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The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a figure in a devil costume, 1615 (oil on canvas) (detail of 75629)
The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a figure in a devil costume, 1615 (oil on canvas) (detail of 75629)

XTD107630: The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a figure in a devil costume, 1615 (oil on canvas) (detail of 75629), Alsloot, Denys van (1570-1628) / Bridgeman Images

ID: XTD107630

The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a figure in a devil costume, 1615 (oil on canvas) (detail of 75629)

Alsloot, Denys van (1570-1628)

Michael Faraday (1791-1867) 1840s-50s (daguerreotype)
Michael Faraday (1791-1867) 1840s-50s (daguerreotype)

TRI107633: Michael Faraday (1791-1867) 1840s-50s (daguerreotype), English Photographer, (19th century) / Bridgeman Images

ID: TRI107633

Michael Faraday (1791-1867) 1840s-50s (daguerreotype)

English Photographer, (19th century)

William Beckford Esq. (d.1799) Author of Histories of France and Jamaica, from a shade, pub. by Vernor & Hood, 1799 (engraving)
William Beckford Esq. (d.1799) Author of Histories of France and Jamaica, from a shade, pub. by Vernor & Hood, 1799 (engraving)

XJF107810: William Beckford Esq. (d.1799) Author of Histories of France and Jamaica, from a shade, pub. by Vernor & Hood, 1799 (engraving), Miers, John (d.1822) (after) / Bridgeman Images

ID: XJF107810

William Beckford Esq. (d.1799) Author of Histories of France and Jamaica, from a shade, pub. by Vernor & Hood, 1799 (engraving)

Miers, John (d.1822) (after)

ILN107841: "Distinction", advertisement for Dunlop Reinforced Tyres from 'The Sphere', March 18th 1933 (litho), English School, (20th century) / Bridgeman Images

ID: ILN107841

"Distinction", advertisement for Dunlop Reinforced Tyres from 'The Sphere', March 18th 1933 (litho)

English School, (20th century)

PD.109-1973.f23 Flower Studies (w/c on vellum)
PD.109-1973.f23 Flower Studies (w/c on vellum)

FIT107857: PD.109-1973.f23 Flower Studies (w/c on vellum), Robert, Nicolas (1614-85) / Bridgeman Images

ID: FIT107857

PD.109-1973.f23 Flower Studies (w/c on vellum)

Robert, Nicolas (1614-85)

Statuette of a nude female, Thinite Period, c.3100-2700 BC (hippopotamus ivory)
Statuette of a nude female, Thinite Period, c.3100-2700 BC (hippopotamus ivory)

PWI107951: Statuette of a nude female, Thinite Period, c.3100-2700 BC (hippopotamus ivory), Egyptian / Bridgeman Images

ID: PWI107951

Statuette of a nude female, Thinite Period, c.3100-2700 BC (hippopotamus ivory)

Egyptian

Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke)
Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke)

PWI107958: Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke), Egyptian, Predynastic Period (c.5000-c.3100 BC) / Bridgeman Images

ID: PWI107958

Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke)

Egyptian, Predynastic Period (c.5000-c.3100 BC)

Two portraits of a Seated and a Standing Lady in Blue Dresses, c.1830 (watercolour and pencil on paper)
Two portraits of a Seated and a Standing Lady in Blue Dresses, c.1830 (watercolour and pencil on paper)

CJP107753: Two portraits of a Seated and a Standing Lady in Blue Dresses, c.1830 (watercolour and pencil on paper), Dighton, Richard (1795-1880) / Bridgeman Images

ID: CJP107753

Two portraits of a Seated and a Standing Lady in Blue Dresses, c.1830 (watercolour and pencil on paper)

Dighton, Richard (1795-1880)

A Street in Vomero (oil on panel)
A Street in Vomero (oil on panel)

PFA107938: A Street in Vomero (oil on panel), Pratella, Attillo (1856-1949) / Bridgeman Images

ID: PFA107938

A Street in Vomero (oil on panel)

Pratella, Attillo (1856-1949)

Indian Railway (engraving)
Indian Railway (engraving)

XJF108274: Indian Railway (engraving), Indian School, (19th century) / Bridgeman Images

ID: XJF108274

Indian Railway (engraving)

Indian School, (19th century)

Kaut Pootlies, or Puppets, exhibited by Native Jugglers for the Amusement of European Children, plate 18 from 'The European in India', 1813 (aquatint) (b&w photo)
Kaut Pootlies, or Puppets, exhibited by Native Jugglers for the Amusement of European Children, plate 18 from 'The European in India', 1813 (aquatint) (b&w photo)

XJF108289: Kaut Pootlies, or Puppets, exhibited by Native Jugglers for the Amusement of European Children, plate 18 from 'The European in India', 1813 (aquatint) (b&w photo), D'Oyly, Charles (1781-1845) (after) / Bridgeman Images

ID: XJF108289

Kaut Pootlies, or Puppets, exhibited by Native Jugglers for the Amusement of European Children, plate 18 from 'The European in India', 1813 (aquatint) (b&w photo)

D'Oyly, Charles (1781-1845) (after)

October Twilight, 1915 (oil on panel)
October Twilight, 1915 (oil on panel)

FIN108227: October Twilight, 1915 (oil on panel), Tryon, Dwight William (1849-1925) / Bridgeman Images

ID: FIN108227

October Twilight, 1915 (oil on panel)

Tryon, Dwight William (1849-1925)

View of the Roman Colosseum, c.1800 (watercolour and pencil on paper)
View of the Roman Colosseum, c.1800 (watercolour and pencil on paper)

CJP108354: View of the Roman Colosseum, c.1800 (watercolour and pencil on paper), English School, (19th century) / Bridgeman Images

ID: CJP108354

View of the Roman Colosseum, c.1800 (watercolour and pencil on paper)

English School, (19th century)

Mr Gladstone Introducing the Land Law (Ireland) Bill, 7th April 1881 (engraving)
Mr Gladstone Introducing the Land Law (Ireland) Bill, 7th April 1881 (engraving)

XJF107823: Mr Gladstone Introducing the Land Law (Ireland) Bill, 7th April 1881 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF107823

Mr Gladstone Introducing the Land Law (Ireland) Bill, 7th April 1881 (engraving)

English School, (19th century)

PD.109-1973.f24 Two 'Broken' Tulips, a Beetle, a Snail and two Butterflies (w/c on vellum)
PD.109-1973.f24 Two 'Broken' Tulips, a Beetle, a Snail and two Butterflies (w/c on vellum)

FIT107858: PD.109-1973.f24 Two 'Broken' Tulips, a Beetle, a Snail and two Butterflies (w/c on vellum), Robert, Nicolas (1614-85) / Bridgeman Images

ID: FIT107858

PD.109-1973.f24 Two 'Broken' Tulips, a Beetle, a Snail and two Butterflies (w/c on vellum)

Robert, Nicolas (1614-85)

Boxed Monument, 1969
Boxed Monument, 1969

NUM108018: Boxed Monument, 1969, Campbell, J. (20th century) / Bridgeman Images

ID: NUM108018

Boxed Monument, 1969

Campbell, J. (20th century)

Sheridan's First Interview with Rowand, illustration from 'Rowand' by William Gilmore Beymer, pub. in Harper's Weekly, June 1909 (colour litho)
Sheridan's First Interview with Rowand, illustration from 'Rowand' by William Gilmore Beymer, pub. in Harper's Weekly, June 1909 (colour litho)

BAL108083: Sheridan's First Interview with Rowand, illustration from 'Rowand' by William Gilmore Beymer, pub. in Harper's Weekly, June 1909 (colour litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL108083

Sheridan's First Interview with Rowand, illustration from 'Rowand' by William Gilmore Beymer, pub. in Harper's Weekly, June 1909 (colour litho)

Pyle, Howard (1853-1911) (after)

Cashmere Shawls: Weaving, 1863 (chromolitho)
Cashmere Shawls: Weaving, 1863 (chromolitho)

STC108698: Cashmere Shawls: Weaving, 1863 (chromolitho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC108698

Cashmere Shawls: Weaving, 1863 (chromolitho)

Simpson, William 'Crimea' (1823-99)

Tin Mine: A Declivity, 1942 (mixed media on paper)
Tin Mine: A Declivity, 1942 (mixed media on paper)

LMG108808: Tin Mine: A Declivity, 1942 (mixed media on paper), Sutherland, Graham (1903-80) / Bridgeman Images

ID: LMG108808

Tin Mine: A Declivity, 1942 (mixed media on paper)

Sutherland, Graham (1903-80)

Bolton Abbey (pen & ink and w/c)
Bolton Abbey (pen & ink and w/c)

LMG108852: Bolton Abbey (pen & ink and w/c), Wint, Peter de (1784-1849) / Bridgeman Images

ID: LMG108852

Bolton Abbey (pen & ink and w/c)

Wint, Peter de (1784-1849)

Rievaulx Abbey from the West (watercolour & pencil on paper)
Rievaulx Abbey from the West (watercolour & pencil on paper)

LMG108884: Rievaulx Abbey from the West (watercolour & pencil on paper), Bartlett, William Henry (1809-54) / Bridgeman Images

ID: LMG108884

Rievaulx Abbey from the West (watercolour & pencil on paper)

Bartlett, William Henry (1809-54)

Portrait of a Seated Gentleman, 1851 (pastel on paper)
Portrait of a Seated Gentleman, 1851 (pastel on paper)

CJP108794: Portrait of a Seated Gentleman, 1851 (pastel on paper), D'Auria (fl.1851) / Bridgeman Images

ID: CJP108794

Portrait of a Seated Gentleman, 1851 (pastel on paper)

D'Auria (fl.1851)

Quaker and King at Whitehall, engraved by Frank French (1850-1933) illustration from 'The Early Quakers in England and Pennsylvania' by Howard Pyle, pub. in Harper's Magazine, 1882 (litho)
Quaker and King at Whitehall, engraved by Frank French (1850-1933) illustration from 'The Early Quakers in England and Pennsylvania' by Howard Pyle, pub. in Harper's Magazine, 1882 (litho)

BAL108926: Quaker and King at Whitehall, engraved by Frank French (1850-1933) illustration from 'The Early Quakers in England and Pennsylvania' by Howard Pyle, pub. in Harper's Magazine, 1882 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL108926

Quaker and King at Whitehall, engraved by Frank French (1850-1933) illustration from 'The Early Quakers in England and Pennsylvania' by Howard Pyle, pub. in Harper's Magazine, 1882 (litho)

Pyle, Howard (1853-1911) (after)

Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho)
Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho)

BAL108946: Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL108946

Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from 'The Southern Gateway to the Alleghanies' by Edmund Kirke, pub. in Harper's Magazine, 1887 (litho)

Pyle, Howard (1853-1911) (after)

Portrait of Captain William Dampier (1652-1715) engraved by Sherwin (engraving)
Portrait of Captain William Dampier (1652-1715) engraved by Sherwin (engraving)

XJF139069: Portrait of Captain William Dampier (1652-1715) engraved by Sherwin (engraving), English School, (18th century) / Bridgeman Images

ID: XJF139069

Portrait of Captain William Dampier (1652-1715) engraved by Sherwin (engraving)

English School, (18th century)

St. Catherine of Alexandria (tempera on panel)
St. Catherine of Alexandria (tempera on panel)

BAT139088: St. Catherine of Alexandria (tempera on panel), Giovanni di Niccolo del Biondo, (fl.1356-1392) / Bridgeman Images

ID: BAT139088

St. Catherine of Alexandria (tempera on panel)

Giovanni di Niccolo del Biondo, (fl.1356-1392)

Pleasant Riderhood and John Harmon, illustration from 'Our Mutual Friend' by Charles Dickens (1812-70) 1864-65 (colour engraving)
Pleasant Riderhood and John Harmon, illustration from 'Our Mutual Friend' by Charles Dickens (1812-70) 1864-65 (colour engraving)

DHM139108: Pleasant Riderhood and John Harmon, illustration from 'Our Mutual Friend' by Charles Dickens (1812-70) 1864-65 (colour engraving), Stone, Marcus (1840-1921) / Bridgeman Images

ID: DHM139108

Pleasant Riderhood and John Harmon, illustration from 'Our Mutual Friend' by Charles Dickens (1812-70) 1864-65 (colour engraving)

Stone, Marcus (1840-1921)

The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving)
The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving)

DHM139120: The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images

ID: DHM139120

The Marchioness, illustration to 'The Old Curiosity Shop' (1841) by Charles Dickens (1812-70), engraved by Hablot Knight Browne (1815-92) and R. Young (colour engraving)

Browne, Hablot Knight (Phiz) (1815-92)

Reproduction of a poster advertising 'Absinthe Mugnier', 1895 (colour litho)
Reproduction of a poster advertising 'Absinthe Mugnier', 1895 (colour litho)

STC139169: Reproduction of a poster advertising 'Absinthe Mugnier', 1895 (colour litho), Lefevre, Lucien (1850-c.1902) / Bridgeman Images

ID: STC139169

Reproduction of a poster advertising 'Absinthe Mugnier', 1895 (colour litho)

Lefevre, Lucien (1850-c.1902)

The Temple of Bellona (photo)
The Temple of Bellona (photo)

JB139574: The Temple of Bellona (photo), Bethell, John / Bridgeman Images

ID: JB139574

The Temple of Bellona (photo)

Bethell, John

Portrait of James Henry Leigh Hunt (1784-1859) (engraving) (b/w photo)
Portrait of James Henry Leigh Hunt (1784-1859) (engraving) (b/w photo)

DHM139182: Portrait of James Henry Leigh Hunt (1784-1859) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: DHM139182

Portrait of James Henry Leigh Hunt (1784-1859) (engraving) (b/w photo)

English School, (19th century)

Bacchanalia (oil on canvas)
Bacchanalia (oil on canvas)

GG139323: Bacchanalia (oil on canvas), Ricci, Sebastiano (1658-1734) / Bridgeman Images

ID: GG139323

Bacchanalia (oil on canvas)

Ricci, Sebastiano (1658-1734)

Formal canal with fountain, Chatsworth House, Derbyshire (photo)
Formal canal with fountain, Chatsworth House, Derbyshire (photo)

JB139392: Formal canal with fountain, Chatsworth House, Derbyshire (photo), Bethell, John / Bridgeman Images

ID: JB139392

Formal canal with fountain, Chatsworth House, Derbyshire (photo)

Bethell, John

Venus (The Hope Venus), 1818-20 (marble) (see 139522)
Venus (The Hope Venus), 1818-20 (marble) (see 139522)

LMG139521: Venus (The Hope Venus), 1818-20 (marble) (see 139522), Canova, Antonio (1757-1822) / Bridgeman Images

ID: LMG139521

Venus (The Hope Venus), 1818-20 (marble) (see 139522)

Canova, Antonio (1757-1822)

House and garden from the mount (photo)
House and garden from the mount (photo)

JB139571: House and garden from the mount (photo), Bethell, John / Bridgeman Images

ID: JB139571

House and garden from the mount (photo)

Bethell, John

Exploitation of Mexico by Spanish conquistadores 1929-1945 (fresco)
Exploitation of Mexico by Spanish conquistadores 1929-1945 (fresco)

MEX139624: Exploitation of Mexico by Spanish conquistadores 1929-1945 (fresco), Rivera, Diego (1886-1957) / Bridgeman Images

ID: MEX139624

Exploitation of Mexico by Spanish conquistadores 1929-1945 (fresco)

Rivera, Diego (1886-1957)


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