FLO4688219: Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688466: Ajetas or Negritos, male and female aborigines of Luzon, Philippines, in earrings, loincloth, holding bow and arrows, standing over the carcass of a deer. Taken from J. Mallat's “” The Philippines”” 1846Handcoloured lithograph by Madeley from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688567: The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688613: Aleut woman of the Aleutian islands, northern Pacific Ocean. She wears a cross on a necklace, earrings, and her hair in plaits. Taken from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4671827: Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images
FLO4671868: Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images
FLO4672143: Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images
FLO4680108: Roman mythology: Veritas, goddess of truth, with an aureole, naked holding a palm and a mirror - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Veritas, Roman goddess of truth, with halo, holding mirror and palm d- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images
FLO4688911: Moss rose, Rosa muscosa, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images
FLO4691924: Painted woolly bat, Kerivoula picta. Vespertilio pictus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve. from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4692003: Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4692180: Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4692192: Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4692217: Mandrill, Mandrillus sphinx. Vulnerable. Simia mormon Alstroem. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Eberhard Ihle from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4692274: Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4684239: Fulgore carries lantern, lantern fly or peanut bug. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Lantern fly, peanut bug, peanut-headed lanternfly, alligator bug, machaca, great lanthorn-fly or firefly. Fulgora laternaria (Fulgora lanternaria). Madam Merian says, “” the light of one of these insects is so vivid that a person may see to read a newspaper by it... However, she seems to have introduced an imaginary figure, representing the Cicada tibican with the head of a Fulgora. The light emitted by the firefly proceeds entirely from the hollow part, or lantern of the head.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images
FLO4684308: Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images
FLO4684355: Lazy has three fingers. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Three-toed sloth or pale-throated sloth. Bradypus tridactylus. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images