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Catherine Seyton Looking from the Battlements at Loch Leven, c.1840 (oil on canvas)
Catherine Seyton Looking from the Battlements at Loch Leven, c.1840 (oil on canvas)

HMP90713: Catherine Seyton Looking from the Battlements at Loch Leven, c.1840 (oil on canvas), Landseer, Edwin (1802-73) / Bridgeman Images

ID: HMP90713

Catherine Seyton Looking from the Battlements at Loch Leven, c.1840 (oil on canvas)

Landseer, Edwin (1802-73)

Archive 9432 f.3 Page of text with illuminated initial 'H', from the Foundations Book of Robert Sherborne or Shirburn (c.1450-1536) Bishop of Chichester (vellum)
Archive 9432 f.3 Page of text with illuminated initial 'H', from the Foundations Book of Robert Sherborne or Shirburn (c.1450-1536) Bishop of Chichester (vellum)

NCO90864: Archive 9432 f.3 Page of text with illuminated initial 'H', from the Foundations Book of Robert Sherborne or Shirburn (c.1450-1536) Bishop of Chichester (vellum), English School, (16th century) / Bridgeman Images

ID: NCO90864

Archive 9432 f.3 Page of text with illuminated initial 'H', from the Foundations Book of Robert Sherborne or Shirburn (c.1450-1536) Bishop of Chichester (vellum)

English School, (16th century)

The Artist's Studio (oil on panel)
The Artist's Studio (oil on panel)

WH90943: The Artist's Studio (oil on panel), Toussaint, Armand (1806-62) / Bridgeman Images

ID: WH90943

The Artist's Studio (oil on panel)

Toussaint, Armand (1806-62)

An Amazing Incident showing a Jack Pike of 6lbs attempting to swallow a Barbel of 1 3/4lbs found on Monkey Island, 1895 (w/c on paper)
An Amazing Incident showing a Jack Pike of 6lbs attempting to swallow a Barbel of 1 3/4lbs found on Monkey Island, 1895 (w/c on paper)

WSG91102: An Amazing Incident showing a Jack Pike of 6lbs attempting to swallow a Barbel of 1 3/4lbs found on Monkey Island, 1895 (w/c on paper), Lees, F.J. (fl.1865-95) / Bridgeman Images

ID: WSG91102

An Amazing Incident showing a Jack Pike of 6lbs attempting to swallow a Barbel of 1 3/4lbs found on Monkey Island, 1895 (w/c on paper)

Lees, F.J. (fl.1865-95)

Temple of Friendship, from the north, built in 1739 (photo)
Temple of Friendship, from the north, built in 1739 (photo)

JB138892: Temple of Friendship, from the north, built in 1739 (photo), Gibbs, James (1662-1754) / Bridgeman Images

ID: JB138892

Temple of Friendship, from the north, built in 1739 (photo)

Gibbs, James (1662-1754)

Lovicensis, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)
Lovicensis, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)

STC138926: Lovicensis, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138926

Lovicensis, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Map of Plon, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) 1593 (coloured engraving)
Map of Plon, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) 1593 (coloured engraving)

STC138950: Map of Plon, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) 1593 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138950

Map of Plon, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) 1593 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Premislia, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)
Premislia, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)

STC138959: Premislia, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138959

Premislia, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

A Knife Trick (engraving)
A Knife Trick (engraving)

XJF139028: A Knife Trick (engraving), English School, (17th century) / Bridgeman Images

ID: XJF139028

A Knife Trick (engraving)

English School, (17th century)

The King of Prussia at a Court Ball in 1862, Pointing Out Bismarck, his New Minister of State, from 'The Illustrated London News', 26th March 1887 (engraving)
The King of Prussia at a Court Ball in 1862, Pointing Out Bismarck, his New Minister of State, from 'The Illustrated London News', 26th March 1887 (engraving)

BAL127908: The King of Prussia at a Court Ball in 1862, Pointing Out Bismarck, his New Minister of State, from 'The Illustrated London News', 26th March 1887 (engraving), Woodville, Richard Caton II (1856-1927) (after) / Bridgeman Images

ID: BAL127908

The King of Prussia at a Court Ball in 1862, Pointing Out Bismarck, his New Minister of State, from 'The Illustrated London News', 26th March 1887 (engraving)

Woodville, Richard Caton II (1856-1927) (after)

The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving)
The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving)

DHM139120: The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images

ID: DHM139120

The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving)

Browne, Hablot Knight (Phiz) (1815-92)

A London Back Garden (pen, ink and w/c on paper)
A London Back Garden (pen, ink and w/c on paper)

CEC128136: A London Back Garden (pen, ink and w/c on paper), Ginner, Charles Isaac (1878-1952) / Bridgeman Images

ID: CEC128136

A London Back Garden (pen, ink and w/c on paper)

Ginner, Charles Isaac (1878-1952)

Landscape at Broadchalke, View from the Doctor's Window, 1925 (oil on panel)
Landscape at Broadchalke, View from the Doctor's Window, 1925 (oil on panel)

PFA139339: Landscape at Broadchalke, View from the Doctor's Window, 1925 (oil on panel), Wood, Christopher (1901-30) / Bridgeman Images

ID: PFA139339

Landscape at Broadchalke, View from the Doctor's Window, 1925 (oil on panel)

Wood, Christopher (1901-30)

'The Walk to the Lift' (top) and 'The Walk Seen from Behind' (bottom), c.1750 (oil on canvas)
'The Walk to the Lift' (top) and 'The Walk Seen from Behind' (bottom), c.1750 (oil on canvas)

GG128233: 'The Walk to the Lift' (top) and 'The Walk Seen from Behind' (bottom), c.1750 (oil on canvas), Butler, Thomas, of Pall Mall (fl.1750-59) (attr. to) / Bridgeman Images

ID: GG128233

'The Walk to the Lift' (top) and 'The Walk Seen from Behind' (bottom), c.1750 (oil on canvas)

Butler, Thomas, of Pall Mall (fl.1750-59) (attr. to)

The Daughters of our Empire. England: The Primrose, 1887 (oil on canvas)
The Daughters of our Empire. England: The Primrose, 1887 (oil on canvas)

XYC139411: The Daughters of our Empire. England: The Primrose, 1887 (oil on canvas), Long, Edwin Longsden (1829-91) / Bridgeman Images

ID: XYC139411

The Daughters of our Empire. England: The Primrose, 1887 (oil on canvas)

Long, Edwin Longsden (1829-91)

Venus (The Hope Venus), 1818-20 (marble) (see 139522)
Venus (The Hope Venus), 1818-20 (marble) (see 139522)

LMG139521: Venus (The Hope Venus), 1818-20 (marble) (see 139522), Canova, Antonio (1757-1822) / Bridgeman Images

ID: LMG139521

Venus (The Hope Venus), 1818-20 (marble) (see 139522)

Canova, Antonio (1757-1822)

Saints Leodegarius and Mauritius (litho)
Saints Leodegarius and Mauritius (litho)

XJF139867: Saints Leodegarius and Mauritius (litho), English School, (19th century) / Bridgeman Images

ID: XJF139867

Saints Leodegarius and Mauritius (litho)

English School, (19th century)

St. Clara at the death of a monk (engraving)
St. Clara at the death of a monk (engraving)

XJF139870: St. Clara at the death of a monk (engraving), German School, (16th century) / Bridgeman Images

ID: XJF139870

St. Clara at the death of a monk (engraving)

German School, (16th century)

Portrait of Frances Maria Fountayne (oil on canvas)
Portrait of Frances Maria Fountayne (oil on canvas)

LMG140057: Portrait of Frances Maria Fountayne (oil on canvas), Highmore, Joseph (1692-1780) / Bridgeman Images

ID: LMG140057

Portrait of Frances Maria Fountayne (oil on canvas)

Highmore, Joseph (1692-1780)

Christ Presented to the People (oil on stone)
Christ Presented to the People (oil on stone)

LMG140060: Christ Presented to the People (oil on stone), French School, (18th century) / Bridgeman Images

ID: LMG140060

Christ Presented to the People (oil on stone)

French School, (18th century)

Front cover of the music score for 'I Couldn't Help But Laugh', composed by Ben Brown (colour litho)
Front cover of the music score for 'I Couldn't Help But Laugh', composed by Ben Brown (colour litho)

NBR140087: Front cover of the music score for 'I Couldn't Help But Laugh', composed by Ben Brown (colour litho), English School, (19th century) / Bridgeman Images

ID: NBR140087

Front cover of the music score for 'I Couldn't Help But Laugh', composed by Ben Brown (colour litho)

English School, (19th century)

Front cover of the music score for 'The Doctor', sung by Dan Leno (colour litho)
Front cover of the music score for 'The Doctor', sung by Dan Leno (colour litho)

NBR140090: Front cover of the music score for 'The Doctor', sung by Dan Leno (colour litho), Banks, H. G. (19th century) / Bridgeman Images

ID: NBR140090

Front cover of the music score for 'The Doctor', sung by Dan Leno (colour litho)

Banks, H. G. (19th century)

The Only Girl that I Ever Loved and a Hated Rival (coloured crayon on paper)
The Only Girl that I Ever Loved and a Hated Rival (coloured crayon on paper)

WSG91149: The Only Girl that I Ever Loved and a Hated Rival (coloured crayon on paper), Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images

ID: WSG91149

The Only Girl that I Ever Loved and a Hated Rival (coloured crayon on paper)

Aldin, Cecil Charles Windsor (1870-1935)

A Shooting Party in the Highlands, 1868 (w/c on paper)
A Shooting Party in the Highlands, 1868 (w/c on paper)

WSG91171: A Shooting Party in the Highlands, 1868 (w/c on paper), Scottish School (19th century) / Bridgeman Images

ID: WSG91171

A Shooting Party in the Highlands, 1868 (w/c on paper)

Scottish School (19th century)

Water Jump (gouache on paper)
Water Jump (gouache on paper)

WSG91185: Water Jump (gouache on paper), Ritchie, Alick Penrose Forbes (1868-1938) / Bridgeman Images

ID: WSG91185

Water Jump (gouache on paper)

Ritchie, Alick Penrose Forbes (1868-1938)

Dreaming of her Lover, 1868 (oil on panel)
Dreaming of her Lover, 1868 (oil on panel)

BAL91229: Dreaming of her Lover, 1868 (oil on panel), Smith, George (1829-1901) / Bridgeman Images

ID: BAL91229

Dreaming of her Lover, 1868 (oil on panel)

Smith, George (1829-1901)

Ladies Sewing (oil on panel)
Ladies Sewing (oil on panel)

BAL91235: Ladies Sewing (oil on panel), Trayer, Jules (1824-1908) / Bridgeman Images

ID: BAL91235

Ladies Sewing (oil on panel)

Trayer, Jules (1824-1908)

View in the Gardens of Pavlovsk (oil on canvas)
View in the Gardens of Pavlovsk (oil on canvas)

SRM91289: View in the Gardens of Pavlovsk (oil on canvas), Lebedev, Mikhail Ivanovich (1811-37) / Bridgeman Images

ID: SRM91289

View in the Gardens of Pavlovsk (oil on canvas)

Lebedev, Mikhail Ivanovich (1811-37)

The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print)
The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print)

STC91306: The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print), French School, (20th century) / Bridgeman Images

ID: STC91306

The Art Gallery, front cover, issue 29, 'Monsieur' magazine, pub. May 1922 (pochoir print)

French School, (20th century)

A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho)
A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho)

STC91310: A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho), Leech, John (1817-64) / Bridgeman Images

ID: STC91310

A Substitute for the Seaside is the Serpentine as it might be, 1844 (litho)

Leech, John (1817-64)

Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)
Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

GHL91583: Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint), Morris, Richard (19th century) / Bridgeman Images

ID: GHL91583

Gloucester Gate, Gloucester Terrace and St. Katherine's Church and Hospital, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

Morris, Richard (19th century)

York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)
York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

GHL91589: York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint), Morris, Richard (19th century) / Bridgeman Images

ID: GHL91589

York Terrace, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

Morris, Richard (19th century)

Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel)
Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel)

JVH128383: Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel), Flemish School, (16th century) / Bridgeman Images

ID: JVH128383

Triptych depicting the Lamentation, St. Jerome and St. Francis receiving the Stigmata, 16th century (oil on panel)

Flemish School, (16th century)

Nymph and Fauns, 1875 (oil on canvas)
Nymph and Fauns, 1875 (oil on canvas)

XOS128587: Nymph and Fauns, 1875 (oil on canvas), Kronberg, Julius (1850-1921) / Bridgeman Images

ID: XOS128587

Nymph and Fauns, 1875 (oil on canvas)

Kronberg, Julius (1850-1921)

The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper)
The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper)

CW128635: The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper), Elgood, George Samuel (1851-1943) / Bridgeman Images

ID: CW128635

The Terrace at Berkeley Castle, Gloucestershire, 1887 (w/c on paper)

Elgood, George Samuel (1851-1943)

Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving)
Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving)

DRB128840: Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving), Tocque, Louis M. (1696-1772) (after) / Bridgeman Images

ID: DRB128840

Prince Charles Edward Stuart (1720-88), engraved by J.G. Wille, 1748 (copper engraving)

Tocque, Louis M. (1696-1772) (after)


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