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West Bank of the Nile with a Felucca (photo)
West Bank of the Nile with a Felucca (photo)

JB118454: West Bank of the Nile with a Felucca (photo), Bethell, John / Bridgeman Images

ID: JB118454

West Bank of the Nile with a Felucca (photo)

Bethell, John

St. Giles's Church, Oxford, c.1830 (w/c on paper)
St. Giles's Church, Oxford, c.1830 (w/c on paper)

PT119328: St. Giles's Church, Oxford, c.1830 (w/c on paper), English School, (19th century) / Bridgeman Images

ID: PT119328

St. Giles's Church, Oxford, c.1830 (w/c on paper)

English School, (19th century)

CL IV, 1935 (mixed media)
CL IV, 1935 (mixed media)

NUM118784: CL IV, 1935 (mixed media), Moholy-Nagy, Laszlo (1895-1946) / Bridgeman Images

ID: NUM118784

CL IV, 1935 (mixed media)

Moholy-Nagy, Laszlo (1895-1946)

Deer in a Forest (oil on canvas)
Deer in a Forest (oil on canvas)

PFA119398: Deer in a Forest (oil on canvas), Kuhnert, Wilhelm (1865-1926) / Bridgeman Images

ID: PFA119398

Deer in a Forest (oil on canvas)

Kuhnert, Wilhelm (1865-1926)

The Pink Corset (oil on canvas)
The Pink Corset (oil on canvas)

NUM118863: The Pink Corset (oil on canvas), Vuillard, Edouard (1868-1940) / Bridgeman Images

ID: NUM118863

The Pink Corset (oil on canvas)

Vuillard, Edouard (1868-1940)

The Railway Carriage, c.1890 (chromolithograph)
The Railway Carriage, c.1890 (chromolithograph)

MGS120640: The Railway Carriage, c.1890 (chromolithograph), Austrian School, (19th century) / Bridgeman Images

ID: MGS120640

The Railway Carriage, c.1890 (chromolithograph)

Austrian School, (19th century)

Element Water (Ice), a rug design (w/c and gouache on paper)
Element Water (Ice), a rug design (w/c and gouache on paper)

PT119333: Element Water (Ice), a rug design (w/c and gouache on paper), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images

ID: PT119333

Element Water (Ice), a rug design (w/c and gouache on paper)

Armfield, Maxwell Ashby (1882-1972)

Fuchsia coccinea, from 'Choix des Plus Belles Fleurs', 1827-33 (coloured engraving)
Fuchsia coccinea, from 'Choix des Plus Belles Fleurs', 1827-33 (coloured engraving)

AH119994: Fuchsia coccinea, from 'Choix des Plus Belles Fleurs', 1827-33 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: AH119994

Fuchsia coccinea, from 'Choix des Plus Belles Fleurs', 1827-33 (coloured engraving)

Redoute, Pierre Joseph (1759-1840) (after)

The Red Leaf, 1936 (oil on canvas)
The Red Leaf, 1936 (oil on canvas)

NUM118013: The Red Leaf, 1936 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

ID: NUM118013

The Red Leaf, 1936 (oil on canvas)

Leger, Fernand (1881-1955)

Detail of the relief decoration of the parecclesion side-chapel of the former Byzantine church of St. Saviour of the Chora (photo)
Detail of the relief decoration of the parecclesion side-chapel of the former Byzantine church of St. Saviour of the Chora (photo)

JB120054: Detail of the relief decoration of the parecclesion side-chapel of the former Byzantine church of St. Saviour of the Chora (photo), Bethell, John / Bridgeman Images

ID: JB120054

Detail of the relief decoration of the parecclesion side-chapel of the former Byzantine church of St. Saviour of the Chora (photo)

Bethell, John

Tennis at Hampstead, c.1989 (oil on canvas)
Tennis at Hampstead, c.1989 (oil on canvas)

NUM118920: Tennis at Hampstead, c.1989 (oil on canvas), Hemsoll, Eileen (20th century) / Bridgeman Images

ID: NUM118920

Tennis at Hampstead, c.1989 (oil on canvas)

Hemsoll, Eileen (20th century)

The World's Enemy. The Kaiser,
The World's Enemy. The Kaiser,

CSM73869: The World's Enemy. The Kaiser, "Who goes there?" Spirit of Carnage; "A friend, your only one" from 'Punch' magazine, Vol CXLVII, pub. August 19th, 1914 (engraving), Partridge, Bernard John (1861-1945) / Bridgeman Images

ID: CSM73869

The World's Enemy. The Kaiser, "Who goes there?" Spirit of Carnage; "A friend, your only one" from 'Punch' magazine, Vol CXLVII, pub. August 19th, 1914 (engraving)

Partridge, Bernard John (1861-1945)

The Funeral Procession of Queen Elizabeth I, pub. 1791 (engraving)
The Funeral Procession of Queen Elizabeth I, pub. 1791 (engraving)

SRF77410: The Funeral Procession of Queen Elizabeth I, pub. 1791 (engraving), Basire, James (1730-1802) / Bridgeman Images

ID: SRF77410

The Funeral Procession of Queen Elizabeth I, pub. 1791 (engraving)

Basire, James (1730-1802)

Lantern clock, by John Drury, London, c.1700
Lantern clock, by John Drury, London, c.1700

TOP74200: Lantern clock, by John Drury, London, c.1700, Drury, John (fl.1700) / Bridgeman Images

ID: TOP74200

Lantern clock, by John Drury, London, c.1700

Drury, John (fl.1700)

Vase, depicting Lucretia, Abruzzo, c.1540 (maiolica, polychrome painting)
Vase, depicting Lucretia, Abruzzo, c.1540 (maiolica, polychrome painting)

BOO74277: Vase, depicting Lucretia, Abruzzo, c.1540 (maiolica, polychrome painting), Italian School, (16th century) / Bridgeman Images

ID: BOO74277

Vase, depicting Lucretia, Abruzzo, c.1540 (maiolica, polychrome painting)

Italian School, (16th century)

Portrait of Michael Boyle the Younger, Archbishop of Armagh (c.1609-1702) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)
Portrait of Michael Boyle the Younger, Archbishop of Armagh (c.1609-1702) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)

XJF143081: Portrait of Michael Boyle the Younger, Archbishop of Armagh (c.1609-1702) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint), English School, (18th century) / Bridgeman Images

ID: XJF143081

Portrait of Michael Boyle the Younger, Archbishop of Armagh (c.1609-1702) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)

English School, (18th century)

Desk screen carved with a poem, signed by T'an-yuang, early Ch'ing dynasty (carved sung-hua two-tone slate stone)
Desk screen carved with a poem, signed by T'an-yuang, early Ch'ing dynasty (carved sung-hua two-tone slate stone)

PFR142670: Desk screen carved with a poem, signed by T'an-yuang, early Ch'ing dynasty (carved sung-hua two-tone slate stone), Chinese School, (17th century) / Bridgeman Images

ID: PFR142670

Desk screen carved with a poem, signed by T'an-yuang, early Ch'ing dynasty (carved sung-hua two-tone slate stone)

Chinese School, (17th century)

Libation cup, Qianlong period 1736-95, Ch'ing dynasty (carved rhinoceros horn) (see 142653-5 & 142694)
Libation cup, Qianlong period 1736-95, Ch'ing dynasty (carved rhinoceros horn) (see 142653-5 & 142694)

PFR142692: Libation cup, Qianlong period 1736-95, Ch'ing dynasty (carved rhinoceros horn) (see 142653-5 & 142694), Chinese School, (17th century) / Bridgeman Images

ID: PFR142692

Libation cup, Qianlong period 1736-95, Ch'ing dynasty (carved rhinoceros horn) (see 142653-5 & 142694)

Chinese School, (17th century)

Death and the Councillor, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)
Death and the Councillor, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

XJF143254: Death and the Councillor, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF143254

Death and the Councillor, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

Holbein the Younger, Hans (1497/8-1543) (after)

Death and the King, from 'The Dance of Death', engraving by Hans Lutzelburger, c.1538 (woodcut)
Death and the King, from 'The Dance of Death', engraving by Hans Lutzelburger, c.1538 (woodcut)

XJF143266: Death and the King, from 'The Dance of Death', engraving by Hans Lutzelburger, c.1538 (woodcut), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF143266

Death and the King, from 'The Dance of Death', engraving by Hans Lutzelburger, c.1538 (woodcut)

Holbein the Younger, Hans (1497/8-1543) (after)

Portrait of Dr Thomas Bailey, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)
Portrait of Dr Thomas Bailey, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)

XJF143085: Portrait of Dr Thomas Bailey, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint), Loggan, David (1633/35-92) (after) / Bridgeman Images

ID: XJF143085

Portrait of Dr Thomas Bailey, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)

Loggan, David (1633/35-92) (after)

Death and the Cardinal, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)
Death and the Cardinal, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

XJF143265: Death and the Cardinal, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF143265

Death and the Cardinal, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

Holbein the Younger, Hans (1497/8-1543) (after)

The Japanese bombing of Pearl Harbour, 1941 (b/w photo)
The Japanese bombing of Pearl Harbour, 1941 (b/w photo)

ILN143548: The Japanese bombing of Pearl Harbour, 1941 (b/w photo), English School, (20th century) / Bridgeman Images

ID: ILN143548

The Japanese bombing of Pearl Harbour, 1941 (b/w photo)

English School, (20th century)

Crusaders coming in sight of Jerusalem, from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving)
Crusaders coming in sight of Jerusalem, from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving)

PML143607: Crusaders coming in sight of Jerusalem, from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving), English School, (19th century) / Bridgeman Images

ID: PML143607

Crusaders coming in sight of Jerusalem, from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving)

English School, (19th century)

Portrait of Sir John Chicheley (d.1691) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)
Portrait of Sir John Chicheley (d.1691) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)

XJF143590: Portrait of Sir John Chicheley (d.1691) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint), English School, (18th century) / Bridgeman Images

ID: XJF143590

Portrait of Sir John Chicheley (d.1691) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)

English School, (18th century)

Ancient Temple & Madrissa or College, Kunkhul, India, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)
Ancient Temple & Madrissa or College, Kunkhul, India, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)

PML143632: Ancient Temple & Madrissa or College, Kunkhul, India, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving), Roberts, David (1796-1864) (after) / Bridgeman Images

ID: PML143632

Ancient Temple & Madrissa or College, Kunkhul, India, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)

Roberts, David (1796-1864) (after)

Portrait of a Boy, c.1790 (oil on canvas)
Portrait of a Boy, c.1790 (oil on canvas)

XYC143678: Portrait of a Boy, c.1790 (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: XYC143678

Portrait of a Boy, c.1790 (oil on canvas)

Beechey, William (1753-1839)

Portrait of Barbara Villiers, Duchess of Cleveland (1641-1709) engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)
Portrait of Barbara Villiers, Duchess of Cleveland (1641-1709) engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)

XJF143587: Portrait of Barbara Villiers, Duchess of Cleveland (1641-1709) engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint), English School, (18th century) / Bridgeman Images

ID: XJF143587

Portrait of Barbara Villiers, Duchess of Cleveland (1641-1709) engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)

English School, (18th century)

'Water Pool in Middle Cavern Treasure' inkstone, with inscription by Ku Ling and a tz'u poem by the Chia-hsing scholar Chu I-tsun (1629-1709) probably Sung or Ming to Ch'ing dynasty, 10th-17th century with c.1680 inscription (carved tuan stone) (for obverse see 142697)
'Water Pool in Middle Cavern Treasure' inkstone, with inscription by Ku Ling and a tz'u poem by the Chia-hsing scholar Chu I-tsun (1629-1709) probably Sung or Ming to Ch'ing dynasty, 10th-17th century with c.1680 inscription (carved tuan stone) (for obverse see 142697)

PFR142698: 'Water Pool in Middle Cavern Treasure' inkstone, with inscription by Ku Ling and a tz'u poem by the Chia-hsing scholar Chu I-tsun (1629-1709) probably Sung or Ming to Ch'ing dynasty, 10th-17th century with c.1680 inscription (carved tuan stone) (for obverse see 142697), Chinese School / Bridgeman Images

ID: PFR142698

'Water Pool in Middle Cavern Treasure' inkstone, with inscription by Ku Ling and a tz'u poem by the Chia-hsing scholar Chu I-tsun (1629-1709) probably Sung or Ming to Ch'ing dynasty, 10th-17th century with c.1680 inscription (carved tuan stone) (for obverse see 142697)

Chinese School

The U.S Destroyer 'Shaw' lies wrecked after the Japanese airstrike on Pearl Harbour, Hawaii, c.1941 (b/w photo)
The U.S Destroyer 'Shaw' lies wrecked after the Japanese airstrike on Pearl Harbour, Hawaii, c.1941 (b/w photo)

ILN143560: The U.S Destroyer 'Shaw' lies wrecked after the Japanese airstrike on Pearl Harbour, Hawaii, c.1941 (b/w photo), English School, (20th century) / Bridgeman Images

ID: ILN143560

The U.S Destroyer 'Shaw' lies wrecked after the Japanese airstrike on Pearl Harbour, Hawaii, c.1941 (b/w photo)

English School, (20th century)

Portrait of Madam Mary Davis, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)
Portrait of Madam Mary Davis, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)

XJF143593: Portrait of Madam Mary Davis, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint), English School, (18th century) / Bridgeman Images

ID: XJF143593

Portrait of Madam Mary Davis, engraved by Richard Earlom (1743-1822) from 'Illustrious Characters in British History' (mezzotint)

English School, (18th century)

Autumn, c.1931 (oil on canvas)
Autumn, c.1931 (oil on canvas)

PHL434310: Autumn, c.1931 (oil on canvas) , Breckenridge, Hugh Henry (1870-1937) / Bridgeman Images

ID: PHL434310

Autumn, c.1931 (oil on canvas)

Breckenridge, Hugh Henry (1870-1937)

Detail of the angel bringing the Gospel to the men, no. 49 from 'The Apocalypse of Angers', 1373-87 (tapestry)
Detail of the angel bringing the Gospel to the men, no. 49 from 'The Apocalypse of Angers', 1373-87 (tapestry)

XIR430524: Detail of the angel bringing the Gospel to the men, no. 49 from 'The Apocalypse of Angers', 1373-87 (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

ID: XIR430524

Detail of the angel bringing the Gospel to the men, no. 49 from 'The Apocalypse of Angers', 1373-87 (tapestry)

Bataille, Nicolas (fl. 1363-1400)

Detail of St. Jerome Taming the Lion, c.1501-09 (oil on canvas) (detail of 60932)
Detail of St. Jerome Taming the Lion, c.1501-09 (oil on canvas) (detail of 60932)

XIR430581: Detail of St. Jerome Taming the Lion, c.1501-09 (oil on canvas) (detail of 60932), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

ID: XIR430581

Detail of St. Jerome Taming the Lion, c.1501-09 (oil on canvas) (detail of 60932)

Carpaccio, Vittore (c.1460/5-1523/6)

John Laurie Wallace, Nude, Playing Pipes, c.1883 (platinum print)
John Laurie Wallace, Nude, Playing Pipes, c.1883 (platinum print)

PHL434734: John Laurie Wallace, Nude, Playing Pipes, c.1883 (platinum print), Eakins, Thomas Cowperthwait (1844-1916) / Bridgeman Images

ID: PHL434734

John Laurie Wallace, Nude, Playing Pipes, c.1883 (platinum print)

Eakins, Thomas Cowperthwait (1844-1916)

A Gothic Fantasy of Fleet Street, from 'The New Lights o' London', published 1926 (colour litho)
A Gothic Fantasy of Fleet Street, from 'The New Lights o' London', published 1926 (colour litho)

PT434950: A Gothic Fantasy of Fleet Street, from 'The New Lights o' London', published 1926 (colour litho), Maxwell, Donald (1877-1936) / Bridgeman Images

ID: PT434950

A Gothic Fantasy of Fleet Street, from 'The New Lights o' London', published 1926 (colour litho)

Maxwell, Donald (1877-1936)


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