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Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeare's “” Richard III”” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeare's “” Richard III”” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594838: Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeare's “” Richard III”” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

Mr. Edward Fitzwilliam as Looney Macwolter in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. Edward Fitzwilliam as Looney Macwolter in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594885: Mr. Edward Fitzwilliam as Looney Macwolter in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

Oil lamps, including the hydro-pneumatic lamp designed by R. W. King, Barton's oil lamp, and John Porter's automaton lamp. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.
Oil lamps, including the hydro-pneumatic lamp designed by R. W. King, Barton's oil lamp, and John Porter's automaton lamp. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.

FLO4591496: Oil lamps, including the hydro-pneumatic lamp designed by R. W. King, Barton's oil lamp, and John Porter's automaton lamp. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817. / Bridgeman Images

Agricultural gates, hangings and Fastenings.CopperPlate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Agricultural gates, hangings and Fastenings.CopperPlate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591516: Agricultural gates, hangings and Fastenings.CopperPlate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Idols. Schematic figurines, white marble with ochre incrustations, 3200-2000 BC
Idols. Schematic figurines, white marble with ochre incrustations, 3200-2000 BC

LRI4591644: Idols. Schematic figurines, white marble with ochre incrustations, 3200-2000 BC, Cycladic / Bridgeman Images

Schematic female figurine, white marble with ochre incrustations, 3200-2000 BC
Schematic female figurine, white marble with ochre incrustations, 3200-2000 BC

LRI4591657: Schematic female figurine, white marble with ochre incrustations, 3200-2000 BC, Cycladic / Bridgeman Images

Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591679: Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC
Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC

LRI4591680: Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC, Cycladic / Bridgeman Images

Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC
Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC

LRI4591700: Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC, Cycladic / Bridgeman Images

Hydraulics systems including floating action 1,2, hydromancy or water divination 3,4, and Archimedes' solution to the problem of Hiero's crown 5. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Hydraulics systems including floating action 1,2, hydromancy or water divination 3,4, and Archimedes' solution to the problem of Hiero's crown 5. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591722: Hydraulics systems including floating action 1,2, hydromancy or water divination 3,4, and Archimedes' solution to the problem of Hiero's crown 5. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

Types of fountains, 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Types of fountains, 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4591728: Types of fountains, 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

Schematic figurine sitting, white marble with ochre encrustations, 3200-2000 BC
Schematic figurine sitting, white marble with ochre encrustations, 3200-2000 BC

LRI4591730: Schematic figurine sitting, white marble with ochre encrustations, 3200-2000 BC, Cycladic / Bridgeman Images

Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591786: Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Female idol, schematic figurine, white marble, 3200-2000 BC
Female idol, schematic figurine, white marble, 3200-2000 BC

LRI4591797: Female idol, schematic figurine, white marble, 3200-2000 BC, Cycladic / Bridgeman Images

Thomas Telford's cast-iron aqueduct on the Shrewsbury Canal at Long (Longdon-upon-Tern) 1797, and Robert Fulton's design for an aqueduct. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Thomas Telford's cast-iron aqueduct on the Shrewsbury Canal at Long (Longdon-upon-Tern) 1797, and Robert Fulton's design for an aqueduct. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591847: Thomas Telford's cast-iron aqueduct on the Shrewsbury Canal at Long (Longdon-upon-Tern) 1797, and Robert Fulton's design for an aqueduct. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Furnaces including common air furnace, furnaces designed by Dr. Joseph Black (1728-1799), David Mushet (1772-1847) and Richard and George Knight of Foster Lane, and portable furnaces by Dr. Joseph Black and R. and G. Knight. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Furnaces including common air furnace, furnaces designed by Dr. Joseph Black (1728-1799), David Mushet (1772-1847) and Richard and George Knight of Foster Lane, and portable furnaces by Dr. Joseph Black and R. and G. Knight. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591886: Furnaces including common air furnace, furnaces designed by Dr. Joseph Black (1728-1799), David Mushet (1772-1847) and Richard and George Knight of Foster Lane, and portable furnaces by Dr. Joseph Black and R. and G. Knight. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Furnaces used by David Mushet (1772-1847) for his experiments on iron and steel, and used for tobacco pipe manufacture. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Furnaces used by David Mushet (1772-1847) for his experiments on iron and steel, and used for tobacco pipe manufacture. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4591898: Furnaces used by David Mushet (1772-1847) for his experiments on iron and steel, and used for tobacco pipe manufacture. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

Magna Graecia: amphora representing Poseidon with women, 550-525 BC
Magna Graecia: amphora representing Poseidon with women, 550-525 BC

LRI4591899: Magna Graecia: amphora representing Poseidon with women, 550-525 BC, Greek school, (6th century BC) / Bridgeman Images

Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4591904: Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC
Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC

LRI4591914: Female idol, schematic figurine, white marble with ochre inlays, 3200-2000 BC, Cycladic / Bridgeman Images

Magna graecia: bell krater representing the departure of Triptolemus, 470-450 BC
Magna graecia: bell krater representing the departure of Triptolemus, 470-450 BC

LRI4591948: Magna graecia: bell krater representing the departure of Triptolemus, 470-450 BC, Greek school, (5th century BC) / Bridgeman Images

Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591970: Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Roving can frame, used to produce finer thread in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Roving can frame, used to produce finer thread in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591985: Roving can frame, used to produce finer thread in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Magna Graecia: lekythos representing Theseus slaying Minotaur, c. 6th century BC
Magna Graecia: lekythos representing Theseus slaying Minotaur, c. 6th century BC

LRI4591986: Magna Graecia: lekythos representing Theseus slaying Minotaur, c. 6th century BC, Greek school, (6th century BC) / Bridgeman Images

Dance scene, low relief of marble tombstone
Dance scene, low relief of marble tombstone

LRI4593460: Dance scene, low relief of marble tombstone, Etruscan / Bridgeman Images

Porter brewery, powered by a steam-engine, late 18th century. Showing reservoir, steam engine, malt lofts, mill, pump, malt binns, rowser shaft, chimney, copper and coolers. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Porter brewery, powered by a steam-engine, late 18th century. Showing reservoir, steam engine, malt lofts, mill, pump, malt binns, rowser shaft, chimney, copper and coolers. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593475: Porter brewery, powered by a steam-engine, late 18th century. Showing reservoir, steam engine, malt lofts, mill, pump, malt binns, rowser shaft, chimney, copper and coolers. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

Head of an old man. 3rd-2nd century BC (Bronze sculpture)
Head of an old man. 3rd-2nd century BC (Bronze sculpture)

LRI4593488: Head of an old man. 3rd-2nd century BC (Bronze sculpture), Greek school, (3rd century BC) / Bridgeman Images

Part of the interior of a Hindu temple at Deo in Bahar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. Copied from an illustration in Messrs. Daniel's Antiquities of India.
Part of the interior of a Hindu temple at Deo in Bahar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. Copied from an illustration in Messrs. Daniel's Antiquities of India.

FLO4593516: Part of the interior of a Hindu temple at Deo in Bahar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. Copied from an illustration in Messrs. Daniel's Antiquities of India. / Bridgeman Images

Architectural column, capital and base of the Tuscan order from the church in Covent Garden. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Architectural column, capital and base of the Tuscan order from the church in Covent Garden. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593544: Architectural column, capital and base of the Tuscan order from the church in Covent Garden. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Architectural elevation and plan of a Roman basilica and circus of Caracalla. Copperplate engraving by J. Roffe from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Architectural elevation and plan of a Roman basilica and circus of Caracalla. Copperplate engraving by J. Roffe from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593573: Architectural elevation and plan of a Roman basilica and circus of Caracalla. Copperplate engraving by J. Roffe from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Architectural column, capital and base of the Doric order from the Temple of Minerva called the Parthenon in Athens. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Architectural column, capital and base of the Doric order from the Temple of Minerva called the Parthenon in Athens. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593574: Architectural column, capital and base of the Doric order from the Temple of Minerva called the Parthenon in Athens. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Pneumatics: freezing apparatus, condensers, condensing engine, pear gauge and condenser gauge, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Pneumatics: freezing apparatus, condensers, condensing engine, pear gauge and condenser gauge, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4593583: Pneumatics: freezing apparatus, condensers, condensing engine, pear gauge and condenser gauge, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

Limestone column, 2nd-1st century BC
Limestone column, 2nd-1st century BC

LRI4593720: Limestone column, 2nd-1st century BC, Iberian, (2nd century BC) / Bridgeman Images

New dial work of a small spring clock showing the phenomena of the moon, days of the week, months, compasset, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
New dial work of a small spring clock showing the phenomena of the moon, days of the week, months, compasset, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593734: New dial work of a small spring clock showing the phenomena of the moon, days of the week, months, compasset, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Mechanism of a repeating watch including spring, wheelwork. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Mechanism of a repeating watch including spring, wheelwork. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593761: Mechanism of a repeating watch including spring, wheelwork. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Allegorie du Pont Mirabeau in Paris 15th arrondissement. Ingenieur Paul Rabel (1848-1899), sculptures by Jean Antoine (Jean-Antoine) Injalbert (1845-1933). Construction 1895-1897. Both piles represent boats. The one near the right bank goes down the Seine, while the one on the left bank goes up. These boats are adorned with four allegorical statues The City of Paris (bow of the boat of the right bank), Navigation (stern), Abundance (bow of the boat of the left bank) and Commerce (stern). The four statues are surmounted, at the parapet level, by the coat of arms of the City of Paris.
Allegorie du Pont Mirabeau in Paris 15th arrondissement. Ingenieur Paul Rabel (1848-1899), sculptures by Jean Antoine (Jean-Antoine) Injalbert (1845-1933). Construction 1895-1897. Both piles represent boats. The one near the right bank goes down the Seine, while the one on the left bank goes up. These boats are adorned with four allegorical statues The City of Paris (bow of the boat of the right bank), Navigation (stern), Abundance (bow of the boat of the left bank) and Commerce (stern). The four statues are surmounted, at the parapet level, by the coat of arms of the City of Paris.

MDA4593763: Allegorie du Pont Mirabeau in Paris 15th arrondissement. Ingenieur Paul Rabel (1848-1899), sculptures by Jean Antoine (Jean-Antoine) Injalbert (1845-1933). Construction 1895-1897. Both piles represent boats. The one near the right bank goes down the Seine, while the one on the left bank goes up. These boats are adorned with four allegorical statues The City of Paris (bow of the boat of the right bank), Navigation (stern), Abundance (bow of the boat of the left bank) and Commerce (stern). The four statues are surmounted, at the parapet level, by the coat of arms of the City of Paris. / Bridgeman Images


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