ID: JB135561

Decani Monastery, 15km south of Pec, built c.1327-35 (photo)

ID: JB135563

Window in the main apse of the church, built 1327-35

ID: CK135580

Abstract design (pencil, crayon and w/c on paper)

Moore, Henry Spencer (1898-1986)

ID: BI135590

Tea pot and stand, made by Robert Sharp and Daniel Smith, 1785 (gold with wood handle and bone knob)

English School, (18th century)

ID: XJF135607

The Mouth of the Canal from the Sea, plate XXVIII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

Pennell, Joseph (1858-1926)

ID: AII135644

Door of the Tempietto of San Pietro in Montorio, Rome, Italy (photo)

ID: STC135701

George Curzon as Algernon Moncrieffe (Algy) and Ursula Jeans as Cecily Cardew, in The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the Old Vic Theatre, 5 February 1934 (b/w photo)

English Photographer, (20th century)

ID: STC135702

Ursula Jeans as Cecily Cardew, in The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the Old Vic Theatre, 5 February 1934 (b/w photo)

English Photographer, (20th century)

ID: STC135711

Miss Irene Vanbrugh in The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James Theatre, on 4 May 1895 (b/w photo)

English Photographer, (19th century)

ID: STC135718

Improvements at the Criterion Theatre in London, 19 April 1884 (engraving)

English School, (19th century)

ID: STC135720

'The St. James'', Sir George Alexander (1858-1918) from Vanity Fair, 14 April 1881 (engraving)

Beerbohm, Max (1872-1956)

ID: STC135734

An excerpt from 'Phrases and Philosophies', by Oscar Wilde (1854-1900) (litho) (b/w photo)

English School, (19th century)

ID: STC135743

Advertisement for Eight Special Matinees of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the Globe Theatre, February 1939 (b/w photo)

English School, (20th century)

ID: LCN135750

Stanley Royle (1888-1961) 1934 (oil on canvas)

Royle, Stanley (1888-1961)

ID: LCN135751

Burbage Brook (oil on canvas)

Royle, Stanley (1888-1961)

ID: MFR135754

Collection of lodestones, a horseshoe iron magnet and two keepers, English or French, 17th-18th century (brass cased magnetite)

ID: MFR135762

Drawing set and case 18th century (mahogany, brass and steel)

Adams, George (1750-95)

ID: MFR135785

Two 'Shepherd' Sundials, 18th century

ID: JFS135801

Cobbled Street with a Brick Archway, Spello, Umbria, Italy (photo)

ID: JFS135809

Ruins of San Bruzio Abbey, Magliano, Tuscany, Italy (photo)

ID: JFS135810

Two Hand-Blown Glass Grappa Bottles (glass)

ID: JFS135812

The Dining Room at Castello di Brolio, Chianti, Tuscany, Italy (photo)

ID: GG135831

Le Marche aux Fleurs (oil on canvas)

Cortes, Edouard Leon (1882-1969)

ID: JFS135857

The Clock Tower, Piazza della Liberta, Udine, Friuli, Italy (photo)

ID: RPH135879

St. Catherine (polychrome wood)

French School, (15th century)

ID: JFS135898

Detail from the Facade of the Palazzo del Comun, Piazza dell'Unita d'Italia, Trieste, Italy (photo)

ID: AII135902

Church portal of the Church of Santi Vincenzo e Anastasio, Rome, Italy (photo)

ID: AII135904

View of the Palazzo, built 1803 (photo)

Marvuglia, Venanzio (1729-1814)

ID: AII135905

View of the doorway and balcony of Palazzo Senatorio, Catania, Sicily, Italy (photo)

ID: AII135935

The Moses Fountain, Rome, Italy (photo)

ID: AII135938

Facade of the Church of Saint Egidius, Rome, Italy (photo)

ID: AII135941

Facade of the Church of Santa Maria di Loreto, Rome, Italy (photo)

ID: AII135943

View of a colonnade, Roman, 2nd century AD (photo)

ID: AII135946

View of the facade of Santa Maria di Loreto, Rome, Italy (photo)

ID: AII135948

Facade of the Church of San Crisogono, Rome, Italy (photo)

ID: AII135949

Trevi Fountain, 1732-62 (photo)

Salvi, Nicola (1697-1751)