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Family Going for a Walk, 1951 (dental plaster) (see also 393189)
Family Going for a Walk, 1951 (dental plaster) (see also 393189)

JSC383781: Family Going for a Walk, 1951 (dental plaster) (see also 393189), Armitage, Kenneth (1916-2002) / Bridgeman Images

ID: JSC383781

Family Going for a Walk, 1951 (dental plaster) (see also 393189)

Armitage, Kenneth (1916-2002)

Landscape (oil on canvas)
Landscape (oil on canvas)

XIR383915: Landscape (oil on canvas), Bloemen, Jan Frans van (Orizonte) (1662-1749) / Bridgeman Images

ID: XIR383915

Landscape (oil on canvas)

Bloemen, Jan Frans van (Orizonte) (1662-1749)

The banks of the Loire, 1887 (watercolour on paper)
The banks of the Loire, 1887 (watercolour on paper)

XIR383942: The banks of the Loire, 1887 (watercolour on paper), Morisot, Berthe (1841-95) / Bridgeman Images

ID: XIR383942

The banks of the Loire, 1887 (watercolour on paper)

Morisot, Berthe (1841-95)

Venice (pencil & watercolour on paper)
Venice (pencil & watercolour on paper)

XIR383982: Venice (pencil & watercolour on paper), Rouart, Henri (1833-1912) / Bridgeman Images

ID: XIR383982

Venice (pencil & watercolour on paper)

Rouart, Henri (1833-1912)

Self portrait (pencil on paper)
Self portrait (pencil on paper)

XJF384045: Self portrait (pencil on paper), Cruikshank, George (1792-1878) / Bridgeman Images

ID: XJF384045

Self portrait (pencil on paper)

Cruikshank, George (1792-1878)

Silence is Golden (mixed media)
Silence is Golden (mixed media)

JSC383760: Silence is Golden (mixed media), Maddox, Conroy (1912-2005) / Bridgeman Images

ID: JSC383760

Silence is Golden (mixed media)

Maddox, Conroy (1912-2005)

Raku pot (ceramic)
Raku pot (ceramic)

JSC383793: Raku pot (ceramic), Roberts, David (b.1947) / Bridgeman Images

ID: JSC383793

Raku pot (ceramic)

Roberts, David (b.1947)

Auntie Lizzie, 1991 (mixed media)
Auntie Lizzie, 1991 (mixed media)

JSC383803: Auntie Lizzie, 1991 (mixed media), Curtis, Maggie (fl. 1983-2008) / Bridgeman Images

ID: JSC383803

Auntie Lizzie, 1991 (mixed media)

Curtis, Maggie (fl. 1983-2008)

Austen Chamberlain (b/w photo)
Austen Chamberlain (b/w photo)

XJF384049: Austen Chamberlain (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF384049

Austen Chamberlain (b/w photo)

English Photographer, (20th century)

Beach in Brittany (w/c on paper)
Beach in Brittany (w/c on paper)

ECF383593: Beach in Brittany (w/c on paper), Flight, Claude (1881-1955) / Bridgeman Images

ID: ECF383593

Beach in Brittany (w/c on paper)

Flight, Claude (1881-1955)

Fan design, 1911 (pochoir print)
Fan design, 1911 (pochoir print)

STC383628: Fan design, 1911 (pochoir print), Barbier, Georges (1882-1932) / Bridgeman Images

ID: STC383628

Fan design, 1911 (pochoir print)

Barbier, Georges (1882-1932)

English women of the Elizabethan era, 1598 (hand coloured copper engraving)
English women of the Elizabethan era, 1598 (hand coloured copper engraving)

KDC384167: English women of the Elizabethan era, 1598 (hand coloured copper engraving), Hoefnagel, Joris (1542-1600) / Bridgeman Images

ID: KDC384167

English women of the Elizabethan era, 1598 (hand coloured copper engraving)

Hoefnagel, Joris (1542-1600)

Handwriting and signature of Alexander Pope from a letter to Lord Halifax asking him not to forget his translation of Homer, which he had given to Lord Halifax prior to publication and thanking him for favours and generosity, 3 December, 1714 (pen & ink on paper) (see also 441038)
Handwriting and signature of Alexander Pope from a letter to Lord Halifax asking him not to forget his translation of Homer, which he had given to Lord Halifax prior to publication and thanking him for favours and generosity, 3 December, 1714 (pen & ink on paper) (see also 441038)

KDC384181: Handwriting and signature of Alexander Pope from a letter to Lord Halifax asking him not to forget his translation of Homer, which he had given to Lord Halifax prior to publication and thanking him for favours and generosity, 3 December, 1714 (pen & ink on paper) (see also 441038), Pope, Alexander (1688-1744) / Bridgeman Images

ID: KDC384181

Handwriting and signature of Alexander Pope from a letter to Lord Halifax asking him not to forget his translation of Homer, which he had given to Lord Halifax prior to publication and thanking him for favours and generosity, 3 December, 1714 (pen & ink on paper) (see also 441038)

Pope, Alexander (1688-1744)

Thames Head, 1793 (litho)
Thames Head, 1793 (litho)

KDC384217: Thames Head, 1793 (litho), Farington, Joseph (1747-1821) (after) / Bridgeman Images

ID: KDC384217

Thames Head, 1793 (litho)

Farington, Joseph (1747-1821) (after)

First card of a pack of Japanese playing cards with the beginning of a poem and a portrait of the poet, 1893 (litho) (see also 384255)
First card of a pack of Japanese playing cards with the beginning of a poem and a portrait of the poet, 1893 (litho) (see also 384255)

KDC384251: First card of a pack of Japanese playing cards with the beginning of a poem and a portrait of the poet, 1893 (litho) (see also 384255), Japanese School, (19th century) (after) / Bridgeman Images

ID: KDC384251

First card of a pack of Japanese playing cards with the beginning of a poem and a portrait of the poet, 1893 (litho) (see also 384255)

Japanese School, (19th century) (after)

The King and Queen of Abyssinia, 1893 (litho)
The King and Queen of Abyssinia, 1893 (litho)

KDC384275: The King and Queen of Abyssinia, 1893 (litho), English School, (19th century) / Bridgeman Images

ID: KDC384275

The King and Queen of Abyssinia, 1893 (litho)

English School, (19th century)

Dorset Pastoral (w/c on paper)
Dorset Pastoral (w/c on paper)

XPG382020: Dorset Pastoral (w/c on paper), Hayes, Claude (1852-1922) / Bridgeman Images

ID: XPG382020

Dorset Pastoral (w/c on paper)

Hayes, Claude (1852-1922)

Racing to the Medway Buoy (oil on canvas)
Racing to the Medway Buoy (oil on canvas)

XPG382040: Racing to the Medway Buoy (oil on canvas), Denton, Kenneth (b.1932) / Bridgeman Images

ID: XPG382040

Racing to the Medway Buoy (oil on canvas)

Denton, Kenneth (b.1932)

June Morning near Swaffham (oil on canvas)
June Morning near Swaffham (oil on canvas)

XPG382050: June Morning near Swaffham (oil on canvas), Denton, Kenneth (b.1932) / Bridgeman Images

ID: XPG382050

June Morning near Swaffham (oil on canvas)

Denton, Kenneth (b.1932)

Across the Bay (oil on canvas)
Across the Bay (oil on canvas)

XPG382060: Across the Bay (oil on canvas), Dolland, William Anstey (1858-1929) / Bridgeman Images

ID: XPG382060

Across the Bay (oil on canvas)

Dolland, William Anstey (1858-1929)

The Fencing Lesson, 1893 (w/c on paper)
The Fencing Lesson, 1893 (w/c on paper)

XPG382086: The Fencing Lesson, 1893 (w/c on paper), Evans, Frederick James McNamara (fl.1886-1930) / Bridgeman Images

ID: XPG382086

The Fencing Lesson, 1893 (w/c on paper)

Evans, Frederick James McNamara (fl.1886-1930)

Collage 5, 2006 (digital print)
Collage 5, 2006 (digital print)

JSC382122: Collage 5, 2006 (digital print), Renzio, Toni Del (1915-2007) / Bridgeman Images

ID: JSC382122

Collage 5, 2006 (digital print)

Renzio, Toni Del (1915-2007)

The Initiation, 1950 (w/c on paper)
The Initiation, 1950 (w/c on paper)

JSC382136: The Initiation, 1950 (w/c on paper), Earnshaw, Anthony (1924-2001) / Bridgeman Images

ID: JSC382136

The Initiation, 1950 (w/c on paper)

Earnshaw, Anthony (1924-2001)

Study for 'Black Crab', 1952 (gouache & pencil on paper)
Study for 'Black Crab', 1952 (gouache & pencil on paper)

JSC382144: Study for 'Black Crab', 1952 (gouache & pencil on paper), Meadows, Bernard William (1915-2005) / Bridgeman Images

ID: JSC382144

Study for 'Black Crab', 1952 (gouache & pencil on paper)

Meadows, Bernard William (1915-2005)

'You are sentenced to death', back cover illustration from 'Police Magazine', 14th December 1930 (photolitho)
'You are sentenced to death', back cover illustration from 'Police Magazine', 14th December 1930 (photolitho)

LSR382320: 'You are sentenced to death', back cover illustration from 'Police Magazine', 14th December 1930 (photolitho), French Photographer, (20th century) / Bridgeman Images

ID: LSR382320

'You are sentenced to death', back cover illustration from 'Police Magazine', 14th December 1930 (photolitho)

French Photographer, (20th century)

Coulsdon Common, 1910 (w/c on paper)
Coulsdon Common, 1910 (w/c on paper)

CRD381781: Coulsdon Common, 1910 (w/c on paper), Acock, Walter William (fl. 1870-1910) / Bridgeman Images

ID: CRD381781

Coulsdon Common, 1910 (w/c on paper)

Acock, Walter William (fl. 1870-1910)

Brighton Pier, 1958 (screenprint)
Brighton Pier, 1958 (screenprint)

CRD381795: Brighton Pier, 1958 (screenprint), Bawden, Edward (1903-89) / Bridgeman Images

ID: CRD381795

Brighton Pier, 1958 (screenprint)

Bawden, Edward (1903-89)

The Shrimpers (oil on canvas)
The Shrimpers (oil on canvas)

XPG381823: The Shrimpers (oil on canvas), Jameson, Frank (1899-1968) / Bridgeman Images

ID: XPG381823

The Shrimpers (oil on canvas)

Jameson, Frank (1899-1968)

In the Woods (w/c on paper)
In the Woods (w/c on paper)

XPG381836: In the Woods (w/c on paper), Caffieri, Hector (1847-1932) / Bridgeman Images

ID: XPG381836

In the Woods (w/c on paper)

Caffieri, Hector (1847-1932)

The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358)
The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358)

XIR382335: The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR382335

The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358)

Monet, Claude (1840-1926)

First page of 'Satires' by Nicolas Boileau, known as Boileau-Despreaux, published in 1685 (engraving)
First page of 'Satires' by Nicolas Boileau, known as Boileau-Despreaux, published in 1685 (engraving)

XIR382353: First page of 'Satires' by Nicolas Boileau, known as Boileau-Despreaux, published in 1685 (engraving), French School, (17th century) / Bridgeman Images

ID: XIR382353

First page of 'Satires' by Nicolas Boileau, known as Boileau-Despreaux, published in 1685 (engraving)

French School, (17th century)

Rachel and Laura (albumen print)
Rachel and Laura (albumen print)

REV382377: Rachel and Laura (albumen print), Cameron, Julia Margaret (1815-79) / Bridgeman Images

ID: REV382377

Rachel and Laura (albumen print)

Cameron, Julia Margaret (1815-79)

La Fanfarlo, illustration of 'Les Paradis artificiels' by Charles Baudelaire 1821-67) Paris, Editions Nilsson, 1933 (colour litho)
La Fanfarlo, illustration of 'Les Paradis artificiels' by Charles Baudelaire 1821-67) Paris, Editions Nilsson, 1933 (colour litho)

LSR382464: La Fanfarlo, illustration of 'Les Paradis artificiels' by Charles Baudelaire 1821-67) Paris, Editions Nilsson, 1933 (colour litho), Laboccetta, Mario (1899-1988) / Bridgeman Images

ID: LSR382464

La Fanfarlo, illustration of 'Les Paradis artificiels' by Charles Baudelaire 1821-67) Paris, Editions Nilsson, 1933 (colour litho)

Laboccetta, Mario (1899-1988)

Prince Adam George Czartoryski, 1831 (lithograph)
Prince Adam George Czartoryski, 1831 (lithograph)

XIR382398: Prince Adam George Czartoryski, 1831 (lithograph), French School, (19th century) / Bridgeman Images

ID: XIR382398

Prince Adam George Czartoryski, 1831 (lithograph)

French School, (19th century)

Borne indicating the Polar circle, Saltfjellet (photo)
Borne indicating the Polar circle, Saltfjellet (photo)

CLG382587: Borne indicating the Polar circle, Saltfjellet (photo), Guillaume, Clement / Bridgeman Images

ID: CLG382587

Borne indicating the Polar circle, Saltfjellet (photo)

Guillaume, Clement

View of the cloister, Musee des Monuments Francais, Paris, illustration from 'Vues pittoresques et perspectives des salles du Musee des Monuments Francais et des principaux ouvrages...', engraved by Jean Baptiste Baptiste Reville (1767-1825) 1816 (etching)
View of the cloister, Musee des Monuments Francais, Paris, illustration from 'Vues pittoresques et perspectives des salles du Musee des Monuments Francais et des principaux ouvrages...', engraved by Jean Baptiste Baptiste Reville (1767-1825) 1816 (etching)

XIR382617: View of the cloister, Musee des Monuments Francais, Paris, illustration from 'Vues pittoresques et perspectives des salles du Musee des Monuments Francais et des principaux ouvrages...', engraved by Jean Baptiste Baptiste Reville (1767-1825) 1816 (etching), Vauzelle, Jean Lubin (1776-c.1837) / Bridgeman Images

ID: XIR382617

View of the cloister, Musee des Monuments Francais, Paris, illustration from 'Vues pittoresques et perspectives des salles du Musee des Monuments Francais et des principaux ouvrages...', engraved by Jean Baptiste Baptiste Reville (1767-1825) 1816 (etching)

Vauzelle, Jean Lubin (1776-c.1837)


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