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Chalice of brown paste from the tomb of the bronze tank, 680-670 BC
Chalice of brown paste from the tomb of the bronze tank, 680-670 BC

LRI4689830: Chalice of brown paste from the tomb of the bronze tank, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689830

Chalice of brown paste from the tomb of the bronze tank, 680-670 BC

Etruscan, (7th century BC)

Prince mushroom, Agaricus augustus (Psalliota augusta) and field mushroom, Agaricus campestris (Psalliota campestris). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Prince mushroom, Agaricus augustus (Psalliota augusta) and field mushroom, Agaricus campestris (Psalliota campestris). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689946: Prince mushroom, Agaricus augustus (Psalliota augusta) and field mushroom, Agaricus campestris (Psalliota campestris). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689946

Prince mushroom, Agaricus augustus (Psalliota augusta) and field mushroom, Agaricus campestris (Psalliota campestris). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690214: The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690214

The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Livid entoloma or livid agaric, Entoloma sinuatum (Entoloma lividum). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Livid entoloma or livid agaric, Entoloma sinuatum (Entoloma lividum). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689906: Livid entoloma or livid agaric, Entoloma sinuatum (Entoloma lividum). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689906

Livid entoloma or livid agaric, Entoloma sinuatum (Entoloma lividum). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)
The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)

LRI4690283: The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco), Consolo (Magister Conxolus) (13th century) / Bridgeman Images

ID: LRI4690283

The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)

Consolo (Magister Conxolus) (13th century)

Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689950: Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689950

Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689999: Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689999

Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Austrian pink copper. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.
Austrian pink copper. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

FLO4690021: Austrian pink copper. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images

ID: FLO4690021

Austrian pink copper. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690146: The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690146

The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690202: The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690202

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy
The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy

LRI4690207: The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy, Sienese School, (14th century) / Bridgeman Images

ID: LRI4690207

The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy

Sienese School, (14th century)

The disbelief of the apostle Thomas, 14th century (Fresco)
The disbelief of the apostle Thomas, 14th century (Fresco)

LRI4690218: The disbelief of the apostle Thomas, 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690218

The disbelief of the apostle Thomas, 14th century (Fresco)

Sienese School, (14th century)

The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690445: The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690445

The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690501: The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690501

The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690573: The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690573

The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

View of the Holy Staircase, decorated with frescoes. 14th century (photography)
View of the Holy Staircase, decorated with frescoes. 14th century (photography)

LRI4690640: View of the Holy Staircase, decorated with frescoes. 14th century (photography), Master Trecentesco of Sacro Speco School (14th Century) / Bridgeman Images

ID: LRI4690640

View of the Holy Staircase, decorated with frescoes. 14th century (photography)

Master Trecentesco of Sacro Speco School (14th Century)

Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690644: Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690644

Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

View of the apse decorated with frescoes, 13th century (photography)
View of the apse decorated with frescoes, 13th century (photography)

LRI4690673: View of the apse decorated with frescoes, 13th century (photography), Italian School / Bridgeman Images

ID: LRI4690673

View of the apse decorated with frescoes, 13th century (photography)

Italian School

The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690683: The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690683

The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690319: The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690319

The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690387: The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690387

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690440: The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690440

The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Presentation at the temple. The Holy Family in front of Symeon. 14th century (fresco)
Presentation at the temple. The Holy Family in front of Symeon. 14th century (fresco)

LRI4690537: Presentation at the temple. The Holy Family in front of Symeon. 14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690537

Presentation at the temple. The Holy Family in front of Symeon. 14th century (fresco)

Sienese School, (14th century)

Parrots: tricolor ara and banksian or Banks cacatoes. Lithogaphie de Guyard d'apres une illustration de Jean Gabriel Pretre (1780-1845), published in Dictionnaire des sciences naturelles, by Antoine Jussieu (1686-1758), Paris, edition Levrault, 1816-1830.
Parrots: tricolor ara and banksian or Banks cacatoes. Lithogaphie de Guyard d'apres une illustration de Jean Gabriel Pretre (1780-1845), published in Dictionnaire des sciences naturelles, by Antoine Jussieu (1686-1758), Paris, edition Levrault, 1816-1830.

FLO4690638: Parrots: tricolor ara and banksian or Banks cacatoes. Lithogaphie de Guyard d'apres une illustration de Jean Gabriel Pretre (1780-1845), published in Dictionnaire des sciences naturelles, by Antoine Jussieu (1686-1758), Paris, edition Levrault, 1816-1830. / Bridgeman Images

ID: FLO4690638

Parrots: tricolor ara and banksian or Banks cacatoes. Lithogaphie de Guyard d'apres une illustration de Jean Gabriel Pretre (1780-1845), published in Dictionnaire des sciences naturelles, by Antoine Jussieu (1686-1758), Paris, edition Levrault, 1816-1830.

Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692180: Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692180

Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692192: Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692192

Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Hamadryas baboon, Papio hamadryas. Simia hamadryas Linn. Handcoloured copperplate engraving by Tyroff after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Hamadryas baboon, Papio hamadryas. Simia hamadryas Linn. Handcoloured copperplate engraving by Tyroff after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692233: Hamadryas baboon, Papio hamadryas. Simia hamadryas Linn. Handcoloured copperplate engraving by Tyroff after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692233

Hamadryas baboon, Papio hamadryas. Simia hamadryas Linn. Handcoloured copperplate engraving by Tyroff after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692256: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692256

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692274: Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692274

Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692370: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692370

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

Streptopus has embracing leaves or knotted Solomon seal - Twistedstalk, Streptopus amplexifolius. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871
Streptopus has embracing leaves or knotted Solomon seal - Twistedstalk, Streptopus amplexifolius. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

FLO4692372: Streptopus has embracing leaves or knotted Solomon seal - Twistedstalk, Streptopus amplexifolius. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871 / Bridgeman Images

ID: FLO4692372

Streptopus has embracing leaves or knotted Solomon seal - Twistedstalk, Streptopus amplexifolius. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

Autumn yellow crocus or picker - Autumn daffodil, Sternbergia lutea. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Autumn yellow crocus or picker - Autumn daffodil, Sternbergia lutea. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692439: Autumn yellow crocus or picker - Autumn daffodil, Sternbergia lutea. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4692439

Autumn yellow crocus or picker - Autumn daffodil, Sternbergia lutea. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692532: Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4692532

Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

Narcissus has two flowers - April beauty, Narcissus medioluteus (Narcissus biflorus). Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Narcissus has two flowers - April beauty, Narcissus medioluteus (Narcissus biflorus). Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692534: Narcissus has two flowers - April beauty, Narcissus medioluteus (Narcissus biflorus). Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4692534

Narcissus has two flowers - April beauty, Narcissus medioluteus (Narcissus biflorus). Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

American or American Agave - American aloe, Agave americana. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
American or American Agave - American aloe, Agave americana. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692558: American or American Agave - American aloe, Agave americana. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4692558

American or American Agave - American aloe, Agave americana. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

Walrus, Odobenus rosmarus. Vulnerable. Trichecus rosmarus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Walrus, Odobenus rosmarus. Vulnerable. Trichecus rosmarus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692201: Walrus, Odobenus rosmarus. Vulnerable. Trichecus rosmarus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692201

Walrus, Odobenus rosmarus. Vulnerable. Trichecus rosmarus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.


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