AII135956:
View of the portal of Basilica di San Marco, Rome, Italy (photo) / Bridgeman Images
ID: AII135956
View of the portal of Basilica di San Marco, Rome, Italy (photo)
JFS134023:
Exterior of a Gothic Villa, 19th century (photo) / Bridgeman Images
ID: JFS134023
Exterior of a Gothic Villa, 19th century (photo)
JFS134028:
Painted House Facades (photo) / Bridgeman Images
ID: JFS134028
Painted House Facades (photo)
JFS134032:
Church tower (photo) / Bridgeman Images
ID: JFS134032
Church tower (photo)
JFS134037:
Detail from the Cloister (photo) / Bridgeman Images
ID: JFS134037
Detail from the Cloister (photo)
JFS134039:
Dogliani Cemetery, designed in 1872 by Giovanni Battista Schellino (photo) / Bridgeman Images
ID: JFS134039
Dogliani Cemetery, designed in 1872 by Giovanni Battista Schellino (photo)
STC134087:
View of Buckingham Palace from St. James's Park, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6160), Boys, Thomas Shotter (1803-74) / Bridgeman Images
ID: STC134087
View of Buckingham Palace from St. James's Park, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6160)
Boys, Thomas Shotter (1803-74)
STC134090:
Betty Joel Carpentry Workshops, c.1930-40 (b/w photo), English Photographer, (20th century) / Bridgeman Images
ID: STC134090
Betty Joel Carpentry Workshops, c.1930-40 (b/w photo)
English Photographer, (20th century)
JFS134092:
The Radhus, or City Hall, built in 1950 (photo) / Bridgeman Images
ID: JFS134092
The Radhus, or City Hall, built in 1950 (photo)
JFS134099:
Christiana Torv, built in 1664 (photo) / Bridgeman Images
ID: JFS134099
Christiana Torv, built in 1664 (photo)
STC134140:
Pygmalion is Enamoured With a Statue he Has Made, And at his Prayer Venus Transforms it into a Woman, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images
ID: STC134140
Pygmalion is Enamoured With a Statue he Has Made, And at his Prayer Venus Transforms it into a Woman, 1731 (engraving)
Picart, Bernard (1673-1733)
XJF134154:
Sopwith Aircraft Taking Off (b/w photo) / Bridgeman Images
ID: XJF134154
Sopwith Aircraft Taking Off (b/w photo)
XJF134166:
Behind the Dial, showing the Method of Lighting Big Ben of Westminster (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
ID: XJF134166
Behind the Dial, showing the Method of Lighting Big Ben of Westminster (engraving) (b/w photo)
English School, (19th century)
XJF134187:
Satire on the works of Alexander Pope (1688-1744) (engraving) (b/w photo), English School, (18th century) / Bridgeman Images
ID: XJF134187
Satire on the works of Alexander Pope (1688-1744) (engraving) (b/w photo)
English School, (18th century)
XJF134191:
Portrait of Sir Benjamin Thompson (1753-1814), 1835 (oil on canvas) (b/w photo), English School, (18th century) / Bridgeman Images
ID: XJF134191
Portrait of Sir Benjamin Thompson (1753-1814), 1835 (oil on canvas) (b/w photo)
English School, (18th century)
STC134214:
In Attendance of Death, illustration from the poem 'A View of Human Life', from 'Doctrines of Morality' by Marin Le Roy de Gomberville (1600-74) engraved by Daret (engraving), French School, (18th century) / Bridgeman Images
ID: STC134214
In Attendance of Death, illustration from the poem 'A View of Human Life', from 'Doctrines of Morality' by Marin Le Roy de Gomberville (1600-74) engraved by Daret (engraving)
French School, (18th century)
STC134221:
Venus Riding her Chariot Drawn by Dolphins, illustration from Book 1 Part 6 Chapter 11 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Michiel van der Gucht (1660-1725), 1694 (engraving), Freman, G (fl. 17th century) / Bridgeman Images
ID: STC134221
Venus Riding her Chariot Drawn by Dolphins, illustration from Book 1 Part 6 Chapter 11 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Michiel van der Gucht (1660-1725), 1694 (engraving)
Freman, G (fl. 17th century)
STC134222:
The Arrival of the Grim Reaper, illustration from Book 1 Part 4 Chapter 24 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/3-1722), 1694 (engraving), Freman, G (fl. 17th century) / Bridgeman Images
ID: STC134222
The Arrival of the Grim Reaper, illustration from Book 1 Part 4 Chapter 24 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Johannes Kip (1652/3-1722), 1694 (engraving)