Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497532 Search Results

S (sowing) -
S (sowing) -

DUV4215544: S (sowing) - "Alphabet of the farm" end of 19th century (Epinal print) / Bridgeman Images

C : Croquet - Gravure extraite de
C : Croquet - Gravure extraite de

DUV4218834: C : Croquet - Gravure extraite de "Alphabet des jeux ", , vers 1890 / Bridgeman Images

Bust of the King of France Francois I Anonymous sculpture of the 16th century Chateau de Blois
Bust of the King of France Francois I Anonymous sculpture of the 16th century Chateau de Blois

SYC4193524: Bust of the King of France Francois I Anonymous sculpture of the 16th century Chateau de Blois / Bridgeman Images

Still life of tomatoes
Still life of tomatoes

XEE4191383: Still life of tomatoes / Bridgeman Images

Plate decorated with green coulures. North-West Iran or Caucasus, 11th-12th century. Ceramic, grave decor and painted. Louvre Museum
Plate decorated with green coulures. North-West Iran or Caucasus, 11th-12th century. Ceramic, grave decor and painted. Louvre Museum

SYC4193683: Plate decorated with green coulures. North-West Iran or Caucasus, 11th-12th century. Ceramic, grave decor and painted. Louvre Museum / Bridgeman Images

Large pelvis with felin. North-West Iran, 11th-13th century. Ceramic, champleve and grave decor. Louvre Museum
Large pelvis with felin. North-West Iran, 11th-13th century. Ceramic, champleve and grave decor. Louvre Museum

SYC4193686: Large pelvis with felin. North-West Iran, 11th-13th century. Ceramic, champleve and grave decor. Louvre Museum / Bridgeman Images

Tabernacle door. Spain, around 1450-1500. Carved and painted wood. Musee du Louvre
Tabernacle door. Spain, around 1450-1500. Carved and painted wood. Musee du Louvre

SYC4193738: Tabernacle door. Spain, around 1450-1500. Carved and painted wood. Musee du Louvre / Bridgeman Images

Stele de Bakr. Egypt, Aswan, 2nd half of the 11th century. Gres, sculpted decor. Musee du Louvre
Stele de Bakr. Egypt, Aswan, 2nd half of the 11th century. Gres, sculpted decor. Musee du Louvre

SYC4193849: Stele de Bakr. Egypt, Aswan, 2nd half of the 11th century. Gres, sculpted decor. Musee du Louvre / Bridgeman Images

Ahvaz cemetery. A frieze element adorning a tomb marker (cenotaph). Anguular writing on a background of vegetable rinceaux. Louvre Museum
Ahvaz cemetery. A frieze element adorning a tomb marker (cenotaph). Anguular writing on a background of vegetable rinceaux. Louvre Museum

SYC4193882: Ahvaz cemetery. A frieze element adorning a tomb marker (cenotaph). Anguular writing on a background of vegetable rinceaux. Louvre Museum / Bridgeman Images

Pseudo-inscription cup. Susa, Iran, 9th-10th century. Clayey paste, decor painted on glaze. Louvre Museum
Pseudo-inscription cup. Susa, Iran, 9th-10th century. Clayey paste, decor painted on glaze. Louvre Museum

SYC4193906: Pseudo-inscription cup. Susa, Iran, 9th-10th century. Clayey paste, decor painted on glaze. Louvre Museum / Bridgeman Images

Woodwork in the “” bevel style”. Egypt, 9th century. Carved pine. Musee du Louvre
Woodwork in the “” bevel style”. Egypt, 9th century. Carved pine. Musee du Louvre

SYC4193975: Woodwork in the “” bevel style”. Egypt, 9th century. Carved pine. Musee du Louvre / Bridgeman Images

Element of the minbar of the great mosque of Kairouan. Tunisia, second half of the 9th century. Teak carves biface. Louvre Museum
Element of the minbar of the great mosque of Kairouan. Tunisia, second half of the 9th century. Teak carves biface. Louvre Museum

SYC4194012: Element of the minbar of the great mosque of Kairouan. Tunisia, second half of the 9th century. Teak carves biface. Louvre Museum / Bridgeman Images

Jug with animal decor. Iran, 7th-9th century. Clay ceramic, decor with a splash. Louvre Museum
Jug with animal decor. Iran, 7th-9th century. Clay ceramic, decor with a splash. Louvre Museum

SYC4194021: Jug with animal decor. Iran, 7th-9th century. Clay ceramic, decor with a splash. Louvre Museum / Bridgeman Images

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -
The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

SYC4194114: The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France - / Bridgeman Images

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -
The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

SYC4194210: The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France - / Bridgeman Images

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -
The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

SYC4194306: The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France - / Bridgeman Images

The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -
The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France -

SYC4194382: The Kerzerho alignments - Les Geants de Kerzerho - Alignements de Kerzerho - Menhirs et Dolmens - Brittany - Morbihan - France - / Bridgeman Images

Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)
Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)

SYC4194463: Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise) / Bridgeman Images

Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)
Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)

SYC4194469: Gothic art: view of the Cistercian monastery of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise) / Bridgeman Images

The Orsay Museum. Paris. France - Beams and arch separating exhibition halls along the central allee of sculptures - Musee d'Orsay, Paris - Photography 2017
The Orsay Museum. Paris. France - Beams and arch separating exhibition halls along the central allee of sculptures - Musee d'Orsay, Paris - Photography 2017

SYC4194783: The Orsay Museum. Paris. France - Beams and arch separating exhibition halls along the central allee of sculptures - Musee d'Orsay, Paris - Photography 2017 / Bridgeman Images

The Orsay Museum. Paris. France - View of the stairs of access to the museum - Musee d'Orsay, Paris - Photography 2017
The Orsay Museum. Paris. France - View of the stairs of access to the museum - Musee d'Orsay, Paris - Photography 2017

SYC4194853: The Orsay Museum. Paris. France - View of the stairs of access to the museum - Musee d'Orsay, Paris - Photography 2017 / Bridgeman Images

“The Adventures of Robin Hood, by Michael Curtiz & William Keighley, 1938
“The Adventures of Robin Hood, by Michael Curtiz & William Keighley, 1938

PCT4269198: “The Adventures of Robin Hood, by Michael Curtiz & William Keighley, 1938 / Bridgeman Images

Errol Flynn (Robin) and Olivia De Havilland (Marianne-Lady Marian) in the film “The Adventures of Robin Hood, Michael Curtiz & William Kighley, 1938). Photograph published on the last cover of the French magazine “” Mon film”” in February 1948.
Errol Flynn (Robin) and Olivia De Havilland (Marianne-Lady Marian) in the film “The Adventures of Robin Hood, Michael Curtiz & William Kighley, 1938). Photograph published on the last cover of the French magazine “” Mon film”” in February 1948.

PCT4264307: Errol Flynn (Robin) and Olivia De Havilland (Marianne-Lady Marian) in the film “The Adventures of Robin Hood, Michael Curtiz & William Kighley, 1938). Photograph published on the last cover of the French magazine “” Mon film”” in February 1948. / Bridgeman Images

Parade or parade room of the princess, architect Germain Boffrand (1667-1754), circa 1737. Hotel de Soubise, Paris, 18th century
Parade or parade room of the princess, architect Germain Boffrand (1667-1754), circa 1737. Hotel de Soubise, Paris, 18th century

SYC4194899: Parade or parade room of the princess, architect Germain Boffrand (1667-1754), circa 1737. Hotel de Soubise, Paris, 18th century / Bridgeman Images

The staircase, architect Charles Lelong (1793-1861) and Edouard Dubois (1795-1813), between 1840 and 1846. On the ceiling, France attaching its archives to the dawn of time, painting by Felix Jobbe Duval (1821-1889), between 1877 and 1881. Hotel de Soubise, Paris, 18th century
The staircase, architect Charles Lelong (1793-1861) and Edouard Dubois (1795-1813), between 1840 and 1846. On the ceiling, France attaching its archives to the dawn of time, painting by Felix Jobbe Duval (1821-1889), between 1877 and 1881. Hotel de Soubise, Paris, 18th century

SYC4195050: The staircase, architect Charles Lelong (1793-1861) and Edouard Dubois (1795-1813), between 1840 and 1846. On the ceiling, France attaching its archives to the dawn of time, painting by Felix Jobbe Duval (1821-1889), between 1877 and 1881. Hotel de Soubise, Paris, 18th century / Bridgeman Images

The glass and crystal chandelier of the Princess's Oval Salon, architect Germain Boffrand (1667-1754), 1737. Hotel de Soubise, Paris, 18th century
The glass and crystal chandelier of the Princess's Oval Salon, architect Germain Boffrand (1667-1754), 1737. Hotel de Soubise, Paris, 18th century

SYC4195113: The glass and crystal chandelier of the Princess's Oval Salon, architect Germain Boffrand (1667-1754), 1737. Hotel de Soubise, Paris, 18th century / Bridgeman Images

The complacent pastor or the cage. Painting by Francois Boucher (1703-1770). Princess's parade or parade room. Hotel de Soubise, Paris, 18th century
The complacent pastor or the cage. Painting by Francois Boucher (1703-1770). Princess's parade or parade room. Hotel de Soubise, Paris, 18th century

SYC4195122: The complacent pastor or the cage. Painting by Francois Boucher (1703-1770). Princess's parade or parade room. Hotel de Soubise, Paris, 18th century / Bridgeman Images

The Circus directed by Charlie Chaplin, 1928
The Circus directed by Charlie Chaplin, 1928

PCT4263640: The Circus directed by Charlie Chaplin, 1928 / Bridgeman Images

Dance belt (“” Wizard Necklace”). Set made of white shells, straps to the braid cord belt. 16th or 17th century. Origin: Guiana region, northern Brazil. Saint Genevieve Library, Paris
Dance belt (“” Wizard Necklace”). Set made of white shells, straps to the braid cord belt. 16th or 17th century. Origin: Guiana region, northern Brazil. Saint Genevieve Library, Paris

SYC4194876: Dance belt (“” Wizard Necklace”). Set made of white shells, straps to the braid cord belt. 16th or 17th century. Origin: Guiana region, northern Brazil. Saint Genevieve Library, Paris / Bridgeman Images

Detail of the metal frame of the entrance ceiling. Bibliotheque Saint Genevieve, Paris, architect Henri Labrouste (1801-1875), 1843-1850
Detail of the metal frame of the entrance ceiling. Bibliotheque Saint Genevieve, Paris, architect Henri Labrouste (1801-1875), 1843-1850

SYC4194963: Detail of the metal frame of the entrance ceiling. Bibliotheque Saint Genevieve, Paris, architect Henri Labrouste (1801-1875), 1843-1850 / Bridgeman Images

Fragment of Le rise de l'aurore, painting by Louis Durameau (1733-1796). (Decors coming from the Chancellery of Orleans, exhibited in the princess's anteroom, destined for the hotel de Rohan). Hotel de Soubise, Paris, 18th century
Fragment of Le rise de l'aurore, painting by Louis Durameau (1733-1796). (Decors coming from the Chancellery of Orleans, exhibited in the princess's anteroom, destined for the hotel de Rohan). Hotel de Soubise, Paris, 18th century

SYC4195012: Fragment of Le rise de l'aurore, painting by Louis Durameau (1733-1796). (Decors coming from the Chancellery of Orleans, exhibited in the princess's anteroom, destined for the hotel de Rohan). Hotel de Soubise, Paris, 18th century / Bridgeman Images

The cornice above the mirror, with the coat of arms (the macle, a diamond pierces another diamond, from which two branches of laurel and oak come out) and the motto of the Soubises “sine macula macla” (without faults, without stain). Chambre du Prince, Hotel de Soubise, Paris, 18th century
The cornice above the mirror, with the coat of arms (the macle, a diamond pierces another diamond, from which two branches of laurel and oak come out) and the motto of the Soubises “sine macula macla” (without faults, without stain). Chambre du Prince, Hotel de Soubise, Paris, 18th century

SYC4195081: The cornice above the mirror, with the coat of arms (the macle, a diamond pierces another diamond, from which two branches of laurel and oak come out) and the motto of the Soubises “sine macula macla” (without faults, without stain). Chambre du Prince, Hotel de Soubise, Paris, 18th century / Bridgeman Images

The Prince's Salon, in grey and green camaieu, architect Germain Boffrand (1667-1754), 1735. Hotel de Soubise, Paris, 18th century
The Prince's Salon, in grey and green camaieu, architect Germain Boffrand (1667-1754), 1735. Hotel de Soubise, Paris, 18th century

SYC4195144: The Prince's Salon, in grey and green camaieu, architect Germain Boffrand (1667-1754), 1735. Hotel de Soubise, Paris, 18th century / Bridgeman Images

Detail of the hunt of Sainte Genevieve. Church of Saint Etienne du Mont, Paris, (1491-1624)
Detail of the hunt of Sainte Genevieve. Church of Saint Etienne du Mont, Paris, (1491-1624)

SYC4195367: Detail of the hunt of Sainte Genevieve. Church of Saint Etienne du Mont, Paris, (1491-1624) / Bridgeman Images

The transept, or aretes form a hanging key or protruding crown. Church Saint Etienne du Mont, Paris, (1491-1624)
The transept, or aretes form a hanging key or protruding crown. Church Saint Etienne du Mont, Paris, (1491-1624)

SYC4195433: The transept, or aretes form a hanging key or protruding crown. Church Saint Etienne du Mont, Paris, (1491-1624) / Bridgeman Images

Clock, Grand Palais, Paris.
Clock, Grand Palais, Paris.

LSE4197457: Clock, Grand Palais, Paris. / Bridgeman Images


Back to top