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The Marshalsea Prison in the eighteenth century (engraving)
The Marshalsea Prison in the eighteenth century (engraving)

LLJ614614: The Marshalsea Prison in the eighteenth century (engraving), English School, (19th century) / Bridgeman Images

Bird's eye view of Tothill Fields Prison (engraving)
Bird's eye view of Tothill Fields Prison (engraving)

LLJ614633: Bird's eye view of Tothill Fields Prison (engraving), English School, (19th century) / Bridgeman Images

The new prison for the County of Surrey (engraving)
The new prison for the County of Surrey (engraving)

LLJ614674: The new prison for the County of Surrey (engraving), English School, (19th century) / Bridgeman Images

Serving of dinner in the Oakum Room (engraving)
Serving of dinner in the Oakum Room (engraving)

LLJ614684: Serving of dinner in the Oakum Room (engraving), English School, (19th century) / Bridgeman Images

Loop In (coloured engraving)
Loop In (coloured engraving)

LLJ614696: Loop In (coloured engraving), English School, (19th century) / Bridgeman Images

Carved capital of Romena Castle, Arezzo, Italy (photo)
Carved capital of Romena Castle, Arezzo, Italy (photo)

BAT614770: Carved capital of Romena Castle, Arezzo, Italy (photo) , Battaglini, Nicolo Orsi / Bridgeman Images

Devil's Bridge, Lucca, Italy (photo)
Devil's Bridge, Lucca, Italy (photo)

BAT614787: Devil's Bridge, Lucca, Italy (photo), Battaglini, Nicolo Orsi / Bridgeman Images

Rocca Maggiore, Assisi, Italy (photo)
Rocca Maggiore, Assisi, Italy (photo)

BAT614813: Rocca Maggiore, Assisi, Italy (photo) , Battaglini, Nicolo Orsi / Bridgeman Images

Chiesa di San Pietro, Assisi, Italy (photo)
Chiesa di San Pietro, Assisi, Italy (photo)

BAT614824: Chiesa di San Pietro, Assisi, Italy (photo) , Battaglini, Nicolo Orsi / Bridgeman Images

The Gave a Loud Knock, illustration from 'The Frog would a Wooing Go', by Charles H. Bennett, 1916 (colour litho)
The Gave a Loud Knock, illustration from 'The Frog would a Wooing Go', by Charles H. Bennett, 1916 (colour litho)

IL616468: The Gave a Loud Knock, illustration from 'The Frog would a Wooing Go', by Charles H. Bennett, 1916 (colour litho), Adams, Frank (1871-1944) / Bridgeman Images

Tom and Mes Do-as-you-would-be-done-by, illustration from 'The Water Babies', 1929 (colour litho)
Tom and Mes Do-as-you-would-be-done-by, illustration from 'The Water Babies', 1929 (colour litho)

IL616486: Tom and Mes Do-as-you-would-be-done-by, illustration from 'The Water Babies', 1929 (colour litho), Attwell, Mabel Lucie (1879-1964) / Bridgeman Images

The squirrel sprang here, there and everywhere, illustration from 'More About the Squirrels' by Eleanor Tyrell, c.1915 (colour litho)
The squirrel sprang here, there and everywhere, illustration from 'More About the Squirrels' by Eleanor Tyrell, c.1915 (colour litho)

IL616494: The squirrel sprang here, there and everywhere, illustration from 'More About the Squirrels' by Eleanor Tyrell, c.1915 (colour litho), Appleton, Honor Charlotte (1879-1951) / Bridgeman Images

Detail of Moses, The Last Judgement, c.1380 (wall painting)
Detail of Moses, The Last Judgement, c.1380 (wall painting)

HGP615097: Detail of Moses, The Last Judgement, c.1380 (wall painting), English School, (14th century) / Bridgeman Images

MS Gen 1583 Study from the Tomb of the Nasonii, page 41 from 'Via Flaminia', c.1671-76 (pen & ink with wash on paper)
MS Gen 1583 Study from the Tomb of the Nasonii, page 41 from 'Via Flaminia', c.1671-76 (pen & ink with wash on paper)

GUL615114: MS Gen 1583 Study from the Tomb of the Nasonii, page 41 from 'Via Flaminia', c.1671-76 (pen & ink with wash on paper), Errard, Charles (the Younger) (1606-89) / Bridgeman Images

Sunset, Exeter, 1911 (b/w photo)
Sunset, Exeter, 1911 (b/w photo)

EX615186: Sunset, Exeter, 1911 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Facade of a building, State Street (photo)
Facade of a building, State Street (photo)

SYL616828: Facade of a building, State Street (photo), Allouche, Sylvie / Bridgeman Images

General view, Chicago (photo)
General view, Chicago (photo)

SYL616890: General view, Chicago (photo), Allouche, Sylvie / Bridgeman Images

The Chicago Temple Building (photo)
The Chicago Temple Building (photo)

SYL616893: The Chicago Temple Building (photo), Allouche, Sylvie / Bridgeman Images

Window cleaners (photo)
Window cleaners (photo)

SYL616901: Window cleaners (photo), Allouche, Sylvie / Bridgeman Images

The Mont Blanc massif, the Aiguille du Midi (photo)
The Mont Blanc massif, the Aiguille du Midi (photo)

SYL616922: The Mont Blanc massif, the Aiguille du Midi (photo), Allouche, Sylvie / Bridgeman Images

The South Gate, Exeter, c.1810 (pen & ink, pencil and watercolour on paper)
The South Gate, Exeter, c.1810 (pen & ink, pencil and watercolour on paper)

EX615211: The South Gate, Exeter, c.1810 (pen & ink, pencil and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View of the Palazzo Quirinale, 1602 (pen & brown ink with brown wash on white paper)
View of the Palazzo Quirinale, 1602 (pen & brown ink with brown wash on white paper)

CTS615244: View of the Palazzo Quirinale, 1602 (pen & brown ink with brown wash on white paper), Vrancx, Sebastian (1573-1647) / Bridgeman Images

Neoptolemus taking Andromache into captivity after the fall of Troy (pen & brown ink on white paper)
Neoptolemus taking Andromache into captivity after the fall of Troy (pen & brown ink on white paper)

CTS615267: Neoptolemus taking Andromache into captivity after the fall of Troy (pen & brown ink on white paper), Romano, Giulio (1492-1546) / Bridgeman Images

Studies of a man's left leg, a left hand and a man's head in profile (red chalk reinforced with pen & brown ink, on cream wire-laid paper)
Studies of a man's left leg, a left hand and a man's head in profile (red chalk reinforced with pen & brown ink, on cream wire-laid paper)

CTS615276: Studies of a man's left leg, a left hand and a man's head in profile (red chalk reinforced with pen & brown ink, on cream wire-laid paper), Carracci, Agostino (1557-1602) / Bridgeman Images

Blasting the way to progress, front cover of the 'DuPont Magazine', June 1918 (colour litho)
Blasting the way to progress, front cover of the 'DuPont Magazine', June 1918 (colour litho)

HGL615298: Blasting the way to progress, front cover of the 'DuPont Magazine', June 1918 (colour litho), American School, (20th century) / Bridgeman Images

Travellers, front cover of the 'DuPont Magazine', March 1921 (colour litho)
Travellers, front cover of the 'DuPont Magazine', March 1921 (colour litho)

HGL615314: Travellers, front cover of the 'DuPont Magazine', March 1921 (colour litho), American School, (20th century) / Bridgeman Images

Skyscrapers, front cover of the 'DuPont Magazine', April 1929 (litho)
Skyscrapers, front cover of the 'DuPont Magazine', April 1929 (litho)

HGL615337: Skyscrapers, front cover of the 'DuPont Magazine', April 1929 (litho), Hollingsworth, William R. Jr. (1910-44) / Bridgeman Images

Industrial plant, front cover of the 'DuPont Magazine', Summer 1932 (litho)
Industrial plant, front cover of the 'DuPont Magazine', Summer 1932 (litho)

HGL615345: Industrial plant, front cover of the 'DuPont Magazine', Summer 1932 (litho), American School, (20th century) / Bridgeman Images

Rough seas, front cover of the 'Morse Dry Dock Dial', May 1918 (colour litho)
Rough seas, front cover of the 'Morse Dry Dock Dial', May 1918 (colour litho)

HGL615416: Rough seas, front cover of the 'Morse Dry Dock Dial', May 1918 (colour litho), Julius, Oscar H. (1882-1965) / Bridgeman Images

American Legion, front cover of the 'Morse Dry Dock Dial', November 1922 (litho)
American Legion, front cover of the 'Morse Dry Dock Dial', November 1922 (litho)

HGL615451: American Legion, front cover of the 'Morse Dry Dock Dial', November 1922 (litho), American School, (20th century) / Bridgeman Images

Special Diesel Number, front cover of the 'Morse Dry Dock Dial', October 1923 (litho)
Special Diesel Number, front cover of the 'Morse Dry Dock Dial', October 1923 (litho)

HGL615459: Special Diesel Number, front cover of the 'Morse Dry Dock Dial', October 1923 (litho), American School, (20th century) / Bridgeman Images

Hudson Super-Six Seven Passenger Phaeton, 1923 (colour litho)
Hudson Super-Six Seven Passenger Phaeton, 1923 (colour litho)

HGL615490: Hudson Super-Six Seven Passenger Phaeton, 1923 (colour litho), American School, (20th century) / Bridgeman Images

'Dressed for a rainy day', c.1900 (albumen photo)
'Dressed for a rainy day', c.1900 (albumen photo)

DGC617860: 'Dressed for a rainy day', c.1900 (albumen photo), Japanese Photographer, (20th century) / Bridgeman Images

Young Archer and Javelin thrower taking aim, Freikörperkultur, c.1930 (b/w photo)
Young Archer and Javelin thrower taking aim, Freikörperkultur, c.1930 (b/w photo)

DGC617874: Young Archer and Javelin thrower taking aim, Freikörperkultur, c.1930 (b/w photo), Riebicke, Gerhard (1878-1957) / Bridgeman Images

Unwinding Mrs Booth's Message at the Crystal Palace (engraving)
Unwinding Mrs Booth's Message at the Crystal Palace (engraving)

STC619597: Unwinding Mrs Booth's Message at the Crystal Palace (engraving), English School, (20th century) / Bridgeman Images

Reception of John Huss at Nuremberg, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Reception of John Huss at Nuremberg, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619633: Reception of John Huss at Nuremberg, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images


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