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The Rock of Cashel, County Tipperary, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
The Rock of Cashel, County Tipperary, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131107: The Rock of Cashel, County Tipperary, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131107

The Rock of Cashel, County Tipperary, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas)
Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas)

PFA131160: Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas), Spohler, Jan Jacob (1811-66) (circle of) / Bridgeman Images

ID: PFA131160

Faggot Gatherers and Skaters in a Winter Landscape, 1835 (oil on canvas)

Spohler, Jan Jacob (1811-66) (circle of)

An Extensive Alpine Lake Landscape, 1862 (oil on canvas)
An Extensive Alpine Lake Landscape, 1862 (oil on canvas)

PFA131169: An Extensive Alpine Lake Landscape, 1862 (oil on canvas), Leu, Augustus Wilhelm (1819-97) / Bridgeman Images

ID: PFA131169

An Extensive Alpine Lake Landscape, 1862 (oil on canvas)

Leu, Augustus Wilhelm (1819-97)

The Grocer's Dog (oil on panel)
The Grocer's Dog (oil on panel)

PFA131193: The Grocer's Dog (oil on panel), Ronner-Knip, Henriette (1821-1909) / Bridgeman Images

ID: PFA131193

The Grocer's Dog (oil on panel)

Ronner-Knip, Henriette (1821-1909)

Portrait of Field Marshal Ferdinand Foch (1851-1929), 1920 (oil on canvas)
Portrait of Field Marshal Ferdinand Foch (1851-1929), 1920 (oil on canvas)

PFA131403: Portrait of Field Marshal Ferdinand Foch (1851-1929), 1920 (oil on canvas), Blanche, Jacques-Emile (1861-1942) / Bridgeman Images

ID: PFA131403

Portrait of Field Marshal Ferdinand Foch (1851-1929), 1920 (oil on canvas)

Blanche, Jacques-Emile (1861-1942)

The Return of the Huntsman (w/c on paper)
The Return of the Huntsman (w/c on paper)

PFA131424: The Return of the Huntsman (w/c on paper), Kilburne, George Goodwin (1839-1924) / Bridgeman Images

ID: PFA131424

The Return of the Huntsman (w/c on paper)

Kilburne, George Goodwin (1839-1924)

Figures in a Mosque (oil on panel)
Figures in a Mosque (oil on panel)

PFA131431: Figures in a Mosque (oil on panel), Staackman, Heinrich Maria (1852-1940) / Bridgeman Images

ID: PFA131431

Figures in a Mosque (oil on panel)

Staackman, Heinrich Maria (1852-1940)

The Plough Team (oil on canvas)
The Plough Team (oil on canvas)

PFA131444: The Plough Team (oil on canvas), Weczerzick, Alfred (b. 1864) / Bridgeman Images

ID: PFA131444

The Plough Team (oil on canvas)

Weczerzick, Alfred (b. 1864)

Kilcolman Castle, County Cork, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Kilcolman Castle, County Cork, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131447: Kilcolman Castle, County Cork, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131447

Kilcolman Castle, County Cork, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

The Waterfall, Powerscourt, County Wicklow, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
The Waterfall, Powerscourt, County Wicklow, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131451: The Waterfall, Powerscourt, County Wicklow, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131451

The Waterfall, Powerscourt, County Wicklow, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Waterford, Ireland, engraved by W. Taylor (engraving)
Waterford, Ireland, engraved by W. Taylor (engraving)

KWE131469: Waterford, Ireland, engraved by W. Taylor (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131469

Waterford, Ireland, engraved by W. Taylor (engraving)

Bartlett, William Henry (1809-54) (after)

Innisfallen, Killarney Lake, County Killarney, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Innisfallen, Killarney Lake, County Killarney, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131480: Innisfallen, Killarney Lake, County Killarney, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131480

Innisfallen, Killarney Lake, County Killarney, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Great School Room of Rugby, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)
Great School Room of Rugby, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)

STC121741: Great School Room of Rugby, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint), Gendall, John (1790-1865) (after) / Bridgeman Images

ID: STC121741

Great School Room of Rugby, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)

Gendall, John (1790-1865) (after)

Corner of a Park (oil on board)
Corner of a Park (oil on board)

WH122050: Corner of a Park (oil on board), Mathieu, Paul (1872-1932) / Bridgeman Images

ID: WH122050

Corner of a Park (oil on board)

Mathieu, Paul (1872-1932)

The River Path, 1919 (oil on panel)
The River Path, 1919 (oil on panel)

WH122084: The River Path, 1919 (oil on panel), Priestman, Bertram (1868-1951) / Bridgeman Images

ID: WH122084

The River Path, 1919 (oil on panel)

Priestman, Bertram (1868-1951)

Neo-Classical Interior, c.1820 (watercolour on paper)
Neo-Classical Interior, c.1820 (watercolour on paper)

XIR122111: Neo-Classical Interior, c.1820 (watercolour on paper), Tolstoy, Fedor Petrovich (1783-1873) / Bridgeman Images

ID: XIR122111

Neo-Classical Interior, c.1820 (watercolour on paper)

Tolstoy, Fedor Petrovich (1783-1873)

Conquerors, 1913 (watercolour on paper)
Conquerors, 1913 (watercolour on paper)

XAB122134: Conquerors, 1913 (watercolour on paper), Grigoriev, Boris Dmitrievich (1886-1939) / Bridgeman Images

ID: XAB122134

Conquerors, 1913 (watercolour on paper)

Grigoriev, Boris Dmitrievich (1886-1939)

Two female and two male dancers, plate 62 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)
Two female and two male dancers, plate 62 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

STC122305: Two female and two male dancers, plate 62 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC122305

Two female and two male dancers, plate 62 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

Italian School, (19th century)

Cape Aiya, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Cape Aiya, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122412: Cape Aiya, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122412

Cape Aiya, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122439: Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122439

Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122543: The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122543

The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board)
View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board)

PFA131664: View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board), Fisher, Jonathan (d.1809) (attr.to) / Bridgeman Images

ID: PFA131664

View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board)

Fisher, Jonathan (d.1809) (attr.to)

The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving)
The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving)

STC131688: The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving), French School, (19th century) / Bridgeman Images

ID: STC131688

The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving)

French School, (19th century)

View of York (lithograph with hand colouring)
View of York (lithograph with hand colouring)

CEC131752: View of York (lithograph with hand colouring), Storey, George Adolphus (1834-1919) / Bridgeman Images

ID: CEC131752

View of York (lithograph with hand colouring)

Storey, George Adolphus (1834-1919)

Caught in the Act (oil on canvas)
Caught in the Act (oil on canvas)

FDL131957: Caught in the Act (oil on canvas), Bergamini, Francesco (1815-1883) / Bridgeman Images

ID: FDL131957

Caught in the Act (oil on canvas)

Bergamini, Francesco (1815-1883)

Portrait bust of Carlo Goldoni, 1906 (sculpture)
Portrait bust of Carlo Goldoni, 1906 (sculpture)

BAL122648: Portrait bust of Carlo Goldoni, 1906 (sculpture), Italian School, (20th century) / Bridgeman Images

ID: BAL122648

Portrait bust of Carlo Goldoni, 1906 (sculpture)

Italian School, (20th century)

Egyptian Women Drawing Water, 19th century (engraving on paper)
Egyptian Women Drawing Water, 19th century (engraving on paper)

BAL122768: Egyptian Women Drawing Water, 19th century (engraving on paper), Makart, Hans (1840-84) / Bridgeman Images

ID: BAL122768

Egyptian Women Drawing Water, 19th century (engraving on paper)

Makart, Hans (1840-84)

The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122934: The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: ABC122934

The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

Cruikshank, George (1792-1878)

Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122958: Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122958

Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)
Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)

XJF123095: Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving), English School, (17th century) / Bridgeman Images

ID: XJF123095

Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)

English School, (17th century)

The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas)
The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas)

XYC123118: The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas), Brooking, Charles (1723-59) / Bridgeman Images

ID: XYC123118

The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas)

Brooking, Charles (1723-59)

Sir Alexander Temple, 1620 (oil on panel)
Sir Alexander Temple, 1620 (oil on panel)

XYC123128: Sir Alexander Temple, 1620 (oil on panel), Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

ID: XYC123128

Sir Alexander Temple, 1620 (oil on panel)

Janssen van Ceulen, Cornelius (1593-1661)

A View of the Serpentine, 1815 (oil on canvas)
A View of the Serpentine, 1815 (oil on canvas)

XYC123135: A View of the Serpentine, 1815 (oil on canvas), Martin, John (1789-1854) / Bridgeman Images

ID: XYC123135

A View of the Serpentine, 1815 (oil on canvas)

Martin, John (1789-1854)

Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho)
Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho)

STC132680: Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho), Willyams, Cooper (1762-1816) (after) / Bridgeman Images

ID: STC132680

Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho)

Willyams, Cooper (1762-1816) (after)

St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)
St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)

STC132782: St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC132782

St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)

Pugin, Augustus Charles (1762-1832) (after)

Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain)
Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain)

PFR133064: Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain), Chinese School, (17th-18th century) / Bridgeman Images

ID: PFR133064

Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain)

Chinese School, (17th-18th century)


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