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Portrait of Jean Charcot (1867-1936) by his wife (oil on canvas)
Portrait of Jean Charcot (1867-1936) by his wife (oil on canvas)

CHT224111: Portrait of Jean Charcot (1867-1936) by his wife (oil on canvas), Clery-Charcot, Marguerite (Meg) (20th century) / Bridgeman Images

The Theatre de la Porte Saint-Martin. c.1815-20 (colour engraving)
The Theatre de la Porte Saint-Martin. c.1815-20 (colour engraving)

CHT220477: The Theatre de la Porte Saint-Martin. c.1815-20 (colour engraving), Courvoisier-Voisin, Henri (1757-1830) (after) / Bridgeman Images

Common or Eurasian Coot, 2nd half of 19th century (colour engraving)
Common or Eurasian Coot, 2nd half of 19th century (colour engraving)

CHT224121: Common or Eurasian Coot, 2nd half of 19th century (colour engraving), French School, (19th century) / Bridgeman Images

Interior courtyard of the Imperial Stage-coach Service, early 19th century (gouache on paper)
Interior courtyard of the Imperial Stage-coach Service, early 19th century (gouache on paper)

CHT224191: Interior courtyard of the Imperial Stage-coach Service, early 19th century (gouache on paper), French School, (19th century) / Bridgeman Images

Edmond Huot de Goncourt (1822-96), cover illustration from 'La Revue Illustree'. 15th April 1888 (litho)
Edmond Huot de Goncourt (1822-96), cover illustration from 'La Revue Illustree'. 15th April 1888 (litho)

CHT224197: Edmond Huot de Goncourt (1822-96), cover illustration from 'La Revue Illustree'. 15th April 1888 (litho), Boileau (fl.1888) / Bridgeman Images

Close No.193, High Street, Glasgow, 1868 (photogravure)
Close No.193, High Street, Glasgow, 1868 (photogravure)

STC223374: Close No.193, High Street, Glasgow, 1868 (photogravure), T.& R. Annan & Sons (19th century) / Bridgeman Images

Portrait of Nicolas Omasur, 1672 (oil on canvas)
Portrait of Nicolas Omasur, 1672 (oil on canvas)

XIR221112: Portrait of Nicolas Omasur, 1672 (oil on canvas), Murillo, Bartolome Esteban (1618-82) / Bridgeman Images

The Holy Trinity Surrounded by Angels (oil on panel)
The Holy Trinity Surrounded by Angels (oil on panel)

XIR221147: The Holy Trinity Surrounded by Angels (oil on panel), Ingles, Jorge (fl.1445-75) / Bridgeman Images

View of the west facade, built c.862-930 (photo)
View of the west facade, built c.862-930 (photo)

XIR221157: View of the west facade, built c.862-930 (photo), Spanish School / Bridgeman Images

The Farmyard (oil on canvas)
The Farmyard (oil on canvas)

XIR221183: The Farmyard (oil on canvas), Couturier, Philibert-Leon (1823-1901) / Bridgeman Images

Facade of the Cathedral of St. Vitus (photo)
Facade of the Cathedral of St. Vitus (photo)

XIR221315: Facade of the Cathedral of St. Vitus (photo), Hilbert, Kamil (1869-1933) & Mocker, J. (19th century) / Bridgeman Images

Underwater Manoeuvres, from 'Le XXeme Siecle, La Vie Electrique', c.1890 (coloured engraving)
Underwater Manoeuvres, from 'Le XXeme Siecle, La Vie Electrique', c.1890 (coloured engraving)

CHT221318: Underwater Manoeuvres, from 'Le XXeme Siecle, La Vie Electrique', c.1890 (coloured engraving), Robida, Albert (1848-1926) / Bridgeman Images

Julius Caesar (100-44 BC) landing in England, from 'Le Vite di Dodici Cesari' by Gaius Suetonius Tranquillus (c.75-150) (vellum)
Julius Caesar (100-44 BC) landing in England, from 'Le Vite di Dodici Cesari' by Gaius Suetonius Tranquillus (c.75-150) (vellum)

XIR221477: Julius Caesar (100-44 BC) landing in England, from 'Le Vite di Dodici Cesari' by Gaius Suetonius Tranquillus (c.75-150) (vellum), Italian School, (14th century) / Bridgeman Images

Making charcoal in Austria, illustration from 'Voyage Pittoresque en Autriche' by Alexandre de Laborde, published in Paris 1821 (colour engraving)
Making charcoal in Austria, illustration from 'Voyage Pittoresque en Autriche' by Alexandre de Laborde, published in Paris 1821 (colour engraving)

CHT221515: Making charcoal in Austria, illustration from 'Voyage Pittoresque en Autriche' by Alexandre de Laborde, published in Paris 1821 (colour engraving), Gauermann, Jakob (1773-1843) (after) / Bridgeman Images

Caspar Hauser (c.1812-1833) (engraving) (photo)
Caspar Hauser (c.1812-1833) (engraving) (photo)

CHT223908: Caspar Hauser (c.1812-1833) (engraving) (photo), German School, (19th century) / Bridgeman Images

Captain Thomas Masterman Hardy (1769-1839) (engraving)
Captain Thomas Masterman Hardy (1769-1839) (engraving)

ACT224072: Captain Thomas Masterman Hardy (1769-1839) (engraving), English School, (19th century) / Bridgeman Images

HMS Ships 'Agamemnon', 'Captain', 'Vanguard', 'Elephant' and 'Victory' (engraving)
HMS Ships 'Agamemnon', 'Captain', 'Vanguard', 'Elephant' and 'Victory' (engraving)

ACT224078: HMS Ships 'Agamemnon', 'Captain', 'Vanguard', 'Elephant' and 'Victory' (engraving), English School, (19th century) / Bridgeman Images

Fish palette, c.3200 BC (green schist)
Fish palette, c.3200 BC (green schist)

HSC224910: Fish palette, c.3200 BC (green schist), Egyptian, Predynastic Period (c.5000-c.3100 BC) / Bridgeman Images

Projects for prefaces for the 2nd edition of 'les Fleurs du Mal' (pen & ink on paper)
Projects for prefaces for the 2nd edition of 'les Fleurs du Mal' (pen & ink on paper)

CHT221536: Projects for prefaces for the 2nd edition of 'les Fleurs du Mal' (pen & ink on paper), Baudelaire, Charles Pierre (1821-67) / Bridgeman Images

'No Smoking' caricature against the presence of the Allied Troops in Paris, 1815 (colour engraving)
'No Smoking' caricature against the presence of the Allied Troops in Paris, 1815 (colour engraving)

CHT221539: 'No Smoking' caricature against the presence of the Allied Troops in Paris, 1815 (colour engraving), French School, (19th century) / Bridgeman Images

'The Final Punch', cartoon criticising the Third Republic, from 'Parlons Francais', by Paul Iribe (1883-1935),  published by Editions Floury, Paris 1934 (colour litho)
'The Final Punch', cartoon criticising the Third Republic, from 'Parlons Francais', by Paul Iribe (1883-1935),  published by Editions Floury, Paris 1934 (colour litho)

CHT224140: 'The Final Punch', cartoon criticising the Third Republic, from 'Parlons Francais', by Paul Iribe (1883-1935), published by Editions Floury, Paris 1934 (colour litho), Iribe, Paul (1883-1935) / Bridgeman Images

Family of a Camacan Indian Chief Preparing for a Festival, illustration from 'Voyage Pittoresque et Historique au Bresil', by Jean-Baptise Debret (1768-1848), published in Paris, 1839 (colour litho)
Family of a Camacan Indian Chief Preparing for a Festival, illustration from 'Voyage Pittoresque et Historique au Bresil', by Jean-Baptise Debret (1768-1848), published in Paris, 1839 (colour litho)

CHT221640: Family of a Camacan Indian Chief Preparing for a Festival, illustration from 'Voyage Pittoresque et Historique au Bresil', by Jean-Baptise Debret (1768-1848), published in Paris, 1839 (colour litho), Debret, Jean Baptiste (1768-1848) (after) / Bridgeman Images

French Government Bill giving Louis-Jacques-Mande Daguerre (1787-1851) and the son of Joseph Nicephore Niepce (1765-1833) annual pensions in return for their publication to the world of their discoveries of photographic processes, signed by King Louis-Philippe (1773-1850), 1839 (ink on paper & wax)
French Government Bill giving Louis-Jacques-Mande Daguerre (1787-1851) and the son of Joseph Nicephore Niepce (1765-1833) annual pensions in return for their publication to the world of their discoveries of photographic processes, signed by King Louis-Philippe (1773-1850), 1839 (ink on paper & wax)

ARH225284: French Government Bill giving Louis-Jacques-Mande Daguerre (1787-1851) and the son of Joseph Nicephore Niepce (1765-1833) annual pensions in return for their publication to the world of their discoveries of photographic processes, signed by King Louis-Philippe (1773-1850), 1839 (ink on paper & wax), French School, (19th century) / Bridgeman Images

View of the tombs cut into the rock (photo)
View of the tombs cut into the rock (photo)

XSP224328: View of the tombs cut into the rock (photo), Nabatean, (1st century AD) / Bridgeman Images

Study for the Head of a Mermaid, 1885 (pencil on paper)
Study for the Head of a Mermaid, 1885 (pencil on paper)

MAA225436: Study for the Head of a Mermaid, 1885 (pencil on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Killigrant (w/c & gouache on paper)
Killigrant (w/c & gouache on paper)

MGS225693: Killigrant (w/c & gouache on paper), Browne, Richard (1776-1824) / Bridgeman Images

Anne of Denmark (1574-1619) wife of James I, illustration from 'The Complete View of the Dress and Habits of the People of England' Volume II, published 1799 (coloured engraving)
Anne of Denmark (1574-1619) wife of James I, illustration from 'The Complete View of the Dress and Habits of the People of England' Volume II, published 1799 (coloured engraving)

STC225705: Anne of Denmark (1574-1619) wife of James I, illustration from 'The Complete View of the Dress and Habits of the People of England' Volume II, published 1799 (coloured engraving), English School, (18th century) / Bridgeman Images

Mikhail Glinka (1804-57) illustration from 'The Lure of Music' by Olin Downes, 1922 (litho)
Mikhail Glinka (1804-57) illustration from 'The Lure of Music' by Olin Downes, 1922 (litho)

KWE222572: Mikhail Glinka (1804-57) illustration from 'The Lure of Music' by Olin Downes, 1922 (litho), Emerson, Chase (1874-1922) / Bridgeman Images

Sir James Martin (1820-86) 1854 (bronze)
Sir James Martin (1820-86) 1854 (bronze)

XYC225858: Sir James Martin (1820-86) 1854 (bronze), Woolner, Thomas (1825-92) / Bridgeman Images

Portrait of Friedrich III (1503-54) der Kurfurst von Sachsen (oil on panel)
Portrait of Friedrich III (1503-54) der Kurfurst von Sachsen (oil on panel)

TFJ225946: Portrait of Friedrich III (1503-54) der Kurfurst von Sachsen (oil on panel), Ostendorfer, Michael (1490-1559) / Bridgeman Images

Gateway to the Third Hypostyle Hall (photo)
Gateway to the Third Hypostyle Hall (photo)

XIR226158: Gateway to the Third Hypostyle Hall (photo), Egyptian Ptolemaic Period (332-30 BC) / Bridgeman Images

Relief depicting Khnum in a funerary barque passing through the Underworld, from the Tomb of Ramesses III (c.1184-1153 BC) New Kingdom (painted limestone)
Relief depicting Khnum in a funerary barque passing through the Underworld, from the Tomb of Ramesses III (c.1184-1153 BC) New Kingdom (painted limestone)

XIR226167: Relief depicting Khnum in a funerary barque passing through the Underworld, from the Tomb of Ramesses III (c.1184-1153 BC) New Kingdom (painted limestone), Egyptian 20th Dynasty (1200-1085 BC) / Bridgeman Images

Ceremony before the departure of the convicts (wash on paper)
Ceremony before the departure of the convicts (wash on paper)

XIR224810: Ceremony before the departure of the convicts (wash on paper), Cloquemin, Gabriel (18th-19th century) / Bridgeman Images

Andre Marty (1886-1956) illustration from 'La Revolte de la Mer Noire', preface by Marcel Cachin, published Editions Sociales, Paris, 1949 (photolitho) (b/w photo)
Andre Marty (1886-1956) illustration from 'La Revolte de la Mer Noire', preface by Marcel Cachin, published Editions Sociales, Paris, 1949 (photolitho) (b/w photo)

CHT224863: Andre Marty (1886-1956) illustration from 'La Revolte de la Mer Noire', preface by Marcel Cachin, published Editions Sociales, Paris, 1949 (photolitho) (b/w photo), French School, (20th century) / Bridgeman Images

Tilapia fish palette, Late Naqada II-III Period, c.3300-3000 BC (green schist)
Tilapia fish palette, Late Naqada II-III Period, c.3300-3000 BC (green schist)

HSC224906: Tilapia fish palette, Late Naqada II-III Period, c.3300-3000 BC (green schist), Egyptian, Predynastic Period (c.5000-c.3100 BC) / Bridgeman Images

Recumbent ibis (solid cast bronze)
Recumbent ibis (solid cast bronze)

HSC224918: Recumbent ibis (solid cast bronze), Egyptian, Late Period (715-332 BC) / Bridgeman Images


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