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A Priest from Yakutskaya, engraved by Gros (litho)
A Priest from Yakutskaya, engraved by Gros (litho)

STC88444: A Priest from Yakutskaya, engraved by Gros (litho), Karnejeff, E. (19th century) (after) / Bridgeman Images

ID: STC88444

A Priest from Yakutskaya, engraved by Gros (litho)

Karnejeff, E. (19th century) (after)

East Anglian Farm (oil on canvas)
East Anglian Farm (oil on canvas)

PHE89196: East Anglian Farm (oil on canvas), Walton, Edward Arthur (1860-1922) / Bridgeman Images

ID: PHE89196

East Anglian Farm (oil on canvas)

Walton, Edward Arthur (1860-1922)

A Bricklayer, plate 29 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)
A Bricklayer, plate 29 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)

STC89206: A Bricklayer, plate 29 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving), Mason, Major George Henry (19th century) (after) / Bridgeman Images

ID: STC89206

A Bricklayer, plate 29 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)

Mason, Major George Henry (19th century) (after)

Chinese Fishermen using Cormorants to Catch Fish, illustration from a description of Embassies to China, 1690 (engraving)
Chinese Fishermen using Cormorants to Catch Fish, illustration from a description of Embassies to China, 1690 (engraving)

STC89244: Chinese Fishermen using Cormorants to Catch Fish, illustration from a description of Embassies to China, 1690 (engraving), English School, (17th century) / Bridgeman Images

ID: STC89244

Chinese Fishermen using Cormorants to Catch Fish, illustration from a description of Embassies to China, 1690 (engraving)

English School, (17th century)

The Aldwych, London
The Aldwych, London

SAD89303: The Aldwych, London, Pissarro, Ludovic-Rodolphe (1878-1952) / Bridgeman Images

ID: SAD89303

The Aldwych, London

Pissarro, Ludovic-Rodolphe (1878-1952)

PD.78-1948 Nilgai (blue cow) Mughal School, early 17th century (gouache)
PD.78-1948 Nilgai (blue cow) Mughal School, early 17th century (gouache)

FIT89351: PD.78-1948 Nilgai (blue cow) Mughal School, early 17th century (gouache), Mansur (fl.c.1590-1630) (attr. to) / Bridgeman Images

ID: FIT89351

PD.78-1948 Nilgai (blue cow) Mughal School, early 17th century (gouache)

Mansur (fl.c.1590-1630) (attr. to)

Portrait of Brother Alexien Jan van der Linden (1577-1638) Provincial for Brabant of the Order of the Alexian Brothers (panel)
Portrait of Brother Alexien Jan van der Linden (1577-1638) Provincial for Brabant of the Order of the Alexian Brothers (panel)

PFA89417: Portrait of Brother Alexien Jan van der Linden (1577-1638) Provincial for Brabant of the Order of the Alexian Brothers (panel), Rubens, Peter Paul (1577-1640) (studio of) / Bridgeman Images

ID: PFA89417

Portrait of Brother Alexien Jan van der Linden (1577-1638) Provincial for Brabant of the Order of the Alexian Brothers (panel)

Rubens, Peter Paul (1577-1640) (studio of)

The Albert Memorial (oil on canvas)
The Albert Memorial (oil on canvas)

CK88539: The Albert Memorial (oil on canvas), Weight, Carel (1908-97) / Bridgeman Images

ID: CK88539

The Albert Memorial (oil on canvas)

Weight, Carel (1908-97)

The Nativity, c.1515-20 (panel) (for recto see 88613)
The Nativity, c.1515-20 (panel) (for recto see 88613)

BI88614: The Nativity, c.1515-20 (panel) (for recto see 88613), Beer, Jan de (c.1490-c.1536) (attr. to) / Bridgeman Images

ID: BI88614

The Nativity, c.1515-20 (panel) (for recto see 88613)

Beer, Jan de (c.1490-c.1536) (attr. to)

Landscape with Distant Mountains, c.1840-45
Landscape with Distant Mountains, c.1840-45

BI88628: Landscape with Distant Mountains, c.1840-45, Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

ID: BI88628

Landscape with Distant Mountains, c.1840-45

Corot, Jean Baptiste Camille (1796-1875)

Portrait of John Smith (1703-87) a London Merchant, 1782
Portrait of John Smith (1703-87) a London Merchant, 1782

BI88662: Portrait of John Smith (1703-87) a London Merchant, 1782, Romney, George (1734-1802) / Bridgeman Images

ID: BI88662

Portrait of John Smith (1703-87) a London Merchant, 1782

Romney, George (1734-1802)

Fountain in Galata, Istanbul, engraved by H. Griffiths, c.1850 (aquatint)
Fountain in Galata, Istanbul, engraved by H. Griffiths, c.1850 (aquatint)

STC88732: Fountain in Galata, Istanbul, engraved by H. Griffiths, c.1850 (aquatint), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: STC88732

Fountain in Galata, Istanbul, engraved by H. Griffiths, c.1850 (aquatint)

Bartlett, William Henry (1809-54) (after)

View of the Ice Hills During the Carnival at Moscow, plate 8 from 'Historical Sketch of Moscow', pub. by Rudolph Ackermann (1764-1834) 1813 (aquatint)
View of the Ice Hills During the Carnival at Moscow, plate 8 from 'Historical Sketch of Moscow', pub. by Rudolph Ackermann (1764-1834) 1813 (aquatint)

STC88773: View of the Ice Hills During the Carnival at Moscow, plate 8 from 'Historical Sketch of Moscow', pub. by Rudolph Ackermann (1764-1834) 1813 (aquatint), English School, (19th century) / Bridgeman Images

ID: STC88773

View of the Ice Hills During the Carnival at Moscow, plate 8 from 'Historical Sketch of Moscow', pub. by Rudolph Ackermann (1764-1834) 1813 (aquatint)

English School, (19th century)

Interior view of the peristyle of the palace, Medynet-Abon, Thebes, plate 14 from Vol II of `Descriptions of Egypt`, engraved by Reville, pub. under the orders of Napoleon, 1822 (aquatint)
Interior view of the peristyle of the palace, Medynet-Abon, Thebes, plate 14 from Vol II of `Descriptions of Egypt`, engraved by Reville, pub. under the orders of Napoleon, 1822 (aquatint)

STC88813: Interior view of the peristyle of the palace, Medynet-Abon, Thebes, plate 14 from Vol II of `Descriptions of Egypt`, engraved by Reville, pub. under the orders of Napoleon, 1822 (aquatint), Balzac (19th century) (after) / Bridgeman Images

ID: STC88813

Interior view of the peristyle of the palace, Medynet-Abon, Thebes, plate 14 from Vol II of `Descriptions of Egypt`, engraved by Reville, pub. under the orders of Napoleon, 1822 (aquatint)

Balzac (19th century) (after)

Portrait of a Boy with a Hoop, said to be Ferdinando Maria of Savoy (1822-55) 1833 (oil on canvas)
Portrait of a Boy with a Hoop, said to be Ferdinando Maria of Savoy (1822-55) 1833 (oil on canvas)

MHB90665: Portrait of a Boy with a Hoop, said to be Ferdinando Maria of Savoy (1822-55) 1833 (oil on canvas), Valbrun, Alexis Leon Louis (1803-52) / Bridgeman Images

ID: MHB90665

Portrait of a Boy with a Hoop, said to be Ferdinando Maria of Savoy (1822-55) 1833 (oil on canvas)

Valbrun, Alexis Leon Louis (1803-52)

Ornament from a porch in Tabriz, Iran, from `Descriptions of Armenia, Persia and Mesopotamia`, engraved by H. Roux, pub. 1842 (litho)
Ornament from a porch in Tabriz, Iran, from `Descriptions of Armenia, Persia and Mesopotamia`, engraved by H. Roux, pub. 1842 (litho)

BCC88028: Ornament from a porch in Tabriz, Iran, from `Descriptions of Armenia, Persia and Mesopotamia`, engraved by H. Roux, pub. 1842 (litho), Texier, Charles Felix Marie (1802-71) (after) / Bridgeman Images

ID: BCC88028

Ornament from a porch in Tabriz, Iran, from `Descriptions of Armenia, Persia and Mesopotamia`, engraved by H. Roux, pub. 1842 (litho)

Texier, Charles Felix Marie (1802-71) (after)

German poster advising returning prisoners of war where to go for help, 1919
German poster advising returning prisoners of war where to go for help, 1919

BCC88098: German poster advising returning prisoners of war where to go for help, 1919, Oppenheim, Louis (19th century) / Bridgeman Images

ID: BCC88098

German poster advising returning prisoners of war where to go for help, 1919

Oppenheim, Louis (19th century)

The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint)
The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint)

STC86305: The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint), Daniell, Thomas (1749-1840) & William (1769-1837) / Bridgeman Images

ID: STC86305

The Entrance of an Excavated Hindoo Temple at Mavalipuram, plate II from Part 3 of 'Oriental Scenery', pub. 1799 (aquatint)

Daniell, Thomas (1749-1840) & William (1769-1837)

Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving)
Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving)

STC86323: Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving), Salt, Henry (1780-1827) (after) / Bridgeman Images

ID: STC86323

Mosque at Lucknow, plate VI, engraved by L. Hill, 1809 (engraving)

Salt, Henry (1780-1827) (after)

The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint)
The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint)

STC86337: The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint), Ward, Colonel Francis Swain (c.1734-94) (after) / Bridgeman Images

ID: STC86337

The Burial Place of a Peer Zada, Anopther, plate 6 from 'Twenty Four Views in Hindostan', pub. by Edward Orme (1774-c.1820) 1803 (aquatint)

Ward, Colonel Francis Swain (c.1734-94) (after)

F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)
F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)

FIT90254: F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: FIT90254

F.62.I Watercress Gatherers, from the 'Liber Studiorum', engraved by Thomas Lupton, 1819 (etching)

Turner, Joseph Mallord William (1775-1851) (after)

Daphne pursued by Apollo (tempera on panel) (see also 90393)
Daphne pursued by Apollo (tempera on panel) (see also 90393)

BI90395: Daphne pursued by Apollo (tempera on panel) (see also 90393), Master of the Judgement of Paris, (fl.1450) / Bridgeman Images

ID: BI90395

Daphne pursued by Apollo (tempera on panel) (see also 90393)

Master of the Judgement of Paris, (fl.1450)

The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo)
The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo)

FFQ103621: The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo), Farquhar, Francis / Bridgeman Images

ID: FFQ103621

The Ball Court, detail of carved stone marker or scoring ring, Maya-Toltec, Early Post-Classical (c.900-c.1200 AD) (photo)

Farquhar, Francis

The Blue Room, 19th century (photo)
The Blue Room, 19th century (photo)

XJL103710: The Blue Room, 19th century (photo) / Bridgeman Images

ID: XJL103710

The Blue Room, 19th century (photo)

Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho)
Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho)

STC103900: Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho), Repton, Humphry (1752-1818) / Bridgeman Images

ID: STC103900

Illustration from 'Fragments on the Theory and Practice of Landscape Gardening', pub. 1816 (litho)

Repton, Humphry (1752-1818)

Tulips, 1990 (oil on canvas)
Tulips, 1990 (oil on canvas)

JSU104038: Tulips, 1990 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

ID: JSU104038

Tulips, 1990 (oil on canvas)

Sutton, Philip (b.1928)

The Nursemaid (oil on canvas)
The Nursemaid (oil on canvas)

WH104738: The Nursemaid (oil on canvas), Kite, Joseph Milner (1862-1946) / Bridgeman Images

ID: WH104738

The Nursemaid (oil on canvas)

Kite, Joseph Milner (1862-1946)

Elegante (w/c on paper)
Elegante (w/c on paper)

WH104750: Elegante (w/c on paper), Feure, Georges de (1868-1943) / Bridgeman Images

ID: WH104750

Elegante (w/c on paper)

Feure, Georges de (1868-1943)

Angles sur L'Anglin (oil on board)
Angles sur L'Anglin (oil on board)

BLW105223: Angles sur L'Anglin (oil on board), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: BLW105223

Angles sur L'Anglin (oil on board)

Fry, Roger Eliot (1866-1934)

The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving)
The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving)

XJF105401: The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving), Cristall, Joshua (1767-1847) (after) / Bridgeman Images

ID: XJF105401

The Right Honourable Charles James Fox (1749-1806) one of the Representatives of the City of Westminster, engraved by Thomas Trotter (c.1750-1803) (engraving)

Cristall, Joshua (1767-1847) (after)

Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho)
Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho)

STC104903: Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images

ID: STC104903

Asleep at the Mast-Head, plate from 'The Adventures of Johnny Newcome in the Navy' by John Mitford (1782-1831) engraved by W. Read, 1818 (litho)

Rowlandson, Thomas (1756-1827) (after)

Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving)
Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving)

STC105478: Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving), Meurs, Jacob van (c.1619-a.1680) / Bridgeman Images

ID: STC105478

Kiangsi, from an account of a Dutch Embassy to China, 1665 (engraving)

Meurs, Jacob van (c.1619-a.1680)

Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving)
Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving)

STC105477: Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving), Meurs, Jacob van (c.1619-a.1680) / Bridgeman Images

ID: STC105477

Kuchig, from an account of a Dutch Embassy to China, 1665 (engraving)

Meurs, Jacob van (c.1619-a.1680)

Jonathan Richardson (1667-1745) (pencil on paper)
Jonathan Richardson (1667-1745) (pencil on paper)

XJF105757: Jonathan Richardson (1667-1745) (pencil on paper), English School, (18th century) / Bridgeman Images

ID: XJF105757

Jonathan Richardson (1667-1745) (pencil on paper)

English School, (18th century)

The Fortune Teller, 1914 (oil on canvas)
The Fortune Teller, 1914 (oil on canvas)

PFA105957: The Fortune Teller, 1914 (oil on canvas), Tonks, Henry (1862-1937) / Bridgeman Images

ID: PFA105957

The Fortune Teller, 1914 (oil on canvas)

Tonks, Henry (1862-1937)

Music (oil on canvas)
Music (oil on canvas)

WH104753: Music (oil on canvas), Sonrel, Elisabeth (1874-1953) / Bridgeman Images

ID: WH104753

Music (oil on canvas)

Sonrel, Elisabeth (1874-1953)


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