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Designs for printed fabrics, from 'Decorative Sketches', c.1895 (colour litho)
Designs for printed fabrics, from 'Decorative Sketches', c.1895 (colour litho)

STC420656: Designs for printed fabrics, from 'Decorative Sketches', c.1895 (colour litho), Binet, Rene (1866-1911) / Bridgeman Images

ID: STC420656

Designs for printed fabrics, from 'Decorative Sketches', c.1895 (colour litho)

Binet, Rene (1866-1911)

Ocean Fantasies, late 1920s-1930s (colour litho)
Ocean Fantasies, late 1920s-1930s (colour litho)

STC420694: Ocean Fantasies, late 1920s-1930s (colour litho), French School, (20th century) / Bridgeman Images

ID: STC420694

Ocean Fantasies, late 1920s-1930s (colour litho)

French School, (20th century)

A Happy New Year To You (colour litho)
A Happy New Year To You (colour litho)

STC420697: A Happy New Year To You (colour litho), English School, (19th century) / Bridgeman Images

ID: STC420697

A Happy New Year To You (colour litho)

English School, (19th century)

The Judgement of Paris, from 'A Vision of Greece', published 1925 (colour litho)
The Judgement of Paris, from 'A Vision of Greece', published 1925 (colour litho)

STC414229: The Judgement of Paris, from 'A Vision of Greece', published 1925 (colour litho), Willoughby, Vera (fl.1905-32) / Bridgeman Images

ID: STC414229

The Judgement of Paris, from 'A Vision of Greece', published 1925 (colour litho)

Willoughby, Vera (fl.1905-32)

Pattinee Dewa, the Four Hill Guards, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho)
Pattinee Dewa, the Four Hill Guards, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho)

STC414238: Pattinee Dewa, the Four Hill Guards, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho), English School, (19th century) / Bridgeman Images

ID: STC414238

Pattinee Dewa, the Four Hill Guards, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho)

English School, (19th century)

View of a Mosque at Chunar Gur, 1786 (aquatint)
View of a Mosque at Chunar Gur, 1786 (aquatint)

STC414255: View of a Mosque at Chunar Gur, 1786 (aquatint), Hodges, William (1744-97) / Bridgeman Images

ID: STC414255

View of a Mosque at Chunar Gur, 1786 (aquatint)

Hodges, William (1744-97)

Elizabethan style entrance hall (colour litho)
Elizabethan style entrance hall (colour litho)

STC414262: Elizabethan style entrance hall (colour litho), Lovell, Richard Goulburn (1861-1937) / Bridgeman Images

ID: STC414262

Elizabethan style entrance hall (colour litho)

Lovell, Richard Goulburn (1861-1937)

Life of Christ, Christ before Herod, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris, c.1585-90 (pierre noire & wash & white highlights on paper)
Life of Christ, Christ before Herod, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris, c.1585-90 (pierre noire & wash & white highlights on paper)

XIR414565: Life of Christ, Christ before Herod, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris, c.1585-90 (pierre noire & wash & white highlights on paper), Lerambert, Henri (1550-1609) / Bridgeman Images

ID: XIR414565

Life of Christ, Christ before Herod, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris, c.1585-90 (pierre noire & wash & white highlights on paper)

Lerambert, Henri (1550-1609)

A horseman holding a roemer of wine with an ostler tending the horses, possibly 1656 (oil on canvas)
A horseman holding a roemer of wine with an ostler tending the horses, possibly 1656 (oil on canvas)

SFA413906: A horseman holding a roemer of wine with an ostler tending the horses, possibly 1656 (oil on canvas), Dujardin, Karel (1626-78) / Bridgeman Images

ID: SFA413906

A horseman holding a roemer of wine with an ostler tending the horses, possibly 1656 (oil on canvas)

Dujardin, Karel (1626-78)

The Road to Chernomor (w/c & gouache on paper)
The Road to Chernomor (w/c & gouache on paper)

SFA413919: The Road to Chernomor (w/c & gouache on paper), Charlemagne, Adolf Jossifowitsch (1826-1901) / Bridgeman Images

ID: SFA413919

The Road to Chernomor (w/c & gouache on paper)

Charlemagne, Adolf Jossifowitsch (1826-1901)

Character symbolising Turkey (oil on canvas)
Character symbolising Turkey (oil on canvas)

SFA413926: Character symbolising Turkey (oil on canvas), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: SFA413926

Character symbolising Turkey (oil on canvas)

Gerome, Jean Leon (1824-1904)

Near Box Hill, Surrey, 1820 (w/c on paper)
Near Box Hill, Surrey, 1820 (w/c on paper)

SFA413941: Near Box Hill, Surrey, 1820 (w/c on paper), Hills, Robert (1769-1844) / Bridgeman Images

ID: SFA413941

Near Box Hill, Surrey, 1820 (w/c on paper)

Hills, Robert (1769-1844)

Stage Design for 'The Firebird’, Act II (pencil, watercolour, gouache & gold on paper)
Stage Design for 'The Firebird’, Act II (pencil, watercolour, gouache & gold on paper)

SFA413945: Stage Design for 'The Firebird’, Act II (pencil, watercolour, gouache & gold on paper), Goncharova, Natalia (1881-1962) / Bridgeman Images

ID: SFA413945

Stage Design for 'The Firebird’, Act II (pencil, watercolour, gouache & gold on paper)

Goncharova, Natalia (1881-1962)

Hunting with Borzoi, 1890 (pen, brush & black ink and gouache on paper)
Hunting with Borzoi, 1890 (pen, brush & black ink and gouache on paper)

SFA413952: Hunting with Borzoi, 1890 (pen, brush & black ink and gouache on paper), Sokolov, Pyotr Petrovich (1821-99) / Bridgeman Images

ID: SFA413952

Hunting with Borzoi, 1890 (pen, brush & black ink and gouache on paper)

Sokolov, Pyotr Petrovich (1821-99)

Cabinet (ebony, ivory & tortoiseshell) (see also 413962-4)
Cabinet (ebony, ivory & tortoiseshell) (see also 413962-4)

SFA413961: Cabinet (ebony, ivory & tortoiseshell) (see also 413962-4), Flemish School, (17th century) / Bridgeman Images

ID: SFA413961

Cabinet (ebony, ivory & tortoiseshell) (see also 413962-4)

Flemish School, (17th century)

William, Duke of Aquitaine, converted by St. Bernard (oil on canvas)
William, Duke of Aquitaine, converted by St. Bernard (oil on canvas)

XIR414009: William, Duke of Aquitaine, converted by St. Bernard (oil on canvas), Crayer, Gaspar de (1584-1669) / Bridgeman Images

ID: XIR414009

William, Duke of Aquitaine, converted by St. Bernard (oil on canvas)

Crayer, Gaspar de (1584-1669)

Handmaiden (oil on canvas)
Handmaiden (oil on canvas)

XIR414023: Handmaiden (oil on canvas), French School, (16th century) / Bridgeman Images

ID: XIR414023

Handmaiden (oil on canvas)

French School, (16th century)

Drinking to the extinction of old fetishisms, from 'L'Assiette au Beurre', 14 March 1903 (engraving)
Drinking to the extinction of old fetishisms, from 'L'Assiette au Beurre', 14 March 1903 (engraving)

XIR414045: Drinking to the extinction of old fetishisms, from 'L'Assiette au Beurre', 14 March 1903 (engraving), Jossot, Henri Gustave (1866-1951) / Bridgeman Images

ID: XIR414045

Drinking to the extinction of old fetishisms, from 'L'Assiette au Beurre', 14 March 1903 (engraving)

Jossot, Henri Gustave (1866-1951)

Still life (oil on canvas)
Still life (oil on canvas)

XIR414096: Still life (oil on canvas), French School, (17th century) / Bridgeman Images

ID: XIR414096

Still life (oil on canvas)

French School, (17th century)

The Coast of Crimea, c.1842 (w/c on paper)
The Coast of Crimea, c.1842 (w/c on paper)

SFA413901: The Coast of Crimea, c.1842 (w/c on paper), Bossoli, Carlo (1815-84) / Bridgeman Images

ID: SFA413901

The Coast of Crimea, c.1842 (w/c on paper)

Bossoli, Carlo (1815-84)

On the Bosphorus (watercolour over pencil on paper)
On the Bosphorus (watercolour over pencil on paper)

SFA413917: On the Bosphorus (watercolour over pencil on paper), Pavlikevitch, J. (20th century) / Bridgeman Images

ID: SFA413917

On the Bosphorus (watercolour over pencil on paper)

Pavlikevitch, J. (20th century)

A winter landscape with figures and their sheep on a track (oil on panel)
A winter landscape with figures and their sheep on a track (oil on panel)

SFA413937: A winter landscape with figures and their sheep on a track (oil on panel), Morland, George (1763-1804) / Bridgeman Images

ID: SFA413937

A winter landscape with figures and their sheep on a track (oil on panel)

Morland, George (1763-1804)

Portrait of the Right Honourable William Pitt the Younger (oil on canvas)
Portrait of the Right Honourable William Pitt the Younger (oil on canvas)

SFA413949: Portrait of the Right Honourable William Pitt the Younger (oil on canvas), Hoppner, John (1758-1810) / Bridgeman Images

ID: SFA413949

Portrait of the Right Honourable William Pitt the Younger (oil on canvas)

Hoppner, John (1758-1810)

Portrait of Maria Walpole, 1765 (oil on canvas)
Portrait of Maria Walpole, 1765 (oil on canvas)

SFA413960: Portrait of Maria Walpole, 1765 (oil on canvas), Cotes, Francis (1726-70) / Bridgeman Images

ID: SFA413960

Portrait of Maria Walpole, 1765 (oil on canvas)

Cotes, Francis (1726-70)

Portrait of a man (oil on canvas)
Portrait of a man (oil on canvas)

SFA413975: Portrait of a man (oil on canvas), Danloux, Henri-Pierre (1753-1809) / Bridgeman Images

ID: SFA413975

Portrait of a man (oil on canvas)

Danloux, Henri-Pierre (1753-1809)

The Flight into Egypt (oil on canvas)
The Flight into Egypt (oil on canvas)

XIR414027: The Flight into Egypt (oil on canvas), Mirou, Anton (c.1586-c.1661) / Bridgeman Images

ID: XIR414027

The Flight into Egypt (oil on canvas)

Mirou, Anton (c.1586-c.1661)

View of Dordrecht (oil on canvas)
View of Dordrecht (oil on canvas)

XIR414088: View of Dordrecht (oil on canvas), Vermeulen, Andries (1763-1814) / Bridgeman Images

ID: XIR414088

View of Dordrecht (oil on canvas)

Vermeulen, Andries (1763-1814)

The Path of the Cross (oil on canvas)
The Path of the Cross (oil on canvas)

XIR414095: The Path of the Cross (oil on canvas), Flemish School, (17th century) / Bridgeman Images

ID: XIR414095

The Path of the Cross (oil on canvas)

Flemish School, (17th century)

The Toilette of Ariadne, from 'A Vision of Greece', published 1925 (colour litho)
The Toilette of Ariadne, from 'A Vision of Greece', published 1925 (colour litho)

STC414232: The Toilette of Ariadne, from 'A Vision of Greece', published 1925 (colour litho), Willoughby, Vera (fl.1905-32) / Bridgeman Images

ID: STC414232

The Toilette of Ariadne, from 'A Vision of Greece', published 1925 (colour litho)

Willoughby, Vera (fl.1905-32)

Hill Village in the District of Bauhelepoor, 1787 (aquatint)
Hill Village in the District of Bauhelepoor, 1787 (aquatint)

STC414259: Hill Village in the District of Bauhelepoor, 1787 (aquatint), Hodges, William (1744-97) / Bridgeman Images

ID: STC414259

Hill Village in the District of Bauhelepoor, 1787 (aquatint)

Hodges, William (1744-97)

Opium smoker, illustration from 'Entre le ciel et l'eau' by Roland Dorgeles (1885-1973) 1930, Editions G. Gres, Paris (b/w etching)
Opium smoker, illustration from 'Entre le ciel et l'eau' by Roland Dorgeles (1885-1973) 1930, Editions G. Gres, Paris (b/w etching)

LSR414504: Opium smoker, illustration from 'Entre le ciel et l'eau' by Roland Dorgeles (1885-1973) 1930, Editions G. Gres, Paris (b/w etching), Corneau, Eugene (1894-1976) / Bridgeman Images

ID: LSR414504

Opium smoker, illustration from 'Entre le ciel et l'eau' by Roland Dorgeles (1885-1973) 1930, Editions G. Gres, Paris (b/w etching)

Corneau, Eugene (1894-1976)

Antoine Laurent Lavoisier (bronze)
Antoine Laurent Lavoisier (bronze)

XIR414589: Antoine Laurent Lavoisier (bronze), David d'Angers, Pierre Jean (1788-1856) / Bridgeman Images

ID: XIR414589

Antoine Laurent Lavoisier (bronze)

David d'Angers, Pierre Jean (1788-1856)

Back from the Consecration, Napoleon arriving at the Hotel de Ville, Paris, 1805 (pen & black ink & grey wash & graphite on paper)
Back from the Consecration, Napoleon arriving at the Hotel de Ville, Paris, 1805 (pen & black ink & grey wash & graphite on paper)

XIR414625: Back from the Consecration, Napoleon arriving at the Hotel de Ville, Paris, 1805 (pen & black ink & grey wash & graphite on paper), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: XIR414625

Back from the Consecration, Napoleon arriving at the Hotel de Ville, Paris, 1805 (pen & black ink & grey wash & graphite on paper)

David, Jacques Louis (1748-1825)

Fire of Moscow in September 1812 (pen & brown ink & grey wash & gouache highlights on paper)
Fire of Moscow in September 1812 (pen & brown ink & grey wash & gouache highlights on paper)

XIR414648: Fire of Moscow in September 1812 (pen & brown ink & grey wash & gouache highlights on paper), Gros, Baron Antoine Jean (1771-1835) / Bridgeman Images

ID: XIR414648

Fire of Moscow in September 1812 (pen & brown ink & grey wash & gouache highlights on paper)

Gros, Baron Antoine Jean (1771-1835)

Napoleon I receiving General Mack at the surrender of Ulm on 20th October 1805 (pen & ink on paper)
Napoleon I receiving General Mack at the surrender of Ulm on 20th October 1805 (pen & ink on paper)

XIR414654: Napoleon I receiving General Mack at the surrender of Ulm on 20th October 1805 (pen & ink on paper), Gros, Baron Antoine Jean (1771-1835) / Bridgeman Images

ID: XIR414654

Napoleon I receiving General Mack at the surrender of Ulm on 20th October 1805 (pen & ink on paper)

Gros, Baron Antoine Jean (1771-1835)

Half naked man supported by three men, study for 'Alexander the Great and Porus' or 'The Defeat of Porus', c.1665-73 (pierre noire & white chalk highlights on beige paper)
Half naked man supported by three men, study for 'Alexander the Great and Porus' or 'The Defeat of Porus', c.1665-73 (pierre noire & white chalk highlights on beige paper)

XIR414662: Half naked man supported by three men, study for 'Alexander the Great and Porus' or 'The Defeat of Porus', c.1665-73 (pierre noire & white chalk highlights on beige paper), Le Brun, Charles (1619-90) / Bridgeman Images

ID: XIR414662

Half naked man supported by three men, study for 'Alexander the Great and Porus' or 'The Defeat of Porus', c.1665-73 (pierre noire & white chalk highlights on beige paper)

Le Brun, Charles (1619-90)


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