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The Room of the Two Sisters (Sala de las Dos Hermanas) 14th century (photo)
The Room of the Two Sisters (Sala de las Dos Hermanas) 14th century (photo)

XJL88995: The Room of the Two Sisters (Sala de las Dos Hermanas) 14th century (photo), Islamic School, (14th century) / Bridgeman Images

The Ababda, Nomads of the Eastern Thebaid Desert, illustration from 'The Valley of the Nile', engraved by Freeman, pub. by Lemercier, 1848 (litho)
The Ababda, Nomads of the Eastern Thebaid Desert, illustration from 'The Valley of the Nile', engraved by Freeman, pub. by Lemercier, 1848 (litho)

STC89033: The Ababda, Nomads of the Eastern Thebaid Desert, illustration from 'The Valley of the Nile', engraved by Freeman, pub. by Lemercier, 1848 (litho), Prisse d'Avennes, Emile (1807-79) (after) / Bridgeman Images

View of Santa Cruz, plate 3 from 'A Voyage to Cochinchina' by John Barrow (1764-1848) engraved by Thomas Medland (1755-1823) 1806 (aquatint)
View of Santa Cruz, plate 3 from 'A Voyage to Cochinchina' by John Barrow (1764-1848) engraved by Thomas Medland (1755-1823) 1806 (aquatint)

STC89070: View of Santa Cruz, plate 3 from 'A Voyage to Cochinchina' by John Barrow (1764-1848) engraved by Thomas Medland (1755-1823) 1806 (aquatint), Alexander, William (1767-1816) (after) / Bridgeman Images

Dancers at the Moulin Rouge
Dancers at the Moulin Rouge

SAD89308: Dancers at the Moulin Rouge, Pissarro, Ludovic-Rodolphe (1878-1952) / Bridgeman Images

Christ and the Woman of Samaria at Jacob's Well, c.1850-60 (oil on panel)
Christ and the Woman of Samaria at Jacob's Well, c.1850-60 (oil on panel)

FIT88874: Christ and the Woman of Samaria at Jacob's Well, c.1850-60 (oil on panel), Linnell, John (1792-1882) / Bridgeman Images

View of the Templar church of La Vera Cruz, built c.1208, in the background the Alcazar, 14th-15th century (restored 1882) (photo)
View of the Templar church of La Vera Cruz, built c.1208, in the background the Alcazar, 14th-15th century (restored 1882) (photo)

XJL88976: View of the Templar church of La Vera Cruz, built c.1208, in the background the Alcazar, 14th-15th century (restored 1882) (photo) / Bridgeman Images

The Barber, from Volume II Arts and Trades of 'Description of Egypt', engraved by Etienne Frederic Lignon (1779-1833) pub. under the orders of Napoleon, 1822 (engraving) (see also 267694)
The Barber, from Volume II Arts and Trades of 'Description of Egypt', engraved by Etienne Frederic Lignon (1779-1833) pub. under the orders of Napoleon, 1822 (engraving) (see also 267694)

STC89020: The Barber, from Volume II Arts and Trades of 'Description of Egypt', engraved by Etienne Frederic Lignon (1779-1833) pub. under the orders of Napoleon, 1822 (engraving) (see also 267694), Conte, Nicolas Jacques (1755-1805) (after) / Bridgeman Images

Fellah Woman and Child, illustration from 'The Valley of the Nile', engraved by Charles Bour (1814-81) pub. by Lemercier, 1848 (litho)
Fellah Woman and Child, illustration from 'The Valley of the Nile', engraved by Charles Bour (1814-81) pub. by Lemercier, 1848 (litho)

STC89028: Fellah Woman and Child, illustration from 'The Valley of the Nile', engraved by Charles Bour (1814-81) pub. by Lemercier, 1848 (litho), Prisse d'Avennes, Emile (1807-79) (after) / Bridgeman Images

Malaye Proas, plate 17 from 'A Picturesque Voyage to India', 1810 (aquatint)
Malaye Proas, plate 17 from 'A Picturesque Voyage to India', 1810 (aquatint)

STC89079: Malaye Proas, plate 17 from 'A Picturesque Voyage to India', 1810 (aquatint), Daniell, Thomas (1749-1840) & William (1769-1837) / Bridgeman Images

T32982 St. Margaret of Antioch and St. Faith, c.1500 (panel)
T32982 St. Margaret of Antioch and St. Faith, c.1500 (panel)

PFA89160: T32982 St. Margaret of Antioch and St. Faith, c.1500 (panel), Master of Wurzendorf (fl.1500) (circle of) / Bridgeman Images

Destroying the Chrysalids and Reeling the Cocoons, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) engraved by J. Davies, 1843 (coloured engraving)
Destroying the Chrysalids and Reeling the Cocoons, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) engraved by J. Davies, 1843 (coloured engraving)

STC89202: Destroying the Chrysalids and Reeling the Cocoons, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) engraved by J. Davies, 1843 (coloured engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images

St. Pancras Station, London
St. Pancras Station, London

SAD89302: St. Pancras Station, London, Pissarro, Ludovic-Rodolphe (1878-1952) / Bridgeman Images

T30736 Horses in Paris, 1924 (oil on card)
T30736 Horses in Paris, 1924 (oil on card)

PFA90107: T30736 Horses in Paris, 1924 (oil on card), Wood, Christopher (1901-30) / Bridgeman Images

T30852 The First Ball Dress, No.1
T30852 The First Ball Dress, No.1

PFA90122: T30852 The First Ball Dress, No.1, Taylor, Leonard Campbell (1874-1969) / Bridgeman Images

The Studio of Bertel Thorvaldsen (1770-1844) 1899 (oil on canvas)
The Studio of Bertel Thorvaldsen (1770-1844) 1899 (oil on canvas)

MHB90653: The Studio of Bertel Thorvaldsen (1770-1844) 1899 (oil on canvas), Bang, Christian (1868-1950) / Bridgeman Images

Still Life with Flowers in a Gilt Urn, a Painting and Cakes on a Salver (oil on canvas)
Still Life with Flowers in a Gilt Urn, a Painting and Cakes on a Salver (oil on canvas)

MHB90657: Still Life with Flowers in a Gilt Urn, a Painting and Cakes on a Salver (oil on canvas), Recco, Giuseppe (1634-95) / Bridgeman Images

The Shrine of St. Gomar at Lierre, Belgium, 1849 (oil on canvas)
The Shrine of St. Gomar at Lierre, Belgium, 1849 (oil on canvas)

HMP90700: The Shrine of St. Gomar at Lierre, Belgium, 1849 (oil on canvas), Roberts, David (1796-1864) / Bridgeman Images

Portrait of Sarah Churchill, Duchess of Marlborough (1660-1744) (pencil on vellum)
Portrait of Sarah Churchill, Duchess of Marlborough (1660-1744) (pencil on vellum)

CPB90790: Portrait of Sarah Churchill, Duchess of Marlborough (1660-1744) (pencil on vellum), White, Robert (1645-1703) / Bridgeman Images

View of the Renaissance Palace built by Domenico Allio I, 1557-65 (photo)
View of the Renaissance Palace built by Domenico Allio I, 1557-65 (photo)

XAM90831: View of the Renaissance Palace built by Domenico Allio I, 1557-65 (photo) / Bridgeman Images

Portrait of Joseph II (1741-90) King of Germany and Holy Roman Emperor, 1763 (engraving)
Portrait of Joseph II (1741-90) King of Germany and Holy Roman Emperor, 1763 (engraving)

XAM90840: Portrait of Joseph II (1741-90) King of Germany and Holy Roman Emperor, 1763 (engraving), Austrian School, (18th century) / Bridgeman Images

Archive 3693 f.58v Page listing three benefactors of New College, Oxford; Edvardus Thompson, Carolus Mordaunt and Gulielmus Wharton, from a Benefaction Book, 1681/2-84 (pen and ink)
Archive 3693 f.58v Page listing three benefactors of New College, Oxford; Edvardus Thompson, Carolus Mordaunt and Gulielmus Wharton, from a Benefaction Book, 1681/2-84 (pen and ink)

NCO90888: Archive 3693 f.58v Page listing three benefactors of New College, Oxford; Edvardus Thompson, Carolus Mordaunt and Gulielmus Wharton, from a Benefaction Book, 1681/2-84 (pen and ink), English School, (17th century) / Bridgeman Images

Lady and her Dog at Corsham Court, c.1914 (pencil, watercolour and gouache on paper)
Lady and her Dog at Corsham Court, c.1914 (pencil, watercolour and gouache on paper)

FLF90953: Lady and her Dog at Corsham Court, c.1914 (pencil, watercolour and gouache on paper), Sellar, Charles Andrew (1856-1926) / Bridgeman Images

Langdale Pikes, from 'The English Lake District', 1853 (litho) (see 90425 for detail)
Langdale Pikes, from 'The English Lake District', 1853 (litho) (see 90425 for detail)

STC90424: Langdale Pikes, from 'The English Lake District', 1853 (litho) (see 90425 for detail), Pyne, James Baker (1800-70) (after) / Bridgeman Images

Bombed Cathedral, from the D-Day triptych, 1944 (oil on panel) (see also 86633 & 86634)
Bombed Cathedral, from the D-Day triptych, 1944 (oil on panel) (see also 86633 & 86634)

HMP90468: Bombed Cathedral, from the D-Day triptych, 1944 (oil on panel) (see also 86633 & 86634), Eurich, Richard Ernest (1903-92) / Bridgeman Images

Soldiers Going to War, 1864 (b/w photo)
Soldiers Going to War, 1864 (b/w photo)

MNY90543: Soldiers Going to War, 1864 (b/w photo), White Evans, Walter (fl.1864) / Bridgeman Images

Castlerigg Stone Circle near Keswick, from 'The English Lake District', 1853 (litho)
Castlerigg Stone Circle near Keswick, from 'The English Lake District', 1853 (litho)

STC90423: Castlerigg Stone Circle near Keswick, from 'The English Lake District', 1853 (litho), Pyne, James Baker (1800-70) (after) / Bridgeman Images

Thirlmere and Wythburn, detail, from 'The English Lake District', 1853 (litho)
Thirlmere and Wythburn, detail, from 'The English Lake District', 1853 (litho)

STC90427: Thirlmere and Wythburn, detail, from 'The English Lake District', 1853 (litho), Pyne, James Baker (1800-70) (after) / Bridgeman Images

Chrysanthemums, c.1900 (oil on canvas)
Chrysanthemums, c.1900 (oil on canvas)

HMP90448: Chrysanthemums, c.1900 (oil on canvas), Kerr, Charles Henry Malcolm (1858-1907) / Bridgeman Images

The Inn Yard, 1910 (oil on canvas)
The Inn Yard, 1910 (oil on canvas)

HMP90476: The Inn Yard, 1910 (oil on canvas), Munnings, Alfred (1878-1959) / Bridgeman Images

Battle near the Town of Levice in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)
Battle near the Town of Levice in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving)

STC89660: Battle near the Town of Levice in 1664, illustration from a book on the Ottoman campaigns in Europe, engraved by Paul Furst (c.1605-66) (engraving), German School, (17th century) / Bridgeman Images

MS 83-1972 f.3r Outline designs for capital letters showing 'P','H' and 'K' from a Model Book of Initials, Italian, c.1200 (vellum)
MS 83-1972 f.3r Outline designs for capital letters showing 'P','H' and 'K' from a Model Book of Initials, Italian, c.1200 (vellum)

FIT89535: MS 83-1972 f.3r Outline designs for capital letters showing 'P','H' and 'K' from a Model Book of Initials, Italian, c.1200 (vellum) / Bridgeman Images

Woman with a Daffodil, 1910 (oil on panel)
Woman with a Daffodil, 1910 (oil on panel)

FIT89350: Woman with a Daffodil, 1910 (oil on panel), John, Augustus Edwin (1878-1961) / Bridgeman Images

The Flower Pickers, c.1925 (oil on board)
The Flower Pickers, c.1925 (oil on board)

TOR89643: The Flower Pickers, c.1925 (oil on board), Sharp, Dorothea (1874-1955) / Bridgeman Images

Marlag 'O' in Winter, 1945 (w/c on paper)
Marlag 'O' in Winter, 1945 (w/c on paper)

HMP89806: Marlag 'O' in Winter, 1945 (w/c on paper), Worsley, John (1919-2000) / Bridgeman Images

Snow Leopard, c.1920 (w/c on paper)
Snow Leopard, c.1920 (w/c on paper)

HMP89840: Snow Leopard, c.1920 (w/c on paper), Woodhouse, William (1857-1939) / Bridgeman Images

A Pedlar, plate 17 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)
A Pedlar, plate 17 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving)

STC89850: A Pedlar, plate 17 from 'The Costume of China', engraved by J. Dadley, 1800 (engraving), Mason, Major George Henry (19th century) (after) / Bridgeman Images


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