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Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680875: Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680875

Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Regal moth, Citheronia regalis (Persimon moth, Phalaena regia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.
Regal moth, Citheronia regalis (Persimon moth, Phalaena regia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.

FLO4681036: Regal moth, Citheronia regalis (Persimon moth, Phalaena regia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803. / Bridgeman Images

ID: FLO4681036

Regal moth, Citheronia regalis (Persimon moth, Phalaena regia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.

Sun spider, Galeodes araneoides (Poisonous solpuga, Solpuga venenosa). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.
Sun spider, Galeodes araneoides (Poisonous solpuga, Solpuga venenosa). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

FLO4681086: Sun spider, Galeodes araneoides (Poisonous solpuga, Solpuga venenosa). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804. / Bridgeman Images

ID: FLO4681086

Sun spider, Galeodes araneoides (Poisonous solpuga, Solpuga venenosa). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865
Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865

FLO4689457: Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865 / Bridgeman Images

ID: FLO4689457

Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865

Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689623: Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689623

Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Etruscan civilization: female bronze statuette from Brolio. 550 BC. Dim. 36 cm Florence, Museo Archeologico, inv. 561
Etruscan civilization: female bronze statuette from Brolio. 550 BC. Dim. 36 cm Florence, Museo Archeologico, inv. 561

LRI4689650: Etruscan civilization: female bronze statuette from Brolio. 550 BC. Dim. 36 cm Florence, Museo Archeologico, inv. 561, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689650

Etruscan civilization: female bronze statuette from Brolio. 550 BC. Dim. 36 cm Florence, Museo Archeologico, inv. 561

Etruscan, (6th century BC)

Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico
Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico

LRI4689653: Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689653

Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico

Etruscan, (6th century BC)

Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC
Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC

LRI4689730: Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689730

Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC

Etruscan, (7th century BC)

Death cap mushroom, Amanita phalloides, and fool's mushroom. Highly poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Death cap mushroom, Amanita phalloides, and fool's mushroom. Highly poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689756: Death cap mushroom, Amanita phalloides, and fool's mushroom. Highly poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689756

Death cap mushroom, Amanita phalloides, and fool's mushroom. Highly poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC
Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC

LRI4689766: Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689766

Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC

Etruscan, (4th century BC)

Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689786: Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689786

Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673214: Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673214

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673308: Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673308

Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673395: Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673395

Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building
New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building

PIX4673442: New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building / Bridgeman Images

ID: PIX4673442

New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building

Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678997: Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678997

Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Variete d'heliconia (so-called floury) - Plate engraved by S.Watts, based on an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Powdered heliconia, Heliconia farinosa (Heliconia pulverulenta) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1833
Variete d'heliconia (so-called floury) - Plate engraved by S.Watts, based on an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Powdered heliconia, Heliconia farinosa (Heliconia pulverulenta) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4679068: Variete d'heliconia (so-called floury) - Plate engraved by S.Watts, based on an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Powdered heliconia, Heliconia farinosa (Heliconia pulverulenta) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4679068

Variete d'heliconia (so-called floury) - Plate engraved by S.Watts, based on an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Powdered heliconia, Heliconia farinosa (Heliconia pulverulenta) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833
Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833

FLO4679083: Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4679083

Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671610: Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671610

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Teacher flogging a child with birch twigs in a Regency school. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Teacher flogging a child with birch twigs in a Regency school. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679234: Teacher flogging a child with birch twigs in a Regency school. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

ID: FLO4679234

Teacher flogging a child with birch twigs in a Regency school. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

Two bronze hands, 680-670 BC
Two bronze hands, 680-670 BC

LRI4688963: Two bronze hands, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4688963

Two bronze hands, 680-670 BC

Etruscan, (7th century BC)

Bronze wristlets, 680-670 BC
Bronze wristlets, 680-670 BC

LRI4688972: Bronze wristlets, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4688972

Bronze wristlets, 680-670 BC

Etruscan, (7th century BC)

Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672515: Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672515

Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672592: Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672592

Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689011: Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689011

Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689093: Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689093

Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy
Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy

LRI4689688: Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689688

Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy

Etruscan, (5th century BC)

Edible mushrooms: Tricholoma pessundatum, Tricholoma panaeolum. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Edible mushrooms: Tricholoma pessundatum, Tricholoma panaeolum. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689715: Edible mushrooms: Tricholoma pessundatum, Tricholoma panaeolum. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689715

Edible mushrooms: Tricholoma pessundatum, Tricholoma panaeolum. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Poisonous mushrooms: milkcap, Lactarius scrobiculatus, and birch milkcap, L. theiogalus, L. tabidus. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Poisonous mushrooms: milkcap, Lactarius scrobiculatus, and birch milkcap, L. theiogalus, L. tabidus. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689747: Poisonous mushrooms: milkcap, Lactarius scrobiculatus, and birch milkcap, L. theiogalus, L. tabidus. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689747

Poisonous mushrooms: milkcap, Lactarius scrobiculatus, and birch milkcap, L. theiogalus, L. tabidus. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Sign of the Zodiac: The ram. Caius Mucius Scaevola, introduced into the enemy camp of Etruscan king Porsenna, is subjected to fire to reveal his identity, c.1520 (fresco)
Sign of the Zodiac: The ram. Caius Mucius Scaevola, introduced into the enemy camp of Etruscan king Porsenna, is subjected to fire to reveal his identity, c.1520 (fresco)

LRI4687357: Sign of the Zodiac: The ram. Caius Mucius Scaevola, introduced into the enemy camp of Etruscan king Porsenna, is subjected to fire to reveal his identity, c.1520 (fresco), Falconetto, Giovanni Maria (1468-1535) / Bridgeman Images

ID: LRI4687357

Sign of the Zodiac: The ram. Caius Mucius Scaevola, introduced into the enemy camp of Etruscan king Porsenna, is subjected to fire to reveal his identity, c.1520 (fresco)

Falconetto, Giovanni Maria (1468-1535)

FREDDY HUBBARD, trombettisa/trumpet player
FREDDY HUBBARD, trombettisa/trumpet player

MME4696190: FREDDY HUBBARD, trombettisa/trumpet player, Mencarini, Marcello / Bridgeman Images

ID: MME4696190

FREDDY HUBBARD, trombettisa/trumpet player

Mencarini, Marcello

GRACE JONES, singer, Festival di Sanremo 1991/Pop singer GRACE JONES, Sanremo Festival 1991
GRACE JONES, singer, Festival di Sanremo 1991/Pop singer GRACE JONES, Sanremo Festival 1991

MME4696240: GRACE JONES, singer, Festival di Sanremo 1991/Pop singer GRACE JONES, Sanremo Festival 1991, Mencarini, Marcello / Bridgeman Images

ID: MME4696240

GRACE JONES, singer, Festival di Sanremo 1991/Pop singer GRACE JONES, Sanremo Festival 1991

Mencarini, Marcello

Pop singer and model Grace Jones, about 1980/GRACE JONES, 1980 circa
Pop singer and model Grace Jones, about 1980/GRACE JONES, 1980 circa

MME4696271: Pop singer and model Grace Jones, about 1980/GRACE JONES, 1980 circa, Mencarini, Marcello / Bridgeman Images

ID: MME4696271

Pop singer and model Grace Jones, about 1980/GRACE JONES, 1980 circa

Mencarini, Marcello

The abdomen of a woman in the sixth or seventh month of pregnancy, showing uterus, intestines, labia pudendi. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.
The abdomen of a woman in the sixth or seventh month of pregnancy, showing uterus, intestines, labia pudendi. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.

FLO4696326: The abdomen of a woman in the sixth or seventh month of pregnancy, showing uterus, intestines, labia pudendi. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780. / Bridgeman Images

ID: FLO4696326

The abdomen of a woman in the sixth or seventh month of pregnancy, showing uterus, intestines, labia pudendi. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.

Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675439: Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675439

Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675506: The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675506

The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.


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