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View of the Palazzo Di Re Enzo and the Neptune Fountain by Giambologna (1529-1608) (photo)
View of the Palazzo Di Re Enzo and the Neptune Fountain by Giambologna (1529-1608) (photo)

NUM134258: View of the Palazzo Di Re Enzo and the Neptune Fountain by Giambologna (1529-1608) (photo) / Bridgeman Images

Afterbirth, 1998 (photocollage) (detail)
Afterbirth, 1998 (photocollage) (detail)

LMM133885: Afterbirth, 1998 (photocollage) (detail), Molyneux, Lynn Michelle (b.1966) / Bridgeman Images

Ms 1058-1975 f2r Cutting Trees and Binding Faggots, illuminated page for February, from a Book of Hours, c.1500 (vellum)
Ms 1058-1975 f2r Cutting Trees and Binding Faggots, illuminated page for February, from a Book of Hours, c.1500 (vellum)

FIT133903: Ms 1058-1975 f2r Cutting Trees and Binding Faggots, illuminated page for February, from a Book of Hours, c.1500 (vellum), Flemish School, (16th century) / Bridgeman Images

Map Depicting the Ptolemaic and Tycho Brahe (1546-1601) Systems of Planetary Orbit, 1701 (engraving)
Map Depicting the Ptolemaic and Tycho Brahe (1546-1601) Systems of Planetary Orbit, 1701 (engraving)

XJF133924: Map Depicting the Ptolemaic and Tycho Brahe (1546-1601) Systems of Planetary Orbit, 1701 (engraving), English School, (18th century) / Bridgeman Images

Mirror of Nature as a Whole, A Likeness of Art (engraving)
Mirror of Nature as a Whole, A Likeness of Art (engraving)

XJF133925: Mirror of Nature as a Whole, A Likeness of Art (engraving), English School, (18th century) / Bridgeman Images

Tithonus, Aurora's Husband, Turned into a Grasshopper, 1731 (engraving)
Tithonus, Aurora's Husband, Turned into a Grasshopper, 1731 (engraving)

STC134134: Tithonus, Aurora's Husband, Turned into a Grasshopper, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

Orpheus, Leading Eurydice Out of Hell, Looks Back Upon her and Loses her Forever, 1731 (engraving)
Orpheus, Leading Eurydice Out of Hell, Looks Back Upon her and Loses her Forever, 1731 (engraving)

STC134143: Orpheus, Leading Eurydice Out of Hell, Looks Back Upon her and Loses her Forever, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

A View of Valetta, Malta (oil on panel)
A View of Valetta, Malta (oil on panel)

RAF132016: A View of Valetta, Malta (oil on panel), Pullicino, Alberto (1719-65) / Bridgeman Images

Portrait of a Young Woman (oil on panel)
Portrait of a Young Woman (oil on panel)

RAF132025: Portrait of a Young Woman (oil on panel), Geest, Wybrand Simonsz. de (1592-1660) / Bridgeman Images

Portrait of The Duke of Montmorency (1493-1567) (oil on panel)
Portrait of The Duke of Montmorency (1493-1567) (oil on panel)

RAF132043: Portrait of The Duke of Montmorency (1493-1567) (oil on panel), Clouet, Francois (c.1510-72) (and workshop) / Bridgeman Images

Sunbathers at Odney, 1935 (oil on canvas)
Sunbathers at Odney, 1935 (oil on canvas)

SSG135096: Sunbathers at Odney, 1935 (oil on canvas), Spencer, Stanley (1891-1959) / Bridgeman Images

Detail from the Facade of San Pietro, depicting scenes from 'Le Roman de Renart', 12th century (stone)
Detail from the Facade of San Pietro, depicting scenes from 'Le Roman de Renart', 12th century (stone)

JFS135183: Detail from the Facade of San Pietro, depicting scenes from 'Le Roman de Renart', 12th century (stone) / Bridgeman Images

Map of the Various Proposed Isthmian Canal Routes (litho)
Map of the Various Proposed Isthmian Canal Routes (litho)

XJF135244: Map of the Various Proposed Isthmian Canal Routes (litho), English School, (19th century) / Bridgeman Images

Canal Administration Building, Panama (b/w photo)
Canal Administration Building, Panama (b/w photo)

XJF135252: Canal Administration Building, Panama (b/w photo) / Bridgeman Images

Adji Seid Hussein Bazaar, in Kashan, from 'Voyage Pittoresque' of Persia, engraved by Louis Felix Penel (fl.1780-1830) published by Lemercier, Paris, 1856 (engraving)
Adji Seid Hussein Bazaar, in Kashan, from 'Voyage Pittoresque' of Persia, engraved by Louis Felix Penel (fl.1780-1830) published by Lemercier, Paris, 1856 (engraving)

STC132668: Adji Seid Hussein Bazaar, in Kashan, from 'Voyage Pittoresque' of Persia, engraved by Louis Felix Penel (fl.1780-1830) published by Lemercier, Paris, 1856 (engraving), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

Heraldic Designs, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Heraldic Designs, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132687: Heraldic Designs, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

Interior of the Law School, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)
Interior of the Law School, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

STC132793: Interior of the Law School, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

Details of ornamentation for arms, borders, manuscripts etc.., from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Details of ornamentation for arms, borders, manuscripts etc.., from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132829: Details of ornamentation for arms, borders, manuscripts etc.., from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

View of the Tunisian stand, at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Tunisian stand, at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132849: View of the Tunisian stand, at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132860: View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

Auction Mart Coffee Room (colour engraving)
Auction Mart Coffee Room (colour engraving)

GHL132874: Auction Mart Coffee Room (colour engraving), English School, (19th century) / Bridgeman Images

Vase, with carved lion masks, Chinese, Qing dynasty, 18th century (glass) (see also 133025)
Vase, with carved lion masks, Chinese, Qing dynasty, 18th century (glass) (see also 133025)

PFR133024: Vase, with carved lion masks, Chinese, Qing dynasty, 18th century (glass) (see also 133025) / Bridgeman Images

Vase, engraved with lingzhi plants and bamboo with rocks, Chinese, Qianlong period, 1736-95 (engraved glass)
Vase, engraved with lingzhi plants and bamboo with rocks, Chinese, Qianlong period, 1736-95 (engraved glass)

PFR133033: Vase, engraved with lingzhi plants and bamboo with rocks, Chinese, Qianlong period, 1736-95 (engraved glass) / Bridgeman Images

Floor Mosaic, 4th century AD (mosaic)
Floor Mosaic, 4th century AD (mosaic)

JFS133109: Floor Mosaic, 4th century AD (mosaic) / Bridgeman Images

The Pretoria Fountain
The Pretoria Fountain

JFS133144: The Pretoria Fountain / Bridgeman Images

Great Friday Mosque (Masjid-i Djum-ah) in Isfahan, from 'Voyage Pittoresque' of Persia, engraved by Auguste Guillaumot, published by Lemercier, Paris, 1856 (engraving)
Great Friday Mosque (Masjid-i Djum-ah) in Isfahan, from 'Voyage Pittoresque' of Persia, engraved by Auguste Guillaumot, published by Lemercier, Paris, 1856 (engraving)

STC132666: Great Friday Mosque (Masjid-i Djum-ah) in Isfahan, from 'Voyage Pittoresque' of Persia, engraved by Auguste Guillaumot, published by Lemercier, Paris, 1856 (engraving), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

Sarcophagi and Sepulchres at the Head of the Harbour at Cacamo, from 'Views in the Ottoman Empire', published by Robert Bowyer (1758-1834) 1803 (aquatint)
Sarcophagi and Sepulchres at the Head of the Harbour at Cacamo, from 'Views in the Ottoman Empire', published by Robert Bowyer (1758-1834) 1803 (aquatint)

STC132684: Sarcophagi and Sepulchres at the Head of the Harbour at Cacamo, from 'Views in the Ottoman Empire', published by Robert Bowyer (1758-1834) 1803 (aquatint), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

View of the Sheffield Hardware stand and the Great Lane Works Exhibits at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Sheffield Hardware stand and the Great Lane Works Exhibits at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132852: View of the Sheffield Hardware stand and the Great Lane Works Exhibits at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

Portrait of William Wordsworth (1770-1850), engraved by C.Rolls (engraving)
Portrait of William Wordsworth (1770-1850), engraved by C.Rolls (engraving)

XJF132952: Portrait of William Wordsworth (1770-1850), engraved by C.Rolls (engraving), Pickersgill, Frederick Richard (1820-1900) / Bridgeman Images

Vases, Chinese, Qing dynasty, 18th century (glass)
Vases, Chinese, Qing dynasty, 18th century (glass)

PFR133039: Vases, Chinese, Qing dynasty, 18th century (glass) / Bridgeman Images

Mount Hope, plate II from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal) (b/w photo)
Mount Hope, plate II from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal) (b/w photo)

XJF135633: Mount Hope, plate II from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

Portrait of Phileas Fogg, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Louis Dumont (b.1822) (engraving) (b/w photo)
Portrait of Phileas Fogg, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Louis Dumont (b.1822) (engraving) (b/w photo)

CHT135694: Portrait of Phileas Fogg, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Louis Dumont (b.1822) (engraving) (b/w photo), Neuville, Alphonse Marie de (1835-85) (after) / Bridgeman Images

Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo)
Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo)

CHT135696: Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo), Benett, Leon (1839-1917) / Bridgeman Images

Transit, c.1810 (brass)
Transit, c.1810 (brass)

MFR135776: Transit, c.1810 (brass), English School, (19th century) / Bridgeman Images

Ptolemaic Armillary Sphere, French, c.1800 (wood, carton pierre and paper)
Ptolemaic Armillary Sphere, French, c.1800 (wood, carton pierre and paper)

MFR135789: Ptolemaic Armillary Sphere, French, c.1800 (wood, carton pierre and paper) / Bridgeman Images

Pair of Table Globes, made by Isaac Habrecht (1589-1633) Strasburg, 1625, second issue by Johann Christoph Weigel, Nuremburg, 1675 (see also 135792)
Pair of Table Globes, made by Isaac Habrecht (1589-1633) Strasburg, 1625, second issue by Johann Christoph Weigel, Nuremburg, 1675 (see also 135792)

MFR135791: Pair of Table Globes, made by Isaac Habrecht (1589-1633) Strasburg, 1625, second issue by Johann Christoph Weigel, Nuremburg, 1675 (see also 135792), German School, (17th century) / Bridgeman Images


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