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JEAN-MARIE ROLAND DE LA PLATIERE English statesman, depicted at the moment of his self- inflicted death by falling on his own sword - Suicide by Jean Marie Roland, Viscount de la Platiere (1734-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
JEAN-MARIE ROLAND DE LA PLATIERE English statesman, depicted at the moment of his self- inflicted death by falling on his own sword - Suicide by Jean Marie Roland, Viscount de la Platiere (1734-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150612: JEAN-MARIE ROLAND DE LA PLATIERE English statesman, depicted at the moment of his self- inflicted death by falling on his own sword - Suicide by Jean Marie Roland, Viscount de la Platiere (1734-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Representation of an opera: Scenography of Act II of “The Queen of Saba”” on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901) and a music by Charles Gounod (1818-1893). Paris, Theatre de l'Opera, 1862. Engraving in “” Le Monde Illustré”” n°256 of March 8, 1862.
Representation of an opera: Scenography of Act II of “The Queen of Saba”” on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901) and a music by Charles Gounod (1818-1893). Paris, Theatre de l'Opera, 1862. Engraving in “” Le Monde Illustré”” n°256 of March 8, 1862.

XEE4149555: Representation of an opera: Scenography of Act II of “The Queen of Saba”” on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901) and a music by Charles Gounod (1818-1893). Paris, Theatre de l'Opera, 1862. Engraving in “” Le Monde Illustré”” n°256 of March 8, 1862., French School, (19th century) / Bridgeman Images

Representation of an opera: act III, second painting of “” Faust”” by Charles Gounod (1818-1893) - Engraving In “” Le Journal Illustré””, 1869 - Act III of “” Faust””, a grand opera composed by Charles Gounod (1818-1893) - Engraving from “” Le Journal Illustre”, 1869
Representation of an opera: act III, second painting of “” Faust”” by Charles Gounod (1818-1893) - Engraving In “” Le Journal Illustré””, 1869 - Act III of “” Faust””, a grand opera composed by Charles Gounod (1818-1893) - Engraving from “” Le Journal Illustre”, 1869

XEE4149576: Representation of an opera: act III, second painting of “” Faust”” by Charles Gounod (1818-1893) - Engraving In “” Le Journal Illustré””, 1869 - Act III of “” Faust””, a grand opera composed by Charles Gounod (1818-1893) - Engraving from “” Le Journal Illustre”, 1869, Unknown Artist, (19th century) / Bridgeman Images

Catholic Rite - Baptema - Naples, Italy, 1862: festive cortege in the streets of the city. Engraving in “” Le Monde Illustré”” n°254 of February 22, 1862.
Catholic Rite - Baptema - Naples, Italy, 1862: festive cortege in the streets of the city. Engraving in “” Le Monde Illustré”” n°254 of February 22, 1862.

XEE4149610: Catholic Rite - Baptema - Naples, Italy, 1862: festive cortege in the streets of the city. Engraving in “” Le Monde Illustré”” n°254 of February 22, 1862., French School, (19th century) / Bridgeman Images

The Charles Bridge in Prague - Engraving In “” The Illustrous Journal””, 1869 - The Charles Bridge in Prague, Czech Republic - Engraving from “” The Illustrous Journal””, 1869
The Charles Bridge in Prague - Engraving In “” The Illustrous Journal””, 1869 - The Charles Bridge in Prague, Czech Republic - Engraving from “” The Illustrous Journal””, 1869

XEE4149624: The Charles Bridge in Prague - Engraving In “” The Illustrous Journal””, 1869 - The Charles Bridge in Prague, Czech Republic - Engraving from “” The Illustrous Journal””, 1869, Unknown Artist, (19th century) / Bridgeman Images

Fountain of Paris: view of the Pompe Notre Dame (1676). This hydraulic pump was demolished in 1858. Engraving in “” Le Monde Illustré”” n°254 of February 22, 1862.
Fountain of Paris: view of the Pompe Notre Dame (1676). This hydraulic pump was demolished in 1858. Engraving in “” Le Monde Illustré”” n°254 of February 22, 1862.

XEE4149663: Fountain of Paris: view of the Pompe Notre Dame (1676). This hydraulic pump was demolished in 1858. Engraving in “” Le Monde Illustré”” n°254 of February 22, 1862., French School, (19th century) / Bridgeman Images

Portrait of Louis Noir (1837-1901) French writer - engraving by Lemot of 1870
Portrait of Louis Noir (1837-1901) French writer - engraving by Lemot of 1870

XEE4149686: Portrait of Louis Noir (1837-1901) French writer - engraving by Lemot of 1870, Lemot, A (19th century) / Bridgeman Images

Antoine, Count Drouot, general francais (1774-1847) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection privee
Antoine, Count Drouot, general francais (1774-1847) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection privee

XEE4150708: Antoine, Count Drouot, general francais (1774-1847) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection privee, French School, (19th century) / Bridgeman Images

Battle of Laon, 9-19 March 1814 (allied victory under Blucher over Napoleon I) - Battle of Laon, Marechal Ney, at the head of a division, takes over the suburb of Semilly - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Battle of Laon, 9-19 March 1814 (allied victory under Blucher over Napoleon I) - Battle of Laon, Marechal Ney, at the head of a division, takes over the suburb of Semilly - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150748: Battle of Laon, 9-19 March 1814 (allied victory under Blucher over Napoleon I) - Battle of Laon, Marechal Ney, at the head of a division, takes over the suburb of Semilly - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Catherine Theot (1716-1794) mystical and French visionary with Antoine Christophe Gerle, dit Dom Gerle (1736-1801) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Catherine Theot (1716-1794) mystical and French visionary with Antoine Christophe Gerle, dit Dom Gerle (1736-1801) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150796: Catherine Theot (1716-1794) mystical and French visionary with Antoine Christophe Gerle, dit Dom Gerle (1736-1801) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Siege and capture of Valencia by the French army under the orders of the Marechal of Empire Count Suchet on 9 July 1812 - Entrée du marechal Louis Gabriel Suchet à Valencia in 1812 - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Siege and capture of Valencia by the French army under the orders of the Marechal of Empire Count Suchet on 9 July 1812 - Entrée du marechal Louis Gabriel Suchet à Valencia in 1812 - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150836: Siege and capture of Valencia by the French army under the orders of the Marechal of Empire Count Suchet on 9 July 1812 - Entrée du marechal Louis Gabriel Suchet à Valencia in 1812 - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Portrait of Cecile Aimee Renault (1774-1794), French Revolutionary - Engraving from 1863 in “Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private collection
Portrait of Cecile Aimee Renault (1774-1794), French Revolutionary - Engraving from 1863 in “Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private collection

XEE4150913: Portrait of Cecile Aimee Renault (1774-1794), French Revolutionary - Engraving from 1863 in “Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private collection, Anonymous / Bridgeman Images

Antoine Quentin Fouquier de Tinville, dit Fouquier-Tinville (1746-1795), French lawmaker and revolutionary, public accuser of the Revolutionary Tribunal - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Antoine Quentin Fouquier de Tinville, dit Fouquier-Tinville (1746-1795), French lawmaker and revolutionary, public accuser of the Revolutionary Tribunal - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150733: Antoine Quentin Fouquier de Tinville, dit Fouquier-Tinville (1746-1795), French lawmaker and revolutionary, public accuser of the Revolutionary Tribunal - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Battle of Berezina, 26th-29th November 1812, a catastrophic defeat for Napoleon during his retreat from Russia - Russian campaign, retreat: construction of two bridges over the Berezina by the bridge sappers of the Great Armee under the responsibility of General Eble, in November 1812 - engraving by Felix Philippoteaux (1815-1884) in “History of the Empire following the history of the Consulate” by Adolphe Thiers - 1879 - private collection
Battle of Berezina, 26th-29th November 1812, a catastrophic defeat for Napoleon during his retreat from Russia - Russian campaign, retreat: construction of two bridges over the Berezina by the bridge sappers of the Great Armee under the responsibility of General Eble, in November 1812 - engraving by Felix Philippoteaux (1815-1884) in “History of the Empire following the history of the Consulate” by Adolphe Thiers - 1879 - private collection

XEE4150793: Battle of Berezina, 26th-29th November 1812, a catastrophic defeat for Napoleon during his retreat from Russia - Russian campaign, retreat: construction of two bridges over the Berezina by the bridge sappers of the Great Armee under the responsibility of General Eble, in November 1812 - engraving by Felix Philippoteaux (1815-1884) in “History of the Empire following the history of the Consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

The siege of Dantzig (present-day Gdansk) on 19 March 1807 during the War of the Fourth Coalition - Act of Heroism of the Hunter Francois Valle during the Siege of Dantzig - in “History of the Empire Following the History of the Consulate” by Adolphe Thiers - 1879 - private collection
The siege of Dantzig (present-day Gdansk) on 19 March 1807 during the War of the Fourth Coalition - Act of Heroism of the Hunter Francois Valle during the Siege of Dantzig - in “History of the Empire Following the History of the Consulate” by Adolphe Thiers - 1879 - private collection

XEE4150825: The siege of Dantzig (present-day Gdansk) on 19 March 1807 during the War of the Fourth Coalition - Act of Heroism of the Hunter Francois Valle during the Siege of Dantzig - in “History of the Empire Following the History of the Consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Giuseppe Marco Fieschi, the chief conspirator in an attempt on the life of King Louis-Philippe of France in July 1835 - Giuseppe Fieschi (1790-1836), French conspirator who perpetrated the attack on the infernal machine of 28 June 1835 against Louis-Philippe I - Engraving of 1863 in “” Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private Collection
Giuseppe Marco Fieschi, the chief conspirator in an attempt on the life of King Louis-Philippe of France in July 1835 - Giuseppe Fieschi (1790-1836), French conspirator who perpetrated the attack on the infernal machine of 28 June 1835 against Louis-Philippe I - Engraving of 1863 in “” Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private Collection

XEE4150883: Giuseppe Marco Fieschi, the chief conspirator in an attempt on the life of King Louis-Philippe of France in July 1835 - Giuseppe Fieschi (1790-1836), French conspirator who perpetrated the attack on the infernal machine of 28 June 1835 against Louis-Philippe I - Engraving of 1863 in “” Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private Collection, Anonymous / Bridgeman Images

Chlothar I (497-561) burns his rebellious son and family, 560 - Clotaire (Clothaire) I (497-561), King of the Francs, burns his son Chramne (Chram, Chramn) and his wife in 560, who revolted against him - Engraving 1825 in “Histoire de France represented by synoptic paintings for children of France and employee for leur education”” - Steel engraving by Ambroise Tardieu
Chlothar I (497-561) burns his rebellious son and family, 560 - Clotaire (Clothaire) I (497-561), King of the Francs, burns his son Chramne (Chram, Chramn) and his wife in 560, who revolted against him - Engraving 1825 in “Histoire de France represented by synoptic paintings for children of France and employee for leur education”” - Steel engraving by Ambroise Tardieu

XEE4150928: Chlothar I (497-561) burns his rebellious son and family, 560 - Clotaire (Clothaire) I (497-561), King of the Francs, burns his son Chramne (Chram, Chramn) and his wife in 560, who revolted against him - Engraving 1825 in “Histoire de France represented by synoptic paintings for children of France and employee for leur education”” - Steel engraving by Ambroise Tardieu, Tardieu, Ambroise (1788-1841) / Bridgeman Images

Portrait of Cardinal Giovanni Maria Mastai Ferretti (1792-1878), Pope Pius (Pius) IX from 1846 to 1878
Portrait of Cardinal Giovanni Maria Mastai Ferretti (1792-1878), Pope Pius (Pius) IX from 1846 to 1878

XEE4149818: Portrait of Cardinal Giovanni Maria Mastai Ferretti (1792-1878), Pope Pius (Pius) IX from 1846 to 1878, Unknown Artist, (19th century) / Bridgeman Images

Insurrection in Crete, 1898 - landing guns from the British fleet at Candia - THE GRAPHIC 1898
Insurrection in Crete, 1898 - landing guns from the British fleet at Candia - THE GRAPHIC 1898

XEE4149872: Insurrection in Crete, 1898 - landing guns from the British fleet at Candia - THE GRAPHIC 1898, Unknown Artist, (19th century) / Bridgeman Images

Trial of William Palmer, at the Central Criminal Court, May 1856, for poisoning John Parsons Cook, at Rugeley (engraving) - William Palmer before the Central Criminal Court in London in 1856 - Engraving in “Causes celebres de tous peuples” by Armand Fouquier (1817-18?) 1858-1867 - private collection
Trial of William Palmer, at the Central Criminal Court, May 1856, for poisoning John Parsons Cook, at Rugeley (engraving) - William Palmer before the Central Criminal Court in London in 1856 - Engraving in “Causes celebres de tous peuples” by Armand Fouquier (1817-18?) 1858-1867 - private collection

XEE4149923: Trial of William Palmer, at the Central Criminal Court, May 1856, for poisoning John Parsons Cook, at Rugeley (engraving) - William Palmer before the Central Criminal Court in London in 1856 - Engraving in “Causes celebres de tous peuples” by Armand Fouquier (1817-18?) 1858-1867 - private collection, French School, (19th century) / Bridgeman Images

Portrait of Jean-Baptiste Lully engraving 19th century - Portrait of Jean Baptiste (Lully (Giovanni Battista Lulli) (1632-1687)
Portrait of Jean-Baptiste Lully engraving 19th century - Portrait of Jean Baptiste (Lully (Giovanni Battista Lulli) (1632-1687)

XEE4150035: Portrait of Jean-Baptiste Lully engraving 19th century - Portrait of Jean Baptiste (Lully (Giovanni Battista Lulli) (1632-1687), Unknown Artist, (19th century) / Bridgeman Images

Street Metier: a damasquineur gunsmith in the streets of Trebizonde, Turkey, 1861 - Engraving in “” The Illustrous World”” n°245 of 21 December 1861
Street Metier: a damasquineur gunsmith in the streets of Trebizonde, Turkey, 1861 - Engraving in “” The Illustrous World”” n°245 of 21 December 1861

XEE4150066: Street Metier: a damasquineur gunsmith in the streets of Trebizonde, Turkey, 1861 - Engraving in “” The Illustrous World”” n°245 of 21 December 1861, French School, (19th century) / Bridgeman Images

Internal view of the natural glaciere of the Creux-Perce (Creux Perce) (Cote-d'Or) exploded for the first time in March 1892 - engraving in “La nature” of 1892.
Internal view of the natural glaciere of the Creux-Perce (Creux Perce) (Cote-d'Or) exploded for the first time in March 1892 - engraving in “La nature” of 1892.

XEE4150951: Internal view of the natural glaciere of the Creux-Perce (Creux Perce) (Cote-d'Or) exploded for the first time in March 1892 - engraving in “La nature” of 1892., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Friedrich Gerhard Rohlfs (1831-1896) German geographer, explorer, author and adventurer - Friedrich Gerhard Rohlfs, German geographer, explorer of Africa and writer
Portrait of Friedrich Gerhard Rohlfs (1831-1896) German geographer, explorer, author and adventurer - Friedrich Gerhard Rohlfs, German geographer, explorer of Africa and writer

XEE4151002: Portrait of Friedrich Gerhard Rohlfs (1831-1896) German geographer, explorer, author and adventurer - Friedrich Gerhard Rohlfs, German geographer, explorer of Africa and writer, Anonymous / Bridgeman Images

Felicity-Auguste Saillot dit Desmousseaux French actor (1785 -1854) in the role of Roscius in “” Sylla”” by Etienne de Jouy (1764-1846)
Felicity-Auguste Saillot dit Desmousseaux French actor (1785 -1854) in the role of Roscius in “” Sylla”” by Etienne de Jouy (1764-1846)

XEE4151042: Felicity-Auguste Saillot dit Desmousseaux French actor (1785 -1854) in the role of Roscius in “” Sylla”” by Etienne de Jouy (1764-1846), Anonymous / Bridgeman Images

Marriage between Helene (Elena) d'Orleans (1871-1951) and Emanuele Filiberto di Savoia Aosta (Emmanuel-Philibert de Savoie (Savoie-Aosta) (Emmanuel Philibert de Savoie Aosta) (1869-1931) (Emanuele Filiberto di Savoia-Aosta) in Kingston-upon-Thames in 1895 - Engraving in 1895 - Engraving in “The Illustrated World”” of 1895
Marriage between Helene (Elena) d'Orleans (1871-1951) and Emanuele Filiberto di Savoia Aosta (Emmanuel-Philibert de Savoie (Savoie-Aosta) (Emmanuel Philibert de Savoie Aosta) (1869-1931) (Emanuele Filiberto di Savoia-Aosta) in Kingston-upon-Thames in 1895 - Engraving in 1895 - Engraving in “The Illustrated World”” of 1895

XEE4151647: Marriage between Helene (Elena) d'Orleans (1871-1951) and Emanuele Filiberto di Savoia Aosta (Emmanuel-Philibert de Savoie (Savoie-Aosta) (Emmanuel Philibert de Savoie Aosta) (1869-1931) (Emanuele Filiberto di Savoia-Aosta) in Kingston-upon-Thames in 1895 - Engraving in 1895 - Engraving in “The Illustrated World”” of 1895, Unknown Artist, (19th century) / Bridgeman Images

The Lion and the Rat - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection
The Lion and the Rat - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection

XEE4151742: The Lion and the Rat - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Wolfang Amadeus Mozart writing a concerto for harpsichord in the presence of his father Leopold and Andreas Schachtner in 1762 - engraving in “” Popular Music””” illustrated weekly newspaper - 1882
Wolfang Amadeus Mozart writing a concerto for harpsichord in the presence of his father Leopold and Andreas Schachtner in 1762 - engraving in “” Popular Music””” illustrated weekly newspaper - 1882

XEE4151766: Wolfang Amadeus Mozart writing a concerto for harpsichord in the presence of his father Leopold and Andreas Schachtner in 1762 - engraving in “” Popular Music””” illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Mathilde Marchesi (1821-1913) German mezzo soprano - engraving in “” Popular music””” illustrious weekly newspaper - 1882
Mathilde Marchesi (1821-1913) German mezzo soprano - engraving in “” Popular music””” illustrious weekly newspaper - 1882

XEE4151775: Mathilde Marchesi (1821-1913) German mezzo soprano - engraving in “” Popular music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882
Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882

XEE4151802: Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Marie Justine Benoite Duronceray (Madame Favart) in “” Ninette a la cour ou le Caprice amoureux”” - comedy in three acts and verse, melee d'ariettes, by Charles Simon (Charles-Simon) Favart - engraving in “La musique populaire””” - illustrated weekly newspaper - 1882
Marie Justine Benoite Duronceray (Madame Favart) in “” Ninette a la cour ou le Caprice amoureux”” - comedy in three acts and verse, melee d'ariettes, by Charles Simon (Charles-Simon) Favart - engraving in “La musique populaire””” - illustrated weekly newspaper - 1882

XEE4151851: Marie Justine Benoite Duronceray (Madame Favart) in “” Ninette a la cour ou le Caprice amoureux”” - comedy in three acts and verse, melee d'ariettes, by Charles Simon (Charles-Simon) Favart - engraving in “La musique populaire””” - illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Jean-Jacques (Jean Jacques) Berger (1790-1859) PREFECT OF THE SEINE, PROclaiming THE VOTES FOR THE EMPIRE TO THE MAYORS OF THE ARRONDISSENSES, PARIS, 1852
Jean-Jacques (Jean Jacques) Berger (1790-1859) PREFECT OF THE SEINE, PROclaiming THE VOTES FOR THE EMPIRE TO THE MAYORS OF THE ARRONDISSENSES, PARIS, 1852

XEE4151875: Jean-Jacques (Jean Jacques) Berger (1790-1859) PREFECT OF THE SEINE, PROclaiming THE VOTES FOR THE EMPIRE TO THE MAYORS OF THE ARRONDISSENSES, PARIS, 1852, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Antoine Coypel (engraving)
Portrait of Antoine Coypel (engraving)

XEE4152596: Portrait of Antoine Coypel (engraving), Unknown Artist / Bridgeman Images

Apologue of the fishing birds, tells by Saint Martin to the inhabitants of the banks of the Loire - engraving by Luc Olivier Merson (1846-1920)
Apologue of the fishing birds, tells by Saint Martin to the inhabitants of the banks of the Loire - engraving by Luc Olivier Merson (1846-1920)

XEE4152727: Apologue of the fishing birds, tells by Saint Martin to the inhabitants of the banks of the Loire - engraving by Luc Olivier Merson (1846-1920), Merson, Luc-Oliver (1846-1920) / Bridgeman Images

Jessica (The Marchand of Venice) Jessica daughter of Shylock (The Merchant of Venice) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Jessica (The Marchand of Venice) Jessica daughter of Shylock (The Merchant of Venice) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152776: Jessica (The Marchand of Venice) Jessica daughter of Shylock (The Merchant of Venice) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Marie (Twelfth Night) Maria (Twelfth Night) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838
Marie (Twelfth Night) Maria (Twelfth Night) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838

XEE4152801: Marie (Twelfth Night) Maria (Twelfth Night) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838, English School, (19th century) / Bridgeman Images


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