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2491747 Search Results

Water Jump (gouache on paper)
Water Jump (gouache on paper)

WSG91185: Water Jump (gouache on paper), Ritchie, Alick Penrose Forbes (1868-1938) / Bridgeman Images

ID: WSG91185

Water Jump (gouache on paper)

Ritchie, Alick Penrose Forbes (1868-1938)

Dreaming of her Lover, 1868 (oil on panel)
Dreaming of her Lover, 1868 (oil on panel)

BAL91229: Dreaming of her Lover, 1868 (oil on panel), Smith, George (1829-1901) / Bridgeman Images

ID: BAL91229

Dreaming of her Lover, 1868 (oil on panel)

Smith, George (1829-1901)

Ladies Sewing (oil on panel)
Ladies Sewing (oil on panel)

BAL91235: Ladies Sewing (oil on panel), Trayer, Jules (1824-1908) / Bridgeman Images

ID: BAL91235

Ladies Sewing (oil on panel)

Trayer, Jules (1824-1908)

View in the Gardens of Pavlovsk (oil on canvas)
View in the Gardens of Pavlovsk (oil on canvas)

SRM91289: View in the Gardens of Pavlovsk (oil on canvas), Lebedev, Mikhail Ivanovich (1811-37) / Bridgeman Images

ID: SRM91289

View in the Gardens of Pavlovsk (oil on canvas)

Lebedev, Mikhail Ivanovich (1811-37)

The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print)
The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print)

STC91306: The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print), French School, (20th century) / Bridgeman Images

ID: STC91306

The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print)

French School, (20th century)

A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho)
A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho)

STC91310: A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho), Leech, John (1817-64) / Bridgeman Images

ID: STC91310

A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho)

Leech, John (1817-64)

Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)
Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

GHL91583: Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint), Morris, Richard (19th century) / Bridgeman Images

ID: GHL91583

Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

Morris, Richard (19th century)

York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)
York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

GHL91589: York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint), Morris, Richard (19th century) / Bridgeman Images

ID: GHL91589

York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

Morris, Richard (19th century)

Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel)
Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel)

JVH128383: Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel), Flemish School, (16th century) / Bridgeman Images

ID: JVH128383

Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel)

Flemish School, (16th century)

Nymph and Fauns, 1875 (oil on canvas)
Nymph and Fauns, 1875 (oil on canvas)

XOS128587: Nymph and Fauns, 1875 (oil on canvas), Kronberg, Julius (1850-1921) / Bridgeman Images

ID: XOS128587

Nymph and Fauns, 1875 (oil on canvas)

Kronberg, Julius (1850-1921)

The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper)
The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper)

CW128635: The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper), Elgood, George Samuel (1851-1943) / Bridgeman Images

ID: CW128635

The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper)

Elgood, George Samuel (1851-1943)

Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving)
Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving)

DRB128840: Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving), Tocque, Louis M. (1696-1772) (after) / Bridgeman Images

ID: DRB128840

Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving)

Tocque, Louis M. (1696-1772) (after)

Portrait of the artist's wife on the beach (oil on canvas)
Portrait of the artist's wife on the beach (oil on canvas)

ZEN140246: Portrait of the artist's wife on the beach (oil on canvas), Mathey, Paul (1844-1929) / Bridgeman Images

ID: ZEN140246

Portrait of the artist's wife on the beach (oil on canvas)

Mathey, Paul (1844-1929)

Portrait of Robert Harley, first Earl of Oxford (1671-1724) (engraving)
Portrait of Robert Harley, first Earl of Oxford (1671-1724) (engraving)

XJF140288: Portrait of Robert Harley, first Earl of Oxford (1671-1724) (engraving), English School, (18th century) / Bridgeman Images

ID: XJF140288

Portrait of Robert Harley, first Earl of Oxford (1671-1724) (engraving)

English School, (18th century)

An Indian black buck being led by its keeper, c.1616 (opaque w/c & gold on paper)
An Indian black buck being led by its keeper, c.1616 (opaque w/c & gold on paper)

STC140526: An Indian black buck being led by its keeper, c.1616 (opaque w/c & gold on paper), Mughal School, (17th century) / Bridgeman Images

ID: STC140526

An Indian black buck being led by its keeper, c.1616 (opaque w/c & gold on paper)

Mughal School, (17th century)

Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)
Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)

BAL140619: Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving), French School, (18th century) / Bridgeman Images

ID: BAL140619

Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)

French School, (18th century)

Countess Kleinmichel's Fancy Dress Ball, February 1914 (b/w photo)
Countess Kleinmichel's Fancy Dress Ball, February 1914 (b/w photo)

XJF140683: Countess Kleinmichel's Fancy Dress Ball, February 1914 (b/w photo), Russian Photographer, (20th century) / Bridgeman Images

ID: XJF140683

Countess Kleinmichel's Fancy Dress Ball, February 1914 (b/w photo)

Russian Photographer, (20th century)

Portrait of the Wallace Family (oil on canvas)
Portrait of the Wallace Family (oil on canvas)

WSG92019: Portrait of the Wallace Family (oil on canvas), Seton, John Thomas (c.1735-1806) / Bridgeman Images

ID: WSG92019

Portrait of the Wallace Family (oil on canvas)

Seton, John Thomas (c.1735-1806)

St. Marina (oil on canvas)
St. Marina (oil on canvas)

BI92054: St. Marina (oil on canvas), Zurbaran, Francisco de (1598-1664) / Bridgeman Images

ID: BI92054

St. Marina (oil on canvas)

Zurbaran, Francisco de (1598-1664)

T34029 A Quaker Prayer Meeting (pen & ink on paper)
T34029 A Quaker Prayer Meeting (pen & ink on paper)

PFA92077: T34029 A Quaker Prayer Meeting (pen & ink on paper), Heemskerck, Egbert van (the younger) (c.1676-1744) / Bridgeman Images

ID: PFA92077

T34029 A Quaker Prayer Meeting (pen & ink on paper)

Heemskerck, Egbert van (the younger) (c.1676-1744)

Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)
Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)

SC92087: Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images

ID: SC92087

Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)

Griffith, Moses (1747-1819) (attr. to)

Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)
Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)

SC92090: Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images

ID: SC92090

Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)

Griffith, Moses (1747-1819) (attr. to)

Tombs from the North Aisle, plate 59 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
Tombs from the North Aisle, plate 59 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92166: Tombs from the North Aisle, plate 59 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), Shepherd, George (fl.1800-30) (after) / Bridgeman Images

ID: STC92166

Tombs from the North Aisle, plate 59 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

Shepherd, George (fl.1800-30) (after)

Standing Female Figure (gouache on paper)
Standing Female Figure (gouache on paper)

RPH92364: Standing Female Figure (gouache on paper), Meninsky, Bernard (1891-1950) / Bridgeman Images

ID: RPH92364

Standing Female Figure (gouache on paper)

Meninsky, Bernard (1891-1950)

Still Life (oil on canvas)
Still Life (oil on canvas)

LMG128888: Still Life (oil on canvas), Pfeiler or Pfeiller, Maximilian (1656-1746) / Bridgeman Images

ID: LMG128888

Still Life (oil on canvas)

Pfeiler or Pfeiller, Maximilian (1656-1746)

View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)
View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)

SRM92442: View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel), Bogolyubov, Aleksei Petrovich (1824-96) / Bridgeman Images

ID: SRM92442

View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)

Bogolyubov, Aleksei Petrovich (1824-96)

Paul Johann von Heyse (1830-1914) (engraving)
Paul Johann von Heyse (1830-1914) (engraving)

KWE129263: Paul Johann von Heyse (1830-1914) (engraving), English School, (19th century) / Bridgeman Images

ID: KWE129263

Paul Johann von Heyse (1830-1914) (engraving)

English School, (19th century)

The Kalyan Minaret, built in 1127 (photo)
The Kalyan Minaret, built in 1127 (photo)

GIP129446: The Kalyan Minaret, built in 1127 (photo), Islamic School, (12th century) / Bridgeman Images

ID: GIP129446

The Kalyan Minaret, built in 1127 (photo)

Islamic School, (12th century)

The Archangel Michael, 18th century (tempera on panel)
The Archangel Michael, 18th century (tempera on panel)

GIP129467: The Archangel Michael, 18th century (tempera on panel), Russian School, (18th century) / Bridgeman Images

ID: GIP129467

The Archangel Michael, 18th century (tempera on panel)

Russian School, (18th century)

Young Girl with Flowers, 1910 (oil on canvas)
Young Girl with Flowers, 1910 (oil on canvas)

PNY129480: Young Girl with Flowers, 1910 (oil on canvas), Pautsch, Fryderyck (1877-1950) / Bridgeman Images

ID: PNY129480

Young Girl with Flowers, 1910 (oil on canvas)

Pautsch, Fryderyck (1877-1950)

In the Kitchen, c.1930 (oil on canvas)
In the Kitchen, c.1930 (oil on canvas)

XCZ129619: In the Kitchen, c.1930 (oil on canvas), Dadlez, Pawel Marian (1904-40) / Bridgeman Images

ID: XCZ129619

In the Kitchen, c.1930 (oil on canvas)

Dadlez, Pawel Marian (1904-40)

The Square (oil on panel)
The Square (oil on panel)

CK135578: The Square (oil on panel), English School, (19th century) / Bridgeman Images

ID: CK135578

The Square (oil on panel)

English School, (19th century)

The Mouth of the Canal from the Sea, plate XXVIII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
The Mouth of the Canal from the Sea, plate XXVIII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135607: The Mouth of the Canal from the Sea, plate XXVIII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

ID: XJF135607

The Mouth of the Canal from the Sea, plate XXVIII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

Pennell, Joseph (1858-1926)

Sarah Bernhardt (1844-1923) as L'Aiglon, 1901 (engraving)
Sarah Bernhardt (1844-1923) as L'Aiglon, 1901 (engraving)

STC135700: Sarah Bernhardt (1844-1923) as L'Aiglon, 1901 (engraving), Abbema, Louise (1858-1927) / Bridgeman Images

ID: STC135700

Sarah Bernhardt (1844-1923) as L'Aiglon, 1901 (engraving)

Abbema, Louise (1858-1927)

October, from 'The Flower Garden Displayed' by Robert Furber (c.1674-1756), engraved by James Smith, pub. 1732 (coloured engraving)
October, from 'The Flower Garden Displayed' by Robert Furber (c.1674-1756), engraved by James Smith, pub. 1732 (coloured engraving)

NP125940: October, from 'The Flower Garden Displayed' by Robert Furber (c.1674-1756), engraved by James Smith, pub. 1732 (coloured engraving), Casteels, Pieter (1684-1749) (after) / Bridgeman Images

ID: NP125940

October, from 'The Flower Garden Displayed' by Robert Furber (c.1674-1756), engraved by James Smith, pub. 1732 (coloured engraving)

Casteels, Pieter (1684-1749) (after)

Waheiadooa, Chief of Oheitepeha, Lying in State, from 'Views in the South Seas', pub. 1789 (etching)
Waheiadooa, Chief of Oheitepeha, Lying in State, from 'Views in the South Seas', pub. 1789 (etching)

NP125988: Waheiadooa, Chief of Oheitepeha, Lying in State, from 'Views in the South Seas', pub. 1789 (etching), Webber, John (1750-93) / Bridgeman Images

ID: NP125988

Waheiadooa, Chief of Oheitepeha, Lying in State, from 'Views in the South Seas', pub. 1789 (etching)

Webber, John (1750-93)


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