the Court of France in 1782, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (colour litho)

BAL111039: Map of North America, showing the boundaries of the United States, Canada and the Spanish Possessions, according to the proposals of the Court of France in 1782, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (colour litho), English School, (19th century) / Bridgeman Images

ID: BAL111039

Map of North America, showing the boundaries of the United States, Canada and the Spanish Possessions, according to the proposals of the Court of France in 1782, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (colour litho)

English School, (19th century)

Reception of Washington at Trenton, New Jersey, April 21, 1789, from 'The History of Political Parties'(engraving)
Reception of Washington at Trenton, New Jersey, April 21, 1789, from 'The History of Political Parties'(engraving)

BAL111041: Reception of Washington at Trenton, New Jersey, April 21, 1789, from 'The History of Political Parties'(engraving), American School, (19th century) / Bridgeman Images

ID: BAL111041

Reception of Washington at Trenton, New Jersey, April 21, 1789, from 'The History of Political Parties'(engraving)

American School, (19th century)

'Guatemala', in Spanish North America, from Gage's Voyages, Amsterdam, 1720 (engraving)
'Guatemala', in Spanish North America, from Gage's Voyages, Amsterdam, 1720 (engraving)

BAL111049: 'Guatemala', in Spanish North America, from Gage's Voyages, Amsterdam, 1720 (engraving), Netherlandish School, (18th century) / Bridgeman Images

ID: BAL111049

'Guatemala', in Spanish North America, from Gage's Voyages, Amsterdam, 1720 (engraving)

Netherlandish School, (18th century)

'Rio de Janeiro in 1599', from Olivier de Noort's 'Description of the Tiresome Voyage', Amsterdam, 1602 (engraving)
'Rio de Janeiro in 1599', from Olivier de Noort's 'Description of the Tiresome Voyage', Amsterdam, 1602 (engraving)

BAL111054: 'Rio de Janeiro in 1599', from Olivier de Noort's 'Description of the Tiresome Voyage', Amsterdam, 1602 (engraving), Netherlandish School, (17th century) / Bridgeman Images

ID: BAL111054

'Rio de Janeiro in 1599', from Olivier de Noort's 'Description of the Tiresome Voyage', Amsterdam, 1602 (engraving)

Netherlandish School, (17th century)

Butea Superba, illustration from 'Plants of the Coromandel Coast', 1795 (coloured engraving)
Butea Superba, illustration from 'Plants of the Coromandel Coast', 1795 (coloured engraving)

BON111091: Butea Superba, illustration from 'Plants of the Coromandel Coast', 1795 (coloured engraving), Roxburgh, William (fl.1795) / Bridgeman Images

ID: BON111091

Butea Superba, illustration from 'Plants of the Coromandel Coast', 1795 (coloured engraving)

Roxburgh, William (fl.1795)

The Boulevard des Italiens, Paris, 1887 (w/c on paper)
The Boulevard des Italiens, Paris, 1887 (w/c on paper)

FLF111211: The Boulevard des Italiens, Paris, 1887 (w/c on paper), Little, J. (fl.1880-1910) / Bridgeman Images

ID: FLF111211

The Boulevard des Italiens, Paris, 1887 (w/c on paper)

Little, J. (fl.1880-1910)

Pink Rose on a Mossy Bank, 1875 (w/c on paper)
Pink Rose on a Mossy Bank, 1875 (w/c on paper)

FLF111214: Pink Rose on a Mossy Bank, 1875 (w/c on paper), Palmer, Henry Sutton (1854-1933) / Bridgeman Images

ID: FLF111214

Pink Rose on a Mossy Bank, 1875 (w/c on paper)

Palmer, Henry Sutton (1854-1933)

Westminster (w/c on paper)
Westminster (w/c on paper)

FLF111219: Westminster (w/c on paper), Goff, Frederick E.J. (1855-1931) / Bridgeman Images

ID: FLF111219

Westminster (w/c on paper)

Goff, Frederick E.J. (1855-1931)

Domfront I, from the 'Normandy' series (pencil & wash on paper)
Domfront I, from the 'Normandy' series (pencil & wash on paper)

LMG111232: Domfront I, from the 'Normandy' series (pencil & wash on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: LMG111232

Domfront I, from the 'Normandy' series (pencil & wash on paper)

Cotman, John Sell (1782-1842)

A Wooded Park (w/c on paper)
A Wooded Park (w/c on paper)

LMG111234: A Wooded Park (w/c on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: LMG111234

A Wooded Park (w/c on paper)

Cotman, John Sell (1782-1842)


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