1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497527 Search Results

German poster advising returning prisoners of war where to go for help, 1919
German poster advising returning prisoners of war where to go for help, 1919

BCC88098: German poster advising returning prisoners of war where to go for help, 1919, Oppenheim, Louis (19th century) / Bridgeman Images

ID: BCC88098

German poster advising returning prisoners of war where to go for help, 1919

Oppenheim, Louis (19th century)

The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint)
The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint)

STC86305: The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint), Daniell, Thomas (1749-1840) & William (1769-1837) / Bridgeman Images

ID: STC86305

The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint)

Daniell, Thomas (1749-1840) & William (1769-1837)

Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving)
Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving)

STC86323: Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving), Salt, Henry (1780-1827) (after) / Bridgeman Images

ID: STC86323

Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving)

Salt, Henry (1780-1827) (after)

The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint)
The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint)

STC86337: The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint), Ward, Colonel Francis Swain (c.1734-94) (after) / Bridgeman Images

ID: STC86337

The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint)

Ward, Colonel Francis Swain (c.1734-94) (after)

F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)
F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)

FIT90254: F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: FIT90254

F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)

Turner, Joseph Mallord William (1775-1851) (after)

Daphne pursued by Apollo (tempera on panel) (see also 90393)
Daphne pursued by Apollo (tempera on panel) (see also 90393)

BI90395: Daphne pursued by Apollo (tempera on panel) (see also 90393), Master of the Judgement of Paris, (fl.1450) / Bridgeman Images

ID: BI90395

Daphne pursued by Apollo (tempera on panel) (see also 90393)

Master of the Judgement of Paris, (fl.1450)

The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo)
The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo)

FFQ103621: The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo), Farquhar, Francis / Bridgeman Images

ID: FFQ103621

The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo)

Farquhar, Francis

The Blue Room, 19th century (photo)
The Blue Room, 19th century (photo)

XJL103710: The Blue Room, 19th century (photo) / Bridgeman Images

ID: XJL103710

The Blue Room, 19th century (photo)

Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho)
Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho)

STC103900: Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho), Repton, Humphry (1752-1818) / Bridgeman Images

ID: STC103900

Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho)

Repton, Humphry (1752-1818)

Tulips, 1990 (oil on canvas)
Tulips, 1990 (oil on canvas)

JSU104038: Tulips, 1990 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

ID: JSU104038

Tulips, 1990 (oil on canvas)

Sutton, Philip (b.1928)

The Nursemaid (oil on canvas)
The Nursemaid (oil on canvas)

WH104738: The Nursemaid (oil on canvas), Kite, Joseph Milner (1862-1946) / Bridgeman Images

ID: WH104738

The Nursemaid (oil on canvas)

Kite, Joseph Milner (1862-1946)

Elegante (w/c on paper)
Elegante (w/c on paper)

WH104750: Elegante (w/c on paper), Feure, Georges de (1868-1943) / Bridgeman Images

ID: WH104750

Elegante (w/c on paper)

Feure, Georges de (1868-1943)

Angles sur L'Anglin (oil on board)
Angles sur L'Anglin (oil on board)

BLW105223: Angles sur L'Anglin (oil on board), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: BLW105223

Angles sur L'Anglin (oil on board)

Fry, Roger Eliot (1866-1934)

The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving)
The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving)

XJF105401: The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving), Cristall, Joshua (1767-1847) (after) / Bridgeman Images

ID: XJF105401

The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving)

Cristall, Joshua (1767-1847) (after)

Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho)
Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho)

STC104903: Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images

ID: STC104903

Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho)

Rowlandson, Thomas (1756-1827) (after)

Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving)
Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving)

STC105478: Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving), Meurs, Jacob van (c.1619-a.1680) / Bridgeman Images

ID: STC105478

Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving)

Meurs, Jacob van (c.1619-a.1680)

Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving)
Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving)

STC105477: Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving), Meurs, Jacob van (c.1619-a.1680) / Bridgeman Images

ID: STC105477

Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving)

Meurs, Jacob van (c.1619-a.1680)

Jonathan Richardson (1667-1745) (pencil on paper)
Jonathan Richardson (1667-1745) (pencil on paper)

XJF105757: Jonathan Richardson (1667-1745) (pencil on paper), English School, (18th century) / Bridgeman Images

ID: XJF105757

Jonathan Richardson (1667-1745) (pencil on paper)

English School, (18th century)

The Fortune Teller, 1914 (oil on canvas)
The Fortune Teller, 1914 (oil on canvas)

PFA105957: The Fortune Teller, 1914 (oil on canvas), Tonks, Henry (1862-1937) / Bridgeman Images

ID: PFA105957

The Fortune Teller, 1914 (oil on canvas)

Tonks, Henry (1862-1937)

Music (oil on canvas)
Music (oil on canvas)

WH104753: Music (oil on canvas), Sonrel, Elisabeth (1874-1953) / Bridgeman Images

ID: WH104753

Music (oil on canvas)

Sonrel, Elisabeth (1874-1953)

Street in Napha, Lew Chew, engraved by T. Sinclair (tinted litho)
Street in Napha, Lew Chew, engraved by T. Sinclair (tinted litho)

STC105242: Street in Napha, Lew Chew, engraved by T. Sinclair (tinted litho), Heine, Peter Bernhard Wilhelm (1827-85) (after) / Bridgeman Images

ID: STC105242

Street in Napha, Lew Chew, engraved by T. Sinclair (tinted litho)

Heine, Peter Bernhard Wilhelm (1827-85) (after)

Walt Whitman (1819-92) (b/w photo)
Walt Whitman (1819-92) (b/w photo)

XJF105769: Walt Whitman (1819-92) (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: XJF105769

Walt Whitman (1819-92) (b/w photo)

American Photographer, (19th century)

Portrait of a Lady in Brown (oil on canvas)
Portrait of a Lady in Brown (oil on canvas)

PFA105983: Portrait of a Lady in Brown (oil on canvas), Lavery, John (1856-1941) / Bridgeman Images

ID: PFA105983

Portrait of a Lady in Brown (oil on canvas)

Lavery, John (1856-1941)

Head of a Boy (oil on canvas)
Head of a Boy (oil on canvas)

PFA105978: Head of a Boy (oil on canvas), Philpot, Glyn Warren (1884-1937) / Bridgeman Images

ID: PFA105978

Head of a Boy (oil on canvas)

Philpot, Glyn Warren (1884-1937)

Tenaktak Wedding Guests, from 'The North American Indian', 1914 (photogravure) (b&w photo)
Tenaktak Wedding Guests, from 'The North American Indian', 1914 (photogravure) (b&w photo)

XJF105312: Tenaktak Wedding Guests, from 'The North American Indian', 1914 (photogravure) (b&w photo), Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: XJF105312

Tenaktak Wedding Guests, from 'The North American Indian', 1914 (photogravure) (b&w photo)

Curtis, Edward Sheriff (1868-1952)

Goats eating a bush, relief from the Mastaba of Akhethotep at Saqqara, Old Kingdom (painted limestone)
Goats eating a bush, relief from the Mastaba of Akhethotep at Saqqara, Old Kingdom (painted limestone)

XIR105670: Goats eating a bush, relief from the Mastaba of Akhethotep at Saqqara, Old Kingdom (painted limestone), Egyptian 5th Dynasty (c.2494-2345 BC) / Bridgeman Images

ID: XIR105670

Goats eating a bush, relief from the Mastaba of Akhethotep at Saqqara, Old Kingdom (painted limestone)

Egyptian 5th Dynasty (c.2494-2345 BC)

View of the rear facade, detail of the second and third storeys, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)
View of the rear facade, detail of the second and third storeys, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

BEN106250: View of the rear facade, detail of the second and third storeys, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo), Porta, Giacomo della (1532-1602) / Bridgeman Images

ID: BEN106250

View of the rear facade, detail of the second and third storeys, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

Porta, Giacomo della (1532-1602)

The 'Salotto Verde' (Green Room) designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)
The 'Salotto Verde' (Green Room) designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

BEN106260: The 'Salotto Verde' (Green Room) designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo), Porta, Giacomo della (1532-1602) / Bridgeman Images

ID: BEN106260

The 'Salotto Verde' (Green Room) designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

Porta, Giacomo della (1532-1602)

The 'Sala Marconi' (Marconi Room) detail of frieze representing scenes from the life of Alessandro de'Medici (1510-37) (fresco)
The 'Sala Marconi' (Marconi Room) detail of frieze representing scenes from the life of Alessandro de'Medici (1510-37) (fresco)

BEN106281: The 'Sala Marconi' (Marconi Room) detail of frieze representing scenes from the life of Alessandro de'Medici (1510-37) (fresco) / Bridgeman Images

ID: BEN106281

The 'Sala Marconi' (Marconi Room) detail of frieze representing scenes from the life of Alessandro de'Medici (1510-37) (fresco)

The Artist's Granddaughter at the Table, 1923 (oil on canvas)
The Artist's Granddaughter at the Table, 1923 (oil on canvas)

STF106044: The Artist's Granddaughter at the Table, 1923 (oil on canvas), Liebermann, Max (1847-1935) / Bridgeman Images

ID: STF106044

The Artist's Granddaughter at the Table, 1923 (oil on canvas)

Liebermann, Max (1847-1935)

Going to Market (oil on panel) (for pair see 106158)
Going to Market (oil on panel) (for pair see 106158)

SGS106157: Going to Market (oil on panel) (for pair see 106158), Ibbetson, Julius Caesar (1759-1817) / Bridgeman Images

ID: SGS106157

Going to Market (oil on panel) (for pair see 106158)

Ibbetson, Julius Caesar (1759-1817)

Fountain grotto incorporating an Annone Elephant, mascot of the court of Leo X, presented to Cardinal Giuliano de'Medici (1478-1534) by the King of Portugal, 1518 (photo)
Fountain grotto incorporating an Annone Elephant, mascot of the court of Leo X, presented to Cardinal Giuliano de'Medici (1478-1534) by the King of Portugal, 1518 (photo)

BEN106228: Fountain grotto incorporating an Annone Elephant, mascot of the court of Leo X, presented to Cardinal Giuliano de'Medici (1478-1534) by the King of Portugal, 1518 (photo), Giovanni da Udine (1487-1564) / Bridgeman Images

ID: BEN106228

Fountain grotto incorporating an Annone Elephant, mascot of the court of Leo X, presented to Cardinal Giuliano de'Medici (1478-1534) by the King of Portugal, 1518 (photo)

Giovanni da Udine (1487-1564)

Salon with floral motif wallpaper, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)
Salon with floral motif wallpaper, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

BEN106257: Salon with floral motif wallpaper, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo), Porta, Giacomo della (1532-1602) / Bridgeman Images

ID: BEN106257

Salon with floral motif wallpaper, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

Porta, Giacomo della (1532-1602)

George Gee, 1949 (chalk on paper)
George Gee, 1949 (chalk on paper)

NCB106704: George Gee, 1949 (chalk on paper), Freeth, Hubert Andrew (1912-86) / Bridgeman Images

ID: NCB106704

George Gee, 1949 (chalk on paper)

Freeth, Hubert Andrew (1912-86)

Conversation, 1984 (oil on canvas)
Conversation, 1984 (oil on canvas)

ACO106874: Conversation, 1984 (oil on canvas), Walker, John (b.1939) / Bridgeman Images

ID: ACO106874

Conversation, 1984 (oil on canvas)

Walker, John (b.1939)

All Will be Forgotten, 1987 (mixed media on board)
All Will be Forgotten, 1987 (mixed media on board)

ACO106879: All Will be Forgotten, 1987 (mixed media on board), Wilson, Chris (b.1959) / Bridgeman Images

ID: ACO106879

All Will be Forgotten, 1987 (mixed media on board)

Wilson, Chris (b.1959)


Back to top