1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502163 Search Results

Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688219: Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

ID: FLO4688219

Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688353: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

ID: LBY4688353

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (1929-2025)

Woman of the San people (Bushman), South Africa, 19th century, in hat, fur cloak and robe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman of the San people (Bushman), South Africa, 19th century, in hat, fur cloak and robe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688376: Woman of the San people (Bushman), South Africa, 19th century, in hat, fur cloak and robe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688376

Woman of the San people (Bushman), South Africa, 19th century, in hat, fur cloak and robe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688392: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

ID: LBY4688392

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

Gehry, Frank (1929-2025)

Ajetas or Negritos, male and female aborigines of Luzon, Philippines, in earrings, loincloth, holding bow and arrows, standing over the carcass of a deer. Taken from J. Mallat's “” The Philippines”” 1846Handcoloured lithograph by Madeley from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Ajetas or Negritos, male and female aborigines of Luzon, Philippines, in earrings, loincloth, holding bow and arrows, standing over the carcass of a deer. Taken from J. Mallat's “” The Philippines”” 1846Handcoloured lithograph by Madeley from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688466: Ajetas or Negritos, male and female aborigines of Luzon, Philippines, in earrings, loincloth, holding bow and arrows, standing over the carcass of a deer. Taken from J. Mallat's “” The Philippines”” 1846Handcoloured lithograph by Madeley from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688466

Ajetas or Negritos, male and female aborigines of Luzon, Philippines, in earrings, loincloth, holding bow and arrows, standing over the carcass of a deer. Taken from J. Mallat's “” The Philippines”” 1846Handcoloured lithograph by Madeley from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Peugeot car driving luxury 301. 20th century poster, 20th century (print)
Peugeot car driving luxury 301. 20th century poster, 20th century (print)

JLJ4688530: Peugeot car driving luxury 301. 20th century poster, 20th century (print) / Bridgeman Images

ID: JLJ4688530

Peugeot car driving luxury 301. 20th century poster, 20th century (print)

The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688567: The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688567

The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Aleut woman of the Aleutian islands, northern Pacific Ocean. She wears a cross on a necklace, earrings, and her hair in plaits. Taken from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Aleut woman of the Aleutian islands, northern Pacific Ocean. She wears a cross on a necklace, earrings, and her hair in plaits. Taken from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688613: Aleut woman of the Aleutian islands, northern Pacific Ocean. She wears a cross on a necklace, earrings, and her hair in plaits. Taken from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688613

Aleut woman of the Aleutian islands, northern Pacific Ocean. She wears a cross on a necklace, earrings, and her hair in plaits. Taken from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Hee-doh-gee-ats, a Chinook boy of 15 or 18 years of age whose head had never been flattened. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Hee-doh-gee-ats, a Chinook boy of 15 or 18 years of age whose head had never been flattened. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688617: Hee-doh-gee-ats, a Chinook boy of 15 or 18 years of age whose head had never been flattened. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688617

Hee-doh-gee-ats, a Chinook boy of 15 or 18 years of age whose head had never been flattened. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688622: Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688622

Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Jockeys in racing silks on thoroughbred horses on a race course before a cheering crowd. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Jockeys in racing silks on thoroughbred horses on a race course before a cheering crowd. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688653: Jockeys in racing silks on thoroughbred horses on a race course before a cheering crowd. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688653

Jockeys in racing silks on thoroughbred horses on a race course before a cheering crowd. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Jewish Pedlar selling fob watches to a milkmaid with jug. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Jewish Pedlar selling fob watches to a milkmaid with jug. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688678: Jewish Pedlar selling fob watches to a milkmaid with jug. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688678

Jewish Pedlar selling fob watches to a milkmaid with jug. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688689: Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688689

Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Conical-shaped tip of a plough, 6th century BC
Conical-shaped tip of a plough, 6th century BC

LRI4688791: Conical-shaped tip of a plough, 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4688791

Conical-shaped tip of a plough, 6th century BC

Etruscan, (6th century BC)

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671827: Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671827

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671868: Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671868

Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672143: Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672143

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679500: Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

ID: FLO4679500

Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Roman mythology: Veritas, goddess of truth, with an aureole, naked holding a palm and a mirror - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Veritas, Roman goddess of truth, with halo, holding mirror and palm d- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Veritas, goddess of truth, with an aureole, naked holding a palm and a mirror - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Veritas, Roman goddess of truth, with halo, holding mirror and palm d- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4680108: Roman mythology: Veritas, goddess of truth, with an aureole, naked holding a palm and a mirror - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Veritas, Roman goddess of truth, with halo, holding mirror and palm d- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4680108

Roman mythology: Veritas, goddess of truth, with an aureole, naked holding a palm and a mirror - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Veritas, Roman goddess of truth, with halo, holding mirror and palm d- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Moss rose, Rosa muscosa, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Moss rose, Rosa muscosa, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688911: Moss rose, Rosa muscosa, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688911

Moss rose, Rosa muscosa, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Etruscan civilization: bronze shield, 520 BC (Etruscan art: bronze shield, 520 BC) Diam 90 cm Florence, Museo Archeologico, inv 70520
Etruscan civilization: bronze shield, 520 BC (Etruscan art: bronze shield, 520 BC) Diam 90 cm Florence, Museo Archeologico, inv 70520

LRI4688976: Etruscan civilization: bronze shield, 520 BC (Etruscan art: bronze shield, 520 BC) Diam 90 cm Florence, Museo Archeologico, inv 70520, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4688976

Etruscan civilization: bronze shield, 520 BC (Etruscan art: bronze shield, 520 BC) Diam 90 cm Florence, Museo Archeologico, inv 70520

Etruscan, (6th century BC)

The common basilica (lezard). Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
The common basilica (lezard). Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680317: The common basilica (lezard). Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680317

The common basilica (lezard). Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672626: Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672626

Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Plaque depicting an offering to Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Plaque depicting an offering to Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689029: Plaque depicting an offering to Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689029

Plaque depicting an offering to Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Painted woolly bat, Kerivoula picta. Vespertilio pictus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve. from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Painted woolly bat, Kerivoula picta. Vespertilio pictus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve. from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691924: Painted woolly bat, Kerivoula picta. Vespertilio pictus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve. from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691924

Painted woolly bat, Kerivoula picta. Vespertilio pictus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve. from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692003: Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692003

Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692180: Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692180

Mandrill even, Mandrillus sphinx. Vulnerable. Simia sphynx Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692192: Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692192

Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Mandrill, Mandrillus sphinx. Vulnerable. Simia mormon Alstroem. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Eberhard Ihle from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Mandrill, Mandrillus sphinx. Vulnerable. Simia mormon Alstroem. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Eberhard Ihle from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692217: Mandrill, Mandrillus sphinx. Vulnerable. Simia mormon Alstroem. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Eberhard Ihle from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692217

Mandrill, Mandrillus sphinx. Vulnerable. Simia mormon Alstroem. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Eberhard Ihle from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692274: Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692274

Nicobar crab-eating macaque, Macaca fascicularis. Simia cynomolgos Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Fulgore carries lantern, lantern fly or peanut bug. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Lantern fly, peanut bug, peanut-headed lanternfly, alligator bug, machaca, great lanthorn-fly or firefly. Fulgora laternaria (Fulgora lanternaria). Madam Merian says, “” the light of one of these insects is so vivid that a person may see to read a newspaper by it... However, she seems to have introduced an imaginary figure, representing the Cicada tibican with the head of a Fulgora. The light emitted by the firefly proceeds entirely from the hollow part, or lantern of the head.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Fulgore carries lantern, lantern fly or peanut bug. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Lantern fly, peanut bug, peanut-headed lanternfly, alligator bug, machaca, great lanthorn-fly or firefly. Fulgora laternaria (Fulgora lanternaria). Madam Merian says, “” the light of one of these insects is so vivid that a person may see to read a newspaper by it... However, she seems to have introduced an imaginary figure, representing the Cicada tibican with the head of a Fulgora. The light emitted by the firefly proceeds entirely from the hollow part, or lantern of the head.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684239: Fulgore carries lantern, lantern fly or peanut bug. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Lantern fly, peanut bug, peanut-headed lanternfly, alligator bug, machaca, great lanthorn-fly or firefly. Fulgora laternaria (Fulgora lanternaria). Madam Merian says, “” the light of one of these insects is so vivid that a person may see to read a newspaper by it... However, she seems to have introduced an imaginary figure, representing the Cicada tibican with the head of a Fulgora. The light emitted by the firefly proceeds entirely from the hollow part, or lantern of the head.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684239

Fulgore carries lantern, lantern fly or peanut bug. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Lantern fly, peanut bug, peanut-headed lanternfly, alligator bug, machaca, great lanthorn-fly or firefly. Fulgora laternaria (Fulgora lanternaria). Madam Merian says, “” the light of one of these insects is so vivid that a person may see to read a newspaper by it... However, she seems to have introduced an imaginary figure, representing the Cicada tibican with the head of a Fulgora. The light emitted by the firefly proceeds entirely from the hollow part, or lantern of the head.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684308: Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684308

Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Lazy has three fingers. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Three-toed sloth or pale-throated sloth. Bradypus tridactylus. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).
Lazy has three fingers. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Three-toed sloth or pale-throated sloth. Bradypus tridactylus. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684355: Lazy has three fingers. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Three-toed sloth or pale-throated sloth. Bradypus tridactylus. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684355

Lazy has three fingers. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Three-toed sloth or pale-throated sloth. Bradypus tridactylus. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692532: Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4692532

Marsh Gladiolus or sword lily, Gladiolus palustris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

German iris or gardens - German iris, Iris germanica. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
German iris or gardens - German iris, Iris germanica. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692648: German iris or gardens - German iris, Iris germanica. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4692648

German iris or gardens - German iris, Iris germanica. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

Iris des garrigues - Crimean iris, Iris lutescens. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Iris des garrigues - Crimean iris, Iris lutescens. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692719: Iris des garrigues - Crimean iris, Iris lutescens. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4692719

Iris des garrigues - Crimean iris, Iris lutescens. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.


Back to top