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View of the Temple of Caelestis, Roman, Severan Period, c.222-235 AD (photo)
View of the Temple of Caelestis, Roman, Severan Period, c.222-235 AD (photo)

XAM92114: View of the Temple of Caelestis, Roman, Severan Period, c.222-235 AD (photo) / Bridgeman Images

ID: XAM92114

View of the Temple of Caelestis, Roman, Severan Period, c.222-235 AD (photo)

La-Chapelle-sur-Crecy, 1910 (oil on canvas)
La-Chapelle-sur-Crecy, 1910 (oil on canvas)

PWI92222: La-Chapelle-sur-Crecy, 1910 (oil on canvas), Derain, Andre (1880-1954) / Bridgeman Images

ID: PWI92222

La-Chapelle-sur-Crecy, 1910 (oil on canvas)

Derain, Andre (1880-1954)

Female Nude (oil on canvas)
Female Nude (oil on canvas)

PWI92230: Female Nude (oil on canvas), Derain, Andre (1880-1954) / Bridgeman Images

ID: PWI92230

Female Nude (oil on canvas)

Derain, Andre (1880-1954)

A Lady in the Country, 1907 (oil on canvas)
A Lady in the Country, 1907 (oil on canvas)

XAB92375: A Lady in the Country, 1907 (oil on canvas), Larionov, Mikhail (1881-1964) / Bridgeman Images

ID: XAB92375

A Lady in the Country, 1907 (oil on canvas)

Larionov, Mikhail (1881-1964)

Attic red-figure amphora depicting a satyr struggling with a maenad, with a seated woman tying her sandal on the neck, made by Pamphaios and painted by Oltos, c.510-500 BC (pottery) (see also 92572)
Attic red-figure amphora depicting a satyr struggling with a maenad, with a seated woman tying her sandal on the neck, made by Pamphaios and painted by Oltos, c.510-500 BC (pottery) (see also 92572)

PWI92571: Attic red-figure amphora depicting a satyr struggling with a maenad, with a seated woman tying her sandal on the neck, made by Pamphaios and painted by Oltos, c.510-500 BC (pottery) (see also 92572), Greek school, (6th century BC) / Bridgeman Images

ID: PWI92571

Attic red-figure amphora depicting a satyr struggling with a maenad, with a seated woman tying her sandal on the neck, made by Pamphaios and painted by Oltos, c.510-500 BC (pottery) (see also 92572)

Greek school, (6th century BC)

The Great Hall of the Agate Pavilion, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)
The Great Hall of the Agate Pavilion, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)

HAZ92614: The Great Hall of the Agate Pavilion, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo) / Bridgeman Images

ID: HAZ92614

The Great Hall of the Agate Pavilion, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)

View of Hadrian's Villa near Rome (oil on canvas)
View of Hadrian's Villa near Rome (oil on canvas)

SRM92420: View of Hadrian's Villa near Rome (oil on canvas), Matveev, Fedor Mikhailovich (1758-1826) / Bridgeman Images

ID: SRM92420

View of Hadrian's Villa near Rome (oil on canvas)

Matveev, Fedor Mikhailovich (1758-1826)

Mask: Silly Girl, 1928 (no 47) (w/c on paper on cardboard)
Mask: Silly Girl, 1928 (no 47) (w/c on paper on cardboard)

PWI92479: Mask: Silly Girl, 1928 (no 47) (w/c on paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

ID: PWI92479

Mask: Silly Girl, 1928 (no 47) (w/c on paper on cardboard)

Klee, Paul (1879-1940)

Detail of the bottom of porcelain columns with gilt bronze bases in the Bedchamber of Maria Feodorovna in the First Apartment, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)
Detail of the bottom of porcelain columns with gilt bronze bases in the Bedchamber of Maria Feodorovna in the First Apartment, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)

HAZ92608: Detail of the bottom of porcelain columns with gilt bronze bases in the Bedchamber of Maria Feodorovna in the First Apartment, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo) / Bridgeman Images

ID: HAZ92608

Detail of the bottom of porcelain columns with gilt bronze bases in the Bedchamber of Maria Feodorovna in the First Apartment, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)

Detail of painted bands between the panels in Catherine the Great's Bedroom, decorated with a garland of flowers ending in an urn with acanthus leaves (fresco)
Detail of painted bands between the panels in Catherine the Great's Bedroom, decorated with a garland of flowers ending in an urn with acanthus leaves (fresco)

HAZ92631: Detail of painted bands between the panels in Catherine the Great's Bedroom, decorated with a garland of flowers ending in an urn with acanthus leaves (fresco), Starov, Ivan Yegorovich (1745-1808) / Bridgeman Images

ID: HAZ92631

Detail of painted bands between the panels in Catherine the Great's Bedroom, decorated with a garland of flowers ending in an urn with acanthus leaves (fresco)

Starov, Ivan Yegorovich (1745-1808)

Madonna and Child (red chalk on paper)
Madonna and Child (red chalk on paper)

RPH92369: Madonna and Child (red chalk on paper), Casolani, Alessandro di Agostino (1552-1606) (attr. to) / Bridgeman Images

ID: RPH92369

Madonna and Child (red chalk on paper)

Casolani, Alessandro di Agostino (1552-1606) (attr. to)

Persian Mosque at Yerevan, Armenia, a Night During Ramadan, plate 19 from a book on the Caucasus, engraved by Eugene Le Roux (1807-63) published by Alfred Leon Lemercier, Paris, 1847 (litho)
Persian Mosque at Yerevan, Armenia, a Night During Ramadan, plate 19 from a book on the Caucasus, engraved by Eugene Le Roux (1807-63) published by Alfred Leon Lemercier, Paris, 1847 (litho)

STC92677: Persian Mosque at Yerevan, Armenia, a Night During Ramadan, plate 19 from a book on the Caucasus, engraved by Eugene Le Roux (1807-63) published by Alfred Leon Lemercier, Paris, 1847 (litho), Gagarin, Grigori Grigorevich (1810-93) (after) / Bridgeman Images

ID: STC92677

Persian Mosque at Yerevan, Armenia, a Night During Ramadan, plate 19 from a book on the Caucasus, engraved by Eugene Le Roux (1807-63) published by Alfred Leon Lemercier, Paris, 1847 (litho)

Gagarin, Grigori Grigorevich (1810-93) (after)

The Khorovod, 1912 (gouache on paper)
The Khorovod, 1912 (gouache on paper)

SRM93046: The Khorovod, 1912 (gouache on paper), Kustodiev, Boris Mikhailovich (1878-1927) / Bridgeman Images

ID: SRM93046

The Khorovod, 1912 (gouache on paper)

Kustodiev, Boris Mikhailovich (1878-1927)

Wet Feet, 1902 (litho)
Wet Feet, 1902 (litho)

STC93073: Wet Feet, 1902 (litho), Willcox Smith, Jessie (1863-1935) / Bridgeman Images

ID: STC93073

Wet Feet, 1902 (litho)

Willcox Smith, Jessie (1863-1935)

A Young Beauty (oil on canvas)
A Young Beauty (oil on canvas)

MIG93203: A Young Beauty (oil on canvas), Kraszewska, Otolia (b.1859) / Bridgeman Images

ID: MIG93203

A Young Beauty (oil on canvas)

Kraszewska, Otolia (b.1859)

Portrait of Sir John Lavery (1856-1941) c.1925 (drypoint)
Portrait of Sir John Lavery (1856-1941) c.1925 (drypoint)

EHL92846: Portrait of Sir John Lavery (1856-1941) c.1925 (drypoint), Tittle, Walter (1883-1966) / Bridgeman Images

ID: EHL92846

Portrait of Sir John Lavery (1856-1941) c.1925 (drypoint)

Tittle, Walter (1883-1966)

Siberia, 1894 (oil on canvas)
Siberia, 1894 (oil on canvas)

SRM93005: Siberia, 1894 (oil on canvas), Vasnetsov, Apollinari Mikhailovich (1856-1933) / Bridgeman Images

ID: SRM93005

Siberia, 1894 (oil on canvas)

Vasnetsov, Apollinari Mikhailovich (1856-1933)

Nursery Rhymes (gouache on paper)
Nursery Rhymes (gouache on paper)

MIG93218: Nursery Rhymes (gouache on paper), Seago, Edward (1910-74) / Bridgeman Images

ID: MIG93218

Nursery Rhymes (gouache on paper)

Seago, Edward (1910-74)

Seventeenth Century Moscow, a Street in Kitay Gorod, 1900 (oil on canvas)
Seventeenth Century Moscow, a Street in Kitay Gorod, 1900 (oil on canvas)

SRM93031: Seventeenth Century Moscow, a Street in Kitay Gorod, 1900 (oil on canvas), Vasnetsov, Apollinari Mikhailovich (1856-1933) / Bridgeman Images

ID: SRM93031

Seventeenth Century Moscow, a Street in Kitay Gorod, 1900 (oil on canvas)

Vasnetsov, Apollinari Mikhailovich (1856-1933)

At the Seaside, 1919 (pencil and watercolour on paper)
At the Seaside, 1919 (pencil and watercolour on paper)

XAB94829: At the Seaside, 1919 (pencil and watercolour on paper), Pechstein, Hermann Max (1881-1955) / Bridgeman Images

ID: XAB94829

At the Seaside, 1919 (pencil and watercolour on paper)

Pechstein, Hermann Max (1881-1955)

Portrait of an Old Woman (oil on canvas)
Portrait of an Old Woman (oil on canvas)

BI94893: Portrait of an Old Woman (oil on canvas), Spanish School, (19th century) / Bridgeman Images

ID: BI94893

Portrait of an Old Woman (oil on canvas)

Spanish School, (19th century)

Advertisement for 'Caley's Favorite Chocolates' (litho)
Advertisement for 'Caley's Favorite Chocolates' (litho)

NCM94591: Advertisement for 'Caley's Favorite Chocolates' (litho), Munnings, Alfred (1878-1959) / Bridgeman Images

ID: NCM94591

Advertisement for 'Caley's Favorite Chocolates' (litho)

Munnings, Alfred (1878-1959)

The Grand Council Altarpiece, detail depicting the Sacra Conversazione, 1510 (oil on panel) (detail of 94753) (see also 94718-21)
The Grand Council Altarpiece, detail depicting the Sacra Conversazione, 1510 (oil on panel) (detail of 94753) (see also 94718-21)

BAT94717: The Grand Council Altarpiece, detail depicting the Sacra Conversazione, 1510 (oil on panel) (detail of 94753) (see also 94718-21), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images

ID: BAT94717

The Grand Council Altarpiece, detail depicting the Sacra Conversazione, 1510 (oil on panel) (detail of 94753) (see also 94718-21)

Bartolomeo, Fra (Baccio della Porta) (1472-1517)

The Front Quad of Corpus Christi College, Oxford (pen and ink with wash on paper)
The Front Quad of Corpus Christi College, Oxford (pen and ink with wash on paper)

CCC95123: The Front Quad of Corpus Christi College, Oxford (pen and ink with wash on paper), Nicholson, William (1872-1949) / Bridgeman Images

ID: CCC95123

The Front Quad of Corpus Christi College, Oxford (pen and ink with wash on paper)

Nicholson, William (1872-1949)

Assault on a Citadel (w/c on paper)
Assault on a Citadel (w/c on paper)

AGN95214: Assault on a Citadel (w/c on paper), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: AGN95214

Assault on a Citadel (w/c on paper)

Claude Lorrain (Claude Gellee) (1600-82)

Apollo and Mercury (brown & grey ink and wash on paper)
Apollo and Mercury (brown & grey ink and wash on paper)

AGN95222: Apollo and Mercury (brown & grey ink and wash on paper), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: AGN95222

Apollo and Mercury (brown & grey ink and wash on paper)

Claude Lorrain (Claude Gellee) (1600-82)

Portrait of Henry More (1614-87) frontispiece to his 'Theological Works', engraved by William Faithorne (1616-91) 1675 (engraving)
Portrait of Henry More (1614-87) frontispiece to his 'Theological Works', engraved by William Faithorne (1616-91) 1675 (engraving)

STC95228: Portrait of Henry More (1614-87) frontispiece to his 'Theological Works', engraved by William Faithorne (1616-91) 1675 (engraving), English School, (17th century) / Bridgeman Images

ID: STC95228

Portrait of Henry More (1614-87) frontispiece to his 'Theological Works', engraved by William Faithorne (1616-91) 1675 (engraving)

English School, (17th century)

Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving)
Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving)

STC95244: Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving), Rogers, William (c.1545-1610) / Bridgeman Images

ID: STC95244

Portrait of George Clifford (1558-1605) 3rd Earl of Cumberland, engraved by the artist, c.1590 (engraving)

Rogers, William (c.1545-1610)

The Rain God, Cocijo, plate 52 from 'Ancient Monuments of Mexico', engraved by Lasnier, 1866 (litho)
The Rain God, Cocijo, plate 52 from 'Ancient Monuments of Mexico', engraved by Lasnier, 1866 (litho)

STC95314: The Rain God, Cocijo, plate 52 from 'Ancient Monuments of Mexico', engraved by Lasnier, 1866 (litho), Waldeck, Johann Friedrich Maximilian von (1766-1875) (after) / Bridgeman Images

ID: STC95314

The Rain God, Cocijo, plate 52 from 'Ancient Monuments of Mexico', engraved by Lasnier, 1866 (litho)

Waldeck, Johann Friedrich Maximilian von (1766-1875) (after)

Madonna and Child with St. Anne (oil on panel)
Madonna and Child with St. Anne (oil on panel)

AGN95337: Madonna and Child with St. Anne (oil on panel), Master of 1518 (fl.1518) / Bridgeman Images

ID: AGN95337

Madonna and Child with St. Anne (oil on panel)

Master of 1518 (fl.1518)

Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper)
Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper)

AGN95351: Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: AGN95351

Tan-y-bwlch, Merionethshire, 1801 (watercolour & pencil on paper)

Cotman, John Sell (1782-1842)

Journey to Emmaus (black chalk & gouache on paper)
Journey to Emmaus (black chalk & gouache on paper)

AGN95219: Journey to Emmaus (black chalk & gouache on paper), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: AGN95219

Journey to Emmaus (black chalk & gouache on paper)

Claude Lorrain (Claude Gellee) (1600-82)

Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving)
Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving)

STC95226: Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images

ID: STC95226

Portrait of Prince Rupert (1619-82) Count Palatine of the Rhine and Duke of Bavaria, engraved by William Faithorne (1616-91) (engraving)

Dyck, Anthony van (1599-1641) (after)

The Esquimaux Dog (Canis familiaris) educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (aquatint)
The Esquimaux Dog (Canis familiaris) educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (aquatint)

STC95250: The Esquimaux Dog (Canis familiaris) educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (aquatint), Whymper, Josiah Wood (1813-1903) / Bridgeman Images

ID: STC95250

The Esquimaux Dog (Canis familiaris) educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (aquatint)

Whymper, Josiah Wood (1813-1903)

Oak Tree Clay Fossils, illustration from 'Strata Identified by Organised Fossils' by the artist, pub. 1816 (engraving)
Oak Tree Clay Fossils, illustration from 'Strata Identified by Organised Fossils' by the artist, pub. 1816 (engraving)

ONH95274: Oak Tree Clay Fossils, illustration from 'Strata Identified by Organised Fossils' by the artist, pub. 1816 (engraving), Smith, William (1769-1839) (after) / Bridgeman Images

ID: ONH95274

Oak Tree Clay Fossils, illustration from 'Strata Identified by Organised Fossils' by the artist, pub. 1816 (engraving)

Smith, William (1769-1839) (after)

Women playing with a goat, Pompeii, 1st century (mural painting)
Women playing with a goat, Pompeii, 1st century (mural painting)

PWI95379: Women playing with a goat, Pompeii, 1st century (mural painting), Roman, (1st century AD) / Bridgeman Images

ID: PWI95379

Women playing with a goat, Pompeii, 1st century (mural painting)

Roman, (1st century AD)


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