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Autumn Colchique - Common meadow saffron, Colchicum autumnale. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Autumn Colchique - Common meadow saffron, Colchicum autumnale. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600151: Autumn Colchique - Common meadow saffron, Colchicum autumnale. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Rue des jardins or Rue fetide - Common rue, Ruta graveolens. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Rue des jardins or Rue fetide - Common rue, Ruta graveolens. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600169: Rue des jardins or Rue fetide - Common rue, Ruta graveolens. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Field mushroom, Agaricus campestris. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Field mushroom, Agaricus campestris. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600312: Field mushroom, Agaricus campestris. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Melon - Muskmelon, Cucumis melo, with flower, leaf, fruit and tendril. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Melon - Muskmelon, Cucumis melo, with flower, leaf, fruit and tendril. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600351: Melon - Muskmelon, Cucumis melo, with flower, leaf, fruit and tendril. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Camelia from Japan - Japanese camellia, Camellia japonica. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Camelia from Japan - Japanese camellia, Camellia japonica. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600370: Camelia from Japan - Japanese camellia, Camellia japonica. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Pecher - Peach, Amygdalus persica, with blossom, leaf and fruit. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Pecher - Peach, Amygdalus persica, with blossom, leaf and fruit. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600374: Pecher - Peach, Amygdalus persica, with blossom, leaf and fruit. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Pagoda fig tree, Bodhi tree or pipal - Sacred fig, Ficus religiosa. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Pagoda fig tree, Bodhi tree or pipal - Sacred fig, Ficus religiosa. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600427: Pagoda fig tree, Bodhi tree or pipal - Sacred fig, Ficus religiosa. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Brachycoma with iberis leaves - Swan River daisy, Brachyscome iberidifolia. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Brachycoma with iberis leaves - Swan River daisy, Brachyscome iberidifolia. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600433: Brachycoma with iberis leaves - Swan River daisy, Brachyscome iberidifolia. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Native American or Indian Frontier in the United States in 1840, showing the positions of the Tribes that have been removed west of the Missisippi. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Native American or Indian Frontier in the United States in 1840, showing the positions of the Tribes that have been removed west of the Missisippi. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600467: Native American or Indian Frontier in the United States in 1840, showing the positions of the Tribes that have been removed west of the Missisippi. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Notch-ee-ning-a, White Cloud, chief of the Iowa nation 129, and warriors Wy-ee-yogh, Man of Sense, 130, Pah-ta-coo-che, Shooting Cedar, 131, and Was-com-mum, Busy Man, 132. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Notch-ee-ning-a, White Cloud, chief of the Iowa nation 129, and warriors Wy-ee-yogh, Man of Sense, 130, Pah-ta-coo-che, Shooting Cedar, 131, and Was-com-mum, Busy Man, 132. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600513: Notch-ee-ning-a, White Cloud, chief of the Iowa nation 129, and warriors Wy-ee-yogh, Man of Sense, 130, Pah-ta-coo-che, Shooting Cedar, 131, and Was-com-mum, Busy Man, 132. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

The Rodin Museum in Paris.
The Rodin Museum in Paris.

LBY4600542: The Rodin Museum in Paris. / Bridgeman Images

The swamps of Florida 147, and Seminole people and teepee in the sandbanks at Santa Rosa Island near Pensacola 148. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
The swamps of Florida 147, and Seminole people and teepee in the sandbanks at Santa Rosa Island near Pensacola 148. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600558: The swamps of Florida 147, and Seminole people and teepee in the sandbanks at Santa Rosa Island near Pensacola 148. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Chief and wife of the Osage nation. Chief Clermont, in leggings fringed with scalp-locks, holding a war club 150, and his squaw and child in cloth of western manufacture 151. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Chief and wife of the Osage nation. Chief Clermont, in leggings fringed with scalp-locks, holding a war club 150, and his squaw and child in cloth of western manufacture 151. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600566: Chief and wife of the Osage nation. Chief Clermont, in leggings fringed with scalp-locks, holding a war club 150, and his squaw and child in cloth of western manufacture 151. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Chief Tehong-tass-sab-bee, Black Dog, of the Osage nation with tobacco pipe, tomahawk with scalp-locks, shaved head with dyed-red deer hair crest, moccasins with scalps, and mackinaw blanket. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Chief Tehong-tass-sab-bee, Black Dog, of the Osage nation with tobacco pipe, tomahawk with scalp-locks, shaved head with dyed-red deer hair crest, moccasins with scalps, and mackinaw blanket. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600570: Chief Tehong-tass-sab-bee, Black Dog, of the Osage nation with tobacco pipe, tomahawk with scalp-locks, shaved head with dyed-red deer hair crest, moccasins with scalps, and mackinaw blanket. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Detail of the entrance to the Metro Rue du Bac in Paris. Architect Hector Guimard (1867-1942). Photography 07/05/06.
Detail of the entrance to the Metro Rue du Bac in Paris. Architect Hector Guimard (1867-1942). Photography 07/05/06.

LBY4600575: Detail of the entrance to the Metro Rue du Bac in Paris. Architect Hector Guimard (1867-1942). Photography 07/05/06. / Bridgeman Images

Young braves of the Osage nation: Ko-ha-tunk-a, Big Crow 154, Nah-Com-e-Shee, Man of the Bed 155, and Mun-ne-Pus-kee, He Who is Not Afraid 156, in breech cloth, leggings and moccasins, garters decorated with beads and wampun. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Young braves of the Osage nation: Ko-ha-tunk-a, Big Crow 154, Nah-Com-e-Shee, Man of the Bed 155, and Mun-ne-Pus-kee, He Who is Not Afraid 156, in breech cloth, leggings and moccasins, garters decorated with beads and wampun. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600591: Young braves of the Osage nation: Ko-ha-tunk-a, Big Crow 154, Nah-Com-e-Shee, Man of the Bed 155, and Mun-ne-Pus-kee, He Who is Not Afraid 156, in breech cloth, leggings and moccasins, garters decorated with beads and wampun. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Detail of the entrance to the Metro Rue du Bac in Paris. Architect Hector Guimard (1867-1942). Photography 07/05/06.
Detail of the entrance to the Metro Rue du Bac in Paris. Architect Hector Guimard (1867-1942). Photography 07/05/06.

LBY4600592: Detail of the entrance to the Metro Rue du Bac in Paris. Architect Hector Guimard (1867-1942). Photography 07/05/06. / Bridgeman Images

Herd of wild horses on the American plains. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Herd of wild horses on the American plains. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600613: Herd of wild horses on the American plains. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Leader of a war party of the Comanche nation approaching Colonel Henry Dodge's 1st regiment United States' Dragoons with a white flag. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Leader of a war party of the Comanche nation approaching Colonel Henry Dodge's 1st regiment United States' Dragoons with a white flag. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600616: Leader of a war party of the Comanche nation approaching Colonel Henry Dodge's 1st regiment United States' Dragoons with a white flag. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Comanche chief ee-Shah-ko-nee, Bow and Quiver 168, and war party leaders Ta-wah-que-nah, Mountain of Rocks 169, Ish-a-ro-yeh, He Who Carries a Wolf 170, and is-sa-wah-tam-ah, Wolf Tied with Hair 171. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Comanche chief ee-Shah-ko-nee, Bow and Quiver 168, and war party leaders Ta-wah-que-nah, Mountain of Rocks 169, Ish-a-ro-yeh, He Who Carries a Wolf 170, and is-sa-wah-tam-ah, Wolf Tied with Hair 171. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600669: Comanche chief ee-Shah-ko-nee, Bow and Quiver 168, and war party leaders Ta-wah-que-nah, Mountain of Rocks 169, Ish-a-ro-yeh, He Who Carries a Wolf 170, and is-sa-wah-tam-ah, Wolf Tied with Hair 171. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Comanche warriors performing riding tricks and battle exercises, hanging off one side of the horse at full speed, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Comanche warriors performing riding tricks and battle exercises, hanging off one side of the horse at full speed, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600683: Comanche warriors performing riding tricks and battle exercises, hanging off one side of the horse at full speed, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Le Pont Neuf in Paris. The oldest bridge in Paris, built between 1578 and 1604, architect Jacques Androuet du Cerceau (1515-1585) and inaugurated in 1607 by Henri IV (1553-1610). Victor Balard's candelabres (1805-1874) were installed in 1854. Photography 10/02/06.
Le Pont Neuf in Paris. The oldest bridge in Paris, built between 1578 and 1604, architect Jacques Androuet du Cerceau (1515-1585) and inaugurated in 1607 by Henri IV (1553-1610). Victor Balard's candelabres (1805-1874) were installed in 1854. Photography 10/02/06.

LBY4606296: Le Pont Neuf in Paris. The oldest bridge in Paris, built between 1578 and 1604, architect Jacques Androuet du Cerceau (1515-1585) and inaugurated in 1607 by Henri IV (1553-1610). Victor Balard's candelabres (1805-1874) were installed in 1854. Photography 10/02/06. / Bridgeman Images

La Samaritaine in Paris. Photography 10/02/06.
La Samaritaine in Paris. Photography 10/02/06.

LBY4606319: La Samaritaine in Paris. Photography 10/02/06. / Bridgeman Images

The Pont des Arts in Paris. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981, architect Louis Arretche, by removing two arches to align them with the Pont Neuf. Photography 10/02/06.
The Pont des Arts in Paris. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981, architect Louis Arretche, by removing two arches to align them with the Pont Neuf. Photography 10/02/06.

LBY4606340: The Pont des Arts in Paris. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981, architect Louis Arretche, by removing two arches to align them with the Pont Neuf. Photography 10/02/06. / Bridgeman Images

La Cathedrale Notre Dame, Ile de la Cite, Paris.
La Cathedrale Notre Dame, Ile de la Cite, Paris.

LBY4606372: La Cathedrale Notre Dame, Ile de la Cite, Paris. / Bridgeman Images

Woman in huge upcombed hairstyle with curls at the nape, surmounted with a bonnet and fichu. Hairstyle at the Quinot. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in huge upcombed hairstyle with curls at the nape, surmounted with a bonnet and fichu. Hairstyle at the Quinot. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606409: Woman in huge upcombed hairstyle with curls at the nape, surmounted with a bonnet and fichu. Hairstyle at the Quinot. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in a Milkmaid bonnet over hairstyle with curls, Hat a la Dairy. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in a Milkmaid bonnet over hairstyle with curls, Hat a la Dairy. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606430: Woman in a Milkmaid bonnet over hairstyle with curls, Hat a la Dairy. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in the Gabrielle Vergy bonnet, tied with ribbons and garlands of flowers. Hat a la Gabrielle Vergy, inspired by Dormont De Belloyd's tragedy of 1777. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Gabrielle Vergy bonnet, tied with ribbons and garlands of flowers. Hat a la Gabrielle Vergy, inspired by Dormont De Belloyd's tragedy of 1777. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606437: Woman in the Gabrielle Vergy bonnet, tied with ribbons and garlands of flowers. Hat a la Gabrielle Vergy, inspired by Dormont De Belloyd's tragedy of 1777. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in high hairstyle crowned with an elegant bonnet with pearls, flowers and plumes. Elegant hat with beads. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in high hairstyle crowned with an elegant bonnet with pearls, flowers and plumes. Elegant hat with beads. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606445: Woman in high hairstyle crowned with an elegant bonnet with pearls, flowers and plumes. Elegant hat with beads. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in bonnet with bells and ribbons, Bonnet aux Bells. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in bonnet with bells and ribbons, Bonnet aux Bells. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606473: Woman in bonnet with bells and ribbons, Bonnet aux Bells. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in the Bastienne bonnet, inspired by Mozart's comic opera Bastien und Bastienne 1768. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Bastienne bonnet, inspired by Mozart's comic opera Bastien und Bastienne 1768. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606499: Woman in the Bastienne bonnet, inspired by Mozart's comic opera Bastien und Bastienne 1768. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in a night cape and large Voluptuese hat. Night hair, has the Voluptuous. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in a night cape and large Voluptuese hat. Night hair, has the Voluptuous. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606510: Woman in a night cape and large Voluptuese hat. Night hair, has the Voluptuous. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman wearing a model ship in her hair inspired by the Belle Poule, a naval frigate that distinguished itself in combat in 1778. Hairstyle has the Belle Chicken. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman wearing a model ship in her hair inspired by the Belle Poule, a naval frigate that distinguished itself in combat in 1778. Hairstyle has the Belle Chicken. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606534: Woman wearing a model ship in her hair inspired by the Belle Poule, a naval frigate that distinguished itself in combat in 1778. Hairstyle has the Belle Chicken. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in a hunting hat, Hat de Chasse, with feathers, and hair worn in a ponytail called the flame of love, Torch d'Amour. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in a hunting hat, Hat de Chasse, with feathers, and hair worn in a ponytail called the flame of love, Torch d'Amour. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606536: Woman in a hunting hat, Hat de Chasse, with feathers, and hair worn in a ponytail called the flame of love, Torch d'Amour. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in the Teresa hairstyle with large hood over a bonnet. Therese hairstyle, named for Princess Maria Teresa of Savoy-Carignan. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Teresa hairstyle with large hood over a bonnet. Therese hairstyle, named for Princess Maria Teresa of Savoy-Carignan. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606550: Woman in the Teresa hairstyle with large hood over a bonnet. Therese hairstyle, named for Princess Maria Teresa of Savoy-Carignan. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in a new style of pouf called the Stradre. Pouf with a new taste told the Stradre. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Woman in a new style of pouf called the Stradre. Pouf with a new taste told the Stradre. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606586: Woman in a new style of pouf called the Stradre. Pouf with a new taste told the Stradre. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images


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