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Traveller's winter hut in the beautiful meadow (Canada), refuge for trappers and their sledding. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Traveller's winter hut in the beautiful meadow (Canada), refuge for trappers and their sledding. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325967: Traveller's winter hut in the beautiful meadow (Canada), refuge for trappers and their sledding. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Tengu or demon of dreams, minor god of Japanese folklore, zoomorph, he takes the form of a raven, endowed with magical powers, it is a popular subject of art, theatre and literature in Japan. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Tengu or demon of dreams, minor god of Japanese folklore, zoomorph, he takes the form of a raven, endowed with magical powers, it is a popular subject of art, theatre and literature in Japan. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4326012: Tengu or demon of dreams, minor god of Japanese folklore, zoomorph, he takes the form of a raven, endowed with magical powers, it is a popular subject of art, theatre and literature in Japan. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Sturgeon fishing at the mouth of the Volga River. Engraving to illustrate the voyage on the Volga by M.Moynet, in 1864, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Sturgeon fishing at the mouth of the Volga River. Engraving to illustrate the voyage on the Volga by M.Moynet, in 1864, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326085: Sturgeon fishing at the mouth of the Volga River. Engraving to illustrate the voyage on the Volga by M.Moynet, in 1864, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Feyturia on Lake Cudajaz, (areas of lakes of the Japura River, tributary of the Amazon, Colombia), drying and salting fish. Engraving to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Feyturia on Lake Cudajaz, (areas of lakes of the Japura River, tributary of the Amazon, Colombia), drying and salting fish. Engraving to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326101: Feyturia on Lake Cudajaz, (areas of lakes of the Japura River, tributary of the Amazon, Colombia), drying and salting fish. Engraving to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The Game, or brave has three hair, Abyssinian gun soldier. Engravure pour illustrrer le voyage en Abyssinie, en 1862 by Guillaume Lejean, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The Game, or brave has three hair, Abyssinian gun soldier. Engravure pour illustrrer le voyage en Abyssinie, en 1862 by Guillaume Lejean, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326209: The Game, or brave has three hair, Abyssinian gun soldier. Engravure pour illustrrer le voyage en Abyssinie, en 1862 by Guillaume Lejean, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A bullfighting scene, the Pegatores in Seville, (in the Portuguese way) whose speciality consists in strongly grabbing the bull and sticking to it with the strength of their arms. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A bullfighting scene, the Pegatores in Seville, (in the Portuguese way) whose speciality consists in strongly grabbing the bull and sticking to it with the strength of their arms. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326296: A bullfighting scene, the Pegatores in Seville, (in the Portuguese way) whose speciality consists in strongly grabbing the bull and sticking to it with the strength of their arms. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A bookstore, with piles of books and readers, in Yedo (or Edo, present-day Tokyo), opened on a lively street. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.
A bookstore, with piles of books and readers, in Yedo (or Edo, present-day Tokyo), opened on a lively street. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

LSE4326356: A bookstore, with piles of books and readers, in Yedo (or Edo, present-day Tokyo), opened on a lively street. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

View of the facade of the monastery, 18th century (photography)
View of the facade of the monastery, 18th century (photography)

LRI4653376: View of the facade of the monastery, 18th century (photography), Neumann, Balthasar (1687-1753) / Bridgeman Images

Romanesque art: view of the apse of St. Peter's Cathedral (11th-13th century) Worms, Germany
Romanesque art: view of the apse of St. Peter's Cathedral (11th-13th century) Worms, Germany

LRI4653533: Romanesque art: view of the apse of St. Peter's Cathedral (11th-13th century) Worms, Germany, Romanesque, (13th century) / Bridgeman Images

Farm Court, 1784 (oil on canvas)
Farm Court, 1784 (oil on canvas)

JLJ4653652: Farm Court, 1784 (oil on canvas), Lepicie, Nicolas-Bernard (1735-84) / Bridgeman Images

Castel Beranger building, Paris (photo)
Castel Beranger building, Paris (photo)

TEC4653881: Castel Beranger building, Paris (photo), Guimard, Hector (1867-1942) / Bridgeman Images

Castel Beranger building, Paris (photo)
Castel Beranger building, Paris (photo)

TEC4653923: Castel Beranger building, Paris (photo), Guimard, Hector (1867-1942) / Bridgeman Images

Castel Beranger building, Paris (photo)
Castel Beranger building, Paris (photo)

TEC4653988: Castel Beranger building, Paris (photo), Guimard, Hector (1867-1942) / Bridgeman Images

Castel Beranger building, Paris (photo)
Castel Beranger building, Paris (photo)

TEC4654054: Castel Beranger building, Paris (photo), Guimard, Hector (1867-1942) / Bridgeman Images

Portrait en pied de Jean Francois de la Marche (1729-1805), eveque de Leon, 18th century (oil on canvas)
Portrait en pied de Jean Francois de la Marche (1729-1805), eveque de Leon, 18th century (oil on canvas)

JLJ4654126: Portrait en pied de Jean Francois de la Marche (1729-1805), eveque de Leon, 18th century (oil on canvas), Danloux, Henri-Pierre (1753-1809) / Bridgeman Images

View of Caernarfon Castle, 13th century (photography)
View of Caernarfon Castle, 13th century (photography)

LRI4654218: View of Caernarfon Castle, 13th century (photography), English School, (13th century) / Bridgeman Images

Christ Benching, 1460 (oil on canvas)
Christ Benching, 1460 (oil on canvas)

JLJ4654278: Christ Benching, 1460 (oil on canvas), Bellini, Giovanni (c.1430-1516) / Bridgeman Images

View of the choir, 12th century (photography)
View of the choir, 12th century (photography)

LRI4654329: View of the choir, 12th century (photography), English School, (12th century) / Bridgeman Images

View of the interior of Glasgow Cathedral, 12th century (photography)
View of the interior of Glasgow Cathedral, 12th century (photography)

LRI4654420: View of the interior of Glasgow Cathedral, 12th century (photography), Scottish School (12th century) / Bridgeman Images

Cat's meat man (cat 's-meat-man) on a street in the Westminster district of London, a walking horse meat dealer for dogs and cats - Engraving In “” The Illustrous World””, 1865 - A Cat's meat man on a Westminster street in London - Engraving from “” Le Monde Illustré”, 1865
Cat's meat man (cat 's-meat-man) on a street in the Westminster district of London, a walking horse meat dealer for dogs and cats - Engraving In “” The Illustrous World””, 1865 - A Cat's meat man on a Westminster street in London - Engraving from “” Le Monde Illustré”, 1865

XEE4145881: Cat's meat man (cat 's-meat-man) on a street in the Westminster district of London, a walking horse meat dealer for dogs and cats - Engraving In “” The Illustrous World””, 1865 - A Cat's meat man on a Westminster street in London - Engraving from “” Le Monde Illustré”, 1865, Unknown Artist, (19th century) / Bridgeman Images

Vue exterieure du chateau de Blois avec l'escalier monumental - Engraving In “” Le Monde Illustrie””, 1861 - Exterior view of the chateau de Blois with the spiral staircase - Engraving from “” Le Monde Illustrie”””, 1861
Vue exterieure du chateau de Blois avec l'escalier monumental - Engraving In “” Le Monde Illustrie””, 1861 - Exterior view of the chateau de Blois with the spiral staircase - Engraving from “” Le Monde Illustrie”””, 1861

XEE4145908: Vue exterieure du chateau de Blois avec l'escalier monumental - Engraving In “” Le Monde Illustrie””, 1861 - Exterior view of the chateau de Blois with the spiral staircase - Engraving from “” Le Monde Illustrie”””, 1861, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Laszlo Teleki (1811-1861), Hungarian writer and politician - Engraving In “” The Illustrous World””, 1861 - Portrait of Laszlo (Ladislas) Teleki (1811-1861), Hungarian writer and statesman - Engraving from “” The Illustrous World”, 1861
Portrait of Laszlo Teleki (1811-1861), Hungarian writer and politician - Engraving In “” The Illustrous World””, 1861 - Portrait of Laszlo (Ladislas) Teleki (1811-1861), Hungarian writer and statesman - Engraving from “” The Illustrous World”, 1861

XEE4145917: Portrait of Laszlo Teleki (1811-1861), Hungarian writer and politician - Engraving In “” The Illustrous World””, 1861 - Portrait of Laszlo (Ladislas) Teleki (1811-1861), Hungarian writer and statesman - Engraving from “” The Illustrous World”, 1861, Unknown Artist, (19th century) / Bridgeman Images

Henry Howard Molyneux Herbert, 4th Earl of Carnarvon (1831-1890) - Portrait of Henry Herbert, 4th Earl of Carnarvon (1831-1890) - Engraving
Henry Howard Molyneux Herbert, 4th Earl of Carnarvon (1831-1890) - Portrait of Henry Herbert, 4th Earl of Carnarvon (1831-1890) - Engraving

XEE4146073: Henry Howard Molyneux Herbert, 4th Earl of Carnarvon (1831-1890) - Portrait of Henry Herbert, 4th Earl of Carnarvon (1831-1890) - Engraving, Unknown Artist, (19th century) / Bridgeman Images

Basilica della Superga (Basilica of Superga) in Turin (Torino) in Italy in 1890
Basilica della Superga (Basilica of Superga) in Turin (Torino) in Italy in 1890

XEE4146099: Basilica della Superga (Basilica of Superga) in Turin (Torino) in Italy in 1890, Unknown photographer, (19th century) / Bridgeman Images

Portrait of Paul Armand (Paul-Armand) Silvestre (1837-1901), French poet - cartoon by others (Collignon and Tocqueville) in “” Les Hommes d'Today””, Paris, 1878 - private collection
Portrait of Paul Armand (Paul-Armand) Silvestre (1837-1901), French poet - cartoon by others (Collignon and Tocqueville) in “” Les Hommes d'Today””, Paris, 1878 - private collection

XEE4146212: Portrait of Paul Armand (Paul-Armand) Silvestre (1837-1901), French poet - cartoon by others (Collignon and Tocqueville) in “” Les Hommes d'Today””, Paris, 1878 - private collection, French School, (19th century) / Bridgeman Images

New uniforms of the French imperiale guard in 1860. Engraving in “” Le Monde Illustré”” n°165 of 9 June 1860.
New uniforms of the French imperiale guard in 1860. Engraving in “” Le Monde Illustré”” n°165 of 9 June 1860.

XEE4146332: New uniforms of the French imperiale guard in 1860. Engraving in “” Le Monde Illustré”” n°165 of 9 June 1860., French School, (19th century) / Bridgeman Images

Exterior view of the church Saint-Germain (Saint Germain) l'Auxerrois in Paris - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852
Exterior view of the church Saint-Germain (Saint Germain) l'Auxerrois in Paris - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852

XEE4146530: Exterior view of the church Saint-Germain (Saint Germain) l'Auxerrois in Paris - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

Paris, Palais de Justice - La salle des pas perdus pendant une ceremonie officielle - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852
Paris, Palais de Justice - La salle des pas perdus pendant une ceremonie officielle - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852

XEE4146537: Paris, Palais de Justice - La salle des pas perdus pendant une ceremonie officielle - Engraving in “Tableau-de-Paris”” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

Portrait of Claude Louis, Count Berthollet (1748-1822), French chemist - Claude-Louis Berthollet (1748-1822), French doctor and chemist - Engraving in “” Sciences à la range de tous - physique et chimie populaires”” by Alexis Clerc - End 19th century - Private collection
Portrait of Claude Louis, Count Berthollet (1748-1822), French chemist - Claude-Louis Berthollet (1748-1822), French doctor and chemist - Engraving in “” Sciences à la range de tous - physique et chimie populaires”” by Alexis Clerc - End 19th century - Private collection

XEE4146645: Portrait of Claude Louis, Count Berthollet (1748-1822), French chemist - Claude-Louis Berthollet (1748-1822), French doctor and chemist - Engraving in “” Sciences à la range de tous - physique et chimie populaires”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Portrait of Henri Victor Regnault (1810-1878) - Portrait of Henri Victor Regnault, French physicist and chemist (1810-78) - Engraving in “” Sciences made available to all - physics and chemistry populaires”” by Alexis Clerc - End 19th century - Private collection
Portrait of Henri Victor Regnault (1810-1878) - Portrait of Henri Victor Regnault, French physicist and chemist (1810-78) - Engraving in “” Sciences made available to all - physics and chemistry populaires”” by Alexis Clerc - End 19th century - Private collection

XEE4146653: Portrait of Henri Victor Regnault (1810-1878) - Portrait of Henri Victor Regnault, French physicist and chemist (1810-78) - Engraving in “” Sciences made available to all - physics and chemistry populaires”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Boulevard Poissonniere - Rue saint Barbe - Rue Saint Etienne - Rue notre dame de Reouvrance - Rue Poissonniere - Engraved in “Tableau-de-Paris” by Edmond Texier 1852
Boulevard Poissonniere - Rue saint Barbe - Rue Saint Etienne - Rue notre dame de Reouvrance - Rue Poissonniere - Engraved in “Tableau-de-Paris” by Edmond Texier 1852

XEE4146745: Boulevard Poissonniere - Rue saint Barbe - Rue Saint Etienne - Rue notre dame de Reouvrance - Rue Poissonniere - Engraved in “Tableau-de-Paris” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

Atwood machine invented in 1784 by George Atwood (1745-1807) - Machine d'Atwood - Engraving in “” Sciences made available to all - Popular physics and chemistry” by Alexis Clerc - End 19th century - Private collection
Atwood machine invented in 1784 by George Atwood (1745-1807) - Machine d'Atwood - Engraving in “” Sciences made available to all - Popular physics and chemistry” by Alexis Clerc - End 19th century - Private collection

XEE4146820: Atwood machine invented in 1784 by George Atwood (1745-1807) - Machine d'Atwood - Engraving in “” Sciences made available to all - Popular physics and chemistry” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Une these at the school of law in Paris - Engraving in “Tableau-de-Paris” by Edmond Texier 1852
Une these at the school of law in Paris - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

XEE4146884: Une these at the school of law in Paris - Engraving in “Tableau-de-Paris” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

View of the Eiffel Tower made in 1889 by Gustave Eiffel (1832-1923). Paris
View of the Eiffel Tower made in 1889 by Gustave Eiffel (1832-1923). Paris

LRI4626344: View of the Eiffel Tower made in 1889 by Gustave Eiffel (1832-1923). Paris, Eiffel, Gustave (1832-1923) / Bridgeman Images

View of the Eiffel Tower made in 1889 by Gustave Eiffel (1832-1923). Paris
View of the Eiffel Tower made in 1889 by Gustave Eiffel (1832-1923). Paris

LRI4626358: View of the Eiffel Tower made in 1889 by Gustave Eiffel (1832-1923). Paris, Eiffel, Gustave (1832-1923) / Bridgeman Images

JLJ4626440: "The Memorial of Saint Helene": Grenadiers of the Imperial Guard (lithograph), Bombled, Louis Charles (1862-1927) / Bridgeman Images


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