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View of Four Temples taken from Roman Coins, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving)
View of Four Temples taken from Roman Coins, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving)

STC132753: View of Four Temples taken from Roman Coins, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

Exterior of Queen's College from the Private Walk, Cambridge, form 'The History of Cambridge', engraved by J. Bluck (fl.1791-1831), pub. by R. Ackermann, 1815 (colour aquatint)
Exterior of Queen's College from the Private Walk, Cambridge, form 'The History of Cambridge', engraved by J. Bluck (fl.1791-1831), pub. by R. Ackermann, 1815 (colour aquatint)

STC132799: Exterior of Queen's College from the Private Walk, Cambridge, form 'The History of Cambridge', engraved by J. Bluck (fl.1791-1831), pub. by R. Ackermann, 1815 (colour aquatint), Westall, William (1781-1850) (after) / Bridgeman Images

View from the Transept of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View from the Transept of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132865: View from the Transept of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

Zhadou Vase, bearing the four-character mark of the Qianlong period, Chinese, 1736-95 (glass)
Zhadou Vase, bearing the four-character mark of the Qianlong period, Chinese, 1736-95 (glass)

PFR133040: Zhadou Vase, bearing the four-character mark of the Qianlong period, Chinese, 1736-95 (glass), Chinese School, (18th century) / Bridgeman Images

Portrait of Henry the Younger (1489-1568), Duke of Brunswick and Luneburg, 1529 (engraving)
Portrait of Henry the Younger (1489-1568), Duke of Brunswick and Luneburg, 1529 (engraving)

XJF133361: Portrait of Henry the Younger (1489-1568), Duke of Brunswick and Luneburg, 1529 (engraving), German School, (16th century) / Bridgeman Images

Still Sea in Fine Weather (oil on panel)
Still Sea in Fine Weather (oil on panel)

XKH191625: Still Sea in Fine Weather (oil on panel), Clays, Paul Jean (1819-1900) / Bridgeman Images

Old Woman Praying (oil on canvas)
Old Woman Praying (oil on canvas)

XKH191638: Old Woman Praying (oil on canvas), Oost, Jacob van (1601-71) / Bridgeman Images

Beach Scene (oil on canvas)
Beach Scene (oil on canvas)

XKH191671: Beach Scene (oil on canvas), Bonington, Richard Parkes (1802-28) / Bridgeman Images

Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching)
Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191717: Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)
Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO191723: Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching), North, Brownlow (1741-1820) (after) / Bridgeman Images

Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)
Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

NCO191735: Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Going to London through Epping Forest, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1802 (hand-coloured etching)
Going to London through Epping Forest, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO191750: Going to London through Epping Forest, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1802 (hand-coloured etching), North, Brownlow (1741-1820) (after) / Bridgeman Images

Architectural Study with Notes (pen & pencil on paper) (verso) (for recto see 191771)
Architectural Study with Notes (pen & pencil on paper) (verso) (for recto see 191771)

BAL191772: Architectural Study with Notes (pen & pencil on paper) (verso) (for recto see 191771), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

Puppet Seller at the Carnival, Kingston, Jamaica, 1837 (colour litho)
Puppet Seller at the Carnival, Kingston, Jamaica, 1837 (colour litho)

CHT191800: Puppet Seller at the Carnival, Kingston, Jamaica, 1837 (colour litho), Belisario, J.M. (fl.1837) / Bridgeman Images

Disturbances in Seoul, cover of 'Le Petit Journal', 13th August 1894 (colour litho)
Disturbances in Seoul, cover of 'Le Petit Journal', 13th August 1894 (colour litho)

CHT191803: Disturbances in Seoul, cover of 'Le Petit Journal', 13th August 1894 (colour litho), Lix, Frederic Theodore (1830-97) / Bridgeman Images

Armand-Jean du Plessis, Cardinal Richelieu (1585-1642) travelling in a litter when an old man, illustration from a life of Richelieu by Theodore Camu, 1910 (colour litho)
Armand-Jean du Plessis, Cardinal Richelieu (1585-1642) travelling in a litter when an old man, illustration from a life of Richelieu by Theodore Camu, 1910 (colour litho)

CHT191860: Armand-Jean du Plessis, Cardinal Richelieu (1585-1642) travelling in a litter when an old man, illustration from a life of Richelieu by Theodore Camu, 1910 (colour litho), Leloir, Maurice (1853-1940) / Bridgeman Images

My Son's Regiment (oil on canvas)
My Son's Regiment (oil on canvas)

HSP185017: My Son's Regiment (oil on canvas), Formilli, Cesare Tito Giuseppe (1860-1942) / Bridgeman Images

Pendant of a human mask, Baule Population, Ivory Coast, 18th-20th century (gold)
Pendant of a human mask, Baule Population, Ivory Coast, 18th-20th century (gold)

XIR185159: Pendant of a human mask, Baule Population, Ivory Coast, 18th-20th century (gold), African School / Bridgeman Images

Tile depicting a clarinetist, 1706 (faience)
Tile depicting a clarinetist, 1706 (faience)

XIR185175: Tile depicting a clarinetist, 1706 (faience), French School, (18th century) / Bridgeman Images

Male Figure (alabaster)
Male Figure (alabaster)

HSC185208: Male Figure (alabaster), Sabaean (950 BC-3rd century AD) / Bridgeman Images

Tutsi Baskets and Trays from Rwanda and Burundi (woven grass)
Tutsi Baskets and Trays from Rwanda and Burundi (woven grass)

HSC185220: Tutsi Baskets and Trays from Rwanda and Burundi (woven grass), African School / Bridgeman Images

View Near Hastings, Sussex, 1705 (pencil, pen, ink & wash on paper)
View Near Hastings, Sussex, 1705 (pencil, pen, ink & wash on paper)

FER185310: View Near Hastings, Sussex, 1705 (pencil, pen, ink & wash on paper), Farington, Joseph (1747-1821) / Bridgeman Images

View of Hull from the Ferriby Road with the Churches of Paull and Hedon, early 19th century (pencil & watercolour on paper)
View of Hull from the Ferriby Road with the Churches of Paull and Hedon, early 19th century (pencil & watercolour on paper)

FER185313: View of Hull from the Ferriby Road with the Churches of Paull and Hedon, early 19th century (pencil & watercolour on paper), English School, (19th century) / Bridgeman Images

Frontispiece to 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98), published by Macmillan, 1872 (litho)
Frontispiece to 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98), published by Macmillan, 1872 (litho)

STC133380: Frontispiece to 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98), published by Macmillan, 1872 (litho), English School, (19th century) / Bridgeman Images

Looking-Glass Insects, illustration from 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98) 1872 (engraving)
Looking-Glass Insects, illustration from 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98) 1872 (engraving)

STC133383: Looking-Glass Insects, illustration from 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98) 1872 (engraving), Tenniel, John (1820-1914) / Bridgeman Images

Trivellino, from the 'Masks and Characters of Italian Theatre' edition of Le Journal des Dames et des Modes, engraved by Henri Reidel (fl.1914-20) 1914 (colour litho)
Trivellino, from the 'Masks and Characters of Italian Theatre' edition of Le Journal des Dames et des Modes, engraved by Henri Reidel (fl.1914-20) 1914 (colour litho)

STC133480: Trivellino, from the 'Masks and Characters of Italian Theatre' edition of Le Journal des Dames et des Modes, engraved by Henri Reidel (fl.1914-20) 1914 (colour litho), Brunelleschi, Umberto (1879-1949) (after) / Bridgeman Images

King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)
King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)

STC133533: King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint), Wild, Charles (1781-1835) (after) / Bridgeman Images

Costume for the Old Man in Yellow, from The Martyr of St. Sebastian, 1922 (colour litho)
Costume for the Old Man in Yellow, from The Martyr of St. Sebastian, 1922 (colour litho)

STC133607: Costume for the Old Man in Yellow, from The Martyr of St. Sebastian, 1922 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho)
Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho)

STC133661: Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

Costume design for one of the Prince's Servants, from Sleeping Beauty, 1921 (colour litho)
Costume design for one of the Prince's Servants, from Sleeping Beauty, 1921 (colour litho)

STC133664: Costume design for one of the Prince's Servants, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

London Bridge (watercolour and gouache on paper)
London Bridge (watercolour and gouache on paper)

FLF133753: London Bridge (watercolour and gouache on paper), Scarborough (or Scarbrough) Frederick William (1860-1939) / Bridgeman Images

Epiphany Customs in an English Village (litho)
Epiphany Customs in an English Village (litho)

NAT133847: Epiphany Customs in an English Village (litho), English School, (19th century) / Bridgeman Images

Ms 1058-1975 f.11r Herding Swine and Beating Oaks, illuminated calendar page for November, from a Book of Hours, c.1500 (vellum)
Ms 1058-1975 f.11r Herding Swine and Beating Oaks, illuminated calendar page for November, from a Book of Hours, c.1500 (vellum)

FIT133920: Ms 1058-1975 f.11r Herding Swine and Beating Oaks, illuminated calendar page for November, from a Book of Hours, c.1500 (vellum), Flemish School, (16th century) / Bridgeman Images

Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving)
Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving)

XJF133936: Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving), Adams, Robert (1540-95) (after) / Bridgeman Images

Bird Market (coloured engraving)
Bird Market (coloured engraving)

STC192057: Bird Market (coloured engraving), Engelbrecht, Martin (1684-1756) / Bridgeman Images

Emmanuel Joseph Sieyes (1748-1836) 18th century (coloured engraving)
Emmanuel Joseph Sieyes (1748-1836) 18th century (coloured engraving)

XIR192170: Emmanuel Joseph Sieyes (1748-1836) 18th century (coloured engraving), French School / Bridgeman Images


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