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'Wept for Me' (cont) plate 19 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Wept for Me' (cont) plate 19 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220877: 'Wept for Me' (cont) plate 19 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220880: 'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The Cathedral and Palace of the Popes, Avignon, 1836 (watercolour with scratching out over pencil on paper)
The Cathedral and Palace of the Popes, Avignon, 1836 (watercolour with scratching out over pencil on paper)

XYC220901: The Cathedral and Palace of the Popes, Avignon, 1836 (watercolour with scratching out over pencil on paper), Cromek, Thomas Hartley (1809-73) / Bridgeman Images

Heath Ewe and Lambs, 1810 (oil on canvas)
Heath Ewe and Lambs, 1810 (oil on canvas)

XYC220941: Heath Ewe and Lambs, 1810 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images

Portrait of Louis Pasteur (1822-95) in his study (b/w photo)
Portrait of Louis Pasteur (1822-95) in his study (b/w photo)

LRS217699: Portrait of Louis Pasteur (1822-95) in his study (b/w photo), Dornac (Paul Francois Arnold Cardon) (1859-1941) / Bridgeman Images

A German trench occupied by French soldiers, November 1915 (b/w photo)
A German trench occupied by French soldiers, November 1915 (b/w photo)

CHT217722: A German trench occupied by French soldiers, November 1915 (b/w photo), French Photographer, (20th century) / Bridgeman Images

Two Mourners, from the tomb of Duc Jean de Berry (1340-1416) c.1450-53 (alabaster) (b/w photo)
Two Mourners, from the tomb of Duc Jean de Berry (1340-1416) c.1450-53 (alabaster) (b/w photo)

XIR217788: Two Mourners, from the tomb of Duc Jean de Berry (1340-1416) c.1450-53 (alabaster) (b/w photo), French School, (15th century) / Bridgeman Images

Project for a villa (pen & ink on paper) (b/w photo)
Project for a villa (pen & ink on paper) (b/w photo)

CHT217847: Project for a villa (pen & ink on paper) (b/w photo), Guimard, Hector (1867-1942) / Bridgeman Images

Portrait of Jules Verne (1828-1905) (pencil on paper)d
Portrait of Jules Verne (1828-1905) (pencil on paper)d

XIR217891: Portrait of Jules Verne (1828-1905) (pencil on paper)d, French School, (19th century) / Bridgeman Images

Henri IV (1553-1610) reconciling Frederick William II (1744-97) and Voltaire (1694-1778) at the Elysian Fields, 2nd half 18th century (engraving) (b/w photo)
Henri IV (1553-1610) reconciling Frederick William II (1744-97) and Voltaire (1694-1778) at the Elysian Fields, 2nd half 18th century (engraving) (b/w photo)

XIR217899: Henri IV (1553-1610) reconciling Frederick William II (1744-97) and Voltaire (1694-1778) at the Elysian Fields, 2nd half 18th century (engraving) (b/w photo), Texier, G. (1750-1824) (after) / Bridgeman Images

Harold Sharp National Health Dispensing Chemist, Rookwood Parade, York Road, Leeds, 1936 (b/w photo)
Harold Sharp National Health Dispensing Chemist, Rookwood Parade, York Road, Leeds, 1936 (b/w photo)

LLS218001: Harold Sharp National Health Dispensing Chemist, Rookwood Parade, York Road, Leeds, 1936 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Taylor's Chemists, Burley Road, Leeds, 20th April 1936 (b/w photo)
Taylor's Chemists, Burley Road, Leeds, 20th April 1936 (b/w photo)

LLS218007: Taylor's Chemists, Burley Road, Leeds, 20th April 1936 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Washing line in Eagle and Child Yard, Hunslet, Leeds, 13th May 1896 (b/w photo)
Washing line in Eagle and Child Yard, Hunslet, Leeds, 13th May 1896 (b/w photo)

LLS218019: Washing line in Eagle and Child Yard, Hunslet, Leeds, 13th May 1896 (b/w photo), English Photographer, (19th century) / Bridgeman Images

2nd page of a letter to Baudelaire's editor Auguste Poulet-Malassis (1825-78) regarding the publication of 'Les Fleurs du Mal' c. 20th February 1857 (pen & ink on paper)
2nd page of a letter to Baudelaire's editor Auguste Poulet-Malassis (1825-78) regarding the publication of 'Les Fleurs du Mal' c. 20th February 1857 (pen & ink on paper)

CHT221532: 2nd page of a letter to Baudelaire's editor Auguste Poulet-Malassis (1825-78) regarding the publication of 'Les Fleurs du Mal' c. 20th February 1857 (pen & ink on paper), Baudelaire, Charles Pierre (1821-67) / Bridgeman Images

Palace of the Dukes of Burgundy in Dijon before restoration by Mansart, 1698 (w/c on paper) (detail of 221581)
Palace of the Dukes of Burgundy in Dijon before restoration by Mansart, 1698 (w/c on paper) (detail of 221581)

CHT221583: Palace of the Dukes of Burgundy in Dijon before restoration by Mansart, 1698 (w/c on paper) (detail of 221581), Mansart, Jules Hardouin (1646-1708) / Bridgeman Images

Portrait of Leonid Massine (1895-1979), cover illustration from 'Comedia Illustre' Magazine, 5th May 1914 (colour litho)
Portrait of Leonid Massine (1895-1979), cover illustration from 'Comedia Illustre' Magazine, 5th May 1914 (colour litho)

CHT221670: Portrait of Leonid Massine (1895-1979), cover illustration from 'Comedia Illustre' Magazine, 5th May 1914 (colour litho), French School, (20th century) / Bridgeman Images

View of the theatre (photo)
View of the theatre (photo)

FFQ221739: View of the theatre (photo), Greek school, (7th century BC) / Bridgeman Images

Baroque facade of the original Temple of Antoninus and Faustina (photo)
Baroque facade of the original Temple of Antoninus and Faustina (photo)

FFQ221745: Baroque facade of the original Temple of Antoninus and Faustina (photo), Italian School, (17th century) / Bridgeman Images

Portrait of Grinling Gibbons (1648-1721) (w/c on paper)
Portrait of Grinling Gibbons (1648-1721) (w/c on paper)

STC221825: Portrait of Grinling Gibbons (1648-1721) (w/c on paper), Kneller, Godfrey (1646-1723) / Bridgeman Images

Battle of Nauplia, plate 14 from 'Pictorial History of the Greek War of Independence' by General Makryjannis (colour litho)
Battle of Nauplia, plate 14 from 'Pictorial History of the Greek War of Independence' by General Makryjannis (colour litho)

STC221868: Battle of Nauplia, plate 14 from 'Pictorial History of the Greek War of Independence' by General Makryjannis (colour litho), Greek School, (19th century) / Bridgeman Images

Portrait of a Man (pastel on paper)
Portrait of a Man (pastel on paper)

XIR221177: Portrait of a Man (pastel on paper), Vigee, Louis (1715-67) / Bridgeman Images

Le Vrai Support de Toute Creature, 1521 (oil on panel)
Le Vrai Support de Toute Creature, 1521 (oil on panel)

XMN221366: Le Vrai Support de Toute Creature, 1521 (oil on panel), Master of Amiens (fl.1510-20) / Bridgeman Images

The Court Ball (mural) (detail)
The Court Ball (mural) (detail)

XIR221390: The Court Ball (mural) (detail), Bosse, Abraham (1602-76) (attr. to) / Bridgeman Images

Virgin Surrounded by Donors and Saints, 1503 (fresco)
Virgin Surrounded by Donors and Saints, 1503 (fresco)

XIR221420: Virgin Surrounded by Donors and Saints, 1503 (fresco), Morone, Domenico (c.1442-p.1517) / Bridgeman Images

Flying and Adoring Angels, 1613-4 (oil on canvas)
Flying and Adoring Angels, 1613-4 (oil on canvas)

XWM218314: Flying and Adoring Angels, 1613-4 (oil on canvas), Fetti or Feti, Domenico (1589-1624) / Bridgeman Images

Studies for the Martyrdom of St. Sebastian and the Stoning of St. Stephen (w.c on paper)
Studies for the Martyrdom of St. Sebastian and the Stoning of St. Stephen (w.c on paper)

AGN218410: Studies for the Martyrdom of St. Sebastian and the Stoning of St. Stephen (w.c on paper), Maffei, Francesco (1605-60) / Bridgeman Images

Dairymaids in the Alps near Tegernsee, early 19th century (colour engraving)
Dairymaids in the Alps near Tegernsee, early 19th century (colour engraving)

CHT218510: Dairymaids in the Alps near Tegernsee, early 19th century (colour engraving), German School, (19th century) / Bridgeman Images

Advertisement for Farm Machinery made by E. Kuehne of Budapest, 1899 (colour litho)
Advertisement for Farm Machinery made by E. Kuehne of Budapest, 1899 (colour litho)

CHT218524: Advertisement for Farm Machinery made by E. Kuehne of Budapest, 1899 (colour litho), Basch, Arpad (1873-1944) / Bridgeman Images

The Ages of Man, c.1840 (colour litho)
The Ages of Man, c.1840 (colour litho)

CHT218557: The Ages of Man, c.1840 (colour litho), French School, (19th century) / Bridgeman Images

S.E.D. electoral poster, Germany, 1946 (litho) (b/w photo)
S.E.D. electoral poster, Germany, 1946 (litho) (b/w photo)

CHT218665: S.E.D. electoral poster, Germany, 1946 (litho) (b/w photo), REX-studio (1945-1947) / Bridgeman Images

William Parr (1513-71) Marquess of Northampton, engraved by Francesco Bartolozzi 1796 (engraving)
William Parr (1513-71) Marquess of Northampton, engraved by Francesco Bartolozzi 1796 (engraving)

STC221974: William Parr (1513-71) Marquess of Northampton, engraved by Francesco Bartolozzi 1796 (engraving), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

Map of Ireland, 1712 (litho)
Map of Ireland, 1712 (litho)

STC222023: Map of Ireland, 1712 (litho), Senex, John (1678-1740) / Bridgeman Images

Domestic Tools and Furniture, Carib Tribe, Dutch Antilles, plate 69 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)
Domestic Tools and Furniture, Carib Tribe, Dutch Antilles, plate 69 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)

STC222055: Domestic Tools and Furniture, Carib Tribe, Dutch Antilles, plate 69 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Raineri, Vittorio (19th century) / Bridgeman Images

Capturing Elephants in Burma, plate 76 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)
Capturing Elephants in Burma, plate 76 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)

STC222077: Capturing Elephants in Burma, plate 76 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Zancon, Gaetano (1771-1816) / Bridgeman Images

Scandinavian Ports (Top to Bottom: Copenhagen, Fortress of Segeburg, and Fort of Sund) c.1800-15, plate 50 from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by Angelo Biasioli (1790-1830) published c.1820s-30s (colour litho)
Scandinavian Ports (Top to Bottom: Copenhagen, Fortress of Segeburg, and Fort of Sund) c.1800-15, plate 50 from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by Angelo Biasioli (1790-1830) published c.1820s-30s (colour litho)

STC222086: Scandinavian Ports (Top to Bottom: Copenhagen, Fortress of Segeburg, and Fort of Sund) c.1800-15, plate 50 from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by Angelo Biasioli (1790-1830) published c.1820s-30s (colour litho), Fumagalli (19th century) (after) / Bridgeman Images

Greek statue and coins, plate 77 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)
Greek statue and coins, plate 77 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)

STC222093: Greek statue and coins, plate 77 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Gallina, Gallo (1796-1874) / Bridgeman Images


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