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Portrait of Chilperic II (c. 670 - 721), King of Neustria - CHILPERIC II king of the Franks - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821
Portrait of Chilperic II (c. 670 - 721), King of Neustria - CHILPERIC II king of the Franks - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821

XEE4153543: Portrait of Chilperic II (c. 670 - 721), King of Neustria - CHILPERIC II king of the Franks - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles V the Sage (1338 - 1380) - Charles V the wise or Charles V the Sage, King of France from the House of Valois - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821
Portrait of Charles V the Sage (1338 - 1380) - Charles V the wise or Charles V the Sage, King of France from the House of Valois - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821

XEE4153608: Portrait of Charles V the Sage (1338 - 1380) - Charles V the wise or Charles V the Sage, King of France from the House of Valois - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

View of Timbuktu (Mali) in the middle of the 19th century - Engraving in “” Picturesque Histoire des grands voyages au nineteenth century”””. 1877
View of Timbuktu (Mali) in the middle of the 19th century - Engraving in “” Picturesque Histoire des grands voyages au nineteenth century”””. 1877

XEE4153640: View of Timbuktu (Mali) in the middle of the 19th century - Engraving in “” Picturesque Histoire des grands voyages au nineteenth century”””. 1877, Unknown Artist, (19th century) / Bridgeman Images

Desdemona, from the play Othello, 1838 (drawing)
Desdemona, from the play Othello, 1838 (drawing)

XEE4152743: Desdemona, from the play Othello, 1838 (drawing), English School, (19th century) / Bridgeman Images

Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152764: Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152792: Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving)
Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving)

XEE4152835: Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving), English School, (19th century) / Bridgeman Images

Miranda (The Tempest - La Tempete) in - “” Galerie des femmes de Shakespeare, collection of forty five serious portraits by the first artists of London, enriched by critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838
Miranda (The Tempest - La Tempete) in - “” Galerie des femmes de Shakespeare, collection of forty five serious portraits by the first artists of London, enriched by critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838

XEE4152899: Miranda (The Tempest - La Tempete) in - “” Galerie des femmes de Shakespeare, collection of forty five serious portraits by the first artists of London, enriched by critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images

Frontispice of “The Comedy of Comedians, Poem of New Invention” by Georges de Scudery - 1635
Frontispice of “The Comedy of Comedians, Poem of New Invention” by Georges de Scudery - 1635

XEE4152971: Frontispice of “The Comedy of Comedians, Poem of New Invention” by Georges de Scudery - 1635, Unknown Artist, (17th century) / Bridgeman Images

View of the main gallery of the National Fire Centre of Vincennes, 1860. Engraving in “” Le Monde Illustré”” n°183 of 13 October 1860.
View of the main gallery of the National Fire Centre of Vincennes, 1860. Engraving in “” Le Monde Illustré”” n°183 of 13 October 1860.

XEE4153128: View of the main gallery of the National Fire Centre of Vincennes, 1860. Engraving in “” Le Monde Illustré”” n°183 of 13 October 1860., French School, (19th century) / Bridgeman Images

Declaration of Pillnitz - War of the First Coalition 1791 - 1797 , 1865-66 (engraving)
Declaration of Pillnitz - War of the First Coalition 1791 - 1797 , 1865-66 (engraving)

XEE4153196: Declaration of Pillnitz - War of the First Coalition 1791 - 1797 , 1865-66 (engraving), Anonymous / Bridgeman Images

Title page of “” Histoire des societes secretes, politiques et religieuses”” by Pierre Zaccone (1817-1895)
Title page of “” Histoire des societes secretes, politiques et religieuses”” by Pierre Zaccone (1817-1895)

XEE4153292: Title page of “” Histoire des societes secretes, politiques et religieuses”” by Pierre Zaccone (1817-1895), Unknown Artist, (19th century) / Bridgeman Images

Plan of Paris under the Merovingians - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853
Plan of Paris under the Merovingians - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853

XEE4151189: Plan of Paris under the Merovingians - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

Pierre Samuel du Pont de Nemours (1739-1817) entrepreneur and economist of French origin and American diplomat
Pierre Samuel du Pont de Nemours (1739-1817) entrepreneur and economist of French origin and American diplomat

XEE4150114: Pierre Samuel du Pont de Nemours (1739-1817) entrepreneur and economist of French origin and American diplomat, Unknown Artist, (19th century) / Bridgeman Images

View of the city of Aden, capital of Yemen, in 1861. Engraving in “” Le Monde Illustré”” n°242 of November 30, 1861.
View of the city of Aden, capital of Yemen, in 1861. Engraving in “” Le Monde Illustré”” n°242 of November 30, 1861.

XEE4150226: View of the city of Aden, capital of Yemen, in 1861. Engraving in “” Le Monde Illustré”” n°242 of November 30, 1861., French School, (19th century) / Bridgeman Images

Airshow held at Betheny, France, 1909 (print)
Airshow held at Betheny, France, 1909 (print)

XEE4150262: Airshow held at Betheny, France, 1909 (print), French School, (20th century) / Bridgeman Images

The misfeats of the bus: a fiacre crushed by a bus in Paris street of Amsterdam ” Le Petit journal”, June 1907 (engraving)
The misfeats of the bus: a fiacre crushed by a bus in Paris street of Amsterdam ” Le Petit journal”, June 1907 (engraving)

XEE4150300: The misfeats of the bus: a fiacre crushed by a bus in Paris street of Amsterdam ” Le Petit journal”, June 1907 (engraving), French School, (20th century) / Bridgeman Images

Revolution in Wien 1848 - The meeting of the first Austrian Constituent Assembly (Reichsversammlung), July 1848, at the Spanish Riding School in Vienna, Austria.
Revolution in Wien 1848 - The meeting of the first Austrian Constituent Assembly (Reichsversammlung), July 1848, at the Spanish Riding School in Vienna, Austria.

XEE4151162: Revolution in Wien 1848 - The meeting of the first Austrian Constituent Assembly (Reichsversammlung), July 1848, at the Spanish Riding School in Vienna, Austria., Unknown Artist, (19th century) / Bridgeman Images

Louis XVI King of France receiving his death sentence, Le Temple, 17. 1.1793 - Louis XVI (1754-1793), King of France, listening to the reading of his judgment at the Temple prison - January 1793 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866. Private Collection
Louis XVI King of France receiving his death sentence, Le Temple, 17. 1.1793 - Louis XVI (1754-1793), King of France, listening to the reading of his judgment at the Temple prison - January 1793 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866. Private Collection

XEE4151183: Louis XVI King of France receiving his death sentence, Le Temple, 17. 1.1793 - Louis XVI (1754-1793), King of France, listening to the reading of his judgment at the Temple prison - January 1793 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866. Private Collection, Anonymous / Bridgeman Images

Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151410: Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151466: Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151525: Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

English suffragettes dressed as firemen, from 'Le Petit Journal', 3rd April 1910 (engraving)
English suffragettes dressed as firemen, from 'Le Petit Journal', 3rd April 1910 (engraving)

XEE4150411: English suffragettes dressed as firemen, from 'Le Petit Journal', 3rd April 1910 (engraving), French School, (20th century) / Bridgeman Images

The English aviator Willows is greeted by a fiscal officer after his crossing of the English Channel in Corbehem, near Douai in ”Le Petit Journal” of November 1910 (engraving)
The English aviator Willows is greeted by a fiscal officer after his crossing of the English Channel in Corbehem, near Douai in ”Le Petit Journal” of November 1910 (engraving)

XEE4150441: The English aviator Willows is greeted by a fiscal officer after his crossing of the English Channel in Corbehem, near Douai in ”Le Petit Journal” of November 1910 (engraving), French School, (20th century) / Bridgeman Images

Tricycle wheelchair in Amiens, France, 1869 - From a protective sleeve for school books, late 19th century - illustration by E Letellier - Course a Amiens won by the tricycle chair for two people in 1869 - Protected notebook historique, end 19th century -
Tricycle wheelchair in Amiens, France, 1869 - From a protective sleeve for school books, late 19th century - illustration by E Letellier - Course a Amiens won by the tricycle chair for two people in 1869 - Protected notebook historique, end 19th century -

XEE4150517: Tricycle wheelchair in Amiens, France, 1869 - From a protective sleeve for school books, late 19th century - illustration by E Letellier - Course a Amiens won by the tricycle chair for two people in 1869 - Protected notebook historique, end 19th century -, French School, (19th century) / Bridgeman Images

Portrait of Pierre Florent (Pierre-Florent) Louvet, dit Louvet de la Somme (1757-1818), French politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Portrait of Pierre Florent (Pierre-Florent) Louvet, dit Louvet de la Somme (1757-1818), French politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150588: Portrait of Pierre Florent (Pierre-Florent) Louvet, dit Louvet de la Somme (1757-1818), French politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Exterior view of the Incurable Women's Hospital, built between 1634 and 1757, and restored in 1861. Also call Laennec Hospital. Paris, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861.
Exterior view of the Incurable Women's Hospital, built between 1634 and 1757, and restored in 1861. Also call Laennec Hospital. Paris, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861.

XEE4150606: Exterior view of the Incurable Women's Hospital, built between 1634 and 1757, and restored in 1861. Also call Laennec Hospital. Paris, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861., French School, (19th century) / Bridgeman Images

Les gestures du bain - Hygiene au 19th century - man in a bathtub - engraving in “La Sante Universelle - Guide Medical des Familles” 1852
Les gestures du bain - Hygiene au 19th century - man in a bathtub - engraving in “La Sante Universelle - Guide Medical des Familles” 1852

XEE4151302: Les gestures du bain - Hygiene au 19th century - man in a bathtub - engraving in “La Sante Universelle - Guide Medical des Familles” 1852, French School, (19th century) / Bridgeman Images

Alcina and her court come to greet Ruggiero - engraving of 1851
Alcina and her court come to greet Ruggiero - engraving of 1851

XEE4151388: Alcina and her court come to greet Ruggiero - engraving of 1851, Unknown Artist, (19th century) / Bridgeman Images

Rodomont breaks the doors of the Palais in Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Arioste - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Rodomont breaks the doors of the Palais in Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Arioste - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151456: Rodomont breaks the doors of the Palais in Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Arioste - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151477: Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151517: Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

First World War (1914-1918): Ceremony during which the flag of a French regiment is taken to fire. Photography In
First World War (1914-1918): Ceremony during which the flag of a French regiment is taken to fire. Photography In

XEE4151559: First World War (1914-1918): Ceremony during which the flag of a French regiment is taken to fire. Photography In "The Mirror", April 9, 1916, Unknown photographer, (20th century) / Bridgeman Images

The Donkey and the Little Dog - Fables by Jean de La Fontaine (1621-95) Chromolithography of the end of the 19th century Private collection
The Donkey and the Little Dog - Fables by Jean de La Fontaine (1621-95) Chromolithography of the end of the 19th century Private collection

XEE4151734: The Donkey and the Little Dog - Fables by Jean de La Fontaine (1621-95) Chromolithography of the end of the 19th century Private collection, Unknown Artist, (19th century) / Bridgeman Images

Jean de La Fontaine (Lafontaine) at the premiere performance of the opera “” Astree”” by Pascal Collasse (Colasse) (1649-1709) - engraving in “La musique populaire”” weekly illustrious newspaper - 1882
Jean de La Fontaine (Lafontaine) at the premiere performance of the opera “” Astree”” by Pascal Collasse (Colasse) (1649-1709) - engraving in “La musique populaire”” weekly illustrious newspaper - 1882

XEE4151801: Jean de La Fontaine (Lafontaine) at the premiere performance of the opera “” Astree”” by Pascal Collasse (Colasse) (1649-1709) - engraving in “La musique populaire”” weekly illustrious newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Charles Francois du Perier dit Dumouriez (1739-1823), French General at Madame Roland (Manon Roland) (1754-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Charles Francois du Perier dit Dumouriez (1739-1823), French General at Madame Roland (Manon Roland) (1754-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150727: Charles Francois du Perier dit Dumouriez (1739-1823), French General at Madame Roland (Manon Roland) (1754-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images


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