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Cabiai or capybara (Hydrochoerus hydrochaeris, Cavia capybara), the largest rodent in the world, lives in South America. Its meat is eaten and tastes like a bad fish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Cabiai or capybara (Hydrochoerus hydrochaeris, Cavia capybara), the largest rodent in the world, lives in South America. Its meat is eaten and tastes like a bad fish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687486: Cabiai or capybara (Hydrochoerus hydrochaeris, Cavia capybara), the largest rodent in the world, lives in South America. Its meat is eaten and tastes like a bad fish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Foot avocet, Recurvirostra avosetta, and ruff, Philomachus pugnax. Handcoloured engraving by widow Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Foot avocet, Recurvirostra avosetta, and ruff, Philomachus pugnax. Handcoloured engraving by widow Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685247: Foot avocet, Recurvirostra avosetta, and ruff, Philomachus pugnax. Handcoloured engraving by widow Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Shepherdess, reign of Charles VIII, 1491. Handcoloured steel engraving by Polidor Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Shepherdess, reign of Charles VIII, 1491. Handcoloured steel engraving by Polidor Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685841: Shepherdess, reign of Charles VIII, 1491. Handcoloured steel engraving by Polidor Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688622: Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

Flying fish (Exocoetus), living in warm seas, where it is hunted by sea bream, its very developed pectoral fins allow it to jump out of the water and soar for a few moments, or it becomes prey to the albatrosses. Illustration by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Flying fish (Exocoetus), living in warm seas, where it is hunted by sea bream, its very developed pectoral fins allow it to jump out of the water and soar for a few moments, or it becomes prey to the albatrosses. Illustration by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687249: Flying fish (Exocoetus), living in warm seas, where it is hunted by sea bream, its very developed pectoral fins allow it to jump out of the water and soar for a few moments, or it becomes prey to the albatrosses. Illustration by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688567: The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855., Catlin, George (1796-1872) / Bridgeman Images

Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685834: Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Squid (squid) and octopus. Squid (Histioteuthis bonnellii) and octopus (Octopus vulgaris). Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.
Squid (squid) and octopus. Squid (Histioteuthis bonnellii) and octopus (Octopus vulgaris). Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.

FLO4685389: Squid (squid) and octopus. Squid (Histioteuthis bonnellii) and octopus (Octopus vulgaris). Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849. / Bridgeman Images

Ichnography of the Chapel of the Trinity, Stratford upon Avon, Warwickshire. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity.
Ichnography of the Chapel of the Trinity, Stratford upon Avon, Warwickshire. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity.

FLO4685505: Ichnography of the Chapel of the Trinity, Stratford upon Avon, Warwickshire. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity. / Bridgeman Images

Medallion portrait of Joseph Priestley, clergy and physical scientist. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallion portrait of Joseph Priestley, clergy and physical scientist. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689127: Medallion portrait of Joseph Priestley, clergy and physical scientist. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689205: Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Cast of a dead dog from the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Cast of a dead dog from the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687111: Cast of a dead dog from the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881. / Bridgeman Images

John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689062: John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Common ostrich, Struthio camelus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Common ostrich, Struthio camelus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685210: Common ostrich, Struthio camelus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Dog and Wolf - Shepherd dog, Canis familiaris, and wolf, Canis lupus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Dog and Wolf - Shepherd dog, Canis familiaris, and wolf, Canis lupus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685710: Dog and Wolf - Shepherd dog, Canis familiaris, and wolf, Canis lupus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

A Karib chef from the island of Saint Vincent in the West Indies with his five women, 19th century (engraving)
A Karib chef from the island of Saint Vincent in the West Indies with his five women, 19th century (engraving)

JLJ4687756: A Karib chef from the island of Saint Vincent in the West Indies with his five women, 19th century (engraving), French School, (19th century) / Bridgeman Images

Flowers And Fruits, 1885 (oil on canvas)
Flowers And Fruits, 1885 (oil on canvas)

JLJ4686519: Flowers And Fruits, 1885 (oil on canvas), Vernay, Francois (1821-1896) / Bridgeman Images

Self-Portrait. Portrait Of The Artist As A Hunter, 17th century (oil on canvas)
Self-Portrait. Portrait Of The Artist As A Hunter, 17th century (oil on canvas)

JLJ4689618: Self-Portrait. Portrait Of The Artist As A Hunter, 17th century (oil on canvas), Desportes, Alexandre-Francois (1661-1743) / Bridgeman Images

Edible mushrooms, Tricholoma squarrulosum, do-coloured tricholoma, Tricholoma columbetta and St. George's mushroom, Tricholoma georgii, Calocybe gambosa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Edible mushrooms, Tricholoma squarrulosum, do-coloured tricholoma, Tricholoma columbetta and St. George's mushroom, Tricholoma georgii, Calocybe gambosa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689695: Edible mushrooms, Tricholoma squarrulosum, do-coloured tricholoma, Tricholoma columbetta and St. George's mushroom, Tricholoma georgii, Calocybe gambosa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

Page with horn, reign of Louis XII, 1500. Handcoloured steel engraving by Hippolyte Pauquet after Xavier Willemin (1763-1833), French antiquarian and engraver, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Page with horn, reign of Louis XII, 1500. Handcoloured steel engraving by Hippolyte Pauquet after Xavier Willemin (1763-1833), French antiquarian and engraver, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685867: Page with horn, reign of Louis XII, 1500. Handcoloured steel engraving by Hippolyte Pauquet after Xavier Willemin (1763-1833), French antiquarian and engraver, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Orders of flowers: Siliculosa, Seliquosa, Polygamia, Monogamia, Filicus, Fungi, etc. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Orders of flowers: Siliculosa, Seliquosa, Polygamia, Monogamia, Filicus, Fungi, etc. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685769: Orders of flowers: Siliculosa, Seliquosa, Polygamia, Monogamia, Filicus, Fungi, etc. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Doge of Venice, after Abraham de Bruyn, 1580 - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865
Doge of Venice, after Abraham de Bruyn, 1580 - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865

FLO4686356: Doge of Venice, after Abraham de Bruyn, 1580 - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865 / Bridgeman Images

Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688689: Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

Chinese butterfly with black and red white wings. Identified by George Edwards (1694-1773) in Natural History Gleanings. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Chinese butterfly with black and red white wings. Identified by George Edwards (1694-1773) in Natural History Gleanings. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687398: Chinese butterfly with black and red white wings. Identified by George Edwards (1694-1773) in Natural History Gleanings. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Red apple ingestrie (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Red Ingestrie apple, Malus domestica, hybrid of an Orange Pippin and Old Golden Pippin raised at Wormsley Grange. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Red apple ingestrie (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Red Ingestrie apple, Malus domestica, hybrid of an Orange Pippin and Old Golden Pippin raised at Wormsley Grange. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687844: Red apple ingestrie (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Red Ingestrie apple, Malus domestica, hybrid of an Orange Pippin and Old Golden Pippin raised at Wormsley Grange. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Our Lady has the child, 15th century (painting on wood)
Our Lady has the child, 15th century (painting on wood)

JLJ4687622: Our Lady has the child, 15th century (painting on wood), Bouts, Dirck (c.1415-75) / Bridgeman Images

A Young Gentleman, 17th century (oil on canvas)
A Young Gentleman, 17th century (oil on canvas)

JLJ4686841: A Young Gentleman, 17th century (oil on canvas), Jonge, Jan Martszen de (1609/10-47/67) / Bridgeman Images

Skaters, 19th century (oil on canvas)
Skaters, 19th century (oil on canvas)

JLJ4688488: Skaters, 19th century (oil on canvas), Verwee, Louis (1807-1877) / Bridgeman Images

Departing From Bayard De Brescia, 1512, 1821 (oil on canvas)
Departing From Bayard De Brescia, 1512, 1821 (oil on canvas)

JLJ4688047: Departing From Bayard De Brescia, 1512, 1821 (oil on canvas), Bidault, Jean Joseph (1758-1846) / Bridgeman Images

Skulls of an ancient Cimbrian, an Estonian Finn, and a Lapp. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).
Skulls of an ancient Cimbrian, an Estonian Finn, and a Lapp. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).

FLO4688655: Skulls of an ancient Cimbrian, an Estonian Finn, and a Lapp. Lithograph by J. Bull from James Cowles Prichard's Natural History of Man (Balliere, London, 1855). / Bridgeman Images

Cafeier, cafe - Branch, leaf, fruit and flower of the coffee tree, Coffea arabica. Copperplate engraving from Abbe Antoine Francois Prevost's Histoire generale des voyages, Paris, 1746.
Cafeier, cafe - Branch, leaf, fruit and flower of the coffee tree, Coffea arabica. Copperplate engraving from Abbe Antoine Francois Prevost's Histoire generale des voyages, Paris, 1746.

FLO4688307: Cafeier, cafe - Branch, leaf, fruit and flower of the coffee tree, Coffea arabica. Copperplate engraving from Abbe Antoine Francois Prevost's Histoire generale des voyages, Paris, 1746. / Bridgeman Images

Guinea pig and capybara - Guinea pig, Cavia porcellus, and capybara, Hydrochoerus hydrochaeris. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Guinea pig and capybara - Guinea pig, Cavia porcellus, and capybara, Hydrochoerus hydrochaeris. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685762: Guinea pig and capybara - Guinea pig, Cavia porcellus, and capybara, Hydrochoerus hydrochaeris. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Sign of the Zodiac: The Pisces. Scene of fishing, c.1520 (fresco)
Sign of the Zodiac: The Pisces. Scene of fishing, c.1520 (fresco)

LRI4687499: Sign of the Zodiac: The Pisces. Scene of fishing, c.1520 (fresco), Falconetto, Giovanni Maria (1468-1535) / Bridgeman Images

Christ leaving the priest, 1872 (oil on canvas)
Christ leaving the priest, 1872 (oil on canvas)

JLJ4689996: Christ leaving the priest, 1872 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Full-length portrait of Hortense de Beauharnais, Queen of Holland (1783-1837), 1807 (oil on canvas)
Full-length portrait of Hortense de Beauharnais, Queen of Holland (1783-1837), 1807 (oil on canvas)

JLJ4685217: Full-length portrait of Hortense de Beauharnais, Queen of Holland (1783-1837), 1807 (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

Scipio's continence. After his victory in the Punic War Scipio the African (235-183 BC), 16th century (oil on canvas)
Scipio's continence. After his victory in the Punic War Scipio the African (235-183 BC), 16th century (oil on canvas)

JLJ4687419: Scipio's continence. After his victory in the Punic War Scipio the African (235-183 BC), 16th century (oil on canvas), Abate, Nicolo dell' (c.1512-71) / Bridgeman Images


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