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Ms 45 fol.26v The Holy Family, from Preces Variae, c.1500 (gouache & bodycolour on vellum)
Ms 45 fol.26v The Holy Family, from Preces Variae, c.1500 (gouache & bodycolour on vellum)

STY698543: Ms 45 fol.26v The Holy Family, from Preces Variae, c.1500 (gouache & bodycolour on vellum), French School, (16th century) / Bridgeman Images

ID: STY698543

Ms 45 fol.26v The Holy Family, from Preces Variae, c.1500 (gouache & bodycolour on vellum)

French School, (16th century)

Ms 37 fol.29r The Annunciation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)
Ms 37 fol.29r The Annunciation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

STY698466: Ms 37 fol.29r The Annunciation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum), English School, (15th century) / Bridgeman Images

ID: STY698466

Ms 37 fol.29r The Annunciation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

English School, (15th century)

The Christmas Pie or Richard's Choice, 1795 (hand-coloured engraving)
The Christmas Pie or Richard's Choice, 1795 (hand-coloured engraving)

JEF695553: The Christmas Pie or Richard's Choice, 1795 (hand-coloured engraving), English School, (18th century) / Bridgeman Images

ID: JEF695553

The Christmas Pie or Richard's Choice, 1795 (hand-coloured engraving)

English School, (18th century)

Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs above a flower ribbon. Pergamon Museum. Berlin. Germany.
Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs above a flower ribbon. Pergamon Museum. Berlin. Germany.

TRK697409: Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs above a flower ribbon. Pergamon Museum. Berlin. Germany. / Bridgeman Images

ID: TRK697409

Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs above a flower ribbon. Pergamon Museum. Berlin. Germany.

Ukraine. Autonomous Republic of Crimea. Sudak. Car parked outside the Genoese medieval Fortress.
Ukraine. Autonomous Republic of Crimea. Sudak. Car parked outside the Genoese medieval Fortress.

TRK697347: Ukraine. Autonomous Republic of Crimea. Sudak. Car parked outside the Genoese medieval Fortress. / Bridgeman Images

ID: TRK697347

Ukraine. Autonomous Republic of Crimea. Sudak. Car parked outside the Genoese medieval Fortress.

Fernando Calderon Collantes, 1st Marquis of Reinosa (engraving)
Fernando Calderon Collantes, 1st Marquis of Reinosa (engraving)

TRK697011: Fernando Calderon Collantes, 1st Marquis of Reinosa (engraving) / Bridgeman Images

ID: TRK697011

Fernando Calderon Collantes, 1st Marquis of Reinosa (engraving)

Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs. Detail of the head. Pergamon Museum. Berlin. Germany.
Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs. Detail of the head. Pergamon Museum. Berlin. Germany.

TRK697407: Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs. Detail of the head. Pergamon Museum. Berlin. Germany. / Bridgeman Images

ID: TRK697407

Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C. during the reign of Nebuchadnezzar II (604-562 BC) using glazed blue brick with alternating rows of basrelief with dragons mushussu, also called sirrush, and aurochs. It was dedicated to the Babylonian goddess Ishtar. Rebuilt in 1930. An aurochs. Detail of the head. Pergamon Museum. Berlin. Germany.

Spain. Galicia. Chapel of Saint Thecla of Abeleda. Exterior.
Spain. Galicia. Chapel of Saint Thecla of Abeleda. Exterior.

TRK697264: Spain. Galicia. Chapel of Saint Thecla of Abeleda. Exterior. / Bridgeman Images

ID: TRK697264

Spain. Galicia. Chapel of Saint Thecla of Abeleda. Exterior.

Une Forme a Venoix, 1881 (oil on canvas)
Une Forme a Venoix, 1881 (oil on canvas)

OVR695245: Une Forme a Venoix, 1881 (oil on canvas), Skredsvig, Christian Eriksen (1854-1924) / Bridgeman Images

ID: OVR695245

Une Forme a Venoix, 1881 (oil on canvas)

Skredsvig, Christian Eriksen (1854-1924)

Conway Castle, c.1830 (watercolour over pencil with gouache on paper)
Conway Castle, c.1830 (watercolour over pencil with gouache on paper)

WGL697005: Conway Castle, c.1830 (watercolour over pencil with gouache on paper), Wint, Peter de (1784-1849) / Bridgeman Images

ID: WGL697005

Conway Castle, c.1830 (watercolour over pencil with gouache on paper)

Wint, Peter de (1784-1849)

A CURE for a SMOKY CHIMNEY!!, drawn by G. M. Woodward, 1808 (hand-coloured engraving)
A CURE for a SMOKY CHIMNEY!!, drawn by G. M. Woodward, 1808 (hand-coloured engraving)

JEF695549: A CURE for a SMOKY CHIMNEY!!, drawn by G. M. Woodward, 1808 (hand-coloured engraving), English School, (19th century) (after) / Bridgeman Images

ID: JEF695549

A CURE for a SMOKY CHIMNEY!!, drawn by G. M. Woodward, 1808 (hand-coloured engraving)

English School, (19th century) (after)

Ms 57 fol.135v Ascension of holy souls, from the Hours of Cardinal Wolsey, c.1400 (gouache, bodycolour & gilding on vellum)
Ms 57 fol.135v Ascension of holy souls, from the Hours of Cardinal Wolsey, c.1400 (gouache, bodycolour & gilding on vellum)

STY698590: Ms 57 fol.135v Ascension of holy souls, from the Hours of Cardinal Wolsey, c.1400 (gouache, bodycolour & gilding on vellum), Master of the Gold Scrolls (15th century) (attr. to) / Bridgeman Images

ID: STY698590

Ms 57 fol.135v Ascension of holy souls, from the Hours of Cardinal Wolsey, c.1400 (gouache, bodycolour & gilding on vellum)

Master of the Gold Scrolls (15th century) (attr. to)

Ms 37 fol.192r John the Baptist, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)
Ms 37 fol.192r John the Baptist, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

STY698461: Ms 37 fol.192r John the Baptist, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum), English School, (15th century) / Bridgeman Images

ID: STY698461

Ms 37 fol.192r John the Baptist, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

English School, (15th century)

Plan of the investment of York and Gloucester (Va.) [Yorktown], c.February 1782 (litho)
Plan of the investment of York and Gloucester (Va.) [Yorktown], c.February 1782 (litho)

GLC696020: Plan of the investment of York and Gloucester (Va.) [Yorktown], c.February 1782 (litho), Bauman, Sebastian (1739-1803) / Bridgeman Images

ID: GLC696020

Plan of the investment of York and Gloucester (Va.) [Yorktown], c.February 1782 (litho)

Bauman, Sebastian (1739-1803)

Constitution, first printing, printed by Dunlap & Claypoole, 17-19 September 1787 (litho) (see GLC 695934 for page 2)
Constitution, first printing, printed by Dunlap & Claypoole, 17-19 September 1787 (litho) (see GLC 695934 for page 2)

GLC695933: Constitution, first printing, printed by Dunlap & Claypoole, 17-19 September 1787 (litho) (see GLC 695934 for page 2), American School, (18th century) / Bridgeman Images

ID: GLC695933

Constitution, first printing, printed by Dunlap & Claypoole, 17-19 September 1787 (litho) (see GLC 695934 for page 2)

American School, (18th century)

Untitled (woman yawning), c.1780 (mezzotint)
Untitled (woman yawning), c.1780 (mezzotint)

JEF695558: Untitled (woman yawning), c.1780 (mezzotint), English School, (18th century) / Bridgeman Images

ID: JEF695558

Untitled (woman yawning), c.1780 (mezzotint)

English School, (18th century)

Ms 33 fol.4r Page from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum)
Ms 33 fol.4r Page from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum)

STY698486: Ms 33 fol.4r Page from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum), French School, (15th century) / Bridgeman Images

ID: STY698486

Ms 33 fol.4r Page from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum)

French School, (15th century)

Ms 59 fol.47r Crucifixion, from the Hours of Madeleine Levesque, c.1480 (gouache & bodycolour on vellum)
Ms 59 fol.47r Crucifixion, from the Hours of Madeleine Levesque, c.1480 (gouache & bodycolour on vellum)

STY698616: Ms 59 fol.47r Crucifixion, from the Hours of Madeleine Levesque, c.1480 (gouache & bodycolour on vellum), Maitre Francois (15th century) / Bridgeman Images

ID: STY698616

Ms 59 fol.47r Crucifixion, from the Hours of Madeleine Levesque, c.1480 (gouache & bodycolour on vellum)

Maitre Francois (15th century)

Ms 33 fol.87r King David, from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum)
Ms 33 fol.87r King David, from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum)

STY698455: Ms 33 fol.87r King David, from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum), French School, (15th century) / Bridgeman Images

ID: STY698455

Ms 33 fol.87r King David, from the 'Heures de Nostre Dame', c.1430 (gouache, bodycolour & gilding on vellum)

French School, (15th century)

St. Luke, c.1780 (pencil on paper)
St. Luke, c.1780 (pencil on paper)

STY698411: St. Luke, c.1780 (pencil on paper), Cades, Giuseppe (1750-99) / Bridgeman Images

ID: STY698411

St. Luke, c.1780 (pencil on paper)

Cades, Giuseppe (1750-99)

Ms 37 fol.190r Trinity with symbols of the Evangelists, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)
Ms 37 fol.190r Trinity with symbols of the Evangelists, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

STY698459: Ms 37 fol.190r Trinity with symbols of the Evangelists, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum), English School, (15th century) / Bridgeman Images

ID: STY698459

Ms 37 fol.190r Trinity with symbols of the Evangelists, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

English School, (15th century)

Ms 37 fol.195v St Nicholas, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)
Ms 37 fol.195v St Nicholas, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

STY698464: Ms 37 fol.195v St Nicholas, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum), English School, (15th century) / Bridgeman Images

ID: STY698464

Ms 37 fol.195v St Nicholas, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

English School, (15th century)

Inaugural address of John Quincy Adams, 4th March 1825 (litho) (see also GLC 696060)
Inaugural address of John Quincy Adams, 4th March 1825 (litho) (see also GLC 696060)

GLC696059: Inaugural address of John Quincy Adams, 4th March 1825 (litho) (see also GLC 696060), American School, (19th century) / Bridgeman Images

ID: GLC696059

Inaugural address of John Quincy Adams, 4th March 1825 (litho) (see also GLC 696060)

American School, (19th century)

Ms 60 fol.32r Text with flower border, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum)
Ms 60 fol.32r Text with flower border, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum)

STY698634: Ms 60 fol.32r Text with flower border, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum), Flemish School, (15th century) / Bridgeman Images

ID: STY698634

Ms 60 fol.32r Text with flower border, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum)

Flemish School, (15th century)

Ms 60 fol.104v Mass for Burial of the Dead, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum)
Ms 60 fol.104v Mass for Burial of the Dead, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum)

STY698652: Ms 60 fol.104v Mass for Burial of the Dead, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum), Flemish School, (15th century) / Bridgeman Images

ID: STY698652

Ms 60 fol.104v Mass for Burial of the Dead, from the Hours of Katherine Bray, c.1480-90 (gouache & bodycolour on vellum)

Flemish School, (15th century)

Captain Jessamy learning the Proper Discipline of the Couch, c.1782 (hand-coloured mezzotint)
Captain Jessamy learning the Proper Discipline of the Couch, c.1782 (hand-coloured mezzotint)

JEF695579: Captain Jessamy learning the Proper Discipline of the Couch, c.1782 (hand-coloured mezzotint), English School, (18th century) / Bridgeman Images

ID: JEF695579

Captain Jessamy learning the Proper Discipline of the Couch, c.1782 (hand-coloured mezzotint)

English School, (18th century)

Ms 45 fol.32v St. Sebastian, from Preces Variae, c.1500 (gouache & bodycolour on vellum)
Ms 45 fol.32v St. Sebastian, from Preces Variae, c.1500 (gouache & bodycolour on vellum)

STY698551: Ms 45 fol.32v St. Sebastian, from Preces Variae, c.1500 (gouache & bodycolour on vellum), French School, (16th century) / Bridgeman Images

ID: STY698551

Ms 45 fol.32v St. Sebastian, from Preces Variae, c.1500 (gouache & bodycolour on vellum)

French School, (16th century)

Ms 37 fol.50r The Visitation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)
Ms 37 fol.50r The Visitation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

STY698467: Ms 37 fol.50r The Visitation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum), English School, (15th century) / Bridgeman Images

ID: STY698467

Ms 37 fol.50r The Visitation, from the Hours of Elizabeth Plantagenet, c.1475 (gouache & bodycolour on vellum)

English School, (15th century)

Sole, 1878 (litho)
Sole, 1878 (litho)

HNG699666: Sole, 1878 (litho), Burges, William (1827-81) / Bridgeman Images

ID: HNG699666

Sole, 1878 (litho)

Burges, William (1827-81)

Church of Saint Vincent of Sarria. Built by Jose Mas Dordal. 18th century. Interior. Fresco depicting God Father. Barcelona. Spain.
Church of Saint Vincent of Sarria. Built by Jose Mas Dordal. 18th century. Interior. Fresco depicting God Father. Barcelona. Spain.

TRK697282: Church of Saint Vincent of Sarria. Built by Jose Mas Dordal. 18th century. Interior. Fresco depicting God Father. Barcelona. Spain. / Bridgeman Images

ID: TRK697282

Church of Saint Vincent of Sarria. Built by Jose Mas Dordal. 18th century. Interior. Fresco depicting God Father. Barcelona. Spain.

Urartu civilization. Statue. male figure. From Tushpa or Toprakkale. 7th century B.C. Turkey. Pergamon Museum. Berlin. Germany.
Urartu civilization. Statue. male figure. From Tushpa or Toprakkale. 7th century B.C. Turkey. Pergamon Museum. Berlin. Germany.

TRK697417: Urartu civilization. Statue. male figure. From Tushpa or Toprakkale. 7th century B.C. Turkey. Pergamon Museum. Berlin. Germany. / Bridgeman Images

ID: TRK697417

Urartu civilization. Statue. male figure. From Tushpa or Toprakkale. 7th century B.C. Turkey. Pergamon Museum. Berlin. Germany.

Shepherd Girls, 1881 (oil on canvas)
Shepherd Girls, 1881 (oil on canvas)

OVR695225: Shepherd Girls, 1881 (oil on canvas), Skredsvig, Christian Eriksen (1854-1924) / Bridgeman Images

ID: OVR695225

Shepherd Girls, 1881 (oil on canvas)

Skredsvig, Christian Eriksen (1854-1924)

Untitled (oil on canvas)
Untitled (oil on canvas)

OVR695251: Untitled (oil on canvas), Skredsvig, Christian Eriksen (1854-1924) / Bridgeman Images

ID: OVR695251

Untitled (oil on canvas)

Skredsvig, Christian Eriksen (1854-1924)

Caracalla (188- 217). Roman emperor from 198 to 217. Bust. Child portrait. Marble. C. 203-204 A.D. From Rome. Carlsberg Glyptotek Museum. Copenhagen. Denmark.
Caracalla (188- 217). Roman emperor from 198 to 217. Bust. Child portrait. Marble. C. 203-204 A.D. From Rome. Carlsberg Glyptotek Museum. Copenhagen. Denmark.

TRK697497: Caracalla (188- 217). Roman emperor from 198 to 217. Bust. Child portrait. Marble. C. 203-204 A.D. From Rome. Carlsberg Glyptotek Museum. Copenhagen. Denmark. / Bridgeman Images

ID: TRK697497

Caracalla (188- 217). Roman emperor from 198 to 217. Bust. Child portrait. Marble. C. 203-204 A.D. From Rome. Carlsberg Glyptotek Museum. Copenhagen. Denmark.

The General Officer Arrius Justus. 300 A.C. Marble. Carlsberg Glyptotek Museum. Copenhagen. Denmark.
The General Officer Arrius Justus. 300 A.C. Marble. Carlsberg Glyptotek Museum. Copenhagen. Denmark.

TRK697491: The General Officer Arrius Justus. 300 A.C. Marble. Carlsberg Glyptotek Museum. Copenhagen. Denmark. / Bridgeman Images

ID: TRK697491

The General Officer Arrius Justus. 300 A.C. Marble. Carlsberg Glyptotek Museum. Copenhagen. Denmark.

Albanian, 19th century (engraving)
Albanian, 19th century (engraving)

TRK697065: Albanian, 19th century (engraving) / Bridgeman Images

ID: TRK697065

Albanian, 19th century (engraving)


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