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Ruins of Soriano Calabro and the Temple, Calabria, 1783 (etching)
Ruins of Soriano Calabro and the Temple, Calabria, 1783 (etching)

UCL273838: Ruins of Soriano Calabro and the Temple, Calabria, 1783 (etching), Italian School, (18th century) / Bridgeman Images

ID: UCL273838

Ruins of Soriano Calabro and the Temple, Calabria, 1783 (etching)

Italian School, (18th century)

A Christmas Dinner on the Heights before Sebastopol, engraved by J.A. Vinter, from 'The Seat of War in the East - First Series', published by Colnaghi & Co., 1855 (colour litho)
A Christmas Dinner on the Heights before Sebastopol, engraved by J.A. Vinter, from 'The Seat of War in the East - First Series', published by Colnaghi & Co., 1855 (colour litho)

NAM280811: A Christmas Dinner on the Heights before Sebastopol, engraved by J.A. Vinter, from 'The Seat of War in the East - First Series', published by Colnaghi & Co., 1855 (colour litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: NAM280811

A Christmas Dinner on the Heights before Sebastopol, engraved by J.A. Vinter, from 'The Seat of War in the East - First Series', published by Colnaghi & Co., 1855 (colour litho)

Simpson, William 'Crimea' (1823-99)

Two Studies of a Female Nude (chalk on paper)
Two Studies of a Female Nude (chalk on paper)

UCL273939: Two Studies of a Female Nude (chalk on paper), Tonks, Henry (1862-1937) / Bridgeman Images

ID: UCL273939

Two Studies of a Female Nude (chalk on paper)

Tonks, Henry (1862-1937)

Three men attempting to tear a child from a woman (pencil, pen & ink on paper)
Three men attempting to tear a child from a woman (pencil, pen & ink on paper)

UCL273976: Three men attempting to tear a child from a woman (pencil, pen & ink on paper), Flaxman, John (1755-1826) / Bridgeman Images

ID: UCL273976

Three men attempting to tear a child from a woman (pencil, pen & ink on paper)

Flaxman, John (1755-1826)

Ruined palace, c.1858 (sepia photo)
Ruined palace, c.1858 (sepia photo)

NAM280852: Ruined palace, c.1858 (sepia photo), English Photographer, (19th century) / Bridgeman Images

ID: NAM280852

Ruined palace, c.1858 (sepia photo)

English Photographer, (19th century)

A Woman with a Naked Child on her Shoulder, Facing Left (pencil, pen, ink & wash on paper)
A Woman with a Naked Child on her Shoulder, Facing Left (pencil, pen, ink & wash on paper)

UCL273982: A Woman with a Naked Child on her Shoulder, Facing Left (pencil, pen, ink & wash on paper), Flaxman, John (1755-1826) / Bridgeman Images

ID: UCL273982

A Woman with a Naked Child on her Shoulder, Facing Left (pencil, pen, ink & wash on paper)

Flaxman, John (1755-1826)

The Queen who sat betwixt her best Enid and lissome Vivien..., illustration from 'Idylls of the King' by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho)
The Queen who sat betwixt her best Enid and lissome Vivien..., illustration from 'Idylls of the King' by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho)

IL274112: The Queen who sat betwixt her best Enid and lissome Vivien..., illustration from 'Idylls of the King' by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho), Fortescue-Brickdale, Eleanor (1871-1945) / Bridgeman Images

ID: IL274112

The Queen who sat betwixt her best Enid and lissome Vivien..., illustration from 'Idylls of the King' by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho)

Fortescue-Brickdale, Eleanor (1871-1945)

Southbank, 1951 (b/w photo)
Southbank, 1951 (b/w photo)

ILN280896: Southbank, 1951 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: ILN280896

Southbank, 1951 (b/w photo)

English Photographer, (20th century)

Lucknow, shortly after the siege, 1857 (b/w photo)
Lucknow, shortly after the siege, 1857 (b/w photo)

NAM280926: Lucknow, shortly after the siege, 1857 (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: NAM280926

Lucknow, shortly after the siege, 1857 (b/w photo)

English Photographer, (19th century)

The Radiant Beauty of the Lovely Pearl Mosque, illustration from 'Newnes' Pictorial Book of Knowledge' (colour litho)
The Radiant Beauty of the Lovely Pearl Mosque, illustration from 'Newnes' Pictorial Book of Knowledge' (colour litho)

IL281000: The Radiant Beauty of the Lovely Pearl Mosque, illustration from 'Newnes' Pictorial Book of Knowledge' (colour litho), Tennant, C. Dudley (1867-1952) / Bridgeman Images

ID: IL281000

The Radiant Beauty of the Lovely Pearl Mosque, illustration from 'Newnes' Pictorial Book of Knowledge' (colour litho)

Tennant, C. Dudley (1867-1952)

Charles, 2nd Earl Grey, engraved by J. Cochran, from 'National Portrait Gallery, volume III', published c.1835 (litho)
Charles, 2nd Earl Grey, engraved by J. Cochran, from 'National Portrait Gallery, volume III', published c.1835 (litho)

KWE274221: Charles, 2nd Earl Grey, engraved by J. Cochran, from 'National Portrait Gallery, volume III', published c.1835 (litho), Lawrence, Thomas (1769-1830) (after) / Bridgeman Images

ID: KWE274221

Charles, 2nd Earl Grey, engraved by J. Cochran, from 'National Portrait Gallery, volume III', published c.1835 (litho)

Lawrence, Thomas (1769-1830) (after)

A Child in a yellow dress holding a dog (oil on canvas)
A Child in a yellow dress holding a dog (oil on canvas)

DON279055: A Child in a yellow dress holding a dog (oil on canvas), Weenix, Jan Baptist (1621-c.1664) / Bridgeman Images

ID: DON279055

A Child in a yellow dress holding a dog (oil on canvas)

Weenix, Jan Baptist (1621-c.1664)

Unknown Gentleman in a White Collar (oil on panel)
Unknown Gentleman in a White Collar (oil on panel)

DON279067: Unknown Gentleman in a White Collar (oil on panel), Jansen, Cornelius (1585-1638) / Bridgeman Images

ID: DON279067

Unknown Gentleman in a White Collar (oil on panel)

Jansen, Cornelius (1585-1638)

Inscriptions from the Howards' Chapel, Lambeth Parish Church, 1637 (ink on vellum)
Inscriptions from the Howards' Chapel, Lambeth Parish Church, 1637 (ink on vellum)

DON279088: Inscriptions from the Howards' Chapel, Lambeth Parish Church, 1637 (ink on vellum), Lilly, Henry (fl. 1637) / Bridgeman Images

ID: DON279088

Inscriptions from the Howards' Chapel, Lambeth Parish Church, 1637 (ink on vellum)

Lilly, Henry (fl. 1637)

Elizabeth Howard Countess of Oxford, 1637 (ink & gold leaf on vellum)
Elizabeth Howard Countess of Oxford, 1637 (ink & gold leaf on vellum)

DON279091: Elizabeth Howard Countess of Oxford, 1637 (ink & gold leaf on vellum), Lilly, Henry (fl. 1637) / Bridgeman Images

ID: DON279091

Elizabeth Howard Countess of Oxford, 1637 (ink & gold leaf on vellum)

Lilly, Henry (fl. 1637)

Alabaster monument to John Fitzalan, 7th Earl of Arundel (photo)
Alabaster monument to John Fitzalan, 7th Earl of Arundel (photo)

DON279139: Alabaster monument to John Fitzalan, 7th Earl of Arundel (photo), English School, (15th century) / Bridgeman Images

ID: DON279139

Alabaster monument to John Fitzalan, 7th Earl of Arundel (photo)

English School, (15th century)

Circles, plate 42 from 'Fantaisies decoratives', engraved by Gillot, published by Jules Rouam, Librairie de l'Art, Paris, 1887 (colour engraving)
Circles, plate 42 from 'Fantaisies decoratives', engraved by Gillot, published by Jules Rouam, Librairie de l'Art, Paris, 1887 (colour engraving)

REV279427: Circles, plate 42 from 'Fantaisies decoratives', engraved by Gillot, published by Jules Rouam, Librairie de l'Art, Paris, 1887 (colour engraving), Habert-Dys, Jules-Auguste (b.1850) (after) / Bridgeman Images

ID: REV279427

Circles, plate 42 from 'Fantaisies decoratives', engraved by Gillot, published by Jules Rouam, Librairie de l'Art, Paris, 1887 (colour engraving)

Habert-Dys, Jules-Auguste (b.1850) (after)

The Battle of Poltava, engraved by one of the Nicolas Larmessin family, 1709 (engraving) (b/w photo)
The Battle of Poltava, engraved by one of the Nicolas Larmessin family, 1709 (engraving) (b/w photo)

XIR279456: The Battle of Poltava, engraved by one of the Nicolas Larmessin family, 1709 (engraving) (b/w photo), Martin, Pierre-Denis (1663-1742) (after) / Bridgeman Images

ID: XIR279456

The Battle of Poltava, engraved by one of the Nicolas Larmessin family, 1709 (engraving) (b/w photo)

Martin, Pierre-Denis (1663-1742) (after)

Before the election, illustration from 'Le Petit Journal', Supplement Illustre, 2nd September 1893 (colour litho)
Before the election, illustration from 'Le Petit Journal', Supplement Illustre, 2nd September 1893 (colour litho)

REV279466: Before the election, illustration from 'Le Petit Journal', Supplement Illustre, 2nd September 1893 (colour litho), Meyer, Henri (1841-99) / Bridgeman Images

ID: REV279466

Before the election, illustration from 'Le Petit Journal', Supplement Illustre, 2nd September 1893 (colour litho)

Meyer, Henri (1841-99)

Altars (photo)
Altars (photo)

GDG279511: Altars (photo), Roman / Bridgeman Images

ID: GDG279511

Altars (photo)

Roman

Sanctuary of Jupiter Heliopolitanus, portico in the courtyard, High Imperial Period (27 BC-395 AD) (photo)
Sanctuary of Jupiter Heliopolitanus, portico in the courtyard, High Imperial Period (27 BC-395 AD) (photo)

GDG279569: Sanctuary of Jupiter Heliopolitanus, portico in the courtyard, High Imperial Period (27 BC-395 AD) (photo), Roman Imperial Period (27 BC-476 AD) / Bridgeman Images

ID: GDG279569

Sanctuary of Jupiter Heliopolitanus, portico in the courtyard, High Imperial Period (27 BC-395 AD) (photo)

Roman Imperial Period (27 BC-476 AD)

Arch of triumph (photo)
Arch of triumph (photo)

GDG279589: Arch of triumph (photo), Roman / Bridgeman Images

ID: GDG279589

Arch of triumph (photo)

Roman

Christ on the Cross, detail (painted wood)
Christ on the Cross, detail (painted wood)

CLG279614: Christ on the Cross, detail (painted wood), Richier, Ligier (c.1500-67) / Bridgeman Images

ID: CLG279614

Christ on the Cross, detail (painted wood)

Richier, Ligier (c.1500-67)

Altar piece, central panel, detail, the swoon of the Virgin (painted stone)
Altar piece, central panel, detail, the swoon of the Virgin (painted stone)

CLG279626: Altar piece, central panel, detail, the swoon of the Virgin (painted stone), Richier, Ligier (c.1500-67) / Bridgeman Images

ID: CLG279626

Altar piece, central panel, detail, the swoon of the Virgin (painted stone)

Richier, Ligier (c.1500-67)

Altar piece, right panel, detail, The Deposition from the Cross (painted stone)
Altar piece, right panel, detail, The Deposition from the Cross (painted stone)

CLG279632: Altar piece, right panel, detail, The Deposition from the Cross (painted stone), Richier, Ligier (c.1500-67) / Bridgeman Images

ID: CLG279632

Altar piece, right panel, detail, The Deposition from the Cross (painted stone)

Richier, Ligier (c.1500-67)

'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)
'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)

XYC281137: 'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC281137

'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)

Rowlandson, Thomas (1756-1827)

In Richmond Park, c.1869 (w/c with gouache on paper)
In Richmond Park, c.1869 (w/c with gouache on paper)

XYC281155: In Richmond Park, c.1869 (w/c with gouache on paper), Inchbold, John William (1830-88) / Bridgeman Images

ID: XYC281155

In Richmond Park, c.1869 (w/c with gouache on paper)

Inchbold, John William (1830-88)

The Guildhall, Exeter, c.1797 (graphite on paper)
The Guildhall, Exeter, c.1797 (graphite on paper)

XYC281165: The Guildhall, Exeter, c.1797 (graphite on paper), Girtin, Thomas (1775-1802) / Bridgeman Images

ID: XYC281165

The Guildhall, Exeter, c.1797 (graphite on paper)

Girtin, Thomas (1775-1802)

Seated Buddhas (photo)
Seated Buddhas (photo)

STF281201: Seated Buddhas (photo), Thai / Bridgeman Images

ID: STF281201

Seated Buddhas (photo)

Thai

Golden statue of a reclining Buddha (photo)
Golden statue of a reclining Buddha (photo)

STF281204: Golden statue of a reclining Buddha (photo), Thai / Bridgeman Images

ID: STF281204

Golden statue of a reclining Buddha (photo)

Thai

Leo III's Victory over the Saracens at Constantinople in 717, illustration from Hutchinson's 'History of the Nations', 1920s (litho)
Leo III's Victory over the Saracens at Constantinople in 717, illustration from Hutchinson's 'History of the Nations', 1920s (litho)

IL274572: Leo III's Victory over the Saracens at Constantinople in 717, illustration from Hutchinson's 'History of the Nations', 1920s (litho), Dudley, Robert Ambrose (1867-1951) / Bridgeman Images

ID: IL274572

Leo III's Victory over the Saracens at Constantinople in 717, illustration from Hutchinson's 'History of the Nations', 1920s (litho)

Dudley, Robert Ambrose (1867-1951)

Portrait of Antonio Pollaiuolo (oil on panel)
Portrait of Antonio Pollaiuolo (oil on panel)

XIR281578: Portrait of Antonio Pollaiuolo (oil on panel), Lippi, Filippino (c.1457-1504) / Bridgeman Images

ID: XIR281578

Portrait of Antonio Pollaiuolo (oil on panel)

Lippi, Filippino (c.1457-1504)

Portrait of a Young Man, 1900 (oil on canvas)
Portrait of a Young Man, 1900 (oil on canvas)

UCL281766: Portrait of a Young Man, 1900 (oil on canvas), Rutherston, Albert Daniel (1881-1953) / Bridgeman Images

ID: UCL281766

Portrait of a Young Man, 1900 (oil on canvas)

Rutherston, Albert Daniel (1881-1953)

Outlying picket of the Highland Brigade at Benares, from 'The History of the Indian Mutiny' published in 1858 (engraving)
Outlying picket of the Highland Brigade at Benares, from 'The History of the Indian Mutiny' published in 1858 (engraving)

KWE274724: Outlying picket of the Highland Brigade at Benares, from 'The History of the Indian Mutiny' published in 1858 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE274724

Outlying picket of the Highland Brigade at Benares, from 'The History of the Indian Mutiny' published in 1858 (engraving)

English School, (19th century)

Repulse of a sortie from Delhi, from 'The History of the Indian Mutiny' published in 1858 (engraving)
Repulse of a sortie from Delhi, from 'The History of the Indian Mutiny' published in 1858 (engraving)

KWE274739: Repulse of a sortie from Delhi, from 'The History of the Indian Mutiny' published in 1858 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE274739

Repulse of a sortie from Delhi, from 'The History of the Indian Mutiny' published in 1858 (engraving)

English School, (19th century)

Conflict with the Ghazees before Bareilly on 6th May 1858, from 'The History of the Indian Mutiny', published in 1858 (engraving)
Conflict with the Ghazees before Bareilly on 6th May 1858, from 'The History of the Indian Mutiny', published in 1858 (engraving)

KWE274763: Conflict with the Ghazees before Bareilly on 6th May 1858, from 'The History of the Indian Mutiny', published in 1858 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE274763

Conflict with the Ghazees before Bareilly on 6th May 1858, from 'The History of the Indian Mutiny', published in 1858 (engraving)

English School, (19th century)


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