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William and Kate Blake, 1974 (pencil on paper)
William and Kate Blake, 1974 (pencil on paper)

ACO5947785: William and Kate Blake, 1974 (pencil on paper), Inshaw, David (b.1943) / Bridgeman Images

ID: ACO5947785

William and Kate Blake, 1974 (pencil on paper)

Inshaw, David (b.1943)

'The Deluge' illustrations: Animals going to the Ark [5/10], 1927 (wood engraving)
'The Deluge' illustrations: Animals going to the Ark [5/10], 1927 (wood engraving)

ACO5947810: 'The Deluge' illustrations: Animals going to the Ark [5/10], 1927 (wood engraving), Jones, David Michael (1895-1974) / Bridgeman Images

ID: ACO5947810

'The Deluge' illustrations: Animals going to the Ark [5/10], 1927 (wood engraving)

Jones, David Michael (1895-1974)

Silver half karshapana, Avanti (India), Madhya Pradesh
Silver half karshapana, Avanti (India), Madhya Pradesh

FIT5948057: Silver half karshapana, Avanti (India), Madhya Pradesh, Indian school, (3rd century BC) / Bridgeman Images

ID: FIT5948057

Silver half karshapana, Avanti (India), Madhya Pradesh

Indian school, (3rd century BC)

Pym 1972 2, 2019 (digital)
Pym 1972 2, 2019 (digital)

AGW5948226: Pym 1972 2, 2019 (digital), Dow, Stephen / Bridgeman Images

ID: AGW5948226

Pym 1972 2, 2019 (digital)

Dow, Stephen

Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)
Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)

COU5948312: Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines), Pereda y Salgado, Antonio (1611-78) (attr.to) / Bridgeman Images

ID: COU5948312

Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)

Pereda y Salgado, Antonio (1611-78) (attr.to)

Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]
Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]

COU5948314: Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313], Cano, Alonso (1601-67) (attr. to) / Bridgeman Images

ID: COU5948314

Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]

Cano, Alonso (1601-67) (attr. to)

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)
Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

COU5948323: Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines), March, Esteban (c.1590-d.c.1660) (circle of) / Bridgeman Images

ID: COU5948323

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

March, Esteban (c.1590-d.c.1660) (circle of)

Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper)
Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper)

COU5948353: Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper), Cano, Alonso (1601-67) (follower of) / Bridgeman Images

ID: COU5948353

Susannah and the Elders (recto), 17th cemtiru (traces of charcoal, pen & brown ink over brown-grey ink, with brown ink framing lines on laid paper)

Cano, Alonso (1601-67) (follower of)

Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373]
Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373]

COU5948374: Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373], Vanderbank, John (1694-1739) / Bridgeman Images

ID: COU5948374

Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373]

Vanderbank, John (1694-1739)

Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)
Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)

COU5948377: Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper), Clerck, Hendrik de (1570-1629) / Bridgeman Images

ID: COU5948377

Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)

Clerck, Hendrik de (1570-1629)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948395: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948395

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948398: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948398

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support)
Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support)

COU5948404: Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: COU5948404

Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support)

Beardsley, Aubrey (1872-98)

Study of a seated actor in a plumed hat: Capitano from the Commedia dell'Arte (recto), c.1636-38 (pen & ink and watercolour on paper)
Study of a seated actor in a plumed hat: Capitano from the Commedia dell'Arte (recto), c.1636-38 (pen & ink and watercolour on paper)

COU5948434: Study of a seated actor in a plumed hat: Capitano from the Commedia dell'Arte (recto), c.1636-38 (pen & ink and watercolour on paper), Rembrandt Harmensz. van Rijn (1606-69) (school of) / Bridgeman Images

ID: COU5948434

Study of a seated actor in a plumed hat: Capitano from the Commedia dell'Arte (recto), c.1636-38 (pen & ink and watercolour on paper)

Rembrandt Harmensz. van Rijn (1606-69) (school of)

Black-glazed bowl, 1913-19 (black-glazed earthenware) [see 5948441]
Black-glazed bowl, 1913-19 (black-glazed earthenware) [see 5948441]

COU5948440: Black-glazed bowl, 1913-19 (black-glazed earthenware) [see 5948441], Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: COU5948440

Black-glazed bowl, 1913-19 (black-glazed earthenware) [see 5948441]

Fry, Roger Eliot (1866-1934)

Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours)
Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours)

COU5948455: Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours), Grant, Duncan (1885-1978) / Bridgeman Images

ID: COU5948455

Plate with overglaze painted design of a cat (?) face and paws, 1913 (commercially produced white glazed plate overpainted with four colours)

Grant, Duncan (1885-1978)

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)
Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

COU5948518: Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing), Mamluk Sultanate school, (15th-16th century) / Bridgeman Images

ID: COU5948518

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

Mamluk Sultanate school, (15th-16th century)

Evian Cable Car
Evian Cable Car

SBE5948550: Evian Cable Car / Bridgeman Images

ID: SBE5948550

Evian Cable Car

Evian Cable Car
Evian Cable Car

SBE5948559: Evian Cable Car / Bridgeman Images

ID: SBE5948559

Evian Cable Car

Evian Cable Car
Evian Cable Car

SBE5948571: Evian Cable Car / Bridgeman Images

ID: SBE5948571

Evian Cable Car

Michael Clark & Company in 'Because We Must', Battersea, London, 12th-16th December 1988 (photo)
Michael Clark & Company in 'Because We Must', Battersea, London, 12th-16th December 1988 (photo)

COY5948577: Michael Clark & Company in 'Because We Must', Battersea, London, 12th-16th December 1988 (photo), Conway, Dee (b.1947) / Bridgeman Images

ID: COY5948577

Michael Clark & Company in 'Because We Must', Battersea, London, 12th-16th December 1988 (photo)

Conway, Dee (b.1947)

Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo)
Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo)

SZT5948599: Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo) / Bridgeman Images

ID: SZT5948599

Camp for Syrian civil war refugees in Domiz - Iraq, 27 March 2014 (photo)

Camp for Syrian civil war refugees in Arbat - Iraq
Camp for Syrian civil war refugees in Arbat - Iraq

SZT5948602: Camp for Syrian civil war refugees in Arbat - Iraq / Bridgeman Images

ID: SZT5948602

Camp for Syrian civil war refugees in Arbat - Iraq

Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)
Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)

COU5948342: Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support), Spanish School, (17th century) / Bridgeman Images

ID: COU5948342

Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)

Spanish School, (17th century)

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)
View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

COU5948372: View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom), Bazzicaluva, Ercole Frigoni (1607-after c.1661) / Bridgeman Images

ID: COU5948372

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

Bazzicaluva, Ercole Frigoni (1607-after c.1661)

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)
Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

COU5948384: Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue), Keuninck, Kerstiaen de (c.1560-1633) / Bridgeman Images

ID: COU5948384

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

Keuninck, Kerstiaen de (c.1560-1633)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948399: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948399

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper)
Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper)

COU5948429: Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper), Savery, Roelandt Jacobsz. (1576-1639) / Bridgeman Images

ID: COU5948429

Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper)

Savery, Roelandt Jacobsz. (1576-1639)

Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount)
Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount)

COU5948438: Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount), Lear, Edward (1812-88) / Bridgeman Images

ID: COU5948438

Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount)

Lear, Edward (1812-88)

11th-12th century walrus ivory figures mounted on a medieval-style copper-clad oak box, 19th century (carved walrus ivory and gilded and stamped copper-clad wood)
11th-12th century walrus ivory figures mounted on a medieval-style copper-clad oak box, 19th century (carved walrus ivory and gilded and stamped copper-clad wood)

COU5948468: 11th-12th century walrus ivory figures mounted on a medieval-style copper-clad oak box, 19th century (carved walrus ivory and gilded and stamped copper-clad wood), German School / Bridgeman Images

ID: COU5948468

11th-12th century walrus ivory figures mounted on a medieval-style copper-clad oak box, 19th century (carved walrus ivory and gilded and stamped copper-clad wood)

German School

Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet)
Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet)

COU5948483: Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet), Flemish or Burgundian school, (15th century) / Bridgeman Images

ID: COU5948483

Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet)

Flemish or Burgundian school, (15th century)

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)
Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

COU5948519: Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing), Mamluk Sultanate school, (15th-16th century) / Bridgeman Images

ID: COU5948519

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

Mamluk Sultanate school, (15th-16th century)

Bowl of engraved brass inlaid with silver and remains of gold inlay; cover missing, 1500-25 (metalworked brass and silver inlay)
Bowl of engraved brass inlaid with silver and remains of gold inlay; cover missing, 1500-25 (metalworked brass and silver inlay)

COU5948522: Bowl of engraved brass inlaid with silver and remains of gold inlay; cover missing, 1500-25 (metalworked brass and silver inlay), Mamluk Sultanate school, (16th century) / Bridgeman Images

ID: COU5948522

Bowl of engraved brass inlaid with silver and remains of gold inlay; cover missing, 1500-25 (metalworked brass and silver inlay)

Mamluk Sultanate school, (16th century)

Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)
Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)

COU5948528: Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding), Venetian School, (16th century) / Bridgeman Images

ID: COU5948528

Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)

Venetian School, (16th century)

Grande Danseuse A, c.1911 (bronze) [see 5948535]
Grande Danseuse A, c.1911 (bronze) [see 5948535]

COU5948534: Grande Danseuse A, c.1911 (bronze) [see 5948535], Rodin, Auguste (1840-1917) / Bridgeman Images

ID: COU5948534

Grande Danseuse A, c.1911 (bronze) [see 5948535]

Rodin, Auguste (1840-1917)

Camp for Syrian civil war refugees in Domiz - Iraq
Camp for Syrian civil war refugees in Domiz - Iraq

SZT5948600: Camp for Syrian civil war refugees in Domiz - Iraq / Bridgeman Images

ID: SZT5948600

Camp for Syrian civil war refugees in Domiz - Iraq


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