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'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)
'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)

XYC284247: 'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold), Blake, William (1757-1827) / Bridgeman Images

ID: XYC284247

'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)

Blake, William (1757-1827)

Ruggiero seeks Angelica who has made herself invisible (pen & ink, chalk and wash on paper)
Ruggiero seeks Angelica who has made herself invisible (pen & ink, chalk and wash on paper)

AGN284327: Ruggiero seeks Angelica who has made herself invisible (pen & ink, chalk and wash on paper), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: AGN284327

Ruggiero seeks Angelica who has made herself invisible (pen & ink, chalk and wash on paper)

Fragonard, Jean-Honore (1732-1806)

Ostracon decorated with a sketch of a woman kneeling in front of a snake goddess, possibly from Deir el-Medina, 19th-20th Dynasty, 1200-1153 BC (painted limestone) (see also 76554)
Ostracon decorated with a sketch of a woman kneeling in front of a snake goddess, possibly from Deir el-Medina, 19th-20th Dynasty, 1200-1153 BC (painted limestone) (see also 76554)

FIT282583: Ostracon decorated with a sketch of a woman kneeling in front of a snake goddess, possibly from Deir el-Medina, 19th-20th Dynasty, 1200-1153 BC (painted limestone) (see also 76554), Egyptian, New Kingdom (c.1567-1085 BC) / Bridgeman Images

ID: FIT282583

Ostracon decorated with a sketch of a woman kneeling in front of a snake goddess, possibly from Deir el-Medina, 19th-20th Dynasty, 1200-1153 BC (painted limestone) (see also 76554)

Egyptian, New Kingdom (c.1567-1085 BC)

Iwai Kumesaburo II as Agemaki in Sukeroku yukari no Edo zakura c.1830 (coloured woodblock print)
Iwai Kumesaburo II as Agemaki in Sukeroku yukari no Edo zakura c.1830 (coloured woodblock print)

FIT282751: Iwai Kumesaburo II as Agemaki in Sukeroku yukari no Edo zakura c.1830 (coloured woodblock print), Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

ID: FIT282751

Iwai Kumesaburo II as Agemaki in Sukeroku yukari no Edo zakura c.1830 (coloured woodblock print)

Kunisada, Utagawa (Toyokuni III) (1786-1865)

Head of Job (graphite on paper)
Head of Job (graphite on paper)

FIT282893: Head of Job (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT282893

Head of Job (graphite on paper)

Blake, William (1757-1827)

Julien Tanguy (chalk on paper)
Julien Tanguy (chalk on paper)

FIT282957: Julien Tanguy (chalk on paper), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: FIT282957

Julien Tanguy (chalk on paper)

Pissarro, Camille (1830-1903)

Portrait of Charles Pratt, 1st Earl Camden, engraved by H. Robinson (engraving)
Portrait of Charles Pratt, 1st Earl Camden, engraved by H. Robinson (engraving)

XJF283123: Portrait of Charles Pratt, 1st Earl Camden, engraved by H. Robinson (engraving), English School / Bridgeman Images

ID: XJF283123

Portrait of Charles Pratt, 1st Earl Camden, engraved by H. Robinson (engraving)

English School

Portrait of John Campbell, Duke of Argyll and Greenwich (engraving) (b/e photo)
Portrait of John Campbell, Duke of Argyll and Greenwich (engraving) (b/e photo)

XJF283129: Portrait of John Campbell, Duke of Argyll and Greenwich (engraving) (b/e photo), English School / Bridgeman Images

ID: XJF283129

Portrait of John Campbell, Duke of Argyll and Greenwich (engraving) (b/e photo)

English School

Cinderella, 1903 (w/c & chalk on paper)
Cinderella, 1903 (w/c & chalk on paper)

MAN277406: Cinderella, 1903 (w/c & chalk on paper), Bell, Robert Anning (1863-1933) / Bridgeman Images

ID: MAN277406

Cinderella, 1903 (w/c & chalk on paper)

Bell, Robert Anning (1863-1933)

Portrait of Isidore, 1810 (oil on canvas)
Portrait of Isidore, 1810 (oil on canvas)

LST277439: Portrait of Isidore, 1810 (oil on canvas), Mexican School, (19th century) / Bridgeman Images

ID: LST277439

Portrait of Isidore, 1810 (oil on canvas)

Mexican School, (19th century)

Portrait of a Gentleman (pen & ink on parchment)
Portrait of a Gentleman (pen & ink on parchment)

LST277456: Portrait of a Gentleman (pen & ink on parchment), Crussens, Athon (fl.c.1655) / Bridgeman Images

ID: LST277456

Portrait of a Gentleman (pen & ink on parchment)

Crussens, Athon (fl.c.1655)

Pages 57 and 58, from 'Le Livre du Roy Modus et de la Royne Racio', by Henri de Ferrieres, c.1420 (pen & ink and w/c on paper)
Pages 57 and 58, from 'Le Livre du Roy Modus et de la Royne Racio', by Henri de Ferrieres, c.1420 (pen & ink and w/c on paper)

XYC277514: Pages 57 and 58, from 'Le Livre du Roy Modus et de la Royne Racio', by Henri de Ferrieres, c.1420 (pen & ink and w/c on paper), French School, (15th century) / Bridgeman Images

ID: XYC277514

Pages 57 and 58, from 'Le Livre du Roy Modus et de la Royne Racio', by Henri de Ferrieres, c.1420 (pen & ink and w/c on paper)

French School, (15th century)

Page 8, from 'A Survey of the Estate of John Plampin, Esq.', 1774 (pen & ink with w/c and gouache on paper)
Page 8, from 'A Survey of the Estate of John Plampin, Esq.', 1774 (pen & ink with w/c and gouache on paper)

XYC277517: Page 8, from 'A Survey of the Estate of John Plampin, Esq.', 1774 (pen & ink with w/c and gouache on paper), English School, (18th century) / Bridgeman Images

ID: XYC277517

Page 8, from 'A Survey of the Estate of John Plampin, Esq.', 1774 (pen & ink with w/c and gouache on paper)

English School, (18th century)

The Hobby-Horse (engraving)
The Hobby-Horse (engraving)

XJF277663: The Hobby-Horse (engraving), English School / Bridgeman Images

ID: XJF277663

The Hobby-Horse (engraving)

English School

View of El Castillo, Mayan post-classical period (photo)
View of El Castillo, Mayan post-classical period (photo)

STF277742: View of El Castillo, Mayan post-classical period (photo), Mayan / Bridgeman Images

ID: STF277742

View of El Castillo, Mayan post-classical period (photo)

Mayan

Detail from a stele depicting a warrior, from Campeche (carved stone)
Detail from a stele depicting a warrior, from Campeche (carved stone)

STF277749: Detail from a stele depicting a warrior, from Campeche (carved stone), Mayan / Bridgeman Images

ID: STF277749

Detail from a stele depicting a warrior, from Campeche (carved stone)

Mayan

Singapore, 28th October 1890 (b/w photo)
Singapore, 28th October 1890 (b/w photo)

STC284392: Singapore, 28th October 1890 (b/w photo), Portuguese Photographer (19th century) / Bridgeman Images

ID: STC284392

Singapore, 28th October 1890 (b/w photo)

Portuguese Photographer (19th century)

Oberon. 'There sleeps Titania, some time of the night...', 1783 (pen, ink & wash on paper)
Oberon. 'There sleeps Titania, some time of the night...', 1783 (pen, ink & wash on paper)

XYC284413: Oberon. 'There sleeps Titania, some time of the night...', 1783 (pen, ink & wash on paper), Flaxman, John (1755-1826) / Bridgeman Images

ID: XYC284413

Oberon. 'There sleeps Titania, some time of the night...', 1783 (pen, ink & wash on paper)

Flaxman, John (1755-1826)

Mrs Siddons as Constance, 1783 (pen, ink & wash on paper)
Mrs Siddons as Constance, 1783 (pen, ink & wash on paper)

XYC284416: Mrs Siddons as Constance, 1783 (pen, ink & wash on paper), Flaxman, John (1755-1826) / Bridgeman Images

ID: XYC284416

Mrs Siddons as Constance, 1783 (pen, ink & wash on paper)

Flaxman, John (1755-1826)

Mrs Siddons as Constance with Child, 1783 (pen, ink & wash on paper)
Mrs Siddons as Constance with Child, 1783 (pen, ink & wash on paper)

XYC284425: Mrs Siddons as Constance with Child, 1783 (pen, ink & wash on paper), Flaxman, John (1755-1826) / Bridgeman Images

ID: XYC284425

Mrs Siddons as Constance with Child, 1783 (pen, ink & wash on paper)

Flaxman, John (1755-1826)

Four-handed Seat, no.22 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)
Four-handed Seat, no.22 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)

MJC284584: Four-handed Seat, no.22 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho), English School, (20th century) / Bridgeman Images

ID: MJC284584

Four-handed Seat, no.22 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)

English School, (20th century)

Three-handed seat, no.21 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)
Three-handed seat, no.21 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)

MJC284596: Three-handed seat, no.21 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho), English School, (20th century) / Bridgeman Images

ID: MJC284596

Three-handed seat, no.21 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)

English School, (20th century)

Knots, no.6 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)
Knots, no.6 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)

MJC284599: Knots, no.6 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho), English School, (20th century) / Bridgeman Images

ID: MJC284599

Knots, no.6 from the 'First Aid' series of 'Wills's Cigarettes' cards, 1913 (colour litho)

English School, (20th century)

Portrait of Jacques Laffitte (engraving)
Portrait of Jacques Laffitte (engraving)

XJF284802: Portrait of Jacques Laffitte (engraving), English School / Bridgeman Images

ID: XJF284802

Portrait of Jacques Laffitte (engraving)

English School

Man with a horse harnessed to a roller (graphite & w/c on paper)
Man with a horse harnessed to a roller (graphite & w/c on paper)

XYC284857: Man with a horse harnessed to a roller (graphite & w/c on paper), Gilpin, Sawrey (1733-1807) / Bridgeman Images

ID: XYC284857

Man with a horse harnessed to a roller (graphite & w/c on paper)

Gilpin, Sawrey (1733-1807)

Guangai (Irrigating the Fields), from, 'Yuti minhua tu', c.1765 (ink rubbing)
Guangai (Irrigating the Fields), from, 'Yuti minhua tu', c.1765 (ink rubbing)

FZA285029: Guangai (Irrigating the Fields), from, 'Yuti minhua tu', c.1765 (ink rubbing), Fang, Guan Cheng (1698-1768) / Bridgeman Images

ID: FZA285029

Guangai (Irrigating the Fields), from, 'Yuti minhua tu', c.1765 (ink rubbing)

Fang, Guan Cheng (1698-1768)

Shangji (Setting up the loom) from, 'Yuti minhua tu', c.1765 (ink rubbing)
Shangji (Setting up the loom) from, 'Yuti minhua tu', c.1765 (ink rubbing)

FZA285041: Shangji (Setting up the loom) from, 'Yuti minhua tu', c.1765 (ink rubbing), Fang, Guan Cheng (1698-1768) / Bridgeman Images

ID: FZA285041

Shangji (Setting up the loom) from, 'Yuti minhua tu', c.1765 (ink rubbing)

Fang, Guan Cheng (1698-1768)

Stirring the silk worms, no.4 from 'Joshoku kaiko tewaza-gusa', c.1800 (colour woodblock print)
Stirring the silk worms, no.4 from 'Joshoku kaiko tewaza-gusa', c.1800 (colour woodblock print)

FZA285047: Stirring the silk worms, no.4 from 'Joshoku kaiko tewaza-gusa', c.1800 (colour woodblock print), Kitagawa, Utamaro (1753-1806) / Bridgeman Images

ID: FZA285047

Stirring the silk worms, no.4 from 'Joshoku kaiko tewaza-gusa', c.1800 (colour woodblock print)

Kitagawa, Utamaro (1753-1806)

Portrait of Gilbert Eliot (engraving)
Portrait of Gilbert Eliot (engraving)

XJF283141: Portrait of Gilbert Eliot (engraving), English School, (19th century) / Bridgeman Images

ID: XJF283141

Portrait of Gilbert Eliot (engraving)

English School, (19th century)

A Nymph (graphite on paper) (for pair see 283229)
A Nymph (graphite on paper) (for pair see 283229)

FIT283230: A Nymph (graphite on paper) (for pair see 283229), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

ID: FIT283230

A Nymph (graphite on paper) (for pair see 283229)

Ingres, Jean Auguste Dominique (1780-1867)

Anonis or Rest Harrow, 1741 (w/c & bodycolour on vellum)
Anonis or Rest Harrow, 1741 (w/c & bodycolour on vellum)

FIT283233: Anonis or Rest Harrow, 1741 (w/c & bodycolour on vellum), Ehret, Georg Dionysius (1710-70) / Bridgeman Images

ID: FIT283233

Anonis or Rest Harrow, 1741 (w/c & bodycolour on vellum)

Ehret, Georg Dionysius (1710-70)

George Morland, 1805 (litho)
George Morland, 1805 (litho)

XYC283246: George Morland, 1805 (litho), Smith, John Raphael (1752-1812) / Bridgeman Images

ID: XYC283246

George Morland, 1805 (litho)

Smith, John Raphael (1752-1812)

The Gunpowder Magazine, Hyde Park, c.1790 (w/c, pen & ink and crayon over graphite on paper)
The Gunpowder Magazine, Hyde Park, c.1790 (w/c, pen & ink and crayon over graphite on paper)

XYC283257: The Gunpowder Magazine, Hyde Park, c.1790 (w/c, pen & ink and crayon over graphite on paper), Sandby, Paul (1725-1809) / Bridgeman Images

ID: XYC283257

The Gunpowder Magazine, Hyde Park, c.1790 (w/c, pen & ink and crayon over graphite on paper)

Sandby, Paul (1725-1809)

Landscape (Capriccio) c.1780 (oil on canvas)
Landscape (Capriccio) c.1780 (oil on canvas)

ALM283465: Landscape (Capriccio) c.1780 (oil on canvas), Italian School, (18th century) / Bridgeman Images

ID: ALM283465

Landscape (Capriccio) c.1780 (oil on canvas)

Italian School, (18th century)

Ford at the Upper End of the Vai-Te-Piha (Tautira River) Tahiti, 1891 (w/c & gouache on smooth paper)
Ford at the Upper End of the Vai-Te-Piha (Tautira River) Tahiti, 1891 (w/c & gouache on smooth paper)

ALM283483: Ford at the Upper End of the Vai-Te-Piha (Tautira River) Tahiti, 1891 (w/c & gouache on smooth paper), La Farge or Lafarge, John (1835-1910) / Bridgeman Images

ID: ALM283483

Ford at the Upper End of the Vai-Te-Piha (Tautira River) Tahiti, 1891 (w/c & gouache on smooth paper)

La Farge or Lafarge, John (1835-1910)

Meerschaum Pipe, 1886 (oil on canvas)
Meerschaum Pipe, 1886 (oil on canvas)

ALM283490: Meerschaum Pipe, 1886 (oil on canvas), Harnett, William Michael (1848-92) / Bridgeman Images

ID: ALM283490

Meerschaum Pipe, 1886 (oil on canvas)

Harnett, William Michael (1848-92)


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