XEE4152764: Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152792: Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152899: Miranda (The Tempest - La Tempete) in - “” Galerie des femmes de Shakespeare, collection of forty five serious portraits by the first artists of London, enriched by critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images
XEE4151183: Louis XVI King of France receiving his death sentence, Le Temple, 17. 1.1793 - Louis XVI (1754-1793), King of France, listening to the reading of his judgment at the Temple prison - January 1793 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866. Private Collection, Anonymous / Bridgeman Images
XEE4151410: Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151466: Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151525: Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4150517: Tricycle wheelchair in Amiens, France, 1869 - From a protective sleeve for school books, late 19th century - illustration by E Letellier - Course a Amiens won by the tricycle chair for two people in 1869 - Protected notebook historique, end 19th century -, French School, (19th century) / Bridgeman Images
XEE4151456: Rodomont breaks the doors of the Palais in Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Arioste - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151477: Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151517: Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images