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Underground Buddhist temple in marble rocks near Tourane, drawing by Therond, to illustrate the notes of a unique correspondence with Cochinchine. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Underground Buddhist temple in marble rocks near Tourane, drawing by Therond, to illustrate the notes of a unique correspondence with Cochinchine. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324411: Underground Buddhist temple in marble rocks near Tourane, drawing by Therond, to illustrate the notes of a unique correspondence with Cochinchine. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

Ship and tug boat on the Mississippi, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the voyage to New Orleans in 1855 by Elysee (Elisee) Reclus (1830-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Ship and tug boat on the Mississippi, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the voyage to New Orleans in 1855 by Elysee (Elisee) Reclus (1830-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324438: Ship and tug boat on the Mississippi, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the voyage to New Orleans in 1855 by Elysee (Elisee) Reclus (1830-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

Night view of the city of Buenos Aires (Argentina), drawing by M. d'Hastrel, to illustrate the journey to South America, in 1823, by Giovanni Mastai Ferretti (1792-1878, future Pius IX). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Night view of the city of Buenos Aires (Argentina), drawing by M. d'Hastrel, to illustrate the journey to South America, in 1823, by Giovanni Mastai Ferretti (1792-1878, future Pius IX). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324455: Night view of the city of Buenos Aires (Argentina), drawing by M. d'Hastrel, to illustrate the journey to South America, in 1823, by Giovanni Mastai Ferretti (1792-1878, future Pius IX). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., D'Hastrel, Adolphe (fl.1860) / Bridgeman Images

General view of Tripoli, drawing by Lancelot, to illustrate the Tripolitan walks, in 1860, of the Baron de Krafft. Engraving in “” Le tour du monde”” 1861. Selva's collection.
General view of Tripoli, drawing by Lancelot, to illustrate the Tripolitan walks, in 1860, of the Baron de Krafft. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324513: General view of Tripoli, drawing by Lancelot, to illustrate the Tripolitan walks, in 1860, of the Baron de Krafft. Engraving in “” Le tour du monde”” 1861. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

The tree of war, in a village Djour, Bahr-el-Gazal region, Sudan, drawing by Karl Girardet (1813-1871) to illustrate the journey to the river of the gazelles of A. Bolognesi, in 1856-1857. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The tree of war, in a village Djour, Bahr-el-Gazal region, Sudan, drawing by Karl Girardet (1813-1871) to illustrate the journey to the river of the gazelles of A. Bolognesi, in 1856-1857. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324768: The tree of war, in a village Djour, Bahr-el-Gazal region, Sudan, drawing by Karl Girardet (1813-1871) to illustrate the journey to the river of the gazelles of A. Bolognesi, in 1856-1857. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Girardet, Karl (1813-71) / Bridgeman Images

The palace of Bianca Cappello in Venezia, Venice. drawing by Karl Girardet (1813-1871), to illustrate Adalbert de Beaumont's journey to Venice, around 1850. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The palace of Bianca Cappello in Venezia, Venice. drawing by Karl Girardet (1813-1871), to illustrate Adalbert de Beaumont's journey to Venice, around 1850. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324780: The palace of Bianca Cappello in Venezia, Venice. drawing by Karl Girardet (1813-1871), to illustrate Adalbert de Beaumont's journey to Venice, around 1850. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Girardet, Karl (1813-71) / Bridgeman Images

A portage, drawing by M.de Saint Blaise, to illustrate his travels to the Scandinavian states in 1856. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
A portage, drawing by M.de Saint Blaise, to illustrate his travels to the Scandinavian states in 1856. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324829: A portage, drawing by M.de Saint Blaise, to illustrate his travels to the Scandinavian states in 1856. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Dardel, Fritz von (aka M. de Saint Blaise) (1817-1901) / Bridgeman Images

View of the city of Nizhny Vologorod (Nizhny Vologorod), drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
View of the city of Nizhny Vologorod (Nizhny Vologorod), drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324839: View of the city of Nizhny Vologorod (Nizhny Vologorod), drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Felinska, Eve (179З-1859) / Bridgeman Images

A herd of polar bears led to the Berezov march, for the fur trade, drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
A herd of polar bears led to the Berezov march, for the fur trade, drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324873: A herd of polar bears led to the Berezov march, for the fur trade, drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Felinska, Eve (179З-1859) / Bridgeman Images

A sugar factory from the Riviere du Rempart, in Mauritius, drawing by Karl Girardet (1813-1871), to illustrate Alfred Verney's stay in Mauritius in 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A sugar factory from the Riviere du Rempart, in Mauritius, drawing by Karl Girardet (1813-1871), to illustrate Alfred Verney's stay in Mauritius in 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4324998: A sugar factory from the Riviere du Rempart, in Mauritius, drawing by Karl Girardet (1813-1871), to illustrate Alfred Verney's stay in Mauritius in 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Girardet, Karl (1813-71) / Bridgeman Images

The great cafe, 1909 (oil on canvas)
The great cafe, 1909 (oil on canvas)

JLJ4652172: The great cafe, 1909 (oil on canvas), Poitevin, Pierre-Jean (1889-1933) / Bridgeman Images

The Post Chair, 1870 (lithograph)
The Post Chair, 1870 (lithograph)

JLJ4652255: The Post Chair, 1870 (lithograph), Adam, Albert (b.1833) / Bridgeman Images

La Saline d'Arc et Senans (Doubs). Architect Claude Nicolas Ledoux, 1775-1779. Considered today as one of the most remarkable and original jewels of industrial architecture.
La Saline d'Arc et Senans (Doubs). Architect Claude Nicolas Ledoux, 1775-1779. Considered today as one of the most remarkable and original jewels of industrial architecture.

LBY4652678: La Saline d'Arc et Senans (Doubs). Architect Claude Nicolas Ledoux, 1775-1779. Considered today as one of the most remarkable and original jewels of industrial architecture., Boegly, Luc / Bridgeman Images

Greek antiquite: column with ion capitals. Delphi, Greece (photo)
Greek antiquite: column with ion capitals. Delphi, Greece (photo)

JLJ4652793: Greek antiquite: column with ion capitals. Delphi, Greece (photo), Greek / Bridgeman Images

Ancient Greece: Temple of the
Ancient Greece: Temple of the

JLJ4652816: Ancient Greece: Temple of the "Tresor of the Athenians" reconstruction. The original was 490-485 BC (photo), Greek school, (5th century BC) / Bridgeman Images

Greek antiquite: view of the temple of Athena. 6th century BC. Delphi, Greece (photo)
Greek antiquite: view of the temple of Athena. 6th century BC. Delphi, Greece (photo)

JLJ4652835: Greek antiquite: view of the temple of Athena. 6th century BC. Delphi, Greece (photo), Greek school, (6th century BC) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652905: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Portrait en pied du marechal Louis Alexandre Berthier (1753-1815), 19th century (oil on ivory)
Portrait en pied du marechal Louis Alexandre Berthier (1753-1815), 19th century (oil on ivory)

JLJ4652945: Portrait en pied du marechal Louis Alexandre Berthier (1753-1815), 19th century (oil on ivory), French School, (19th century) / Bridgeman Images

Napoleon I Bonaparte at Antibes fort square after Robespierre's fall, 19th century lithography, 19th century (lithograph)
Napoleon I Bonaparte at Antibes fort square after Robespierre's fall, 19th century lithography, 19th century (lithograph)

JLJ4652952: Napoleon I Bonaparte at Antibes fort square after Robespierre's fall, 19th century lithography, 19th century (lithograph), Unknown Artist, (19th century) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652960: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

View of the large lounge of the Schaezler Palace, 1765-1770 (photography)
View of the large lounge of the Schaezler Palace, 1765-1770 (photography)

LRI4653033: View of the large lounge of the Schaezler Palace, 1765-1770 (photography), Lespilliez, Carl Albert von (1723-1796) / Bridgeman Images

View of the facade of Charlottenburg Castle, 1701-1707 (photography)
View of the facade of Charlottenburg Castle, 1701-1707 (photography)

LRI4653046: View of the facade of Charlottenburg Castle, 1701-1707 (photography), Nering (Nehring), Johann Arnold (1659-1695) / Bridgeman Images

Ploughing and sowing among the savages Stiengs, inhabitants of the forests of Cambodia, drawing by E.Bocour, to illustrate Henri Mouhot's journey through the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Ploughing and sowing among the savages Stiengs, inhabitants of the forests of Cambodia, drawing by E.Bocour, to illustrate Henri Mouhot's journey through the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325127: Ploughing and sowing among the savages Stiengs, inhabitants of the forests of Cambodia, drawing by E.Bocour, to illustrate Henri Mouhot's journey through the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Bocourt, Etienne Gabriel (1821-1913) / Bridgeman Images

Battle of Oranges by Carcagente, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Battle of Oranges by Carcagente, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325137: Battle of Oranges by Carcagente, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Turtle hunting, among the Indian conibos of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Turtle hunting, among the Indian conibos of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325145: Turtle hunting, among the Indian conibos of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The ball game, among the Indian conibos of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ball game, among the Indian conibos of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325159: The ball game, among the Indian conibos of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325245: Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325273: Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325282: The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Chinese court, the accused appears at the court surrounded by a gendarme who keeps him chained and his butcher, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A Chinese court, the accused appears at the court surrounded by a gendarme who keeps him chained and his butcher, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325325: A Chinese court, the accused appears at the court surrounded by a gendarme who keeps him chained and his butcher, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

Cutting, harvesting and transporting fodder on the banks of the Danube. Drawing by Lancelot, to illustrate his journey from Paris to Bucharest in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Cutting, harvesting and transporting fodder on the banks of the Danube. Drawing by Lancelot, to illustrate his journey from Paris to Bucharest in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325406: Cutting, harvesting and transporting fodder on the banks of the Danube. Drawing by Lancelot, to illustrate his journey from Paris to Bucharest in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

The capture of manatees, in Mabuiso (Peru). Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The capture of manatees, in Mabuiso (Peru). Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325596: The capture of manatees, in Mabuiso (Peru). Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

L'interieur de la cathedrale de Siena, engraving to illustrate a voyage to Siena (Italy) in 1865, in “Le tour du monde, nouveau journal des voyages” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
L'interieur de la cathedrale de Siena, engraving to illustrate a voyage to Siena (Italy) in 1865, in “Le tour du monde, nouveau journal des voyages” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325651: L'interieur de la cathedrale de Siena, engraving to illustrate a voyage to Siena (Italy) in 1865, in “Le tour du monde, nouveau journal des voyages” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The after nature chiseller. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The after nature chiseller. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325902: The after nature chiseller. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Scene of the family life of the Yahuas Indians of the mission of San Jose (Peru), the man plays with his last n in a hammock, while the wife and groin child prepare stalks of palm chambira, destined for making hammocks-nets in which the Yahuas excel. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Scene of the family life of the Yahuas Indians of the mission of San Jose (Peru), the man plays with his last n in a hammock, while the wife and groin child prepare stalks of palm chambira, destined for making hammocks-nets in which the Yahuas excel. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325933: Scene of the family life of the Yahuas Indians of the mission of San Jose (Peru), the man plays with his last n in a hammock, while the wife and groin child prepare stalks of palm chambira, destined for making hammocks-nets in which the Yahuas excel. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Traveller's winter hut in the beautiful meadow (Canada), refuge for trappers and their sledding. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Traveller's winter hut in the beautiful meadow (Canada), refuge for trappers and their sledding. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325967: Traveller's winter hut in the beautiful meadow (Canada), refuge for trappers and their sledding. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images


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