FLO4594838: Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeare's “” Richard III”” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images
FLO4594885: Mr. Edward Fitzwilliam as Looney Macwolter in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images
FLO4591496: Oil lamps, including the hydro-pneumatic lamp designed by R. W. King, Barton's oil lamp, and John Porter's automaton lamp. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817. / Bridgeman Images
FLO4591679: Types of hygrometers, 18th century, to measure moisture content by Anderson 8, Dr. Robert Hooke 9,10, Dr. Hale 11, James Ferguson 12,13, and Bradford's hydrostatical instrument for weighing coin and checking weight and purity 1-3. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images
FLO4591722: Hydraulics systems including floating action 1,2, hydromancy or water divination 3,4, and Archimedes' solution to the problem of Hiero's crown 5. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images
FLO4591847: Thomas Telford's cast-iron aqueduct on the Shrewsbury Canal at Long (Longdon-upon-Tern) 1797, and Robert Fulton's design for an aqueduct. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images
FLO4591886: Furnaces including common air furnace, furnaces designed by Dr. Joseph Black (1728-1799), David Mushet (1772-1847) and Richard and George Knight of Foster Lane, and portable furnaces by Dr. Joseph Black and R. and G. Knight. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images
FLO4591898: Furnaces used by David Mushet (1772-1847) for his experiments on iron and steel, and used for tobacco pipe manufacture. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images
FLO4591904: Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images
FLO4591970: Plans and sections of a carding machine, used for preparing fibers in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images
FLO4593475: Porter brewery, powered by a steam-engine, late 18th century. Showing reservoir, steam engine, malt lofts, mill, pump, malt binns, rowser shaft, chimney, copper and coolers. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images
FLO4593516: Part of the interior of a Hindu temple at Deo in Bahar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. Copied from an illustration in Messrs. Daniel's Antiquities of India. / Bridgeman Images
FLO4593544: Architectural column, capital and base of the Tuscan order from the church in Covent Garden. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images
FLO4593574: Architectural column, capital and base of the Doric order from the Temple of Minerva called the Parthenon in Athens. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images
FLO4593734: New dial work of a small spring clock showing the phenomena of the moon, days of the week, months, compasset, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images
FLO4593761: Mechanism of a repeating watch including spring, wheelwork. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images
MDA4593763: Allegorie du Pont Mirabeau in Paris 15th arrondissement. Ingenieur Paul Rabel (1848-1899), sculptures by Jean Antoine (Jean-Antoine) Injalbert (1845-1933). Construction 1895-1897. Both piles represent boats. The one near the right bank goes down the Seine, while the one on the left bank goes up. These boats are adorned with four allegorical statues The City of Paris (bow of the boat of the right bank), Navigation (stern), Abundance (bow of the boat of the left bank) and Commerce (stern). The four statues are surmounted, at the parapet level, by the coat of arms of the City of Paris. / Bridgeman Images