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View over The Great Plat Garden from the north-west corner, designed in c.1904-10 by Sir Edwin Lutyens (1869-1944) and Miss Gertrude Jekyll (1843-1932) (photo)
View over The Great Plat Garden from the north-west corner, designed in c.1904-10 by Sir Edwin Lutyens (1869-1944) and Miss Gertrude Jekyll (1843-1932) (photo)

JB137682: View over The Great Plat Garden from the north-west corner, designed in c.1904-10 by Sir Edwin Lutyens (1869-1944) and Miss Gertrude Jekyll (1843-1932) (photo), Bethell, John / Bridgeman Images

Festival Of Britain Powder Compact, English, 1950-51
Festival Of Britain Powder Compact, English, 1950-51

EDY137898: Festival Of Britain Powder Compact, English, 1950-51 / Bridgeman Images

Ship Portrait, of a 36- or 38- gun frigate, c.1775 (oil on panel)
Ship Portrait, of a 36- or 38- gun frigate, c.1775 (oil on panel)

MFR135797: Ship Portrait, of a 36- or 38- gun frigate, c.1775 (oil on panel), English School, (18th century) / Bridgeman Images

View of the fortress of San Leo, The Marches, Italy (photo)
View of the fortress of San Leo, The Marches, Italy (photo)

JFS138093: View of the fortress of San Leo, The Marches, Italy (photo) / Bridgeman Images

The Silver Wedding, A Privileged Old Friend, from 'St. Stephen's Review Presentation Cartoon', 10 March 1888 (colour litho)
The Silver Wedding, A Privileged Old Friend, from 'St. Stephen's Review Presentation Cartoon', 10 March 1888 (colour litho)

XCF136720: The Silver Wedding, A Privileged Old Friend, from 'St. Stephen's Review Presentation Cartoon', 10 March 1888 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images

St. Anthony (1195-1231) from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo)
St. Anthony (1195-1231) from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo)

XJF139033: St. Anthony (1195-1231) from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo), German School, (15th century) / Bridgeman Images

View of the Lovrjenac Fortress, built 1303, from Fort Bokar (photo) (see also 136852)
View of the Lovrjenac Fortress, built 1303, from Fort Bokar (photo) (see also 136852)

JB136851: View of the Lovrjenac Fortress, built 1303, from Fort Bokar (photo) (see also 136852), Bethell, John / Bridgeman Images

St. Nicolo Perot, from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo)
St. Nicolo Perot, from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo)

XJF139034: St. Nicolo Perot, from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo), German School, (15th century) / Bridgeman Images

View of the narthex floor, from the Small Basilica at Herakleia Lynkestis, 5th-6th century AD (mosaic)
View of the narthex floor, from the Small Basilica at Herakleia Lynkestis, 5th-6th century AD (mosaic)

JB136875: View of the narthex floor, from the Small Basilica at Herakleia Lynkestis, 5th-6th century AD (mosaic), Bethell, John / Bridgeman Images

Striped porcelain Wemyss Ware cat, early 20th century (glazed ceramic)
Striped porcelain Wemyss Ware cat, early 20th century (glazed ceramic)

CFA97889: Striped porcelain Wemyss Ware cat, early 20th century (glazed ceramic), Unknown Artist, (20th century) / Bridgeman Images

Sir Walter Scott (1771-1832) (engraving)
Sir Walter Scott (1771-1832) (engraving)

CWA98193: Sir Walter Scott (1771-1832) (engraving), Scottish School, (19th century) / Bridgeman Images

Walking dress, fashion plate from Ackermann's Repository of Arts (coloured engraving)
Walking dress, fashion plate from Ackermann's Repository of Arts (coloured engraving)

STC102864: Walking dress, fashion plate from Ackermann's Repository of Arts (coloured engraving), English School, (19th century) / Bridgeman Images

The stele of King Ezana, 4th century (photo)
The stele of King Ezana, 4th century (photo)

TRD102961: The stele of King Ezana, 4th century (photo) / Bridgeman Images

Mr Macready as Shylock, Act I Scene 3, in 'The Merchant of Venice' by William Shakespeare (1564-1616) (engraving)
Mr Macready as Shylock, Act I Scene 3, in 'The Merchant of Venice' by William Shakespeare (1564-1616) (engraving)

STC102990: Mr Macready as Shylock, Act I Scene 3, in 'The Merchant of Venice' by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images

Interior of the Teatro Olympico, designed by Andrea Palladio (1508-80) 1580 (photo) (see 103509)
Interior of the Teatro Olympico, designed by Andrea Palladio (1508-80) 1580 (photo) (see 103509)

TRD103508: Interior of the Teatro Olympico, designed by Andrea Palladio (1508-80) 1580 (photo) (see 103509), Palladio, Andrea (1508-80) / Bridgeman Images

The Imperial Palace at Tseaou-Shan, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving)
The Imperial Palace at Tseaou-Shan, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving)

STC99362: The Imperial Palace at Tseaou-Shan, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images

Acrobats at the Fair c.1865-69 (w/c on paper)
Acrobats at the Fair c.1865-69 (w/c on paper)

BAL99485: Acrobats at the Fair c.1865-69 (w/c on paper), Daumier, Honore (1808-79) / Bridgeman Images

Tapestry, Western Asian, (Sogdiana) 7th-8th century (woven silk) (detail of various animals)
Tapestry, Western Asian, (Sogdiana) 7th-8th century (woven silk) (detail of various animals)

BAL99492: Tapestry, Western Asian, (Sogdiana) 7th-8th century (woven silk) (detail of various animals) / Bridgeman Images

The Battle of Chang-Kia-Onang, before Tong-Cheou, 18th September 1860, from 'The War in China', 1862 (litho)
The Battle of Chang-Kia-Onang, before Tong-Cheou, 18th September 1860, from 'The War in China', 1862 (litho)

STC99588: The Battle of Chang-Kia-Onang, before Tong-Cheou, 18th September 1860, from 'The War in China', 1862 (litho), Fortavion, G.C. de (fl.1857-62) / Bridgeman Images

The Big Laboratory viewed from the Dark Room, 1860 (w/c on paper)
The Big Laboratory viewed from the Dark Room, 1860 (w/c on paper)

TRI98479: The Big Laboratory viewed from the Dark Room, 1860 (w/c on paper), Moore, Harriet Jane (1801-1884) / Bridgeman Images

Children Playing Blind Man's Buff (oil  on canvas)
Children Playing Blind Man's Buff (oil  on canvas)

BAL98666: Children Playing Blind Man's Buff (oil on canvas), Gray, Kate (fl.1865-90) / Bridgeman Images

Bas relief depicting jaguars pulling out human hearts from sacrificial victims (stone)
Bas relief depicting jaguars pulling out human hearts from sacrificial victims (stone)

FFQ103620: Bas relief depicting jaguars pulling out human hearts from sacrificial victims (stone), Farquhar, Francis / Bridgeman Images

View of the church of San Martino on the island of Burano from the lagoon (b/w photo)
View of the church of San Martino on the island of Burano from the lagoon (b/w photo)

FTB103646: View of the church of San Martino on the island of Burano from the lagoon (b/w photo) / Bridgeman Images

Detail of the ceiling decoration in the Salon of the Swans, 15th century (fresco)
Detail of the ceiling decoration in the Salon of the Swans, 15th century (fresco)

XJL103713: Detail of the ceiling decoration in the Salon of the Swans, 15th century (fresco), Portuguese School (15th century) / Bridgeman Images

Ben Jonson (1573-1637) English playwright (engraving)
Ben Jonson (1573-1637) English playwright (engraving)

XJF103755: Ben Jonson (1573-1637) English playwright (engraving), English School, (18th century) / Bridgeman Images

View of the Town Hall, Market and Abbey Church, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint)
View of the Town Hall, Market and Abbey Church, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint)

STC103809: View of the Town Hall, Market and Abbey Church, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint), Nattes, John Claude (c.1765-1822) (after) / Bridgeman Images

Remarkable Hills on the Upper Missouri, plate 35 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint)
Remarkable Hills on the Upper Missouri, plate 35 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint)

STC103854: Remarkable Hills on the Upper Missouri, plate 35 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images

Vespertina Quies, engraved by Emile Boilvin (1845-99) pub. by Arthur Tooth & Sons, 1897 (etching)
Vespertina Quies, engraved by Emile Boilvin (1845-99) pub. by Arthur Tooth & Sons, 1897 (etching)

MAA103960: Vespertina Quies, engraved by Emile Boilvin (1845-99) pub. by Arthur Tooth & Sons, 1897 (etching), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

The Gambler's Wife, engraved by Charles A. Waltner (1846-1925) pub. by Thomas Agnew & Sons, 1879 (etching)
The Gambler's Wife, engraved by Charles A. Waltner (1846-1925) pub. by Thomas Agnew & Sons, 1879 (etching)

MAA103971: The Gambler's Wife, engraved by Charles A. Waltner (1846-1925) pub. by Thomas Agnew & Sons, 1879 (etching), Millais, John Everett (1826-96) (after) / Bridgeman Images

St. Anthony Distributing Alms, relief from the Salviati chapel (bronze)
St. Anthony Distributing Alms, relief from the Salviati chapel (bronze)

BAT99672: St. Anthony Distributing Alms, relief from the Salviati chapel (bronze), Giambologna (Giovanni da Bologna), (1529-1608) / Bridgeman Images

Sancho Panza, engraved by Robert C. Bell (engraving)
Sancho Panza, engraved by Robert C. Bell (engraving)

JEP99701: Sancho Panza, engraved by Robert C. Bell (engraving), Leslie, Charles Robert (1794-1859) (after) / Bridgeman Images

Charlemagne receives the Surrender of Witikind (sic) at Paderborn in 785, engraved by Joubert (engraving)
Charlemagne receives the Surrender of Witikind (sic) at Paderborn in 785, engraved by Joubert (engraving)

JEP99719: Charlemagne receives the Surrender of Witikind (sic) at Paderborn in 785, engraved by Joubert (engraving), Scheffer, Ary (1795-1858) (after) / Bridgeman Images

Green Light, Corner of Dukes Avenue and Chiswick High Street (oil on canvas)
Green Light, Corner of Dukes Avenue and Chiswick High Street (oil on canvas)

MSP99824: Green Light, Corner of Dukes Avenue and Chiswick High Street (oil on canvas), Spear, Ruskin (1911-90) / Bridgeman Images

At the Circus (oil on canvas)
At the Circus (oil on canvas)

MSP99854: At the Circus (oil on canvas), Spear, Ruskin (1911-90) / Bridgeman Images

The King's Trumpeter, 1874 (w/c and gouache on paper)
The King's Trumpeter, 1874 (w/c and gouache on paper)

LMG100022: The King's Trumpeter, 1874 (w/c and gouache on paper), Gilbert, John (1817-97) / Bridgeman Images

Maquette for Leeds Brick Man, 1986 (brick)
Maquette for Leeds Brick Man, 1986 (brick)

LMG100024: Maquette for Leeds Brick Man, 1986 (brick), Gormley, Antony (b.1950) / Bridgeman Images


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