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Anecdotal history of diet: vinegar. Travelling merchant dragging his barrel of vinegar. Chocolate-Louit chromolithography, late 19th century. Private collection.
Anecdotal history of diet: vinegar. Travelling merchant dragging his barrel of vinegar. Chocolate-Louit chromolithography, late 19th century. Private collection.

XEE4136089: Anecdotal history of diet: vinegar. Travelling merchant dragging his barrel of vinegar. Chocolate-Louit chromolithography, late 19th century. Private collection. / Bridgeman Images

ID: XEE4136089

Anecdotal history of diet: vinegar. Travelling merchant dragging his barrel of vinegar. Chocolate-Louit chromolithography, late 19th century. Private collection.

The feast of July 14, 1887: the illuminations of the Alma Bridge and the Trocadero Bridge in Paris (engraving)
The feast of July 14, 1887: the illuminations of the Alma Bridge and the Trocadero Bridge in Paris (engraving)

XEE4136116: The feast of July 14, 1887: the illuminations of the Alma Bridge and the Trocadero Bridge in Paris (engraving), Gorguet, Auguste Francois (1862-1927) / Bridgeman Images

ID: XEE4136116

The feast of July 14, 1887: the illuminations of the Alma Bridge and the Trocadero Bridge in Paris (engraving)

Gorguet, Auguste Francois (1862-1927)

The students of the school of Saint-Cyr at the camp of Chalons, 1887 (engraving)
The students of the school of Saint-Cyr at the camp of Chalons, 1887 (engraving)

XEE4136138: The students of the school of Saint-Cyr at the camp of Chalons, 1887 (engraving), Anonymous / Bridgeman Images

ID: XEE4136138

The students of the school of Saint-Cyr at the camp of Chalons, 1887 (engraving)

Anonymous

The new Rue du Louvre and the Halle au Ble in Paris in 1887 (engraving)
The new Rue du Louvre and the Halle au Ble in Paris in 1887 (engraving)

XEE4136148: The new Rue du Louvre and the Halle au Ble in Paris in 1887 (engraving), Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: XEE4136148

The new Rue du Louvre and the Halle au Ble in Paris in 1887 (engraving)

Fraipont, Gustave (1849-1923)

View of the city of Delhi (India) in 1857. From a sketch of Prince Alexis Soltykoff. Engraving by Bertrand in “” Le Monde Illustré”” n°20 of 29 August 1857.
View of the city of Delhi (India) in 1857. From a sketch of Prince Alexis Soltykoff. Engraving by Bertrand in “” Le Monde Illustré”” n°20 of 29 August 1857.

XEE4136200: View of the city of Delhi (India) in 1857. From a sketch of Prince Alexis Soltykoff. Engraving by Bertrand in “” Le Monde Illustré”” n°20 of 29 August 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136200

View of the city of Delhi (India) in 1857. From a sketch of Prince Alexis Soltykoff. Engraving by Bertrand in “” Le Monde Illustré”” n°20 of 29 August 1857.

French School, (19th century)

Religious Ceremony: fete of Saint Dominique (August 8) celebrated inside the old church of the Carmes in Paris, 1857. Engraving in “” Le Monde Illustré”” n°18 of 15 August 1857.
Religious Ceremony: fete of Saint Dominique (August 8) celebrated inside the old church of the Carmes in Paris, 1857. Engraving in “” Le Monde Illustré”” n°18 of 15 August 1857.

XEE4136251: Religious Ceremony: fete of Saint Dominique (August 8) celebrated inside the old church of the Carmes in Paris, 1857. Engraving in “” Le Monde Illustré”” n°18 of 15 August 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136251

Religious Ceremony: fete of Saint Dominique (August 8) celebrated inside the old church of the Carmes in Paris, 1857. Engraving in “” Le Monde Illustré”” n°18 of 15 August 1857.

French School, (19th century)

Paris: the tomb of the Unknown Soldier buries under the Arc de Triomphe, November 11, 1920. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: the tomb of the Unknown Soldier buries under the Arc de Triomphe, November 11, 1920. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136267: Paris: the tomb of the Unknown Soldier buries under the Arc de Triomphe, November 11, 1920. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136267

Paris: the tomb of the Unknown Soldier buries under the Arc de Triomphe, November 11, 1920. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

A concentrated copyist working in his office, 1890 (engraving)
A concentrated copyist working in his office, 1890 (engraving)

XEE4136965: A concentrated copyist working in his office, 1890 (engraving), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: XEE4136965

A concentrated copyist working in his office, 1890 (engraving)

Mucha, Alphonse Marie (1860-1939)

Manufacture of rifle guns: polishing iron cylinders with stone wheels. Engraving in “” Le Monde Illustré”” n°35 of 12 December 1857.
Manufacture of rifle guns: polishing iron cylinders with stone wheels. Engraving in “” Le Monde Illustré”” n°35 of 12 December 1857.

XEE4136981: Manufacture of rifle guns: polishing iron cylinders with stone wheels. Engraving in “” Le Monde Illustré”” n°35 of 12 December 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136981

Manufacture of rifle guns: polishing iron cylinders with stone wheels. Engraving in “” Le Monde Illustré”” n°35 of 12 December 1857.

French School, (19th century)

Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.
Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.

XEE4137060: Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910., French Photographer, (20th century) / Bridgeman Images

ID: XEE4137060

Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.

French Photographer, (20th century)

Medieval architecture: The front doors of the Aude. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon). Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.
Medieval architecture: The front doors of the Aude. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon). Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.

XEE4137076: Medieval architecture: The front doors of the Aude. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon). Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910., French Photographer, (20th century) / Bridgeman Images

ID: XEE4137076

Medieval architecture: The front doors of the Aude. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon). Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.

French Photographer, (20th century)

Portrait of Joseph Joubert, French writer. Engraving by Bocour in
Portrait of Joseph Joubert, French writer. Engraving by Bocour in

XEE4136297: Portrait of Joseph Joubert, French writer. Engraving by Bocour in "Le Magasin picturesque", 1873., Bocourt, Etienne Gabriel (1821-1913) / Bridgeman Images

ID: XEE4136297

Portrait of Joseph Joubert, French writer. Engraving by Bocour in "Le Magasin picturesque", 1873.

Bocourt, Etienne Gabriel (1821-1913)

The hospital of pitie salpetriere (PITIE-SALPETRIERE) and the garden of plants in Paris in 1858.
The hospital of pitie salpetriere (PITIE-SALPETRIERE) and the garden of plants in Paris in 1858.

XEE4136336: The hospital of pitie salpetriere (PITIE-SALPETRIERE) and the garden of plants in Paris in 1858., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136336

The hospital of pitie salpetriere (PITIE-SALPETRIERE) and the garden of plants in Paris in 1858.

Unknown Artist, (19th century)

Members of the Academy Francaise in 1895: portrait of Albert Sorel (1843-1906), French historian.
Members of the Academy Francaise in 1895: portrait of Albert Sorel (1843-1906), French historian.

XEE4136377: Members of the Academy Francaise in 1895: portrait of Albert Sorel (1843-1906), French historian., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136377

Members of the Academy Francaise in 1895: portrait of Albert Sorel (1843-1906), French historian.

Unknown Artist, (19th century)

Members of the Academy Francaise in 1895: portrait of Octave Greard (1828-1904), senior official and literary historian, French literary critic.
Members of the Academy Francaise in 1895: portrait of Octave Greard (1828-1904), senior official and literary historian, French literary critic.

XEE4136408: Members of the Academy Francaise in 1895: portrait of Octave Greard (1828-1904), senior official and literary historian, French literary critic., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136408

Members of the Academy Francaise in 1895: portrait of Octave Greard (1828-1904), senior official and literary historian, French literary critic.

Unknown Artist, (19th century)

Anonymous chromolithography, late 19th century.
Anonymous chromolithography, late 19th century.

XEE4136435: Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136435

Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

A bourgeois woman carrying a hat box, late 19th century (chromo)
A bourgeois woman carrying a hat box, late 19th century (chromo)

XEE4136451: A bourgeois woman carrying a hat box, late 19th century (chromo), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136451

A bourgeois woman carrying a hat box, late 19th century (chromo)

Unknown Artist, (19th century)

Grindstone in “” the vocabulary illustrates common words”” by Armand Le-Brun. 1890
Grindstone in “” the vocabulary illustrates common words”” by Armand Le-Brun. 1890

XEE4136513: Grindstone in “” the vocabulary illustrates common words”” by Armand Le-Brun. 1890, French School, (19th century) / Bridgeman Images

ID: XEE4136513

Grindstone in “” the vocabulary illustrates common words”” by Armand Le-Brun. 1890

French School, (19th century)

Productions around the world: Banana in Gabon. 1933 (chromo)
Productions around the world: Banana in Gabon. 1933 (chromo)

XEE4136523: Productions around the world: Banana in Gabon. 1933 (chromo), Anonymous / Bridgeman Images

ID: XEE4136523

Productions around the world: Banana in Gabon. 1933 (chromo)

Anonymous

Productions around the world: pasteque in the Orient. 1933 (chromo)
Productions around the world: pasteque in the Orient. 1933 (chromo)

XEE4136542: Productions around the world: pasteque in the Orient. 1933 (chromo), Anonymous / Bridgeman Images

ID: XEE4136542

Productions around the world: pasteque in the Orient. 1933 (chromo)

Anonymous

Treaty of Ryswick. Engraving of the 19th century
Treaty of Ryswick. Engraving of the 19th century

XEE4137274: Treaty of Ryswick. Engraving of the 19th century, Anonymous / Bridgeman Images

ID: XEE4137274

Treaty of Ryswick. Engraving of the 19th century

Anonymous

Vertumne and Pomone“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)
Vertumne and Pomone“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)

XEE4137318: Vertumne and Pomone“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving), Anonymous / Bridgeman Images

ID: XEE4137318

Vertumne and Pomone“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)

Anonymous

Apollo and the Python snake on Mount Parnassus“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)
Apollo and the Python snake on Mount Parnassus“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)

XEE4137333: Apollo and the Python snake on Mount Parnassus“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving), Anonymous / Bridgeman Images

ID: XEE4137333

Apollo and the Python snake on Mount Parnassus“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)

Anonymous

Military recruitment: draw of lots for conscripts of 1858, in the Saint Jean room of the Hotel de Ville in Paris. Engraving in “” Le Monde Illustré”” n°44 of 13 February 1858.
Military recruitment: draw of lots for conscripts of 1858, in the Saint Jean room of the Hotel de Ville in Paris. Engraving in “” Le Monde Illustré”” n°44 of 13 February 1858.

XEE4137357: Military recruitment: draw of lots for conscripts of 1858, in the Saint Jean room of the Hotel de Ville in Paris. Engraving in “” Le Monde Illustré”” n°44 of 13 February 1858., French School, (19th century) / Bridgeman Images

ID: XEE4137357

Military recruitment: draw of lots for conscripts of 1858, in the Saint Jean room of the Hotel de Ville in Paris. Engraving in “” Le Monde Illustré”” n°44 of 13 February 1858.

French School, (19th century)

Portrait of Michel de L'Hospital (Michel de l'Hopital, v. 1504 - 1573), French politician
Portrait of Michel de L'Hospital (Michel de l'Hopital, v. 1504 - 1573), French politician

XEE4136622: Portrait of Michel de L'Hospital (Michel de l'Hopital, v. 1504 - 1573), French politician, French School, (19th century) / Bridgeman Images

ID: XEE4136622

Portrait of Michel de L'Hospital (Michel de l'Hopital, v. 1504 - 1573), French politician

French School, (19th century)

Portraits of scientists Georges Cuvier (1764-1832), Alessandro (Alexandre) Volta (1745-1827), Alexander Von Humboldt (Alexandre de Humboldt, 1769-1859), Sir William Herschel (1738-1822) and Robert Fulton (1765-1815). Engraving from 1856 in “” Le Musee Des Sciences””
Portraits of scientists Georges Cuvier (1764-1832), Alessandro (Alexandre) Volta (1745-1827), Alexander Von Humboldt (Alexandre de Humboldt, 1769-1859), Sir William Herschel (1738-1822) and Robert Fulton (1765-1815). Engraving from 1856 in “” Le Musee Des Sciences””

XEE4136702: Portraits of scientists Georges Cuvier (1764-1832), Alessandro (Alexandre) Volta (1745-1827), Alexander Von Humboldt (Alexandre de Humboldt, 1769-1859), Sir William Herschel (1738-1822) and Robert Fulton (1765-1815). Engraving from 1856 in “” Le Musee Des Sciences””, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136702

Portraits of scientists Georges Cuvier (1764-1832), Alessandro (Alexandre) Volta (1745-1827), Alexander Von Humboldt (Alexandre de Humboldt, 1769-1859), Sir William Herschel (1738-1822) and Robert Fulton (1765-1815). Engraving from 1856 in “” Le Musee Des Sciences””

Unknown Artist, (19th century)

Portrait of Don Ferdinand (Fernando) Alvarez de Toledo, Duke of Alba (Alba) (1507-1582). Chromolithography, late 19th century.
Portrait of Don Ferdinand (Fernando) Alvarez de Toledo, Duke of Alba (Alba) (1507-1582). Chromolithography, late 19th century.

XEE4136786: Portrait of Don Ferdinand (Fernando) Alvarez de Toledo, Duke of Alba (Alba) (1507-1582). Chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136786

Portrait of Don Ferdinand (Fernando) Alvarez de Toledo, Duke of Alba (Alba) (1507-1582). Chromolithography, late 19th century.

Unknown Artist, (19th century)

A chief (Warrior) of the Francs. Chromolithography around 1910
A chief (Warrior) of the Francs. Chromolithography around 1910

XEE4136840: A chief (Warrior) of the Francs. Chromolithography around 1910, Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4136840

A chief (Warrior) of the Francs. Chromolithography around 1910

Unknown Artist, (20th century)

A man on a country road looks, eyes in the wave, the location of a dozen hives, 1890 (engraving)
A man on a country road looks, eyes in the wave, the location of a dozen hives, 1890 (engraving)

XEE4136876: A man on a country road looks, eyes in the wave, the location of a dozen hives, 1890 (engraving), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: XEE4136876

A man on a country road looks, eyes in the wave, the location of a dozen hives, 1890 (engraving)

Mucha, Alphonse Marie (1860-1939)

Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the rat hole. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.
Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the rat hole. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.

XEE4137592: Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the rat hole. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858., French School, (19th century) / Bridgeman Images

ID: XEE4137592

Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the rat hole. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.

French School, (19th century)

Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving)
Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving)

XEE4136978: Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving), Montegut, Louis (b.1855) / Bridgeman Images

ID: XEE4136978

Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving)

Montegut, Louis (b.1855)

Ruins of the Antwerp Stock Exchange (Belgium) after a fire, 1858. Engraving by Thorigny in “” Le Monde Illustré”” n°71 of 21 August 1858.
Ruins of the Antwerp Stock Exchange (Belgium) after a fire, 1858. Engraving by Thorigny in “” Le Monde Illustré”” n°71 of 21 August 1858.

XEE4139193: Ruins of the Antwerp Stock Exchange (Belgium) after a fire, 1858. Engraving by Thorigny in “” Le Monde Illustré”” n°71 of 21 August 1858., French School, (19th century) / Bridgeman Images

ID: XEE4139193

Ruins of the Antwerp Stock Exchange (Belgium) after a fire, 1858. Engraving by Thorigny in “” Le Monde Illustré”” n°71 of 21 August 1858.

French School, (19th century)

Portrait of Olivier V by Clisson, French Constable, 1836 (engraving)
Portrait of Olivier V by Clisson, French Constable, 1836 (engraving)

XEE4139274: Portrait of Olivier V by Clisson, French Constable, 1836 (engraving), Fragonard, Alexandre Evariste (1780-1850) / Bridgeman Images

ID: XEE4139274

Portrait of Olivier V by Clisson, French Constable, 1836 (engraving)

Fragonard, Alexandre Evariste (1780-1850)

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138479: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138479

Illustration for the Royaumont Bible, 1811 (engraving)

Unknown Artist, (19th century)

Ceremony of the Order of the Garter, Castle of Windsor (England), 1858: Frederic Guilllaume of Prussia (1831-1888, future Frederic III, King of Prussia and German Emperor) was made knight of the Order of the Garter by Queen of England Victoria Iere (1818-1901). Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.
Ceremony of the Order of the Garter, Castle of Windsor (England), 1858: Frederic Guilllaume of Prussia (1831-1888, future Frederic III, King of Prussia and German Emperor) was made knight of the Order of the Garter by Queen of England Victoria Iere (1818-1901). Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.

XEE4138800: Ceremony of the Order of the Garter, Castle of Windsor (England), 1858: Frederic Guilllaume of Prussia (1831-1888, future Frederic III, King of Prussia and German Emperor) was made knight of the Order of the Garter by Queen of England Victoria Iere (1818-1901). Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858., French School, (19th century) / Bridgeman Images

ID: XEE4138800

Ceremony of the Order of the Garter, Castle of Windsor (England), 1858: Frederic Guilllaume of Prussia (1831-1888, future Frederic III, King of Prussia and German Emperor) was made knight of the Order of the Garter by Queen of England Victoria Iere (1818-1901). Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.

French School, (19th century)

History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.
History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.

XEE4138766: History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138766

History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.

Unknown Artist, (19th century)


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