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Temple de la Fontaine, illustration from 'Discours historial de l'antique et illustre cite de Nismes' by Jean Poldo d'Albenas, published in 1560 (woodcut)
Temple de la Fontaine, illustration from 'Discours historial de l'antique et illustre cite de Nismes' by Jean Poldo d'Albenas, published in 1560 (woodcut)

XJF447317: Temple de la Fontaine, illustration from 'Discours historial de l'antique et illustre cite de Nismes' by Jean Poldo d'Albenas, published in 1560 (woodcut), French School, (16th century) / Bridgeman Images

West Front of Spains Hall, Essex, engraved by John Rogers, 1832 (engraving)
West Front of Spains Hall, Essex, engraved by John Rogers, 1832 (engraving)

XJF447374: West Front of Spains Hall, Essex, engraved by John Rogers, 1832 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Bowl, 1736-95 (porcelain)
Bowl, 1736-95 (porcelain)

MAN448121: Bowl, 1736-95 (porcelain), Chinese School, (18th century) / Bridgeman Images

Vase, 1736-95 (hard paste porcelain with flambe glaze)
Vase, 1736-95 (hard paste porcelain with flambe glaze)

MAN448124: Vase, 1736-95 (hard paste porcelain with flambe glaze), Chinese School, (18th century) / Bridgeman Images

The Empire Promenande, c.1990s (litho)
The Empire Promenande, c.1990s (litho)

XJF448212: The Empire Promenande, c.1990s (litho), Browne, Tom (1872-1910) / Bridgeman Images

Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving)
Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving)

XJF448250: Frontispiece to 'The Cabinet-Maker and Upholsterer's Drawing-Book' by Thomas Sheraton, published 1793 (engraving), Sheraton, Thomas (1751-1806) / Bridgeman Images

Bust of the 1st Duke of Marlborough on a Boulle pedestal (bronze)
Bust of the 1st Duke of Marlborough on a Boulle pedestal (bronze)

BLN448699: Bust of the 1st Duke of Marlborough on a Boulle pedestal (bronze), British School, (19th century) / Bridgeman Images

Our gallant infantry charging the German positions on a Balkan hillside (b/w photo)
Our gallant infantry charging the German positions on a Balkan hillside (b/w photo)

STC466102: Our gallant infantry charging the German positions on a Balkan hillside (b/w photo), English Photographer, (20th century) / Bridgeman Images

Our troops leaving by a sap on a night operation to cut off the 'Huns' holding on to Villers-Bretonneux, 1918 (b/w photo)
Our troops leaving by a sap on a night operation to cut off the 'Huns' holding on to Villers-Bretonneux, 1918 (b/w photo)

STC466117: Our troops leaving by a sap on a night operation to cut off the 'Huns' holding on to Villers-Bretonneux, 1918 (b/w photo), English Photographer, (20th century) / Bridgeman Images

French 75s returning to 'Chemin des Dames' pass prisoners taken in our drive near St Quentin (b/w photo)
French 75s returning to 'Chemin des Dames' pass prisoners taken in our drive near St Quentin (b/w photo)

STC466141: French 75s returning to 'Chemin des Dames' pass prisoners taken in our drive near St Quentin (b/w photo), English Photographer, (20th century) / Bridgeman Images

The Manchester Long Room, 1751 (engraving) (detail of 466271)
The Manchester Long Room, 1751 (engraving) (detail of 466271)

XJF466272: The Manchester Long Room, 1751 (engraving) (detail of 466271), Casson & Berry (fl.1750) / Bridgeman Images

Detail of a Louis XV commode, retailed by Adrien Delorme (ormolu mounted tulipwood, amaranth, fruitwood & marquetry) (see also 463007)
Detail of a Louis XV commode, retailed by Adrien Delorme (ormolu mounted tulipwood, amaranth, fruitwood & marquetry) (see also 463007)

CH466591: Detail of a Louis XV commode, retailed by Adrien Delorme (ormolu mounted tulipwood, amaranth, fruitwood & marquetry) (see also 463007), Roussel, Pierre (1723-82) / Bridgeman Images

Cariatide (brush & ink on paper)
Cariatide (brush & ink on paper)

CH466668: Cariatide (brush & ink on paper), Modigliani, Amedeo (1884-1920) / Bridgeman Images

Detail of the Crucifixion, on the pulpit in the Church of Sant'Andrea. c.1298-1301 (marble)
Detail of the Crucifixion, on the pulpit in the Church of Sant'Andrea. c.1298-1301 (marble)

BAT466939: Detail of the Crucifixion, on the pulpit in the Church of Sant'Andrea. c.1298-1301 (marble), Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

The pulpit in the Church of Sant'Andrea, c.1298-1301 (marble)
The pulpit in the Church of Sant'Andrea, c.1298-1301 (marble)

BAT466948: The pulpit in the Church of Sant'Andrea, c.1298-1301 (marble), Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

Nude males - studies for the Ancients, 1868 (pen & ink on paper) (see 468000-001)
Nude males - studies for the Ancients, 1868 (pen & ink on paper) (see 468000-001)

PNH468002: Nude males - studies for the Ancients, 1868 (pen & ink on paper) (see 468000-001), Richmond, George (1809-96) / Bridgeman Images

The Entrance to the Mosque, c.1870 (w/c on paper)
The Entrance to the Mosque, c.1870 (w/c on paper)

PNH468038: The Entrance to the Mosque, c.1870 (w/c on paper), Robertson, Charles (1759-1821) / Bridgeman Images

Study for Beauty Luxuriant, c.1919 (oil on canvas) (see 468039)
Study for Beauty Luxuriant, c.1919 (oil on canvas) (see 468039)

PNH468041: Study for Beauty Luxuriant, c.1919 (oil on canvas) (see 468039), Robertson, Eric Harald Macbeth (1887-1941) / Bridgeman Images

Study of a Girl, c.1840 (sepia ink on paper)
Study of a Girl, c.1840 (sepia ink on paper)

PNH468062: Study of a Girl, c.1840 (sepia ink on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Alpine Valley, c.1854 (pencil, ink & watercolour heightened with white on paper)
Alpine Valley, c.1854 (pencil, ink & watercolour heightened with white on paper)

PNH468086: Alpine Valley, c.1854 (pencil, ink & watercolour heightened with white on paper), Ruskin, John (1819-1900) / Bridgeman Images

Irises, c.1885 (tempera on gesso)
Irises, c.1885 (tempera on gesso)

PNH468092: Irises, c.1885 (tempera on gesso), Ryland, Henry (1856-1924) / Bridgeman Images

Tobias bidding farewell to his father-in-law, Raguel (oil on canvas)
Tobias bidding farewell to his father-in-law, Raguel (oil on canvas)

XIR468124: Tobias bidding farewell to his father-in-law, Raguel (oil on canvas), Parrocel, Pierre (1670-1739) / Bridgeman Images

Tobit escaping captivity with his companions, 1733 (oil on canvas)
Tobit escaping captivity with his companions, 1733 (oil on canvas)

XIR468130: Tobit escaping captivity with his companions, 1733 (oil on canvas), Parrocel, Pierre (1670-1739) / Bridgeman Images

Project for the monument destined for the Place de l'Europe, 1839 (pencil & watercolour on paper)
Project for the monument destined for the Place de l'Europe, 1839 (pencil & watercolour on paper)

XIR468133: Project for the monument destined for the Place de l'Europe, 1839 (pencil & watercolour on paper), Etex, Antoine (1808-88) / Bridgeman Images

France delivered to crows of all kinds, from 'La Caricature', 31 October 1831 (lithograph)
France delivered to crows of all kinds, from 'La Caricature', 31 October 1831 (lithograph)

XIR468141: France delivered to crows of all kinds, from 'La Caricature', 31 October 1831 (lithograph), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Patience Margot, it will soon be 3 times as much, 1789 (coloured engraving)
Patience Margot, it will soon be 3 times as much, 1789 (coloured engraving)

XIR468155: Patience Margot, it will soon be 3 times as much, 1789 (coloured engraving), French School, (18th century) / Bridgeman Images

Camerlengo Ranieri Pagliaresi, 1270 (tempera on panel)
Camerlengo Ranieri Pagliaresi, 1270 (tempera on panel)

XIR468183: Camerlengo Ranieri Pagliaresi, 1270 (tempera on panel), Italian School, (13th century) / Bridgeman Images

Canal Saint Martin, Paris, passing under the eastern part of the city, from 'French Pictures' by Rev. Samuel G. Green, published 1878 (litho)
Canal Saint Martin, Paris, passing under the eastern part of the city, from 'French Pictures' by Rev. Samuel G. Green, published 1878 (litho)

KWE468222: Canal Saint Martin, Paris, passing under the eastern part of the city, from 'French Pictures' by Rev. Samuel G. Green, published 1878 (litho), French School, (19th century) / Bridgeman Images

Initiation of a French Mason into the brotherhood, from 'Societes Secretes, les Francs Macons', published c.1867 (engraving)
Initiation of a French Mason into the brotherhood, from 'Societes Secretes, les Francs Macons', published c.1867 (engraving)

KWE468225: Initiation of a French Mason into the brotherhood, from 'Societes Secretes, les Francs Macons', published c.1867 (engraving), French School, (19th century) / Bridgeman Images

Messrs. Codlin, Short and company, from 'The Old Curiosity Shop' by Charles Dickens (engraving)
Messrs. Codlin, Short and company, from 'The Old Curiosity Shop' by Charles Dickens (engraving)

KWE468231: Messrs. Codlin, Short and company, from 'The Old Curiosity Shop' by Charles Dickens (engraving), English School, (19th century) / Bridgeman Images

Ashur-nasir-pal II, from a bas relief in the British Museum, from 'The World's Inhabitants' by G.T. Bettany, published 1888 (engraving)
Ashur-nasir-pal II, from a bas relief in the British Museum, from 'The World's Inhabitants' by G.T. Bettany, published 1888 (engraving)

KWE468252: Ashur-nasir-pal II, from a bas relief in the British Museum, from 'The World's Inhabitants' by G.T. Bettany, published 1888 (engraving), English School, (19th century) / Bridgeman Images

A Dinka cattle park, Southern Sudan, Africa, from 'The World's Inhabitants' by G.T. Bettany, published 1888 (engraving)
A Dinka cattle park, Southern Sudan, Africa, from 'The World's Inhabitants' by G.T. Bettany, published 1888 (engraving)

KWE468255: A Dinka cattle park, Southern Sudan, Africa, from 'The World's Inhabitants' by G.T. Bettany, published 1888 (engraving), English School, (19th century) / Bridgeman Images

HMS Charybdis, HMS Satellite and HMS Cameleon at Esquimalt Royal Navy Dockyard, British Columbia, c.1880s (b/w photo)
HMS Charybdis, HMS Satellite and HMS Cameleon at Esquimalt Royal Navy Dockyard, British Columbia, c.1880s (b/w photo)

XJF468517: HMS Charybdis, HMS Satellite and HMS Cameleon at Esquimalt Royal Navy Dockyard, British Columbia, c.1880s (b/w photo), English Photographer, (19th century) / Bridgeman Images

Professor James Miller (engraving)
Professor James Miller (engraving)

XJF468520: Professor James Miller (engraving), Moffat, John (1819-94) (after) / Bridgeman Images

Pageant of Atlas for the marriage of Cosimo III de'Medici and Margherita Luisa d'Orleans, engraved by Stefano della Bella, 1661 (engraving)
Pageant of Atlas for the marriage of Cosimo III de'Medici and Margherita Luisa d'Orleans, engraved by Stefano della Bella, 1661 (engraving)

XJF468533: Pageant of Atlas for the marriage of Cosimo III de'Medici and Margherita Luisa d'Orleans, engraved by Stefano della Bella, 1661 (engraving), Carducci, Alessandro (17th century) (after) / Bridgeman Images

Baby cot of the Austrian Crown Prince, illustration from 'Leipziger Illustrirte Zeitung', 1859 (wood engraving)
Baby cot of the Austrian Crown Prince, illustration from 'Leipziger Illustrirte Zeitung', 1859 (wood engraving)

KDC449051: Baby cot of the Austrian Crown Prince, illustration from 'Leipziger Illustrirte Zeitung', 1859 (wood engraving), Austrian School, (19th century) / Bridgeman Images


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