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Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122439: Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122439

Sebastopol from the Rear of the English Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122543: The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122543

The Magic Umbrellas, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board)
View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board)

PFA131664: View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board), Fisher, Jonathan (d.1809) (attr.to) / Bridgeman Images

ID: PFA131664

View of the Lakes and Mountains of Killarney, Ireland (oil on canvas laid down on board)

Fisher, Jonathan (d.1809) (attr.to)

The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving)
The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving)

STC131688: The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving), French School, (19th century) / Bridgeman Images

ID: STC131688

The Royal Mosque at Isfahan, from 'Sir John Chardin's Voyages in Persia', by L. Langles, pub. in 1811 (engraving)

French School, (19th century)

View of York (lithograph with hand colouring)
View of York (lithograph with hand colouring)

CEC131752: View of York (lithograph with hand colouring), Storey, George Adolphus (1834-1919) / Bridgeman Images

ID: CEC131752

View of York (lithograph with hand colouring)

Storey, George Adolphus (1834-1919)

Caught in the Act (oil on canvas)
Caught in the Act (oil on canvas)

FDL131957: Caught in the Act (oil on canvas), Bergamini, Francesco (1815-1883) / Bridgeman Images

ID: FDL131957

Caught in the Act (oil on canvas)

Bergamini, Francesco (1815-1883)

Portrait bust of Carlo Goldoni, 1906 (sculpture)
Portrait bust of Carlo Goldoni, 1906 (sculpture)

BAL122648: Portrait bust of Carlo Goldoni, 1906 (sculpture), Italian School, (20th century) / Bridgeman Images

ID: BAL122648

Portrait bust of Carlo Goldoni, 1906 (sculpture)

Italian School, (20th century)

Egyptian Women Drawing Water, 19th century (engraving on paper)
Egyptian Women Drawing Water, 19th century (engraving on paper)

BAL122768: Egyptian Women Drawing Water, 19th century (engraving on paper), Makart, Hans (1840-84) / Bridgeman Images

ID: BAL122768

Egyptian Women Drawing Water, 19th century (engraving on paper)

Makart, Hans (1840-84)

The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122934: The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: ABC122934

The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

Cruikshank, George (1792-1878)

Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122958: Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122958

Tshusik, a Chippeway Woman, 1827, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)
Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)

XJF123095: Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving), English School, (17th century) / Bridgeman Images

ID: XJF123095

Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)

English School, (17th century)

The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas)
The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas)

XYC123118: The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas), Brooking, Charles (1723-59) / Bridgeman Images

ID: XYC123118

The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', c.1745-55 (oil on canvas)

Brooking, Charles (1723-59)

Sir Alexander Temple, 1620 (oil on panel)
Sir Alexander Temple, 1620 (oil on panel)

XYC123128: Sir Alexander Temple, 1620 (oil on panel), Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

ID: XYC123128

Sir Alexander Temple, 1620 (oil on panel)

Janssen van Ceulen, Cornelius (1593-1661)

A View of the Serpentine, 1815 (oil on canvas)
A View of the Serpentine, 1815 (oil on canvas)

XYC123135: A View of the Serpentine, 1815 (oil on canvas), Martin, John (1789-1854) / Bridgeman Images

ID: XYC123135

A View of the Serpentine, 1815 (oil on canvas)

Martin, John (1789-1854)

Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho)
Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho)

STC132680: Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho), Willyams, Cooper (1762-1816) (after) / Bridgeman Images

ID: STC132680

Moors on Board the Swiftsure, engraved by Joseph Constantine Stadler (fl.1780-1812) published by I. White, London, 1801 (colour litho)

Willyams, Cooper (1762-1816) (after)

St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)
St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)

STC132782: St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC132782

St. Mary's Church, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)

Pugin, Augustus Charles (1762-1832) (after)

Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain)
Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain)

PFR133064: Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain), Chinese School, (17th-18th century) / Bridgeman Images

ID: PFR133064

Three Blue and White 'Soldier Vases', Chinese, Kangxi period, 1662-1722 (porcelain)

Chinese School, (17th-18th century)

Exterior of St. Peter's College (Peterhouse), Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)
Exterior of St. Peter's College (Peterhouse), Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

STC133103: Exterior of St. Peter's College (Peterhouse), Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC133103

Exterior of St. Peter's College (Peterhouse), Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

Pugin, Augustus Charles (1762-1832) (after)

Portrait of Frederick IV (1415-1493), Holy Roman Emperor, book illustration from 'Coryat's Crudities' (engraving)
Portrait of Frederick IV (1415-1493), Holy Roman Emperor, book illustration from 'Coryat's Crudities' (engraving)

XJF133353: Portrait of Frederick IV (1415-1493), Holy Roman Emperor, book illustration from 'Coryat's Crudities' (engraving), Hole, William (fl. 1607-24) / Bridgeman Images

ID: XJF133353

Portrait of Frederick IV (1415-1493), Holy Roman Emperor, book illustration from 'Coryat's Crudities' (engraving)

Hole, William (fl. 1607-24)

Portrait of Henry the Younger (1489-1568), Duke of Brunswick and Luneburg (engraving)
Portrait of Henry the Younger (1489-1568), Duke of Brunswick and Luneburg (engraving)

XJF133359: Portrait of Henry the Younger (1489-1568), Duke of Brunswick and Luneburg (engraving), German School, (16th century) / Bridgeman Images

ID: XJF133359

Portrait of Henry the Younger (1489-1568), Duke of Brunswick and Luneburg (engraving)

German School, (16th century)

Portrait of Charles V (1500-58), Holy Roman Emperor (engraving)
Portrait of Charles V (1500-58), Holy Roman Emperor (engraving)

XJF133368: Portrait of Charles V (1500-58), Holy Roman Emperor (engraving), English School, (17th century) / Bridgeman Images

ID: XJF133368

Portrait of Charles V (1500-58), Holy Roman Emperor (engraving)

English School, (17th century)

Delphike, 1890 (red chalk on paper)
Delphike, 1890 (red chalk on paper)

MAA123461: Delphike, 1890 (red chalk on paper), Solomon, Simeon (1840-1905) / Bridgeman Images

ID: MAA123461

Delphike, 1890 (red chalk on paper)

Solomon, Simeon (1840-1905)

The Red Cape, 1883 (oil on canvas)
The Red Cape, 1883 (oil on canvas)

MAA123464: The Red Cape, 1883 (oil on canvas), Johnson, Edward Killingworth (1825-1923) / Bridgeman Images

ID: MAA123464

The Red Cape, 1883 (oil on canvas)

Johnson, Edward Killingworth (1825-1923)

The Duet, 1889 (oil on canvas)
The Duet, 1889 (oil on canvas)

PFA123585: The Duet, 1889 (oil on canvas), Makovsky, Vladimir Egorovic (1846-1920) / Bridgeman Images

ID: PFA123585

The Duet, 1889 (oil on canvas)

Makovsky, Vladimir Egorovic (1846-1920)

Riverside Terrace, 1938 (oil on canvas)
Riverside Terrace, 1938 (oil on canvas)

PFA123809: Riverside Terrace, 1938 (oil on canvas), Forbes, Stanhope Alexander (1857-1947) / Bridgeman Images

ID: PFA123809

Riverside Terrace, 1938 (oil on canvas)

Forbes, Stanhope Alexander (1857-1947)

A meeting between Major-General Sir Arthur Wellesley and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872), pub. by A.J. Isaacs, 1864 (coloured engraving)
A meeting between Major-General Sir Arthur Wellesley and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872), pub. by A.J. Isaacs, 1864 (coloured engraving)

ARM123909: A meeting between Major-General Sir Arthur Wellesley and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872), pub. by A.J. Isaacs, 1864 (coloured engraving), Knight, John Prescott (1803-81) (after) / Bridgeman Images

ID: ARM123909

A meeting between Major-General Sir Arthur Wellesley and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872), pub. by A.J. Isaacs, 1864 (coloured engraving)

Knight, John Prescott (1803-81) (after)

The Transvaal pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', supplement illustre, 25th March 1900 (lithograph)
The Transvaal pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', supplement illustre, 25th March 1900 (lithograph)

XIR124028: The Transvaal pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', supplement illustre, 25th March 1900 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR124028

The Transvaal pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', supplement illustre, 25th March 1900 (lithograph)

French School, (20th century)

St. Ives (w/c on paper)
St. Ives (w/c on paper)

FIT124371: St. Ives (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FIT124371

St. Ives (w/c on paper)

Whistler, James Abbott McNeill (1834-1903)

The Farmer's Wife and the Raven, engraved by the artist, pub. 1788 (etching) (see also 123112)
The Farmer's Wife and the Raven, engraved by the artist, pub. 1788 (etching) (see also 123112)

XYC124379: The Farmer's Wife and the Raven, engraved by the artist, pub. 1788 (etching) (see also 123112), Stubbs, George (1724-1806) / Bridgeman Images

ID: XYC124379

The Farmer's Wife and the Raven, engraved by the artist, pub. 1788 (etching) (see also 123112)

Stubbs, George (1724-1806)

The Human Figure, anterior view, from the series 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', 1795-1806 (graphite on paper)
The Human Figure, anterior view, from the series 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', 1795-1806 (graphite on paper)

XYC124391: The Human Figure, anterior view, from the series 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', 1795-1806 (graphite on paper), Stubbs, George (1724-1806) / Bridgeman Images

ID: XYC124391

The Human Figure, anterior view, from the series 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', 1795-1806 (graphite on paper)

Stubbs, George (1724-1806)

A Fete Champetre (oil on canvas)
A Fete Champetre (oil on canvas)

PFA124419: A Fete Champetre (oil on canvas), Holt, Edwin Frederick (fl.1850-97) / Bridgeman Images

ID: PFA124419

A Fete Champetre (oil on canvas)

Holt, Edwin Frederick (fl.1850-97)

Battle at Corrack's Ford, Between the Troops of General McClellan's Command, Under General Morris, Led by Captain Benham, and the Rebel Army Under General Garnett, July 14th 1861, from 'Frank Leslie's Illustrated Newspaper' (engraving) (b&w photo)
Battle at Corrack's Ford, Between the Troops of General McClellan's Command, Under General Morris, Led by Captain Benham, and the Rebel Army Under General Garnett, July 14th 1861, from 'Frank Leslie's Illustrated Newspaper' (engraving) (b&w photo)

BAL124522: Battle at Corrack's Ford, Between the Troops of General McClellan's Command, Under General Morris, Led by Captain Benham, and the Rebel Army Under General Garnett, July 14th 1861, from 'Frank Leslie's Illustrated Newspaper' (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

ID: BAL124522

Battle at Corrack's Ford, Between the Troops of General McClellan's Command, Under General Morris, Led by Captain Benham, and the Rebel Army Under General Garnett, July 14th 1861, from 'Frank Leslie's Illustrated Newspaper' (engraving) (b&w photo)

American School, (19th century)

Election Pandemonium: Chairing the Member, 1826 (ink and w/c)
Election Pandemonium: Chairing the Member, 1826 (ink and w/c)

DRU86944: Election Pandemonium: Chairing the Member, 1826 (ink and w/c), English School, (19th century) / Bridgeman Images

ID: DRU86944

Election Pandemonium: Chairing the Member, 1826 (ink and w/c)

English School, (19th century)

Valentine card depicting flowers, c.1840 (colour litho on paper)
Valentine card depicting flowers, c.1840 (colour litho on paper)

REV133957: Valentine card depicting flowers, c.1840 (colour litho on paper), English School, (19th century) / Bridgeman Images

ID: REV133957

Valentine card depicting flowers, c.1840 (colour litho on paper)

English School, (19th century)

The Deluge, 1731 (engraving)
The Deluge, 1731 (engraving)

STC133993: The Deluge, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC133993

The Deluge, 1731 (engraving)

Picart, Bernard (1673-1733)

Corfu, Greece, from 'The Picturesque Mediterranean', Volume 3, engraved by Charles William Wyllie (1853-1923), published by Cassell and Co. Ltd., 1880s-90s (engraving)
Corfu, Greece, from 'The Picturesque Mediterranean', Volume 3, engraved by Charles William Wyllie (1853-1923), published by Cassell and Co. Ltd., 1880s-90s (engraving)

KWE134047: Corfu, Greece, from 'The Picturesque Mediterranean', Volume 3, engraved by Charles William Wyllie (1853-1923), published by Cassell and Co. Ltd., 1880s-90s (engraving), English School, (19th century) / Bridgeman Images

ID: KWE134047

Corfu, Greece, from 'The Picturesque Mediterranean', Volume 3, engraved by Charles William Wyllie (1853-1923), published by Cassell and Co. Ltd., 1880s-90s (engraving)

English School, (19th century)


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