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Evening dress, 1800 (cotton muslin & glass beads)
Evening dress, 1800 (cotton muslin & glass beads)

FMB392383: Evening dress, 1800 (cotton muslin & glass beads), English School, (19th century) / Bridgeman Images

Legend of the priest and people changed into were-wolves, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)
Legend of the priest and people changed into were-wolves, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)

KWE392500: Legend of the priest and people changed into were-wolves, from 'A Short History of the English People' by J. R. Green, published 1893 (litho), English School, (19th century) / Bridgeman Images

A Light Horseman from the time of Oliver Cromwell, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)
A Light Horseman from the time of Oliver Cromwell, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)

KWE392524: A Light Horseman from the time of Oliver Cromwell, from 'A Short History of the English People' by J. R. Green, published 1893 (litho), English School, (19th century) / Bridgeman Images

Reception for explorer Pietro Paolo Savorgnan di Brazza in Chief Ketimkuru's house, Uemba, Central Africa, from 'Africa Pintoresca', published 1888 (engraving)
Reception for explorer Pietro Paolo Savorgnan di Brazza in Chief Ketimkuru's house, Uemba, Central Africa, from 'Africa Pintoresca', published 1888 (engraving)

KWE392548: Reception for explorer Pietro Paolo Savorgnan di Brazza in Chief Ketimkuru's house, Uemba, Central Africa, from 'Africa Pintoresca', published 1888 (engraving), Spanish School, (19th century) / Bridgeman Images

Fagin Warns Oliver, frontispiece from 'The Adventures of Oliver Twist' by Charles Dickens (colour litho)
Fagin Warns Oliver, frontispiece from 'The Adventures of Oliver Twist' by Charles Dickens (colour litho)

KWE392563: Fagin Warns Oliver, frontispiece from 'The Adventures of Oliver Twist' by Charles Dickens (colour litho), Stacey, W.S. (1846-1929) / Bridgeman Images

Thomas E. Grant in Biarritz, 1910 (b/w photo)
Thomas E. Grant in Biarritz, 1910 (b/w photo)

JHL392611: Thomas E. Grant in Biarritz, 1910 (b/w photo), Grant, Thomas E. & Horace Grant (20th Century) / Bridgeman Images

Prince Albert Victor, Duke of Clarence and Avondale, 1885 (b/w photo)
Prince Albert Victor, Duke of Clarence and Avondale, 1885 (b/w photo)

JHL392620: Prince Albert Victor, Duke of Clarence and Avondale, 1885 (b/w photo), English Photographer, (19th century) / Bridgeman Images

George Augustus Eliott, 1st Baron Heathfield (engraving)
George Augustus Eliott, 1st Baron Heathfield (engraving)

XJF392678: George Augustus Eliott, 1st Baron Heathfield (engraving), Reynolds, Joshua (1723-92) (after) / Bridgeman Images

Sir Joseph Banks (engraving)
Sir Joseph Banks (engraving)

XJF392690: Sir Joseph Banks (engraving), Lawrence, Thomas (1769-1830) (after) / Bridgeman Images

De Kantzow defending the Treasury at Mynpooree, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
De Kantzow defending the Treasury at Mynpooree, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC393216: De Kantzow defending the Treasury at Mynpooree, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) / Bridgeman Images

Titus Oates before the Privy Council, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Titus Oates before the Privy Council, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC393243: Titus Oates before the Privy Council, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) (after) / Bridgeman Images

Crowd of onlookers and spectators at the wedding, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Crowd of onlookers and spectators at the wedding, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393859: Crowd of onlookers and spectators at the wedding, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Abraham Ortelius, frontispiece to his 'Theatrum Orbis Terrarum', 1579 (engraving)
Abraham Ortelius, frontispiece to his 'Theatrum Orbis Terrarum', 1579 (engraving)

XJF394210: Abraham Ortelius, frontispiece to his 'Theatrum Orbis Terrarum', 1579 (engraving), Flemish School, (16th century) / Bridgeman Images

University College School, London, 1835 (engraving)
University College School, London, 1835 (engraving)

XJF394237: University College School, London, 1835 (engraving), Scharf, George the Elder (1788-1860) / Bridgeman Images

Fishermen pull the seine in a snowstorm (oil on canvas)
Fishermen pull the seine in a snowstorm (oil on canvas)

OVR394306: Fishermen pull the seine in a snowstorm (oil on canvas), Kolstoe, Fredrik (1860-1945) / Bridgeman Images

Boy making a wooden boat, 1859 (oil on canvas)
Boy making a wooden boat, 1859 (oil on canvas)

OVR394309: Boy making a wooden boat, 1859 (oil on canvas), Lorck, Carl Julius (1829-82) / Bridgeman Images

Visit to a Patient (oil on canvas)
Visit to a Patient (oil on canvas)

OVR394316: Visit to a Patient (oil on canvas), Lochen, Kalle (Karl) (1865-93) / Bridgeman Images

A smallholding (oil on canvas)
A smallholding (oil on canvas)

OVR394358: A smallholding (oil on canvas), Diriks, Carl-Edvard (1855-1930) / Bridgeman Images

Seated figure, Olmec Culture (ceramic)
Seated figure, Olmec Culture (ceramic)

XBP394477: Seated figure, Olmec Culture (ceramic), Pre-Columbian / Bridgeman Images

The mob releasing Mr Wilkes on his way to prison, 1768, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
The mob releasing Mr Wilkes on his way to prison, 1768, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC393266: The mob releasing Mr Wilkes on his way to prison, 1768, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (20th century) / Bridgeman Images

Marshal Lannes at Ratisbon, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Marshal Lannes at Ratisbon, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC393279: Marshal Lannes at Ratisbon, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), Wollen, William Barnes (1857-1936) (after) / Bridgeman Images

Queen Caroline entering the House of Lords, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Queen Caroline entering the House of Lords, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC393313: Queen Caroline entering the House of Lords, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) (after) / Bridgeman Images

The stone corn-chest at Fecamp, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
The stone corn-chest at Fecamp, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393316: The stone corn-chest at Fecamp, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), Zier, Edouard Francois (1856-1924) (after) / Bridgeman Images

Innocent III and Francis of Assisi, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
Innocent III and Francis of Assisi, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393328: Innocent III and Francis of Assisi, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), English School, (20th century) / Bridgeman Images

Oratory Chappel, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
Oratory Chappel, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393411: Oratory Chappel, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), Hogarth, William (1697-1764) (after) / Bridgeman Images

Lord Shaftesbury inspecting a costermongers' Donkey Show, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
Lord Shaftesbury inspecting a costermongers' Donkey Show, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393426: Lord Shaftesbury inspecting a costermongers' Donkey Show, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), English School, (19th century) (after) / Bridgeman Images

A mother and child crossing a stream, 1799 (pencil, ink & wash on paper)
A mother and child crossing a stream, 1799 (pencil, ink & wash on paper)

HFA393554: A mother and child crossing a stream, 1799 (pencil, ink & wash on paper), Knight, H. (fl.1799) / Bridgeman Images

Detail of a shoe, 1720s (silk damask & golden metal thread)
Detail of a shoe, 1720s (silk damask & golden metal thread)

FMB393611: Detail of a shoe, 1720s (silk damask & golden metal thread), English School, (18th century) / Bridgeman Images

Forge of Vulcan (pen & ink on paper)
Forge of Vulcan (pen & ink on paper)

WGL393639: Forge of Vulcan (pen & ink on paper), Heemskerck, Egbert van the Elder (1634-1704) / Bridgeman Images

The Red Cross Knights in the Power of Saladin, illustration from 'Helmet & Cowl: Stories of Monastic and Military Orders' W.M. Letts and M.F.S. Letts, 1913 (litho)
The Red Cross Knights in the Power of Saladin, illustration from 'Helmet & Cowl: Stories of Monastic and Military Orders' W.M. Letts and M.F.S. Letts, 1913 (litho)

STC445261: The Red Cross Knights in the Power of Saladin, illustration from 'Helmet & Cowl: Stories of Monastic and Military Orders' W.M. Letts and M.F.S. Letts, 1913 (litho), Reid, Stephen (1873-1948) / Bridgeman Images

Figures Clinging to Wreckage, c.1785-86 (brown ink on beige paper)
Figures Clinging to Wreckage, c.1785-86 (brown ink on beige paper)

XOS445416: Figures Clinging to Wreckage, c.1785-86 (brown ink on beige paper), Copley, John Singleton (1738-1815) / Bridgeman Images

Lionel Pigot Johnson, c.1870s (engraving)
Lionel Pigot Johnson, c.1870s (engraving)

XJF465104: Lionel Pigot Johnson, c.1870s (engraving), English School, (19th century) / Bridgeman Images

Section of Mereworth Castle in Kent, engraved by H. Hulsbergh, c.1722-24 (engraving)
Section of Mereworth Castle in Kent, engraved by H. Hulsbergh, c.1722-24 (engraving)

XJF465139: Section of Mereworth Castle in Kent, engraved by H. Hulsbergh, c.1722-24 (engraving), Campbell, Colen (1676-1729) (after) / Bridgeman Images

Gravesend, Kent, published 1831 (engraving)
Gravesend, Kent, published 1831 (engraving)

XJF465142: Gravesend, Kent, published 1831 (engraving), Baynes, Thomas Mann (1794-1854) (after) / Bridgeman Images

Reciept of payment received by Sir Jonathan Miles' asylum at Hoxton House, 1832 (ink on printed paper)
Reciept of payment received by Sir Jonathan Miles' asylum at Hoxton House, 1832 (ink on printed paper)

XJF465167: Reciept of payment received by Sir Jonathan Miles' asylum at Hoxton House, 1832 (ink on printed paper), English School, (19th century) / Bridgeman Images

Packaging for Extra cigarettes, produced by Mosselprom, c.1920s (colour litho)
Packaging for Extra cigarettes, produced by Mosselprom, c.1920s (colour litho)

BCC465202: Packaging for Extra cigarettes, produced by Mosselprom, c.1920s (colour litho), Russian School, (20th century) / Bridgeman Images


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