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Burgher and woman of Nuremberg, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Burgher and woman of Nuremberg, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705804: Burgher and woman of Nuremberg, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705804

Burgher and woman of Nuremberg, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Portrait of American composer David Tudor around 1980.
Portrait of American composer David Tudor around 1980.

MME4705896: Portrait of American composer David Tudor around 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4705896

Portrait of American composer David Tudor around 1980.

Mencarini, Marcello

Knights fighting on horseback, sword duel during a tournament. Both are armed with their sword and shield, but without a helm, the most dangerous battle in a tournament. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knights fighting on horseback, sword duel during a tournament. Both are armed with their sword and shield, but without a helm, the most dangerous battle in a tournament. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708268: Knights fighting on horseback, sword duel during a tournament. Both are armed with their sword and shield, but without a helm, the most dangerous battle in a tournament. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708268

Knights fighting on horseback, sword duel during a tournament. Both are armed with their sword and shield, but without a helm, the most dangerous battle in a tournament. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of rock musician Frank Zappa in 1982.
Portrait of rock musician Frank Zappa in 1982.

MME4706621: Portrait of rock musician Frank Zappa in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706621

Portrait of rock musician Frank Zappa in 1982.

Mencarini, Marcello

Portrait of the writer and painter Cesare Zavattini in his studio in 1979.
Portrait of the writer and painter Cesare Zavattini in his studio in 1979.

MME4706823: Portrait of the writer and painter Cesare Zavattini in his studio in 1979., Mencarini, Marcello / Bridgeman Images

ID: MME4706823

Portrait of the writer and painter Cesare Zavattini in his studio in 1979.

Mencarini, Marcello

Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008
Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008

MME4706856: Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008, Mencarini, Marcello / Bridgeman Images

ID: MME4706856

Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008

Mencarini, Marcello

Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008
Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008

MME4706862: Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008, Mencarini, Marcello / Bridgeman Images

ID: MME4706862

Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008

Mencarini, Marcello

Portrait of Argentine writer Jorge Luis Borges with his wife Maria Kodama in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges with his wife Maria Kodama in Rome, 1981.

MME4707063: Portrait of Argentine writer Jorge Luis Borges with his wife Maria Kodama in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707063

Portrait of Argentine writer Jorge Luis Borges with his wife Maria Kodama in Rome, 1981.

Mencarini, Marcello

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708525: Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708525

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of the French realizer Claude Chabrol in 1988.
Portrait of the French realizer Claude Chabrol in 1988.

MME4708656: Portrait of the French realizer Claude Chabrol in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4708656

Portrait of the French realizer Claude Chabrol in 1988.

Mencarini, Marcello

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707141: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707141

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707281: Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707281

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707301: Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707301

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707530: Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707530

Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.
Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

TEC4707545: Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986., Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707545

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

Picasso, Pablo (1881-1973)

Compendial borage. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered borage, Borago officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.
Compendial borage. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered borage, Borago officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

FLO4702032: Compendial borage. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered borage, Borago officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4702032

Compendial borage. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered borage, Borago officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Sowerby, James (1757-1822)

The Meeting of St Dominic and St Francis of Assisi (oil on canvas, 17th century)
The Meeting of St Dominic and St Francis of Assisi (oil on canvas, 17th century)

LRI4702240: The Meeting of St Dominic and St Francis of Assisi (oil on canvas, 17th century), Preti, Mattia (Il Calabrese) (1613-99) / Bridgeman Images

ID: LRI4702240

The Meeting of St Dominic and St Francis of Assisi (oil on canvas, 17th century)

Preti, Mattia (Il Calabrese) (1613-99)

Portrait of American saxophonist Sonny Rollings around 1980.
Portrait of American saxophonist Sonny Rollings around 1980.

MME4702337: Portrait of American saxophonist Sonny Rollings around 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4702337

Portrait of American saxophonist Sonny Rollings around 1980.

Mencarini, Marcello

Anglo Saxon lyres 122, 123, harps 124, 125, violin 126, bell 127 and horse with bridle and saddle 128. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.
Anglo Saxon lyres 122, 123, harps 124, 125, violin 126, bell 127 and horse with bridle and saddle 128. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

FLO4702462: Anglo Saxon lyres 122, 123, harps 124, 125, violin 126, bell 127 and horse with bridle and saddle 128. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810. / Bridgeman Images

ID: FLO4702462

Anglo Saxon lyres 122, 123, harps 124, 125, violin 126, bell 127 and horse with bridle and saddle 128. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century, mosaic floor (mosaic)
Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century, mosaic floor (mosaic)

MEP4704364: Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century, mosaic floor (mosaic) / Bridgeman Images

ID: MEP4704364

Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century, mosaic floor (mosaic)

Violinist Isaac Stern in 1995.
Violinist Isaac Stern in 1995.

MME4704427: Violinist Isaac Stern in 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4704427

Violinist Isaac Stern in 1995.

Mencarini, Marcello

Violinist Isaac Stern in 1995.
Violinist Isaac Stern in 1995.

MME4704482: Violinist Isaac Stern in 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4704482

Violinist Isaac Stern in 1995.

Mencarini, Marcello

Louvre: ceiling by Georges Braque (1882-1963) decorates blue birds (1951) (photo)
Louvre: ceiling by Georges Braque (1882-1963) decorates blue birds (1951) (photo)

TEC4704719: Louvre: ceiling by Georges Braque (1882-1963) decorates blue birds (1951) (photo), Braque, Georges (1882-1963) / Bridgeman Images

ID: TEC4704719

Louvre: ceiling by Georges Braque (1882-1963) decorates blue birds (1951) (photo)

Braque, Georges (1882-1963)

Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706378: Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4706378

Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Portrait of the Russian writer Sergei Zalygin in 1990.
Portrait of the Russian writer Sergei Zalygin in 1990.

MME4706533: Portrait of the Russian writer Sergei Zalygin in 1990., Mencarini, Marcello / Bridgeman Images

ID: MME4706533

Portrait of the Russian writer Sergei Zalygin in 1990.

Mencarini, Marcello

Portrait of the German composer Karlheinz Stockhausen, 1995.
Portrait of the German composer Karlheinz Stockhausen, 1995.

MME4705023: Portrait of the German composer Karlheinz Stockhausen, 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4705023

Portrait of the German composer Karlheinz Stockhausen, 1995.

Mencarini, Marcello

Portrait of Italian director Giorgio Strehler in 1979.
Portrait of Italian director Giorgio Strehler in 1979.

MME4705215: Portrait of Italian director Giorgio Strehler in 1979., Mencarini, Marcello / Bridgeman Images

ID: MME4705215

Portrait of Italian director Giorgio Strehler in 1979.

Mencarini, Marcello

Portrait of French chief operator Henri Alekan in 1989.
Portrait of French chief operator Henri Alekan in 1989.

MME4706916: Portrait of French chief operator Henri Alekan in 1989., Mencarini, Marcello / Bridgeman Images

ID: MME4706916

Portrait of French chief operator Henri Alekan in 1989.

Mencarini, Marcello

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707121: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707121

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

French comedian Dominique Sanda
French comedian Dominique Sanda

MME4702571: French comedian Dominique Sanda, Mencarini, Marcello / Bridgeman Images

ID: MME4702571

French comedian Dominique Sanda

Mencarini, Marcello

Saint Guthlac de Croyland - St. Guthlac of Crowland (673-714) is ordained by Bishop Headda of Lichfield. From the Guthlac Roll. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Saint Guthlac de Croyland - St. Guthlac of Crowland (673-714) is ordained by Bishop Headda of Lichfield. From the Guthlac Roll. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702781: Saint Guthlac de Croyland - St. Guthlac of Crowland (673-714) is ordained by Bishop Headda of Lichfield. From the Guthlac Roll. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702781

Saint Guthlac de Croyland - St. Guthlac of Crowland (673-714) is ordained by Bishop Headda of Lichfield. From the Guthlac Roll. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Spanish artist Antoni Tapies in Venice in 1993.
Spanish artist Antoni Tapies in Venice in 1993.

MME4705423: Spanish artist Antoni Tapies in Venice in 1993., Mencarini, Marcello / Bridgeman Images

ID: MME4705423

Spanish artist Antoni Tapies in Venice in 1993.

Mencarini, Marcello

A farm girl from Pavia, Italy, carrying sneakers of vegetables, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
A farm girl from Pavia, Italy, carrying sneakers of vegetables, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705436: A farm girl from Pavia, Italy, carrying sneakers of vegetables, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705436

A farm girl from Pavia, Italy, carrying sneakers of vegetables, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705483: Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705483

Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705497: Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705497

Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Portrait of German comedian Horst Tappert (interpreter of Inspector Derrick in the series of the same name) posing with two gendarmes.
Portrait of German comedian Horst Tappert (interpreter of Inspector Derrick in the series of the same name) posing with two gendarmes.

MME4705511: Portrait of German comedian Horst Tappert (interpreter of Inspector Derrick in the series of the same name) posing with two gendarmes., Mencarini, Marcello / Bridgeman Images

ID: MME4705511

Portrait of German comedian Horst Tappert (interpreter of Inspector Derrick in the series of the same name) posing with two gendarmes.

Mencarini, Marcello


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