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Gate of Justice (Puerta de Justitia), from 'Sketches and Drawings of the Alhambra', 1835 (litho)
Gate of Justice (Puerta de Justitia), from 'Sketches and Drawings of the Alhambra', 1835 (litho)

STC136051: Gate of Justice (Puerta de Justitia), from 'Sketches and Drawings of the Alhambra', 1835 (litho), Lewis, John Frederick (1804-76) / Bridgeman Images

ID: STC136051

Gate of Justice (Puerta de Justitia), from 'Sketches and Drawings of the Alhambra', 1835 (litho)

Lewis, John Frederick (1804-76)

The Tower of the Infantas (Torre de las Infantas), from 'Sketches and Drawings of the Alhambra', engraved by James Duffield Harding (1798-1863), 1833 (litho)
The Tower of the Infantas (Torre de las Infantas), from 'Sketches and Drawings of the Alhambra', engraved by James Duffield Harding (1798-1863), 1833 (litho)

STC136073: The Tower of the Infantas (Torre de las Infantas), from 'Sketches and Drawings of the Alhambra', engraved by James Duffield Harding (1798-1863), 1833 (litho), Lewis, John Frederick (1805-76) (after) / Bridgeman Images

ID: STC136073

The Tower of the Infantas (Torre de las Infantas), from 'Sketches and Drawings of the Alhambra', engraved by James Duffield Harding (1798-1863), 1833 (litho)

Lewis, John Frederick (1805-76) (after)

The Waits, and May They Continue to Wait, from 'St. Stephen's Review Presentation Cartoon', 25 December 1886 (colour litho)
The Waits, and May They Continue to Wait, from 'St. Stephen's Review Presentation Cartoon', 25 December 1886 (colour litho)

XCF136729: The Waits, and May They Continue to Wait, from 'St. Stephen's Review Presentation Cartoon', 25 December 1886 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images

ID: XCF136729

The Waits, and May They Continue to Wait, from 'St. Stephen's Review Presentation Cartoon', 25 December 1886 (colour litho)

Merry, Tom (c.1852-1902)

Abydus, 1pm, 12th January 1867 (ink and watercolour on paper)
Abydus, 1pm, 12th January 1867 (ink and watercolour on paper)

XYC136954: Abydus, 1pm, 12th January 1867 (ink and watercolour on paper), Lear, Edward (1812-88) / Bridgeman Images

ID: XYC136954

Abydus, 1pm, 12th January 1867 (ink and watercolour on paper)

Lear, Edward (1812-88)

The Armour Maker, engraved by Hartman Schopper (woodcut) (b/w photo)
The Armour Maker, engraved by Hartman Schopper (woodcut) (b/w photo)

XJF137070: The Armour Maker, engraved by Hartman Schopper (woodcut) (b/w photo), German School, (16th century) / Bridgeman Images

ID: XJF137070

The Armour Maker, engraved by Hartman Schopper (woodcut) (b/w photo)

German School, (16th century)

Mediterranean (oil on canvas)
Mediterranean (oil on canvas)

CH134499: Mediterranean (oil on canvas), Dufy, Jean (1888-1964) / Bridgeman Images

ID: CH134499

Mediterranean (oil on canvas)

Dufy, Jean (1888-1964)

Repose, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)
Repose, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)

STC134529: Repose, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho), Clark, John Heaviside (1770-1863) (after) / Bridgeman Images

ID: STC134529

Repose, engraved by Matthew Dubourg (fl.1785-1820), published by Edward Orme, 1813 (colour litho)

Clark, John Heaviside (1770-1863) (after)

Henri II (1519-59) Receives Jean de Tavanes as a Knight into his Order, engraved by Roger, 1788 (coloured engraving)
Henri II (1519-59) Receives Jean de Tavanes as a Knight into his Order, engraved by Roger, 1788 (coloured engraving)

STC134664: Henri II (1519-59) Receives Jean de Tavanes as a Knight into his Order, engraved by Roger, 1788 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

ID: STC134664

Henri II (1519-59) Receives Jean de Tavanes as a Knight into his Order, engraved by Roger, 1788 (coloured engraving)

Sergent-Marceau, Antoine Louis Francois (1751-1847) (after)

Architectural Subject: Arch, tomb, figures and goats, 1760s (w/c on paper)
Architectural Subject: Arch, tomb, figures and goats, 1760s (w/c on paper)

SJS134731: Architectural Subject: Arch, tomb, figures and goats, 1760s (w/c on paper), Clerisseau, Charles Louis (1721-1820) / Bridgeman Images

ID: SJS134731

Architectural Subject: Arch, tomb, figures and goats, 1760s (w/c on paper)

Clerisseau, Charles Louis (1721-1820)

Statues from the Cappella di Piazza, Palazzo Pubblico, Siena, Italy (photo)
Statues from the Cappella di Piazza, Palazzo Pubblico, Siena, Italy (photo)

JFS134871: Statues from the Cappella di Piazza, Palazzo Pubblico, Siena, Italy (photo) / Bridgeman Images

ID: JFS134871

Statues from the Cappella di Piazza, Palazzo Pubblico, Siena, Italy (photo)

Prince M. V. Skopin-Shuyski (1587-1610), early 17th century (tempera on wood)
Prince M. V. Skopin-Shuyski (1587-1610), early 17th century (tempera on wood)

XAB134981: Prince M. V. Skopin-Shuyski (1587-1610), early 17th century (tempera on wood), Russian School, (17th century) / Bridgeman Images

ID: XAB134981

Prince M. V. Skopin-Shuyski (1587-1610), early 17th century (tempera on wood)

Russian School, (17th century)

Jacques il Goyon, Lord of Matignon, Takes Montgomery a Domfront Prisoner, engraved by Jean Baptiste Morret (fl. 1790-1820), 1788 (coloured engraving)
Jacques il Goyon, Lord of Matignon, Takes Montgomery a Domfront Prisoner, engraved by Jean Baptiste Morret (fl. 1790-1820), 1788 (coloured engraving)

STC134667: Jacques il Goyon, Lord of Matignon, Takes Montgomery a Domfront Prisoner, engraved by Jean Baptiste Morret (fl. 1790-1820), 1788 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

ID: STC134667

Jacques il Goyon, Lord of Matignon, Takes Montgomery a Domfront Prisoner, engraved by Jean Baptiste Morret (fl. 1790-1820), 1788 (coloured engraving)

Sergent-Marceau, Antoine Louis Francois (1751-1847) (after)

The Grave of Percy Bysshe Shelley (1792-1822) (b/w photo)
The Grave of Percy Bysshe Shelley (1792-1822) (b/w photo)

JFS134833: The Grave of Percy Bysshe Shelley (1792-1822) (b/w photo) / Bridgeman Images

ID: JFS134833

The Grave of Percy Bysshe Shelley (1792-1822) (b/w photo)

Prince Albert (1819-61), from 'Portraits of Honorary Members of the Ipswich Museum', published by George Ransome, 1851 (lithograph)
Prince Albert (1819-61), from 'Portraits of Honorary Members of the Ipswich Museum', published by George Ransome, 1851 (lithograph)

TRI134922: Prince Albert (1819-61), from 'Portraits of Honorary Members of the Ipswich Museum', published by George Ransome, 1851 (lithograph), Maguire, Thomas Herbert (1821-95) / Bridgeman Images

ID: TRI134922

Prince Albert (1819-61), from 'Portraits of Honorary Members of the Ipswich Museum', published by George Ransome, 1851 (lithograph)

Maguire, Thomas Herbert (1821-95)

Tsarina Alexandra (1872-1918) (oil on canvas)
Tsarina Alexandra (1872-1918) (oil on canvas)

XAB134940: Tsarina Alexandra (1872-1918) (oil on canvas), Bodarevski, Nikolai K. (1850-1921) / Bridgeman Images

ID: XAB134940

Tsarina Alexandra (1872-1918) (oil on canvas)

Bodarevski, Nikolai K. (1850-1921)

Portrait of Tzar Peter II (1715-30) (oil on canvas)
Portrait of Tzar Peter II (1715-30) (oil on canvas)

XAB134979: Portrait of Tzar Peter II (1715-30) (oil on canvas), Molchanov, Grigory Dmitriev (c.1730-c.1786) / Bridgeman Images

ID: XAB134979

Portrait of Tzar Peter II (1715-30) (oil on canvas)

Molchanov, Grigory Dmitriev (c.1730-c.1786)

The Death Memorial in Ladakh, 1875 (oil on canvas)
The Death Memorial in Ladakh, 1875 (oil on canvas)

XAB134998: The Death Memorial in Ladakh, 1875 (oil on canvas), Vereshchagin, Vasili Vasilievich (1842-1904) / Bridgeman Images

ID: XAB134998

The Death Memorial in Ladakh, 1875 (oil on canvas)

Vereshchagin, Vasili Vasilievich (1842-1904)

The Goldsmith, 1718 (engraving)
The Goldsmith, 1718 (engraving)

XJF137473: The Goldsmith, 1718 (engraving), Dutch School, (18th century) / Bridgeman Images

ID: XJF137473

The Goldsmith, 1718 (engraving)

Dutch School, (18th century)

View of the Garden Front, Castle Howard, North Yorkshire (photo)
View of the Garden Front, Castle Howard, North Yorkshire (photo)

JB137613: View of the Garden Front, Castle Howard, North Yorkshire (photo), Bethell, John / Bridgeman Images

ID: JB137613

View of the Garden Front, Castle Howard, North Yorkshire (photo)

Bethell, John

The Weaver (w/c on paper)
The Weaver (w/c on paper)

RWS137251: The Weaver (w/c on paper), Vosper, Sydney Curnow (1866-1942) / Bridgeman Images

ID: RWS137251

The Weaver (w/c on paper)

Vosper, Sydney Curnow (1866-1942)

After Coffee with Clifford Bax (w/c on paper)
After Coffee with Clifford Bax (w/c on paper)

RWS137261: After Coffee with Clifford Bax (w/c on paper), Henderson, Keith (1883-1982) / Bridgeman Images

ID: RWS137261

After Coffee with Clifford Bax (w/c on paper)

Henderson, Keith (1883-1982)

Portrait of Carel Weight (1908-97) 1978 (w/c on paper)
Portrait of Carel Weight (1908-97) 1978 (w/c on paper)

RWS137271: Portrait of Carel Weight (1908-97) 1978 (w/c on paper), Sheppard, Maurice (b.1947) / Bridgeman Images

ID: RWS137271

Portrait of Carel Weight (1908-97) 1978 (w/c on paper)

Sheppard, Maurice (b.1947)

Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)
Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)

STC137346: Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho), Gendall, John (1790-1865) (after) / Bridgeman Images

ID: STC137346

Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)

Gendall, John (1790-1865) (after)

Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho)
Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho)

STC137376: Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho), Basch, Arpad (1873-1944) / Bridgeman Images

ID: STC137376

Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho)

Basch, Arpad (1873-1944)

Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho)
Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho)

STC137386: Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images

ID: STC137386

Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho)

Cheret, Jules (1836-1932)

Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas)
Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas)

XAB137570: Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas), Kolesov, Aleksei Mikhailovich (1834-1902) / Bridgeman Images

ID: XAB137570

Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas)

Kolesov, Aleksei Mikhailovich (1834-1902)

Michael Faraday's Study on the second floor at The Royal Institution, from Henry Bence Jones's 'The Life and Letters of Faraday', published 1870, 1869 (engraving) (see 137594)
Michael Faraday's Study on the second floor at The Royal Institution, from Henry Bence Jones's 'The Life and Letters of Faraday', published 1870, 1869 (engraving) (see 137594)

TRI137597: Michael Faraday's Study on the second floor at The Royal Institution, from Henry Bence Jones's 'The Life and Letters of Faraday', published 1870, 1869 (engraving) (see 137594), Moore, Harriet Jane (1801-1887) (after) / Bridgeman Images

ID: TRI137597

Michael Faraday's Study on the second floor at The Royal Institution, from Henry Bence Jones's 'The Life and Letters of Faraday', published 1870, 1869 (engraving) (see 137594)

Moore, Harriet Jane (1801-1887) (after)

Bolton Abbey, Wharfedale (w/c on paper)
Bolton Abbey, Wharfedale (w/c on paper)

RWS137232: Bolton Abbey, Wharfedale (w/c on paper), Badmin, Stanley Roy (1906-89) / Bridgeman Images

ID: RWS137232

Bolton Abbey, Wharfedale (w/c on paper)

Badmin, Stanley Roy (1906-89)

Study of a Head, for 'The Mill', c.1872-80 (w/c on paper)
Study of a Head, for 'The Mill', c.1872-80 (w/c on paper)

RWS137234: Study of a Head, for 'The Mill', c.1872-80 (w/c on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: RWS137234

Study of a Head, for 'The Mill', c.1872-80 (w/c on paper)

Burne-Jones, Edward Coley (1833-98)

A Cornish Haven, 1930 (w/c and pencil on paper)
A Cornish Haven, 1930 (w/c and pencil on paper)

RWS137246: A Cornish Haven, 1930 (w/c and pencil on paper), Southall, Joseph Edward (1861-1944) / Bridgeman Images

ID: RWS137246

A Cornish Haven, 1930 (w/c and pencil on paper)

Southall, Joseph Edward (1861-1944)

Palazzo Ducale, Venice (w/c on paper)
Palazzo Ducale, Venice (w/c on paper)

RWS137267: Palazzo Ducale, Venice (w/c on paper), Prout, Samuel (1783-1852) / Bridgeman Images

ID: RWS137267

Palazzo Ducale, Venice (w/c on paper)

Prout, Samuel (1783-1852)

Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137301: Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: STC137301

Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

Portrait of Hernando Cortes (1485-1547) and his arms (engraving)
Portrait of Hernando Cortes (1485-1547) and his arms (engraving)

XJF137407: Portrait of Hernando Cortes (1485-1547) and his arms (engraving), Spanish School, (16th century) / Bridgeman Images

ID: XJF137407

Portrait of Hernando Cortes (1485-1547) and his arms (engraving)

Spanish School, (16th century)

Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper)
Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper)

XAB137553: Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper), Bakst, Leon (1866-1924) / Bridgeman Images

ID: XAB137553

Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper)

Bakst, Leon (1866-1924)

Portrait of John Hanning Speke (1827-64) aged 17 (oil on canvas) (b/w photo)
Portrait of John Hanning Speke (1827-64) aged 17 (oil on canvas) (b/w photo)

XJF139066: Portrait of John Hanning Speke (1827-64) aged 17 (oil on canvas) (b/w photo), English School, (19th century) / Bridgeman Images

ID: XJF139066

Portrait of John Hanning Speke (1827-64) aged 17 (oil on canvas) (b/w photo)

English School, (19th century)

Reproduction of a poster advertising the Association for the Encouragement of Fine Arts' '1896 Salon exhibit', Place St. Paul, Liege, 1896 (colour litho)
Reproduction of a poster advertising the Association for the Encouragement of Fine Arts' '1896 Salon exhibit', Place St. Paul, Liege, 1896 (colour litho)

STC139154: Reproduction of a poster advertising the Association for the Encouragement of Fine Arts' '1896 Salon exhibit', Place St. Paul, Liege, 1896 (colour litho), Berchmans, Emile (1867-1947) / Bridgeman Images

ID: STC139154

Reproduction of a poster advertising the Association for the Encouragement of Fine Arts' '1896 Salon exhibit', Place St. Paul, Liege, 1896 (colour litho)

Berchmans, Emile (1867-1947)


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